REVIEW: "DC Universe: Rebirth" #1 Makes the Future of DC Comics Look Genuinely Bright
Awards | March: Book One, by John Lewis, Andrew Aydin and Nate Powell, was honored this morning at the American Library Association Midwinter Meeting in Philadelphia with the Coretta Scott King (Author) Book Award, recognizing an African American author and illustrator of outstanding books for children and young adults. Other youth media winners include: Lucy Knisley’s Relish, the Alex Award as one of the 10 best adult books that appeal to teens; Chip Kidd’s Go: A Kidd’s Guide to Graphic Design, a finalist for the YALSA Award for Excellence in Nonfiction for Young Adults; and Brian Selznick, recipient of the May Hill Arbuthnot Honor Lecture Award. [press release]
Passings | One of Fiji’s best-known cartoonists, Laisiasa Naulumatua, was remembered by his former editor as someone who relied on humor rather than venom to make his point. A number of former government officials, including a former prime minister, came to pay their respects to the cartoonist, who used the pen name Lai, at his funeral on Saturday. [The Fiji Times]
Wonder what Koyama Press has planned for the coming year? Well, wonder no more: The company has announced it will release four books in May and June, including titles by acclaimed cartoonists Michael DeForge (Lose, Very Casual) and Jesse Jacobs (By This You Shall Know Him).
DeForge’s A Body Beneath will collect material from issues 2-5 of his one-man anthology series Lose. Jacobs’ Safari Honeymoon follows a newly married couple as they venture into a mysterious forest filled with weird creatures.
Koyama Press will also publish Cat Person by Seo Kim, a collection of comics by the Adventure Time storyboard artist starring herself and her cat, and 100 Crushes, which compiles artist Elisha Lim‘s gay-themed comics.
Then, in November, the company will release Distance Mover by Patrick Kyle. about a man who owns a magical vehicle that can explore the world when not fending off the evil “Ooze.”
You can find more information about all of these books, including cost and ISBN number, as well as some preview pages, below.
Retailing | Fans of the Fall River, Massachusetts, retailer StillPoint Comics, Cards & Games kicked in $5,000 in a GoFundMe campaign to keep the store in business. The shop, which opened in 1997, had to close for 10 days last month after its power was shut off. [The Herald News]
Publishing | Following confirmation last month of a Space Mountain graphic novel series, Heidi MacDonald talks with executives from Disney Publishing Worldwide about the expansion of the new Disney Comics imprint. [Publishers Weekly]
Events | Sean Kleefeld reports on Day 1 of the Billy Ireland Cartoon Library & Museum Grand Opening Festival of Cartoon Art in Columbus, Ohio. [Kleefeld on Comics]
Is Noah Van Sciver the finest cartoonist of his generation? It certainly seems like he’s on the path to earn that title, as readers of The Hypo and his contribution to Alternative Comics #4 will attest. Van Sciver further underscores his considerable talent in Deep in the Woods, a two-man anthology published on newspaper. Van Sciver’s original (I’m assuming) fairy tale involves a hapless and poor young maiden who flees her evil stepmother and alcoholic father only to come across a supernatural benefactor in the shape of a floating cow’s head. The temptation to let the story delve into parody or slapstick must have been tremendous, especially during sequences like the one where the girl, Robin, attempts to feed the cow, only to have the stew slop out the back of its head. But Van Sciver plays it deadly straight here, keeping the comedy at a far, buried distance (though not so buried that it’s completely undetectable). Filling his pages with suffocating black ink, often in the form of nefarious tree branches that threaten to engulf the protagonists, Van Sciver has created a decidedly claustrophobic, downbeat fairy tale that is no less magical due to the storytelling craft on display.
Nic Breutzman is someone I’m less familiar with, or rather, I should say I’m not that familiar with his work at all. I like his contribution here though, a somewhat more modern tale involving a poor, meth-taking family, the level-headed young girl that serves as our protagonist, a grandfather who won’t come out of a well and a nefarious creature that lives in a hollow tree. I’m all about stories that place archetypical folk structures and place them in a modern setting and Breutzman does that well enough here that I’m going to keep an eye out for what he does next time.
Cat Person, by Seo Kim: Kim, a storyboard artist for the Cartoon Network show Adventure Time, started with a challenge to draw a cartoon a day and ended up with what looks like a winsome collection of cartoons about cats and everyday life.
A Body Beneath, by Michael DeForge: DeForge was nominated for an Eisner this year for his Lose #4; this is a collection of issues 2-5 of that anthology. I don’t think I can improve on this bit of catalog text: “He has crafted a phantasmagoria of stories that feature a spider-infested pet horse head, post-apocalyptic dogs dealing with existential angst, the romantic undertones of a hired hit, and more.”
Safari Honeymoon, by Jesse Jacobs: This seems to be the one graphic novel of the batch that has a single narrative arc; it’s the story of a newlywed couple who find love and horror on a honeymoon trip through the jungle.
100 Crushes, by Elisha Lim: A collection of new and previously published queer comics set in Toronto, Berlin, and Singapore, among other locales, and including “interviews, memoirs, and gossip from an international queer vanguard.”
In case you missed it in Comics A.M., there’s a great interview with Koyama Press publisher Annie Koyama at Sequential Highway.
(via Tom Spurgeon)
Editorial cartoons | Ahmad Akkari, one of the leaders of the protests in 2006 against the cartoons of the Prophet Muhammad published by the Danish newspaper Jyllands-Posten, now says he regrets his activities and has even apologized in person to one of the cartoonists, Kurt Westergaard. “I want to be clear today about the trip: It was totally wrong,” Akkari said in an interview with The Associated Press. “At that time, I was so fascinated with this logical force in the Islamic mindset that I could not see the greater picture. I was convinced it was a fight for my faith, Islam.” [The Guardian]
Passings | The body of Ramen Fighter Miki creator Jun Sadogawa (real name Mutsumi Kawato) was discovered early Tuesday hanging from a tree in a park in Ibaraki Prefecture’s Kitasōma District. According to police, evidence at the scene suggested suicide. The 34-year-old manga creator had been serializing Amane Atatameru in Weekly Shonen Champion magazine at the time of his death. [Anime News Network]
Note: My schedule has been all goofy lately which means I haven’t been able to post on a regular weekly basis or contribute to Cheat Sheet or What Are You Reading in the manner I’d like to. I know: Wah, wah, wah.
Meanwhile, the books keep piling up. And piling up.
So, in an effort to assuage my guilt, I attempted to run through some of the titles I’ve received in the mail in the past few months. Warning: I might do this again. I might not. I’m mercurial.
You’re All Just Jealous of My Jetpack by Tom Gauld (Drawn & Quarterly)
As appreciative as I am that we live in an era when cartoonists are encouraged to, and do, create lengthy, thoughtful, multi-layered stories, there’s something to be said for the simple pleasures of a gag strip – the fleeting joy that a really short, well-constructed joke can provide. I didn’t realize how much I missed that sort of thing until I read You’re All Just Jealous of My Jetpack, a collection of short strips that cartoonist Tom Gauld did for The Guardian. The bulk of the strips play upon classic stories, genre fiction or publishing in general. Gauld’s jokes are are silly enough and play upon familiar cliches well enough to make the reader feel smart even if you haven’t read, say, Zola’s “Germinal.” His minimalist, silhouetted style helps get the joke across as well. He’s also rather fond of diagrams and maps, which puts him in good company with folks like New Yorker cartoonists Roz Chast and Jack Ziegler I didn’t care much for Gauld’s last book, Goliath, which I thought milked a rather weak joke (gosh, the Biblical Goliath was actually a really nice guy!) but Jetpack had me frequently laughing out loud in the way that only my favorite comic strips do. Comics need more of this sort of “get in, get out quick” work right now and I’m happy that Gauld is here to fill that void.
Koyama Press announced four new titles Tuesday that are set to debut this spring: Very Casual and Lose #5 by Michael DeForge, Journal by Julie Delporte and Everything Takes Forever by Victor Kerlow. Keep reading for details …
One of the current stars in the Koyama Press lineup is Canadian artist Michael DeForge. So it’s no surprise that Koyama plans to publish the fifth issue of DeForge’s one-man anthology series Lose in 2013. The issue will feature three self-contained stories: “Living Outdoors” tracks two high school students as they explore a zoo and experiment with hallucinogens; “Muskoka” is the story of a cowboy on the road home to see his family; and “Recent Hires” follows a young author’s descent into the criminal underworld in order to win the affections of a girl.
Annie Koyama was kind enough to send us a two-page preview from the “Living Outdoors” story, which you can see below. I’d also highly recommend checking out a story DeForge recently posted to his blog, First Year Healthy.
If I am grateful for nothing else, it’s that 2012 was the year I was introduced to the work of Nathan Bulmer, creator of the daily and often uproariously funny webcomic Eat More Bikes. That introduction is in large part due to Tucker Stone, who has been regularly featuring Bulmer’s comics in his weekly column, “Comics of the Weak.”
Bulmer celebrated the end of the year with the release of his new comic, naturally titled Eat More Bikes, from Koyama Press. I had the chance to chat with Bulmer about the new series, how he got into comics and the challenges of producing a daily comic.
One of the more interesting, art-focused and idiosyncratic comic conventions around, the Brooklyn Comics and Graphics Festival, will take place this weekend.
The bulk of festival will be held from noon to 7 p.m. Saturday at Our Lady of Mount Carmel Church, located in the Williamsburg section of Brooklyn, N.Y. The show has expanded considerably, however, to include a number of other events, including gallery shows and a film festival.
Another Small Press Expo has come and gone, and I have the empty wallet to prove it. My official SPX report appears at Comic Book Resources. You can also hear me blathering on about the show with Joe McCulloch and Matt Seneca over here. Short recap: It was a great show, arguably the best SPX I’ve been to in a long while.
Despite my self-induced reputation as a horrible photographer, I opted to take photos at the show anyway.
The annual Small Press Expo, better known as SPX, will arrive at the Bethesda North Marriott Hotel and Convention Center in Bethesda, Maryland, Saturday and Sunday. This particular SPX promises to be excellent — mayhap the bestest SPX evar — so allow me to run through some of the goings-on if you happen to be in that area this weekend.
Dustin Harbin has been publishing his Diary Comics online on a more or less daily basis for some time, and Koyama Press has published the first three volumes, so this should come as no surprise: The publisher will release the fourth volume this fall. Here’s the note that Ed Kanerva sent with the announcement:
Dustin Harbin’s DIARY COMICS may have begun as a sketchbook exercise, and first seen print as a quotidian daily journal, but over their lifespan they’ve morphed into something more meaningful. They’ve become an exploration, not only of a person’s life, but of their own changing perception of that life. While the comics are no longer a daily-style journal, they still meander through whatever is on Harbin’s mind, warts and all, using the everyday events of his life to comment on the world and what it all might mean to one dumb cartoonist.
Of course you can read it all on Harbin’s website, but there’s a lot to be said for a nice collected edition in print.
AdHouse Books publisher Chris Pitzer announced on the company’s blog that he’s shutting down AdDistro, his distribution effort to make comics from small publishers and self-publishers available for purchase through AdHouse proper. Pitzer kicked off AdDistro two years ago.
“Basically, I started AdDistro with the thought that I was bringing hard-to-find bibliogoodness to the people,” Pitzer said in his post. “Times have a-changed, and now the once hard-to-find beautiful things are a little easier to obtain.”
Through AdDistro, Pitzer has distributed comics from Nobrow Press, Bernie Mireault, Thomas Herpich, Koyama Press, Revival House Press, Malachi Ward and Benjamin Marra.” While there was once a pond that kept Nobrow from us, now you can get their stuff from Consortium. While I was once the go-to place for Koyamaness, I am proud to point you Secret Acres way. Others have joined forces with others, and honestly, it was a lot of work, at least for lil’ ol’ AdCasa,” Pitzer said. “Adding Thomas Herpich and Bernie Mireault at the end was the proverbial icings on the cake.”
AdHouse still has several of the AdDistro books available on their site, so if you’d like to get your hands on them in one big swoop, head on over there and stock up.