Kris Anka Archives - Robot 6 @ Comic Book Resources
Anyone can be a hero, and in the independent comic series The Pride writer/creator Joe Glass has crafted a superhero supergroup made of LGTBQ characters. Debuting in 2012 in the United Kingdom with a six-issue series, which was followed by a spinoff called The Pride Adventures, the comic has been sold by Glass at conventions, by mail and via PDF. And this week it makes its debut on comXology.
“When I was growing up, and coming to terms with my sexuality, one of the things I always felt sad about was the fact there were no visible, openly gay superheroes I could relate to,” Glass wrote for an Indiegogo campaign for the series. “Sure, there were one or two, but they lived in the background or were poorly represented. Ever since then, I wanted to change that. And that’s what The Pride is all about.”
“Handcrafted with austere beauty and fierce determination, Princess Diana of Themyscira dons her iconic costume of stars and stripes, sworn to protect the world and uphold her mantle as Wonder Woman,” the Sideshow description reads. “[...] She carries a long spear across her shoulders, and her iconic shield grasped firmly at her side – but above all, she carries the Amazons’ message of peace and justice.”
The Sideshow Exclusive version gives collectors the option of replacing Wonder Woman’s shield with a labrys. Both versions are priced at $399.99; preorders begin Thursday.
Inspired by Brett White’s recent Comic Book resources column, Evan Shaner gathered together old sketches of his favorite X-Men, “yearbook-style,” which in turn inspired some other artists to draw their own top picks — as if ripped from the pages of the Xavier School for Gifted Youngsters/Jean Grey School for Higher Learning annual: Uncanny X-Force‘s Kris Anka, Thugg, Russel Dauterman, George Kambadais and, to bring everything full circle, Brett White.
You can see Shaner and Kambadais’ contributions in full below, with the others at their respective links.
Last month on our sister blog Comics Should Be Good, columnist Kelly Thompson wrote a piece titled “6 Sublime Superheroine Redesigns” that profiled several recent costume makeovers she thought effective and true to the characters. In the post and the ensuing comments, talk abounded about the subject of superheroines often being saddled with revealing costumes that lean more toward fan service than suitable crime-fighting gear. Some posters argued there’s a current trend toward female characters having less-revealing costumes than in the past — Psylocke’s recent wardrobe redesign by Kris Anka was cited as an example — and that it’s an overreaction by publishers and designers that panders to feminists.
Anka took umbrage with some of the comments, and it opened the floor to an interesting debate about the look of superheroes. On the surface it questions the near-universal portrayal of female superheroes in more sexualized garb, but also attempts to draw a line between drawing a superhero as sexy without necessarily being sexist.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, my Wednesday haul would start with Glory #30 (Image, $3.99). This series has been great, and since Kris Anka began doing covers, it’s gone to very great. Now, seeing New Yorker cartoonist Roman Muradov coming in to do a story makes it potentially even more, well, great. I’m psyched to see Glory face off against her sister, and Campbell’s depiction of both has been mesmerizing. Next I’d pick up Comeback #1 (Image, $3.50), featuring letterer Ed Brisson making his major writing debut. The cover design by Michael Walsh is impeccable, and the concept of time traveling for grieving loved ones is a fascinating concept. Next up, I’d get a Marvel double – Wolverine and the X-Men #21 (Marvel, $3.99) and Hawkeye #4 (Marvel, $2.99). This carnie issue of Wolverine and the X-Men is intriguing; it’s going out on a limb, but after what Jason Aaron and Nick Bradshaw have done so far, I trust them. With Hawkeye, I’m slightly hesitant to pick up an issue knowing David Aja isn’t drawing it, but Javier Pulido has the potential to be an ideal temporary substitute.
If I had $30, I’d look back on my $15 and reluctantly put Hawkeye #4 back on the shelf to free up money for Derek Kirk Kim’s Tune, Book 1: Vanishing Point (First Second, $16.99). Man oh man, do I love Kim’s work, and seeing the previews for this online makes me see a honing of the artist’s style akin to the way Bryan O’Malley did between Lost At Sea and Scott Pilgrim. Count me in.
If I could splurge, I’d take a chance on the anthology Digestate (Birdcage Bottom Books, $19.95). I’m no foodie like C.B. Cebulski, but I like food and I like anthologies so this is right up my alley; especially when the chefs include Jeffrey Brown and Liz Prince. Where’s my order?