Digital comics | Moulinsart, the company that holds the rights to Herge’s works, has released the complete Tintin comics in digital form. The iOS app is free, and it looks like the comics are $5.99 each, which is pretty reasonable. The catch is that they are all in the original French; it doesn’t appear as if translations are available yet. [Idboox]
Passings | Filipino komiks creator Jesse Santos died April 27 at the age of 83. Santos began his career in 1946 as an artist for the first serialized comic in the Philippines, Halakhak, and moved to the U.S. in the 1960s. He drew the sword-and-sorcery character Dragar the Invincible and took over from Dan Spiegle as artist for The Occult Files of Doctor Spektor. [Komikero Dot Com]
Broadway | Reeve Carney, who plays Peter Parker and Spider-Man in Spider-Man: Turn Off the Dark, has extended his contract with the musical through May. Carney’s original contract was set to expire in November. “I can’t imagine a more wonderful, harder-working company than my mates on Broadway, and I look forward to being with them until shooting begins, and again as soon as we’ve wrapped,” he said. [Wall Street Journal]
Creators | The works of cartoonists Frode Överli, Lise Myhre, Christopher Nielsen and Jason are being featured on postage stamps in Norway, in celebration of the 100th anniversary of the first comic book to be published in the country, The Katzenjammer Kids. [cats without dogs]
Creators | Firebreather creator and former Wonder Woman writer Phil Hester is profiled in conjunction with a visit to Limited Edition Comics and Collectibles in Cedar Falls, Iowa. [WCF Courier.com]
Eightball. Love and Rockets. Hate. Yummy Fur. Grit Bath. Meatcake. Palookaville. Dirty Plotte. In a distant time, serialized staple-bound solo anthology series dominated the alternative comics scene, and these (more or less) regularly published floppy-formatted comics roamed the earth in huge hordes. They also gave people interested in genres other than superheroes a reason to come back to comic shops week after week. Today they’re on the verge of extinction, supplanted by graphic novels and webcomics as the venues of choice for alternative work, with only a quixotic few — Alvin Buenaventura’s Pigeon Press, Igort and Fantagraphics’ Ignatz Line, Anders Nilsen’s recently completed Big Questions, the occasional issue of Uptight or Optic Nerve — keeping the torch lit.
But cartoonist Box Brown is looking to pull this fabled format back from the brink in a big way with Retrofit Comics, a new Kickstarter-funded publishing imprint seeking to publish fully 16 32-page pamphlet-format alternative comic books in a single year. Brown’s assembled an impressive line-up of creators for Retrofit Year One, including James Kochalka, Liz Bailie, Noah Van Sciver, L. Nichols, and Chuck Forsman — as well as a murderer’s row of retailers committed to carrying the comics, including The Beguiling, Jim Hanley’s Universe, Quimby’s, Desert Island, Floating World, Bergen Street, Chicago Comics, and Forbidden Planet UK. I think this last part is key. Brown explains that he’s doing this in part to provide alternative comics creators with the regular feedback of an audience as opposed to having them disappear from view for years at a time to draw a graphic novel, but that’s the sort of thing publishing to the web can take care of. What it can’t do is create an incentive for altcomix fans to visit their local comic shop, which would presumably drive more demand for similar books down the line. That’s worth pushing for.
I’ve been collecting David Bowie sketches from comics artists at shows and cons since MoCCA 2007. What can I say? He’s my favorite superhero. In that time I’ve amassed drawings of the chameleonic musician from 97 different artists, and adding to the collection is always a high priority for me at every show. I had exceptionally good luck at this year’s MoCCA — you better hang on to yourself as we flip through this year’s haul!
Niklas Asker (above): Oh man, look at that, just look at it. How can a sketch be shiny? Niklas Asker pulled it off with maybe the most elegant and sexy Bowie of the batch–no surprise, if you’ve seen his graphic novel Second Thoughts.
I came to shop.
Seriously, I was just about as excited for this past weekend’s MoCCA festival as I’ve ever been for any comic convention. And it wasn’t because of the guests or the panels or even getting to see so many of my friends and colleagues — it was because of the comics. The best thing about a small-press show is your ability to dig into the tables and come away with enough treasures to keep you reading happily for weeks. Proceeding from the top left of the picture above in as logical a fashion as I can manage, here’s a rundown of my personal treasure trove…