GIANT-SIZE X-POSITION: Lemire Launches "Extraordinary X-Men" - Part 1
Zak Sally’s Recidivist IV was one of the most difficult comics I’ve ever read. I don’t mean that in an aesthetic or emotional or abstract sense. I mean it was physically difficult to read, as I frequently had to hold the comic at odd angles, or directly up against sunlight to be able to read certain sentences.
That’s entirely intentional. Sally uses bright metallic inks, intricate, overlapping patterns and more to make the type difficult to discern, if not as downright enigmatic as the accompanying images. Containing short stories (although they feel more like essays or simple declarations at times) about characters at life-altering crossroads, and accompanied with a CD of drone music, Recidivist IV is generally what you thinks of when you hear the phrase “a challenging work.” As he noted on his blog, it certainly isn’t a “passive, easy reading experience.”
It might also be one of the best comics of 2014, smart and elegant and breathtaking, a comic that forces you to engage with it but rewards you with its tightrope act as the reading experience and the content cohere into a breathtaking whole.
I was first introduced to Zak Sally’s work via Recidivist, his collection of short stories, which knocked my proverbial socks off. I remember in particular being struck by his gravitas and willingness to poke at uncomfortable and dark places, not to mention his pitch-black sense of humor.
Sally has only gotten better since then, a fact most easily verified by his work on Sammy the Mouse, an ongoing, ostensibly funny-animal story that was initially serialized as part of Fantagraphics’ Ignatz series.
Now Sally has collected those three Ignatz issues and collected them into a smaller trade paperback, published via his own imprint, La Mano 21. In the true D.I.Y. spirit, Sally didn’t just stop there, but went on to even print the comic himself, using a 2-color press he bought.
I recently talked to Sally over email about the new Sammy collection, his decision to become a printer as well as a publisher and how his experience as a musician (he was a member of the band Low and recently released a solo album) informs his work as a cartoonist. I was touched and gratified by his candor and thoughtfulness, not to mention his willingness to answer my prickly, annoyingly personal questions with honesty and aplomb.
I wanted to start by asking you about your decision to not only publish the book yourself but print it as well. How did you get ahold of a printing press?
Well, in 2004 someone told me about one that’s been sitting in a basement here in Minneapolis, and it was going for $250. at that point in my life, it seemed like an idea worth trying, and a natural extension of doing zines/ self publishing etc. and the price was certainly right. Six years later i found a newer model, with 2-color capabilities, for $500. I sold my old press and quickly found out why the new one had gone for so cheap.
Welcome to another edition of What Are You Reading. Today our guest is cartoonist, musician and publisher Zak Sally. Sally is known outside comics circles as the former bassist for the band Low, but inside comic circles, he’s known for great books like Like A Dog and the Ignatz series Sammy the Mouse, the collected version of which Sally will be releasing any day now from his own La Mano 21 press.
To see what Sally and the rest of the Robot 6 crew have been reading this week, click on the link below.