SDCC EXCL.: Ennis Writes Creator-Owned "A Train Called Love" for Dynamite
Conventions | Samantha Melamed looks at the problem of harassment at comics conventions, particularly of cosplayers, and what some women are doing about it. The article includes interviews with artist Erin Filson, one of the co-founders of Geeks for CONsent, which has called upon Comic-Con International to institute a more specific, and more visible, anti-harassment policy; cosplayer Nicole Jacobs, who describes a recent incident at AwesomeCon; and psychology professor Kimberly Fairchild, who studies harassment. [The Philadelphia Inquirer]
Creators | Frequent collaborators Kieron Gillen and Jamie McKelvie discuss their new series The Wicked + The Divine, which debuted this week from Image Comics. [USA Today]
At comic conventions, a company like comiXology has to get creative in order to draw traffic to its booth; after all the digital distributor doesn’t have anything physical to sell, and it’s not like you can line up a bunch of creators to sign iPads. (I mean, you could, but why?) At New York Comic Con, however, comiXology is getting physical — by offering limited edition art cards during artist signings.
These limited-edition art cards will be signed and handed out during creator appearances at the comiXology booth, where you can meet Nick Dragotta (East of West), Greg Rucka and Michael Lark (Lazarus), Katie Cook (My Little Pony), Sara Richard (My Little Pony) and Doug Braithwaite (Unity #1). You can also meet Joshua Hale Fialkov and Joe Infurnari, creators of the wonderful The Bunker. They’ll be signing sketch cards that’ll have a code to get the first issue of The Bunker for free.
To see what Ed and the Robot 6 crew have been reading lately, click below.
You wouldn’t think it, but comics are a relatively new art form. Sure, people have used drawings to tell stories as far back as the caveman era, but comics as a realized art form are just over a 100 years old. Creators have frequently been flying by the seat of their pants to understand (and work successfully in) comics, with many of them learning for themselves as comics-specific classes are still relatively rare. As a guide to help artists avoid common mistakes, writer/artist/editor Larry Hama assembled what would become a key part of any creator’s toolkit: Wally Wood’s 22 Panels That Always Work.
After the original has been photocopied, faxed and passed around for more than three decades, artist Michael Avon Oeming has created an homage/update to that seminal reference using characters from his and Brian Michael Bendis’ Powers comic. Take a look:
For many readers who grew up in the 1980s, Marvel’s G.I. Joe #21 stands out as one of those rare comics that changed, or informed, the way they viewed the medium — or, at the very least, made them say, “Wait, you can do that?” (Alternately, “Wait, is this a printing error?”) Titled “Silent Interlude,” the 1984 issue by Larry Hama is notable not only for introducing the ninja Storm Shadow but for telling the story of Snake-Eyes’ infiltration of Destro’s castle without using a single word balloon, sound effect or caption. Hence, “Silent Interlude.”
Now, nearly three decades later, The Sixth Gun collaborators Cullen Bunn and Brian Hurtt are paying tribute to Hama’s modern classic with a silent issue of their supernatural Western from Oni Press.
“And here’s the strange part … the kismet, if you will. We knew we were going to do this issue at this point in the story,” Bunn writes on his blog. “What we weren’t sure is how the issues would break down. And neither of us had the numbering for that great issue of G.I. Joe in mind. Awhile back, we were signing at a comic book shop. We mentioned our plans for a silent issue to the manager. He quickly replied, ‘Is it gonna be issue 21? You know, like G.I. Joe?’ Brian and I quickly started doing the math in our heads and realized that, yes, Becky’s invasion of the stronghold of the Knights of Solomon would be happening around that point. It was a pleasant surprise for both of us. How’s that for unintentional awesomeness?”
You can check out a preview of the issue on Bunn’s website. The Sixth Gun #21 goes on sale next week.
Red Giant Entertainment has recruited several top names in the comics industry to contribute to Japan Needs Heroes, a graphic novel that aims to raise money for the Japan Society, a non-profit organization that has created a special disaster relief fund to aid victims of the Tohoku earthquake in Japan.
A press release that went out today from comiXology, which will distribute the book digitally when it is released, listed Stan Lee (who will provide the forward), Peter David, Ron Marz, Mike Deodato, Larry Hama, Jimmy Palmiotti, Elaine Lee, Amanda Conner, Howard Mackie and Brandon Peterson as contributors. You can find a list of additional creators on the book’s Kickstarter page, which Red Giant is using to fund the printing.
“My wife is from Japan,” said Benny R. Powell, CEO of Red Giant, “and her family still lives there. We hear daily reports of the fear and uncertainty they face. I realized we had to do something. Comics have a power to reach massive audiences and that’s a powerful thing. As more and more creators join our cause I believe we can raise a lot of money to help. This transcends any genre, medium, or publisher. This need is bigger than anything our world has ever faced, and we truly believe that together we can make a difference.”
The first-ever C2E2 — Chicago Comic & Entertainment Expo — is all but over, and no doubt Brigid and Michael will have more to say about the whole experience here soon. For now, here’s a roundup of news and info coming out of various panels from today, to go with our roundups from Friday and Saturday.