Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been checking out lately. Today our special guest is Chris Sims, senior writer for ComicsAlliance, blogger at Chris’s Invincible Super Blog and writer of comics like Dracula the Unconquered and Awesome Hospital.
To see what Chris and the Robot 6 crew have been reading, click below.
To see what Ales and the Robot 6 crew have been reading, click below.
Marvel NOW! is, well, now, with the launch of the you-got-your-chocolate-in-my-peanut-butter comic Uncanny Avengers last Wednesday. The first issue, by Rick Remender, John Cassaday, Laura Martin and Chris Eliopoulos, follows up on the conclusion of Avengers vs. X-Men as Captain America forms a new team that brings together members from those previously competing rivals.
Is the mix-and-match strategy oil and water, or a yummy Reese’s Peanut Butter Cup? Here are a few thoughts from around the web:
Alex Evans, Weekly Comic Book Review: “For those familiar with Rick Remender’s work, this title is very different from anything we’ve seen from him prior. With John Cassaday’s slick, polished artwork, this is the big, flagship Marvel Comic sort of book. Rest assured, however, that Remender nonetheless nails it, giving us an issue that almost feels like an issue from an event. That said, while Remender’s usual weirdness takes a backseat, it’s still very much there, giving the book a real edge to it.”
Alimagno was at Marvel from 2009 to 2011, and during that time he helped to establish a system of colorists pinch hitting on deadline crunches. But perhaps more significantly, he helped foster a house style based not on a specific penciler’s style but on a color palette he nicknamed “the perfect sunset” palette.
“From my time at Marvel, the editors valued colorists with warmer palettes rooted in playing off reds and oranges and lighter yellows and blues. Led by Richard Isanove, Laura Martin and Justin Ponsor, this style set the tone for the entire line and gave Marvel’s comics a much more inviting look and feel than most of the DC Comics line.”
This kind of consistent color tone could also help other books stand out when they broke the pattern. As he explains, Dean White’s work on Uncanny X-Force, which went against this palette by using whites, helped turn a lot of heads to Jerome Opeña’s art. The next time you’re at the comic shop, take a look at Marvel’s new releases and see if you can identify what palette is being used.
In our first two installments of our spotlight on themed sketchbooks we’ve had classic heroes and classic actresses; in today’s installment, we mix those together and sprinkle a little bit of magic on it. Comics blogger Lan Pitts has traveled to various conventions and collected an all-star assortment of talents in the effort of illustrating DC’s magician, Zatanna.
“My first job was as a magician’s assistant,” Pitts tells Robot 6. “I’ve always been fascinated by magic and it’s history. I had a few Zatanna sketches in my other sketchbooks and realized I loved to see what an artist would do for her than any other character. So she became my “totem” character, if you will, and I just wanted her to have her own sketchbook.”
Pitts has accumulated over fifteen renditions of Zatanns in his themed sketchbook, but has plenty of room for more. He collected a few new additions at DragonCon earlier this year, and hopes to attend New York ComicCon in October for more.
Whether you’re an artist who wants to sketch in this unique book or just a fan who wants to see more, visit Pitt’s blog for more information.