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Bill Kartalopoulos emailed me to let everyone know about a panel he’ll be moderating tomorrow, Nov. 3, at the The New York Center for Independent Publishing, 20 W. 44th St., New York.
The panel will discuss the history and current challenges facing political cartoonists in The Big Apple and features Eric Drooker, Tom Hart, Tim Kreider and Peter Kuper.The full press release is below the jump.
Every so often a co-worker, family member or acquaintance will look at me blankly when I talk about my hobby/obsession and say to me “Wait, you mean they make comics for adults now?”
It’s a stubborn reminder that, despite the seeming advances being made every week in mainstream media (hey, did you see that Tatsumi review in the New York Times?) most folks are unware of the strides that have been made over the past 30 years and have little regard for the medium beyond something that can eventually get made into a movie starring Christian Bale.
Still there are pockets of encouragement, most notably in the upper echelons of higher learning, where you may find librarians, teachers and college professors that are not-so-secret cheerleaders for the sequential art form.
Case in point: Last week I was back at my old alma mater Franklin and Marshall College for their ninth annual Emerging Writers Festival. I hadn’t heard of the yearly event up till now, but I had a particular interest in checking out this one as one of the invited artists was none other than Dash Shaw, author of last year’s acclaimed Bottomless Belly Button and just got an Eisner nomination for his excellent Webcomic BodyWorld.
Marjane Satrapi and Chris Ware recently gave a talk, moderated by Francoise Mouly, at the Skirball Center for the Performing Arts as part of the the three-day festival of New French Writing.WYNC has a podcast of the conversation up on their Web site. (via: Jeet Heer)