Merc With A Movie: The 16-Year Odyssey of the "Deadpool" Film
Three factors interest me after reading the first issue of Southern Cross, the Image Comics mystery–set on a futuristic tanker spaceship–by writer Becky Cloonan, artist Andy Belanger and color artist Lee Loughridge. Something about the way the cast is introduced as the series lead Alex Braith boards the tanker flight to Titan (a refinery moon) plays out in a manner that is reminiscent of a 1970s murder mystery movie set on a train. Secondly, the cinematic scale of some of Belanger’s establishing shots, particularly of the tanker itself. But most of all, I find myself taken by the troubled and somewhat internally conflicted character of Braith herself.
Last week Lee Loughridge, colorist of Deadly Class, Southern Cross and Catwoman, spent a few days last week at the SCAD Atlanta campus lecturing and working with students in conjunction with the institution’s Alumni Mentor Program.
According to Pat Quinn, associate chair of sequential art: “The Alumni Mentor Program’s intent is to show current students how alumni found success in their field. Lee is an incredible example for our students, not just because he’s great at what he does, but more importantly because he knows the business inside and out. His insights into the art of making comics and how to survive as an artist are really invaluable.”
Quinn offered ROBOT 6 photos that he took over the course of the colorist’s visit, and we were able to chat briefly with Loughridge and some of the students about the experience.
Although Southern Cross, the sci-fi horror series from Becky Cloonan, Andy Belanger and Lee Loughridge, doesn’t debut from Image Comics until March, its production blog has already proved itself a must-read. Or a must-view, in any case.
The series follows Alex Braith as she boards the oil tanker Southern Cross en route to Saturn’s moon Titan to collect her sister’s remains, retrace her steps and uncover answers about her death.
On the blog, the creators have posted everything from character designs to logo treatments for the comic’s galactic oil company to — best of all for anyone who ever spent hours poring over schematics of Titans Tower or the U.S.S. Enterprise — a top-down blueprint of the Southern Cross itself.
Audiences won’t get the full glimpse of director Gareth Edwards’ Godzilla until May 16, but Legendary Entertainment has announced that the King of Monsters will return slightly earlier in the Godzilla: Awakening original graphic novel set for release on May 7.
Set decades before the film, Godzilla: Awakening is co-written by Greg Borenstein and Godzilla screenwriter Max Borenstein and illustrated by Eric Battle, Yvel Guichet, Alan Quah and Lee Loughridge, with a cover by Art Adams.
“As we know, Godzilla is not just limited to films,” director Gareth Edwards said in the graphic novel’s announcement video (below). “There have been some cool comic books and manga over the years, and so I’m very excited to announce the official Godzilla graphic novel from Legendary Comics, which will pave the way for the film in May.”
Clocking in at 72 pages, Godzilla: Awakening hits stores May 7 from Legendary Comics.
The Comic Book Legal Defense Fund has unveiled Nick Klein’s Liberty Variant for Deadly Class #1, which will premiere this weekend at Wizard World Portland in Portland, Oregon.
Debuting today, the new Image Comics series by Rick Remender, Wesley Craig and Lee Loughridge centers on students at a high school for future assassins in the late 1980s.
I’ve become a bit fixated lately on the art of Wes Craig, known for his work on such titles as Batman: Legends of the Dark Knight, Adventures of Superman and Guardians of the Galaxy. I admit to being a bit late to the party though, only having discovered him through previews for Deadly Class, the upcoming Image Comics series that teams him with writer Rick Remender and colorist Lee Loughridge, so I’m playing a bit of catch-up.
The artist’s blog is, of course, a great place to go for that, with Craig lately offering a look at the page process for Deadly Class, from rough breakdowns to Loughridge’s colors to Rus Wooten’s letters. You can see Craig’s pencils Page 18 of Deadly Class #1 below, and the rest on his blog. The issue arrives Jan. 22.
If you were one of those folks who not heard of artist Nick Dragotta before this year, it’s quite feasible you learned about the storyteller after his work on Fantastic Four 588 (the silent mourning for Johnny Storm issue). If Dragotta’s next project is half as successful as I expect it to be, even more folks will know and like his art. That project? He and writer Joe Casey’s six-issue Marvel miniseries, Vengeance [set to be released July 6]. As described by Marvel: “When MAGNETO of the X-Men tries to rescue a young Mutant on the run, he accidently kicks off a series of events that will shake the very Marvel Universe to it’s core! Who are the new TEEN BRIGADE?! Who are the Brotherhood and what do they want with the YOUNG MASTERS OF EVIL?! And how is the RED SKULL pulling the strings from beyond the grave?” My thanks to Dragotta for the interview (and for the above preview art from the first issue). Once you’ve read this interview, be sure to also read Timothy Callahan’s When Words Collide column/Joe Casey interview.