Legion of Super-Heroes Archives - Page 3 of 4 - Robot 6 @ Comic Book Resources
DC editor Chris Conroy took over DC’s Twitter feed today, and he’s been sharing concept art, pages and tidbits about some of his books all day. Conroy edits Superboy, Wonder Woman, Swamp Thing, Legion of Super-Heroes and Demon Knights, and here are a few of the tidbits he’s shared:
–Mike Choi will draw Demon Knights #4 (that’s his cover at the top of the post).
–Walt Simonson will draw Legion of Super-Heroes #5.
–The red-head in Superboy #1 is who most people seem to think it is.
–Cliff Chiang’s original artwork from Wonder Woman will be on display at Bergen Street Comics in Brooklyn beginning Sept. 24.
–Jeff Lemire and Scott Snyder have “big plans” for when Animal Man and Swamp Thing meet up.
And after the jump you’ll find a whole bunch of art, which I’ll update if he posts more.
This week, I count at least five New-52 books picking up pretty much where they left off. Chief among these are Green Lantern and Red Lanterns; followed by Batwoman, which was supposed to come out months ago. Batman and Robin keeps its previously-announced regular creative team, and Legion Lost spins out of the pre-existing Legion of Super-Heroes. Overall I thought this week was pretty strong, but there were a few clunkers, including at least one book which really disappointed.
Just think — after this week, we’re more than halfway done…!
SPOILERS FOLLOW, but not too many.
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Continue Reading »
David Macho rolls out his fourth trailer this week for DC Comics’ New 52, this time spotlighting Legion of Super-Heroes #1, by Paul Levitz and Francis Portela, one of two relaunch titles starring the teenagers from the future (the other is Legion Lost by Facian Nicieza and Pete Woods).
The Legion of Super-Heroes has been decimated by the worst disaster in its history. Now, the students of the Legion Academy must rise to the challenge of helping the team rebuild – but a threat of almost unstoppable power is rising at the edge of Dominator space, and if the new recruits fail, the Legion Espionage Squad may be the first casualties in a war that could split worlds in half!
Legion of Super-Heroes #1, which boasts a cover by Karl Kerschl, arrives on Sept. 21.
And again, the #52splash hash tag on Twitter remains active, as more artists post more art from DC’s relaunched September titles (and beyond, in some cases). I’ll start with some that came in last night, and add more throughout the day when I get a chance.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
As we’re heading towards the middle of August, it’s no surprise that curiosity is getting me to pick up more than a few DC books just see how particular series “end;” I’d be getting Justice League of America #60 and Legion of Super-Heroes #16 (both DC, $2.99) anyway, because I’ve been following those series for awhile, but I’m likely to add Batman #713 (DC, $2.99) to the pile as well, if only to see the explanation as to why Dick quits being Batman before the big relaunch. But it’s not all endings for me with my $15 this week; I’d also make a point of grabbing Daredevil #2 (Marvel, $2.99), because the first issue was just breathtakingly good, and the series became a must-read before I’d even reached the last page.
If I had $30 this week, I’d add to my list of DC final issues with Supergirl #67 (DC, $2.99), which Kelly Sue DeConnick has talked up in interviews as being the highpoint of her short run to date and a great capper to the series as a whole. I’d also check in with the third issue of David Hahn’s All Nighter (Image, $2.99), as well as see if Nick Spencer’s Iron Man 2.0 is worth a look with the mini-collection of the first three issues, Iron Man 2.0: Modern Warfare (Marvel, $4.99).
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes, and first issues so that I don’t have to come up with a new way to say, “Jeff Lemire’s Frankenstein is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
The Grave Doug Freshley – A lot of publishers are doing Weird Western comics lately and that’s just fine with me.
Spera, Volume 1 – I like the sound of this fairy tale in which a couple of princesses combine efforts to save their kingdoms. It’s not that I’m anti-prince, but that’s a cool, new way to do that story.
Captain Swing and the Electrical Pirates of Cindery Island – Warren Ellis doing Steampunk sounds thrilling, but really all they had to say was “pirates.” I bet this is still really good though, even if you’re pickier than I am.
Roger Langridge’s Snarked #1 – After a well-loved zero-issue, Langridge’s version of Wonderland gets its real, official start.
Publishing | Popular comic-book guest star President Barack Obama will make a brief appearance in this week’s Flashpoint #4. DC Comics Executive Editor Eddie Berganza told USA Today that the inclusion of the actual President, rather than a fictional counterpart, signals that the danger is real — something that will get pushed as the publisher prepares for the September relaunch. [USA Today]
Conventions | More than 31,000 anime and manga enthusiasts flocked to Baltimore over the weekend for Otakon, one of the biggest fan-oriented anime conventions. There were a few anime and manga licenses announced, but mainly it was a meet-and-greet for fans and publishers. [Anime News Network]
The serious business of Comic-Con got underway Thursday in San Diego with a wave of panels and announcements. Here are the highlights:
• Announcements at the Marvel panel included Jeff Parker and Patrick Zircher’s Hulk of Arabia arc, a new Deadpool arc, an Avengers Academy recruitment drive and Villains for Hire, a new spin on the Heroes for Hire concept. Also in the works: A series of Avengers Origins one-shots.
• T.H.U.N.D.E.R. Agents is coming back in November; the new comics will be written by Nick Spencer and drawn by Wes Craig.
• At the Marvel Digital panel, Marvel senior vice president of publishing David Gabriel announced that Marvel will begin simultaneous print and digital release of its Spider-Man and X-Men comics, starting next week with Amazing Spider-Man #666 and Spider Island line.
• At the Vertigo panel, Executive Editor Karen Berger announced a new graphic novel called Marzi that would ba marketed to both young and old readers. She also said that Vertigo will launch a new Halloween anthology in October and a totally new series later this year.
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
Welcome to another edition of What Are You Reading? This week our special guest is Robert Stanley Martin.
Robert writes for his blog Pol Culture, and is a contributing writer to The Hooded Utilitarian. He is a past contributor to The Comics Journal, and his essays on R. Crumb’s The Book of Genesis Illustrated and Eddie Campbell’s Alec: The Years Have Pants are featured in the soon-to-be-released The Comics Journal #301.
To see what Robert and the Robot 6 crew have been reading, click on through …
[A quick note before we go too much farther: I started writing this post before DC’s big announcement about its September-and-beyond plans. In fact, I wanted this particular post to be about something other than Flashpoint and/or line-wide reboots -- so depending on your perspective, I picked exactly the right week, or exactly the wrong week, to draw that line. In any case, it’s probably not hard to tell, from the past few weeks’ worth of posts, where I stand on current events.
[So there you go. On with the business at hand.]
Since it’s pretty much summer, and time to think about catching up on reading, let’s revisit DC’s list of “30 Essential Graphic Novels” — “best-selling titles that you must read[, ]whether you are just beginning to discover graphic novels or you are an established fan looking to expand your collection.”
The list is almost four years old, and has had a few minor updates. (Pride Of Baghdad replaced The Quitter, and Crayon Shinchan replaced Sword Of The Dark Ones.) For the most part, though, it’s the same compilation — heavy on the Batman and the Jeph Loeb, a decent amount of Alan Moore (but no Swamp Thing), a couple of Sandman books and Hellblazer, but no Wonder Woman, no Joe Kubert, and no Jack Kirby. While there are at least a couple of representatives from each of DC’s imprints, there aren’t many hints at the real scope of DC’s diverse publishing history.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
Even if I didn’t have any money at all, I’d stand on the street corner and beg until I collected three bucks to buy Alpha Flight #0.1 ($2.99). I’ve never not bought an issue of Alpha Flight and I’m not breaking that streak this week. Fortunately I have $15 and can afford to get not only that, but also Rocketeer Adventures #1 ($3.99), which I’m only slightly less excited about. And since I’ve still got some money I’d add Drums #1 ($2.99) – because it’s been a while since I’ve read a voodoo story and this looks like a good one – and Snake Eyes #1 ($3.99). I’m not a GI Joe fan, but ninjas are cool and expect that I’d be entertained by a comic about one who fights an evil spy organization.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on what we call our “Splurge” item.
If I had $15, the first pick this week would be the relaunched Dark Horse Presents #1 (Dark Horse, $7.99). As a reader of the title in all its previous incarnations, I have a love for the format but also a desire to see them improve on it; editor Mike Richardson seems to have the right mix of big names and up-and-comers to make this work. Second up would be DMZ #64 (DC/Vertigo, $2.99), and this issue is the final issue in the “Free States Rising” arc and the first real sit-down between Matty and Zee in ages. Third would be Rick Remender’s covert ops squad Uncanny X-Force #8 (Marvel, $3.99). At first glance I question why I like this so much, but when I think about it, it becomes easy: I enjoy Remender’s storytelling, the artists they’ve had and the fearless nature to dig up some classic concepts from early 90s X-Men comics and general Marvel U stuff.
If I found $30 in my pocket instead of $15, I’d double back and pick up a pair of Invincibles: Invincible #79 (Image, $2.99) and Invincible Iron Man #503 (Marvel, $3.99). I really enjoy what these two teams are doing: carving out long expanding story-arcs that can only happen with long-term teams like these two have been fortunate enough to have. Third would be Jason Aaron and Daniel Acuna’s Wolverine #8 (Marvel, $3.99); although Daniel Acuna is known as a more glossy artist akin to Ed McGuinness meets Alex Ross, I think he really bucks that with the story arc he’s working on here. Lastly would be Avengers #12 (Marvel, $3.99) -– it really blows my mind that Bendis and Romita can do such a throw-back classic Avengers story and still keep the high sales going. I’m not complaining -– I love these stories as much as I love Avengers comics of lore, but they never sold this well.
News of The Flash’s cancellation has led to speculation that the title, whenever it returns, will pick up its original numbering. Considering that Wonder Woman was renumbered last year to reflect the accumulation of all its various incarnations, and Adventure Comics resumed its original numbering as well, Flash might not be the last title DC renumbers.
Today I’ll look at Flash and several other DC titles which could get this treatment in the next several years.
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First, though, let’s consider Wonder Woman. Last year, the 45th issue of WW Vol. 3 was dubbed issue #600, thereby implicitly treating the current series and its predecessor as direct continuations of the original 1942 series. The math was pretty straightforward: Vol. 1 went to issue #329, and vol. 2 went to #226, so that left the 600th issue to vol. 3′s 45th. (329+226+45 = 600.) Volume 2 did have two irregularly-numbered issues, #0 (part of 1994′s “Zero Month,” which the rest of us called August), and #1,000,000 (for DC One Million, naturally).
Ask someone in comics what they think about Jim Shooter, and you’re bound to get very strong, and very different, opinions. Sometimes, in fact, from the same person. The self-described “writer. editor. large mammal.” has been innovative on several fronts, not only in founding Valiant, Defiant and Broadway, but also in serving as editor-in-chief of Marvel during the pivotal early ’80s, and even breaking into comics at the tender age of 13. And now he’s started telling stories about his time in the industry.
On the newly launched JimShooter.com, the respected creator has begun talking at length about his experiences and acquaintances in comics — from Stan Lee to Mort Weisinger and more. Of particular interest to me has been a post about regrets he has in the industry, as well as describing that he pitched to DC’s Legion of Super-Heroes back then because he thought that team’s stories in Adventure Comics were the worst comics on shelves.