"Batman's" Gotham Was... Scott Snyder and Greg Capullo
Concluding this week, DC Comics’ Convergence put the big in “big event”: There were 89 individual comic books – a nine-issue weekly miniseries and 40 two-part miniseries – created by more than 75 writers and pencilers, plus a comparable legion of inkers, colorists and letterers.
Because of the sheer size, it’s difficult to review the event in its entirety, so I’m not going to bother picking it part here. The main series wasn’t particularly good, while the 40 tie-in series varied from terrible to excellent, with most of them falling somewhere in between.
In case you’ve watched this leviathan of a superhero event passing by without reading much – or any – of it, I thought it would be worthwhile to point out some of those excellent books, the ones that you should read if you decide to pick up any of Convergence, regardless of your interest in, or affection for, particular characters.
After all, Swamp Thing just happened to be the title for which Len Wein hired young British writer Alan Moore, leading to a run whose importance and influence is difficult to overstate. And Man-Thing, the Marvel character that shared so much in common with Swamp Thing, just so happened to be one of the first vehicles for writer Steve Gerber, introducing that weird and wild talent to mainstream comics audiences.
It’s therefore not that surprising that TwoMorrows Publishing found it worth devoting an entire 200-page book to the swamp monster subgenre, from its Golden Age origins to its late-’80s climax, the result being editors Jon B. Cooke and George Khoury’s Swampmen: Muck-Monsters and Their Makers.
Creators | Garry Trudeau has some straight talk for those who criticized him for basing Sunday’s Doonesbury on the controversial Rolling Stone expose of the University of Virginia’s handling of rape cases — or thought maybe the strip was submitted before a number of commentators cast doubt on the lead anecdote in that article. The cartoonist insists that’s not the point: “We had some internal discussion about whether the flaws in the [Rolling Stone] reporting mattered here, and we concluded they didn’t. UVA is only used as setup to get the reader to consider the larger problem of institutions prioritizing their reputations over the welfare of those they’re charged with safeguarding.” [Comic Riffs]
Creators | In an interview to be published in Japan next Friday, Naruto creator Masashi Kishimoto says he plans to spend some time with his wife and child, and take a long-delayed honeymoon, before starting his next series. And as he is about to turn 40, he hints that he may not be up for another weekly series. [Anime News Network]
Comic strips | The first color Sunday funnies appeared on Nov. 18, 1894, in Joseph Pulitzer’s New York World. David Shedden observes the 120th anniversary of this innovation with a look back at some popular comic strips and footage of New York Mayor Fiorello LaGuardia reading the funnies over the radio during the newspaper strike of 1945. [Poynter]
The biggest comics news Thursday out of Comic-Con International was undoubtedly that, after years of debate, comiXology has introduced DRM-free backups of titles purchased from its storefront, with Image Comics, Dynamite Entertainment, MonkeyBrain Comics, Thrillbent, Top Shelf Productions and Zenescope Entertainment signing on to the program.
An email went out last night notifying customers that books they’ve purchased can be downloaded and stored as PDF or CBZ files, and pointing them to an FAQ on the subject.
“This has been an oft-requested feature,” comiXology CEO David Steinberger said during the company’s Comic-Con panel. “It’s a real backup file — it’s a fairly plain PDF or CBZ. They are high resolution, not a lot of bells and whistles, and my feeling is that people will continue to use the cloud-based reader to do their reading.”
The other big announcement was that Marvel will publish Avengers: Age of Ultron, an in-continuity graphic novel by the Uncanny X-Force team of Rick Remender, Jerome Opeña and Dean White scheduled to arrive in April 2015, ahead of the premiere of Avengers: Age of Ultron.
Long believed lost, the original page from 1974’s The Incredible Hulk #180 featuring the first appearance of Wolverine will be auctioned in May to benefit The Hero Initiative.
The Associated Press reports that Heritage Auctions was contacted by the owner, who said he has had the page since 1983, when it was given to him by artist Herb Trimpe. The auction house describes it as “one of the most significant pieces of original comic art to ever appear on the market.”
“When I work for DC, anything I create I get a piece of. Lucius Fox, for example, who was in the last trilogy of Batman movies played by Morgan Freeman, bought my new house. At Marvel, I did see a check off The Wolverine, the current film. But as a rule I don’t any of the ancillary money off of all of the toys and soaps and shampoos and skateboards and God knows what else that features the character.”
— veteran writer and editor Len Wein, who co-created the Batman supporting character Lucius Fox and the wildly popular Wolverine, talking about his compensation for film adaptations during a Television Critics Association panel for the upcoming PBS miniseries Superheroes: A Never-Ending Battle.
According to TheWrap, Wein said that although there have been six movies featuring Wolverine, “esoteric rules” mean that he was only compensated for the most recent one, because it was named for the character. The requirements are so strict that he didn’t receive a check for 2009’s X-Men Origins: Wolverine.
NPR television critic Linda Holmes has spent the past couple of weeks tweeting from the Television Critics Association press tour, which ended with a panel on the PBS documentary Superheroes: The Never-Ending Battle. Debuting Oct. 8, the three-part miniseries was directed by Michael Kantor, who was on the panel with comic book writers Todd McFarlane, Len Wein and Gerry Conway.
Holmes noted that the panelists asked about the lack of diversity in superhero comics, but unfortunately, the response to that question wasn’t very satisfying. She paraphrases four reasons cited by the panel:
Comics | Could the competition to become the 2017 U.K. City of Culture hinge on … Desperate Dan, the pie-eating Wild West strongman from the long-running children’s comic The Dandy? Hull Daily Mail columnist Angus Young thinks the character could give Dundee the edge over fellow finalists Leicester, Swansea Bay and, yes, Hull. Dundee, Scotland, is home to The Dandy and The Beano publisher DC Thomson, and features statues of Desperate Dan and Beano character Minnie the Minx in its city center. “Having your picture taken next to the barrel-chested grizzly-chinned hero is apparently one of the top-ten things to do when visiting Dundee,” Young writes. “[…] This a bloke who thinks nothing of eating several cow pies in one sitting. A cowboy so tough he shaves his chin with a blowtorch and sleeps in a reinforced bed filled with building rubble.” The winner will be announced in November. [Hull Daily Mail, The Evening Telegraph]
To see what James and the Robot 6 crew have been reading, click below …
It’s time once again for our monthly trip through Previews looking for cool, new comics. Michael, Graeme, and Chris Arrant have each picked the five new comics we’re most anticipating in order to create a Top 15 of the best new comics coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
The Golden Age of DC Comics: 1935-1956 HC (Taschen, $59.95): If you were as jealous of everyone who could afford the mammoth 75 Years of DC Comics: The Art of Modern Myth-Making from a couple of years ago as I was, here’s some great news; Taschen is reissuing the material in a series of different (cheaper) volumes, reworked and expanded with new art and commentary by Paul Levitz. The next in the series, covering the Silver Age, is the one I’ll really covet, but you know that this will be awesome.
Julio’s Day HC (Fantagraphics Books, $19.99): Continuing my education in all things Love and Rockets, this never-collected Gilbert Hernandez strip from the second series of L&R is one of those things that goes on my “Want” list almost as soon as I discovered it existed.
Multiple Warheads: Alphabet to Infinity #1 (of 4) (Image Comics, $3.99): I’ve been waiting for more Multiple Warheads since Oni Press put out the first issue a few years back. Now that I know it’s 48 pages for just $3.99 and in color, it seems worth the wait. Brandon Graham is an amazing talent.
Sailor Twain HC (First Second, $24.99): I dropped off Mark Siegel’s amazing webcomic online fairly early, promising myself that I’d get the inevitable collected edition when it was all done and read it in one sitting. I’m glad it’s finally here.
The Zaucer of Zilk #1 (of 2) (IDW Publishing, $3.99): Without doubt, my favorite superhero comic in years – I read it in its 2000AD incarnation – I am overjoyed to see this get a US release like this. Hopefully, everyone will read it and realize just how great Brendan McCarthy and Al Ewing are, leading to all manner of zequels (sorry, I couldn’t resist).
Creators | Following the appearance of the Infinity Gauntlet in Thor and the cameo by Thanos in The Avengers, Marvel appears poised to expand the cosmic elements of its cinematic universe with The Guardians of the Galaxy. While some fans eagerly await a movie announcement next week at Comic-Con International, Thanos creator Jim Starlin (who had to buy his own tickets to Thor and The Avengers) may be laying the groundwork for a legal challenge: Heidi MacDonald points out that Starlin has posted an early drawing of the Mad Titan on his Facebook page, writing, “This is probably one of the first concept drawings of Thanos I ever did, long before I started working at Marvel. Jack Kirby’s Metron is clearly the more dominant influence in this character’s look. Not Darkseid. Both D and T started off much smaller than they eventually became. This was one of the drawings I had in my portfolio when I was hired by Marvel. It was later inked by Rich Buckler.” [The Beat]
Comics | Tim Marchman, author of that much-discussed Wall Street Journal article, is at it again, this time interviewing Watchmen editor Len Wein about his work on Before Watchmen, and including the interventions of DC Comics Publicity Manager Pamela Mullin as part of the story. Between the embargo on the comic and Mullin doing her job, it sounds like the most interesting parts of the interview never made it into the final product. [The Daily Beast]
While fans and retailers at the Chicago Comic & Entertainment Expo were given a first glimpse at interior art for DC Comics’ sprawling Watchmen prequels, BuzzFeed now provides the best look yet at pages and character designs from Before Watchmen in the form of photos of a binder at the DC offices. Among the images are interiors from Rorschach, by Brian Azzarello and Lee Bermejo, Silk Spectre, by Darwyn Cooke and Amanda Conner, Ozymandius, by Len Wein and Jae Lee, and Curse of the Crimson Corsair, by Wein and John Higgins. There are also character designs by Bermejo, Conner, Cooke, Higgins, Andy and Joe Kubert, and Lee.
Before Watchmen debuts in June.
Along with the official announcement of Before Watchmen, its long-rumored prequels to the seminal 1986 miniseries by Alan Moore and Dave Gibbons, DC Comics trotted out several of the creators involved to talk about the legacy of the original work, their approach to the new project, what they expect from initial reactions — and, of course, Moore’s objections to the undertaking.
Here’s a selection of some of the more interesting quotes:
J. Michael Straczynski, who’s working with Adam Hughes on Dr. Manhattan, and Andy and Joe Kubert on Nite Owl: “Ever since Dan DiDio was handed the reins (along with Jim Lee) over at DC, he’s been making bold, innovative moves that might have scared the hell out of anyone else. At a time in the industry when big events tend to be ‘Okay, we had Team A fight Team B last year, so this year we’re gonna have Team B fight team C!’ Dan has chosen to revitalize lines, reinvent worlds and come at Watchmen head-on. It was, I think, about two years ago that he first mentioned that he was considering the idea, and he’s to be commended for fighting to make this happen.”
Brian Azzarello, who’s collaborating with Lee Bermejo on Rorschach, and J.G. Jones on Comedian: “I think the gut reaction is going to be, ‘Why?’ But then when the actual books come out, the answer will be, ‘Oh, that’s why.’ ”
Ever since his U.S. debut as an animated cartoon in the 1960s, Speed Racer has been zooming in and out of our consciousness. Like so many cool things, the cartoon started out in Japan as a manga, Mach GoGoGo, and was transformed into the anime that transfixed a generation of American kids. NOW Comics and Wildstorm both published American versions of the Speed Racer story, and the original manga was released in various formats. In 2008, Digital Manga released a deluxe boxed set of the entire original manga and IDW re-released the NOW and Wildstorm comics along with a new mini-series; all this was timed to coincide with the release of the Speed Racer movie.
After that, things got quiet, but last week a teaser image appeared indicating that Speed Racer is coming round the track once more. The image doesn’t give us too much to go on—no publisher or release date is listed—except for the creative team, but that is worthy of note. Topping the list is Tommy Yune, whose blend of manga and American styles were a big hit with Wildstorm’s version of Speed Racer. Also on board is veteran DC and Marvel writer Len Wein, co-creator of Swamp Thing and Wolverine. Robby Musso does work for IDW, the most recent publisher of Speed Racer comics, which makes me suspect they are behind this one as well. Lee Kohse and James Rochelle round out the creative team. With a pit crew like this, Speed Racer is off to a roaring start.