I read all 13 of the Villains Month issues released this week by DC Comics, and in so doing I saw 89 people killed (Kryptonians and Thanagarians included) in all manner of ways. I saw people shot to death with laser guns, with regular old bullet guns, with eye-beams, with an arrow and even with an umbrella. I saw people stabbed, bludgeoned, impaled, decapitated, blown up, pushed off buildings, flash-frozen and shattered. I saw someone’s neck snapped, someone’s life-force magically drained, people sliced in half with psionic energy, and others torn to pieces by claws.
I saw a bestial woman eat the still-beating hearts of her victims.
But man, the rabbit that Arcane tore in half? That’s the image that sticks with me from this week’s Villains Week offerings. Thank God they didn’t put that on the cover; imagine that arc of rabbit innards being flung your way in lenticular 3D!
Forever Evil #1 is an uneven debut for the seven-issue miniseries, revealing that the Crime Syndicate — for those who came in late, basically an evil Justice League from the parallel Earth-3 — has killed all the Leaguers and is recruiting allies among DC-Earth’s supervillains. Although a handful of scenes are genuinely chilling, much of it is exposition and survey, with some of that geared apparently toward ancillary miniseries. Geoff Johns’ script works well when his characters can give speeches, but turns awkward and simplistic in crowd scenes. David Finch’s pencils are appropriately murky and grim, although there’s not a lot of subtlety; and inker Richard Friend seems to have gotten quite a workout. (This is the superhero-comic equivalent of a downpour at dusk.) Fortunately, colorist Sonia Oback manages to bring some variety to the gloomy proceedings, whether it’s brightening up a neon-lit cityscape or energizing a crackling solar corona.
Still, for the start of the first “universe-wide” Big Event of DC’s New 52, Forever Evil #1 feels like an apocalyptic tease. The issue’s main shocks aren’t as shocking as one might imagine, and the demands of a shared superhero universe will require them to be reversed. There’s undoubtedly more carnage to come, but for now it’s an exercise in attitude.
Naturally, there’s more after the jump. SPOILERS FOLLOW …
To see what James and the Robot 6 crew are reading, click below …
In late 2011, when DC Comics relaunched its entire superhero line with the New 52, some characters were completely overhauled while others saw no changes at all. But with the debut last month of Justice League of America’s Vibe, we saw writers Geoff Johns and Andrew Krisberg attempt to transform a D-list character — a comic-book punchline — into a new hero and a force to be reckoned with. The artist tapped to help make that happen was Pete Woods.
Beginning his career in the 1990s an intern at Wildstorm, Woods has quietly become a trusted artist in DC’s stable. He’s had extended runs on Robin and Catwoman, but his most celebrated work came when he partnered with writer Paul Cornell to give Lex Luthor a chance ot shine in Action Comics. Woods recently completed a run on Legion Lost, and split time doing brief stints on Aquaman as well as Marvel’s Avengers Assemble while preparing for his current assignment on Vibe. He’s an artist’s artist, constantly refining his style and innovating in his approach. But he’s also an editor’s artists, consistently meeting deadlines.
I reached out to Woods to talk about his current gig, and discovered he’s in the early days of switching up his style. After years of doing much of his work digitally, Woods decided to return to his roots and draw his pages the traditional way. The computer’s still there for the odd task, but this 17-year comics veteran is going for a fresher, more organic style by doing it all by hand.
We’re in the final hours of the 2012 Presidental Election, and while it may seem comics are far removed from the nitty-gritty of politics, they’re not. Many presidents past and present have stepped into comics, from Barack Obama in The Amazing Spider-Man to a time-traveling Teddy Roosevelt in Tales From the Bully Pulpit. But comics also home to a number of shocking (and sometimes shockingly good) commanders-in-chief for the good ol’ U.S. of A. We thought, given the time of year, to rack our brains and come up with the six craziest heads of state for these United States.
Hello and welcome to What Are You Reading?, our weekly look at the comics, books and other things we’ve read this week. Today our special guest is Jason Green.
Jason Green is the editor of comics coverage for the St. Louis-based pop culture website PLAYBACK:stl, and a writer and editor for the comics collective Ink and Drink Comics, whose fourth release (a Western anthology titled Off the Wagon) will debut at this year’s C2E2.
To see what Jason and the Robot 6 crew have been reading, click below.
The internet is a beautiful thing. Before, things created by your favorite artists might remain under lock and key in the vault’s of a collector, but now we all get to see it. For example, this piece of art by Dave Johnson.
Inspired by Dave’s work on Superman: Red Son, this piece was commissioned by a collector named Chris Caira who has been working on a gallery of comic villains and their trophy wall. Click over to his website to see Brian Bolland doing Joker’s trophy wall, Green Goblin’s trophy wall by John Romita Jr. and Sr. and more! Someone needs to offer this guy a gallery exhibit to show these off!
It’s days like this that I regret not being a regular reader of Superman.
Via Dean Trippe, Rob Bricken and undoubtedly countless others comes this glorious panel from Superman #709, out now. If you don’t get the reference, then you’ve probably not experienced the wonder that is The Super Dictionary, a bizarre 1978 children’s book that used DC Comics superheroes to define some 4,000 words. (Also, you’ve probably not spent much time on Tumblr.)
Assembled by Warner Educational Services, the surreal 416-page book utilizes an image of Supergirl, I don’t know, winking at a rat to teach kids the word “ever,” and a shot of Joker ready to hurl a woman to her death to illustrate “scream.” And for “forty,” the lil’ ones get a purple jumpsuit-clad Lex Luthor making off with 40 cakes. And that’s terrible.
But with this week’s issue, Superman writer Chris Roberson does the previously inconceivable: He introduces that dark chapter from Luthor’s past into DC canon! And that’s fantastic.
What’s more, if Luthor’s cake-stealing actually happened in the post-Crisis DC Universe, so did Wonder Woman’s tug of war with a shoe-stealing whale, and Hawkman’s possible devouring of the Atom! To heck with Flashpoint — Roberson has created the launching point for the next big DC event.
Welcome to another installment of “Food or Comics?” Every week we set certain hypothetical spending limits on ourselves and go through the agony of trying to determine what comics come home and which ones stay on the shelves. So join us as we run down what comics we’d buy if they only had $15 and $30 to spend, as well as what we’d get if we had some “mad money” to splurge with.
Check out Diamond’s release list for this week if you’d like to play along in our comments section.
If I had $15, I’d spend the first $2.99 on the last King City, which definitely appears on this week’s list. Yay! Then I’d split the remaining $13 between two DC Comics: Paul Cornell’s Action Comics Annual #13 ($4.99), in which a young Lex Luthor meets Darkseid (Editor Wil Moss promised me on Twitter the other week that this will fulfill my sick, sick desire for more comics like Jack Kirby’s Super Powers toy tie-ins from the 1980s, so I’m entirely sold) and Vertigo Resurrected: Winter’s Edge #1 ($7.99), a collection of long out-of-print seasonal tales starring Vertigo favorites and forgotten ghost characters from Christmas Past. Be warned: I’m a sucker for Holiday comics, so expect to see me picking those a lot in the next few weeks. It’s the Most Wonderful Time Of The Year, after all.
What’s that you say? You didn’t know there was a secret? Well, various internet wonks have been kicking around a very intriguing theory about Grant Morrison and Frank Quitely’s All Star Superman — the Absolute Edition of which hits stores tomorrow — involving its villain, Lex Luthor. In his latest column at Techland, Douglas Wolk sums up the All Star Superman secret theory and runs down all the available evidence for it. If you’re the sort of person who enjoys picking apart literary mysteries for which there aren’t obvious answers present in the text — from Mulholland Drive to the end of The Sopranos — this is very much the article for you. And even if you aren’t, it’ll give you a whole new way to look at one of the past decade’s greatest superhero comics, which is always a good thing.
Grumpy Old Fan | Notice I am not making a Spinal Tap reference: DC Comics Solicitations for (January) ‘11
Good grief, it’s not even Halloween and I have to think about the first DC comics of 2011? Even trying to pronounce that number makes my tongue stumble — I keep wanting to say “twenty-eleven” and it sounds like something made-up. Worse, I keep wanting to say twenty-leven, like a common hillbilly.
Nevertheless, I do like DC’s cover gimmick for January Two Thousand Eleven. The white backgrounds and big logos remind me of Superman #701′s minimalist cover, and that isn’t a bad thing. The cumulative effect of the style’s uniformity is also more effective than the last time DC emphasized the logos, back in (cover-date) February 2002. The light, open design is also a lot more cheery than January 2009′s black-background “Faces Of Evil.”
Still, we’re more interested in what’s between the covers, are we not?
JUST A TASTE
Right off I am pretty impressed with the selection of one-shots at the top of the solicits. The Starman/Congorilla special sounds very fun, especially with Rex the Wonder Dog involved. I’m curious to see what the Shazam! special does with Billy and Mary Batson, and I’m always glad for new John Henry Irons stories. The Wonder Girl special doesn’t interest me that much, but it doesn’t seem entirely about her anyway. Although most of these specials appear to tie into regular books (Justice League, Titans, and Teen Titans), they sound good enough on their own merits.
If you’ve ever dreamed of working at LexCorp, Stark Industries or even Acme Labs, here’s the first step to making that dream come true — business cards. Fro Design Co. has created a print featuring business cards for Wayne Enterprises, Duff Breweries, Sterling Cooper, the Dharma Initiative and several other fictional companies.
Wow. I knew Lee Bermejo could draw some steely-lookin’ bad guys, but I didn’t know he could also channel Bill Watterson so well I’d have a hard time telling the two apart. Behold “Joker and Lex,” Bermejo and writer Brian Azzarello’s Calvin and Hobbes-esque contribution to the Superman/Batman all-star 75th-issue spectacular. I don’t even wanna think about what the rules of Jokerball would be in the alternate universe where this strip is a universally beloved classic — let alone what kind of “Joker peeing” stickers it might have spawned.
(via Topless Robot)
DC’s The Source blog announced today that writer Paul Cornell has signed an exclusive contract with the publisher. I guess this means I can finally take down my “Bring back Captain Britain and MI13” petition page, heavy sigh.
Cornell was named the writer of Action Comics back in April, and in yesterday’s interview with CBR, Dan Didio said “…even though he’s not new to comics but new to DC, Paul Cornell is a guy who we see an expanded role for in the DCU as well.” So it’s probably no surprise that he’s signed on with them for two years.
“…I’m a couple of issues into one title you haven’t heard about yet,” Cornell said on his blog. “I couldn’t be happier, or feel more welcomed, in my new playground.”
Cornell’s run on Action Comics starts at the end of this month with issue #890. Cornell shared his plans for the book with the Source: