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Talking Comics with Tim | Steve Orlando on ‘Virgil’



I had just learned about the hate crime-related murder of Dwayne Jones in Jamaica when writer Steve Orlando contacted me about his Kickstarter campaign for Virgil, a crime graphic novel partially aimed at shining a light on anti-gay violence in that country. So his request for an interview was an easy one to grant. Orlando’s Kickstarter, with a goal of $15,000 and an end date of Sept. 11, aims to tell the story of Virgil, an outed cop fighting “his way across Jamaica to save his man and get revenge.” Orlando has also posted a preview of the book.

Tim O’Shea: I know Archie’s Kevin Keller partially inspired Virgil. But I am curious, how did you first learn about anti-gay violence in Jamaica?

Steve Orlando: If you’re going to fight back against the man, you’ve got to go where he lives!

But seriously, research! Once I decided to do a book with a gay couple fighting back against heterosexists and violent homophobes, I consulted Human Rights Watch reports. Originally I planned on setting the book in Africa, also the home of numerous anti-gay atrocities, but the dichotomy of Jamaica was much stronger to me. Jamaica is often seen as a vacation paradise, but for so many residents there that couldn’t be farther from the truth.

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Comics A.M. | Appeals court to hear Superman copyright case today


Legal | The 9th Circuit Court of Appeals will hear arguments today on whether a negotiated 2001 deal DC Comics should prevent the daughter of Superman co-creator Jerry Siegel from reclaiming his portion of the rights to the Man of Steel under a provision of U.S. copyright law. A federal judge determined in 2008 and 2009 that the writer’s heirs had successfully recaptured the copyright, asserting that because the 2001 agreement hadn’t been formalized, there was no deal. The appeals court is also set to review a ruling allowing DC to sue Marc Toberoff, who represents both the Siegel family and the estate of his collaborator Joe Shuster, for interfering with its agreements with the heirs. [Business Week]

Creators | Collaborators Justin Jordan and Patrick Zircher talk about the latest Valiant relaunch, Shadowman. [USA Today]

Creators | John Ostrander, who writes several Star Wars comics for Dark Horse, gives his take on Disney’s acquisition of Lucasfilm. [ComicMix]

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Talking Comics with Tim | Steve Orlando

Octobriana: Samizdat Edition

When writer Steve Orlando contacted Robot 6 about his 88-page graphic novel, Octobriana: Samizdat Edition (Poseur Ink), I was intrigued for a number for a reasons. First off, Orlando tapped artist Chaz Truog (Grant Morrison’s collaborator on his definitive Animal Man run) for the project. Also, of interest to me, was the Russian history aspect; SAMIZDAT, the underground Soviet movement for spreading censored art and literature and best of all, a character born partially from a pop culture hoax. Once interested, of course, I arranged an email interview and we discussed all of these topics and more.

Tim O’Shea: At the outset, for uninformed readers like myself, can you discuss SAMIZDAT- the underground Soviet movement for spreading censored art and literature?

Steve Orlando: Samizdat (which means “self-making” or “self-made” in Russian) was an underground publishing movement during the harshest times of Soviet repression. It’s best summed up by Vladimir Bukovsky, a doctor and writer that exposed psychological torture against Soviet prisoners- “(…) I myself create it, edit it, censor it, publish it, distribute it, and …get imprisoned for it. (…)” With Samizdat, banned documents were printed in secret and passed hand to hand between readers, under the radar. Because the documents were censored by the government, Samizdat was a dangerous movement, its printers were social and political zealots. But it was also extremely important- works such as Mikhail Bulgakov’s “The Master and Margarita” were among the circulated texts…making the movement responsible for the continued growth and expression of Russian literature. These were dedicated people- sometimes even recreating the texts word for word by hand or by typewriter.

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