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Legal | Ecuadorean cartoonist Xavier Bonilla has received a court summons on unspecified charges that seem to relate to a cartoon that President Rafael Correa finds offensive. The case was brought by Ecuador’s new media regulator; Correa has stepped up attacks on the press in recent years, and the newspaper that runs Bonilla’s cartoons, El Universo, has been prosecuted in the past. [Business Standard]
Censorship | Michael Dooley looks at successful and unsuccessful attempts to remove comics from schools and libraries over the past 13 years; this short roundup is informative in its own right, and it’s apparently a sidebar to a longer article that’s not available for free. [Print Magazine]
Creators | Newsday picks up the story of Al Plastino’s original art for the John F. Kennedy comic that was canceled when the president was assassinated, and then published a few months later at the request of the Johnson administration. Plastino, now 91, had been told the artwork would be donated to the Kennedy Library, but last month at New York Comic Con he learned that a private individual had the art and was planning to sell it through Heritage Auctions, which now says it won’t move forward until the ownership question is resolved. Copyright lawyer Dale Cendall, former DC Comics President Paul Levitz and artist Neal Adams weigh in on the case. [Newsday]
Kickstarter | In the wake of the successful Fantagraphics Kickstarter campaign, Rob Salkowitz looks at the evolution of the crowdfunding platform from a way for individual creators to connect with their audiences to a pre-sale mechanism that eliminates a lot of the risk for smaller publishers. [ICv2]
The students of Lane Tech College Prep High School, who rallied in March to protest the ordered removal of Marjane Satrapi’s Persepolis from Chicago Public Schools, have been honored with the Illinois Library Association’s 2013 Intellectual Freedom Award.
The protest, organized by the student body and the 451 Degrees Banned Book Club, was sparked by an email from the principal calling for the removal of the graphic novel from Lane Tech’s library and classrooms ahead of what was thought to be a Chicago Public Schools ban. Within hours of the news circulating, and amid outcry from teachers, parents and students, district CEO Barbara Byrd-Bennett clarified that Satrapi’s autobiography wasn’t being removed; rather, it was being pulled from the seventh-grade curriculum over concerns that some of its content may not be age-appropriate. Chicago Public Schools released images from the graphic novel depicting a man being whipped, burned with an iron and urinated on, which Byrd-Bennett referred to as “powerful images of torture.”
Depicting Satrapi’s experience is a child and young adult in Iran during the Islamic revolution, Persepolis has received almost universal acclaim. The 2007 animated adaptation directed by Satrapi and Vincent Paronnaud was nominated for an Academy Award.
Awards | Sean Phillips was named as best artist and Saga, by Brian K. Vaughan and Fiona Staples, as best comic/graphic novel at the 2013 British Fantasy Awards, presented Sunday at the World Fantasy Convention in Brighton, alongside the World Fantasy Awards. [British Fantasy Society]
Publishing | Tim Pilcher of Humanoids talks about his company’s new plans to distribute its graphic novels in the United Kingdom through Turnaround Publisher Services. [ICv2]
Conventions | Italy’s Lucca Fest had a record-breaking show, with 200,000 tickets sold and 300,000 attendees in all. [The Hollywood Reporter]
A New Zealand library’s refusal over the summer to carry Alan Moore and Melinda Gebbie’s Lost Girls has received renewed attention, earning a signal boost from Neil Gaiman and a stern denial from the National Library of New Zealand that it had anything to do with the move.
The story illustrates the strange and unenviable predicament of libraries in countries with censorship laws: If they submit the material for government review in hopes it will be cleared, they risk triggering a ban; however, if they don’t submit a potentially objectionable book, they risk later being found in violation of the law.
Here’s what happened in New Zealand: Over the summer, cartoonist Dylan Horrocks reported he had asked his local library in Auckland to purchase a copy of Lost Girls. The library refused, and he posted its response on his Facebook page:
Thank you for your suggestion to purchase ‘Lost Girls’ by Alan Moore. Due to the depictions contained within this graphic novel we have been advised by the Office of Film and Literature Classification that we may be at risk of prosecution if we made the book available to customers. As a result Auckland Libraries will not be purchasing copies of this title.
As it turns out, Stuff.co.nz reported this week, the library had purchased a copy in 2008, at a patron’s request, but removed it from shelves after concerns were raised about the content.
A New Mexico school district has at least temporarily removed Neil Gaiman’s Neverwhere from its lone high school following an objection to the fantasy novel’s “inappropriate” content.” The book has been part of the 10th-grade English curriculum in 2004.
The Alamogordo Daily News reports that Nancy Wilmott, whose daughter was reading the novel as part of an assignment, was offended by a four-paragraph passage on Page 86 that “graphically describes an adulterous sexual encounter between a married man and a single woman in which the F-word is used three times, along with a brief description of groping of one’s anatomy.”
“I trusted the school system. I trusted the school district to pick proper material, and this is not,” Wimott, who contacted school officials last week about the material, told KASA Channel 2. “I did state to the principal that this is rated-R material, and she can’t get into a rated-R movie.”
On Thursday, the school district ordered Neverwhere “temporarily removed from usage” until it can be reviewed.
Conventions | The San Diego Chargers are opposing the proposed $520 million expansion of the San Diego Convention Center — viewed as crucial to keeping Comic-Con International in the city past 2015 — saying it will interfere with plans for a new football stadium. Instead, the NFL franchise proposes building a second venue a few blocks away, which would be part of a complex that included the stadium but would not be contiguous with the existing convention center. [Los Angeles Times]
Conventions | Meanwhile, on the other coast, New York Comic Con is about to begin, and Luke Villapaz has seven tips for surviving the con. One additional point, though: While it’s nice that NYCC has its own mobile app, chances of its actually working inside the Javits Center, which is notorious for its many cell phone dead zones, are slim. [International Business Times]
Conventions | The second annual Edmonton Comic & Entertainment Expo attracted 25,000 people over the weekend, up from about 14,000 for the inaugural event. [Edmonton Journal]
Conventions | Tom Spurgeon reports in on MIX, the comics expo hosted by the Columbus College of Art and Design in Columbus, Ohio, this past weekend. [The Comics Reporter]
Conventions | And Lyndsey Hewitt was on the scene at Wildcat Comic Con at Pennsylvania College. [Williamsport Sun-Gazette]
Conventions | Jim Steranko and Kim Deitch will be among the guests at the Locust Moon Comics Festival in Philadelphia this weekend. [The Philadelphia Inquirer]
Creators | Jeff Kinney, author of Diary of a Wimpy Kid, was traveling the day a tornado devastated Moore, Oklahoma, and he saw the damage on a news broadcast while waiting for a flight. The images stuck with him, so he rounded up fellow creators Lincoln Peirce (Big Nate), Stephan Pastis (Pearls Before Swine, Timmy Failure) and Dav Pilkey (Captain Underpants), all of whom he describes as “novelists whose DNA is in comics,” to hold a benefit to rebuild the town’s school libraries. The quartet will meet in Norman, Oklahoma, for a panel discussion and will raffle off original art and sell autographed copies of their books this weekend, with all proceeds going to the Moore Public Schools Foundation, earmarked for the school libraries. [Oklahoma Gazette]
Creators | Joe Sacco, author of Palestine, Footnotes in Gaza and, most recently, The Great War, talks about his work day, his process and the places he’s been. [The Telegraph]
The Northlake Public Library in suburban Chicago unveiled its Hulk statue earlier this month to a crowd of more than 300. ^Trustee Tom Mukite, who joined the board specifically to spearhead the statue campaign, called the event the “largest turnout at the library ever.”
Mukite and the other trustees launched an Indiegogo campaign in April to make improvements to the library that included the addition of a Hulk statue to help attract visitors. According to the campaign’s page, “Today’s libraries are celebrating creativity, entertainment and life long learning, and they are doing it with technology and popular materials including graphic novels.” It continued, “We want to smash [libraries’] stuffy reputation with a 9 foot tall Incredible Hulk Statue.” In explaining why the Hulk is an appropriate decoration for the library, the campaign said, “Just as Dr. Bruce Banner transforms into the Hulk, we want our library community members to make their own personal transformations through books, programs, and awesome new equipment. […] The project will show off the fun side of the library and get the community talking. The Hulk will force patrons to look at the library in a whole new way.”
Graphic novels | Dubbing this “the age of the graphic novel,” Glasgow, Scotland’s Sunday Herald asked an unnamed and unnumbered group of cartoonists, novelists, critics, comics historians and the like for a list of titles that should be in everyone’s library. The result is a pretty impressive, and varied, rundown — “the 50 greatest graphic novels of all time” — that ranges from Paul Pope’s Heavy Liquid and Lili Carre’s The Lagoon to Katshuiro Otomo’s Akira and Frank Miller’s Batman: The Dark Knight Returns. [Sunday Herald]
Creators | Rebecca Gross interviews Daniel Clowes about the development of his work, doing comics at a time when comics weren’t considered an art form, and the current exhibit of his work at Chicago’s Museum of Contemporary Art, “Modern Cartoonist: The Art of Daniel Clowes.” [NEA Arts]
The school board in the Japanese city of Matsue has restricted student access to Keiji Nakazawa’s Barefoot Gen, the autobiographical story of a six-year-old boy who survived the Hiroshima bombing.
The board ruled that the book will remain in elementary and junior high school libraries but only teachers will have access to it; students will not be allowed to check it out.
Barefoot Gen, which originally ran in Shonen Jump, a magazine for teenage boys, is based on Nakazawa’s own experiences; he was seven years old and on his way to school when the bomb was dropped, and the adult who was walking with him was burned to death on the spot, and his father, brother and sister were killed when their burning house collapsed on them.
The Matsue school board made its decision last December, after a complaint was filed with them alleging “Children would gain a wrong perception of history because the work describes atrocities by Japanese troops that did not take place.” Many Japanese nationalists deny that Japanese troops were involved in the Rape of Nanking or committed war crimes during World War II, such as the events depicted in the book. Nonetheless, the school board said its decision was based strictly on the level of violence in the books and not on the political nature of the complaint.
Barefoot Gen has been acclaimed worldwide, and it is included in the Hiroshima Public Schools’ peace education curriculum for elementary school students, although there have been calls for it to be removed from schools there as well.
Digital comics | Jason Snell uses Comic-Con International as an opportunity to take a snapshot of digital comics in “an era of experimentation,” and hones in on Madefire, the convention’s embrace of technology, comiXology and the growing popularity of the digital-first model. “Digital has made us rethink how we fulfill books into the [print] retail market,” Chris Ross, Top Shelf’s director of digital publishing, said during a panel. [TechHive]
Legal | The Attorney-Generals Chambers of Singapore has charged cartoonist Leslie Chew (the pen name of Chew Peng Ee) with contempt of court because of four cartoons posted on his Facebook page Demon-cratic Singapore. A hearing on the charges, which could result in jail time and fines, will be held on Aug. 12. Chew’s attorney M. Ravi said in a phone interview, “Our judiciary is not like fragile flowers to be offended easily by such criticism. We have full faith in the impartiality and independence of our judiciary.” [Bloomberg News]
Publishing | Sales of comics, graphic novels and digital comics totaled $750 million in 2012, making that year the best of the millennium so far for the comics business, according to the retail news and analysis site ICv2. Total print sales were estimated at $680 million and digital at $70 million, a hair over 10 percent of print and almost triple the 2011 total of $25 million. The website also breaks down the top properties in eight graphic novel categories (superheroes, genre, manga, etc.), based on interviews with retailers, distributors and manufacturers. Interestingly, Hawkeye is nestled at No. 7 on the list of Top 10 superhero properties, between Iron Man and Spider-Man. [ICv2]
Publishing | Torsten Adair takes a look at IDW Publishing’s financials, and they’re looking pretty good. [The Beat]
Retailing | Saying that video games, texting and digital comics have killed interest in collectibles, 80-year-old Joseph Liesner is closing his Sunnyside, Queens, store Comic Book Heaven after nearly three decades. “The store’s not making any money,” he says, “and, besides, I’m as old as Methuselah.” The store will remain open for another two months, with Liesner using the time to search for a much younger girlfriend via a sign in the window. [Sunnyside Post]
Publishing | What begins as a profile of Australian publisher Gestalt Comics dovetails into a brief snapshot of the country’s comics industry — or, perhaps, “industry.” “There are publishers like Milk Shadow Books and Black House Comics, I think we all help to create the impression of there being an Australian industry,” says Gestalt co-founder Wolfgang Bylsma, “but I don’t think we’re established enough to call it an industry yet. There are very few people who are working full time in comics in Australia.” [artsHub]
Creators | Jamie Hewlett chats about art, influences, Gorillaz and whether he might considering returning to comics: “Would I go back to doing comics? I dunno, maybe. It’s a lot of work drawing a comic. [Laughs.] And, you know, I did 10 years of drawing comics, and I really enjoyed it, but I’m kind of keen to try other things that I haven’t done. But I was talking with Alan [Martin] about the possibility of doing something in a comic form together. We haven’t agreed upon anything yet. It’s just a conversation. I’d love to work with Alan again. I really like Alan; he’s really cool.” [Consequence of Sound]