GIANT-SIZE X-POSITION: Lemire Launches "Extraordinary X-Men" - Part 1
Comic strips | Cartoonist Jan Eliot has announced that, after 20 years, she will no longer create daily strips for Stone Soup. She will, however, continue to produce a Sunday version. She’s cutting back so she can focus on other projects without all the deadline pressure: “It may seem like a small task, creating one cartoon a day, but it is herculean in many ways. The pressure to be good enough, funny enough, to create interesting-enough drawings, live up to the standards of great cartoonists I admire and share the comics page with is not a small thing.” [The Daily Cartoonist]
Conventions | As the third Salt Lake Comic Con approaches, co-founders Dan Farr and Bryan Brandenburg talk about the event’s beginnings — how they chose the venue, how they managed to book William Shatner and Stan Lee for the first convention, and how they used social media to build a following before the event itself. [Salt Lake Tribune]
Legal | Palestinian Authority President Mahmoud Abbas has ordered an investigation into a cartoon he claims depicts the Prophet Muhammad. The cartoonist, Mohammed Sabaaneh, denied that on his Facebook, saying, “The intention was not to represent the prophet. [It was to] symbolise Islam and its role of disseminating light and love on the human race.” It was a reaction to the Charlie Hebdo cartoons, not an attempt to imitate them: “My point was to defend religion in the face of attempts to distort it, by using the same means: a caricature,” he said. The newspaper that ran the cartoon, Al-Hayat Al-Jadeeda, apologized and stated that the cartoon was not supposed to be an image of Muhammad. Sabaaneh, who spent several months in an Israeli prison on charges of “contacts with a hostile organization,” has been summoned by the Palestinian Authority for questioning. [Middle East Eye]
Business | The Los Angeles County Board of Supervisors has approved Disney’s plan to build a 58-acre television and film production facility on the sprawling Golden Oak Ranch, near Santa Clarita, California. Located less than an hour north of Los Angeles, the 890-acre ranch has been owned by Disney since 1959, serving as the backdrop for projects ranging from Little House on the Prairie to Buffy the Vampire Slayer to Pirates of the Caribbean: The World’s End. ABC Studios has been producing more series than Disney’s Burbank facilities can handle, requiring additional sound stages to be rented. The new facility is targeted for completion in 2016.
Marvel Animation opened a new studio early last year in Glendale, just minutes from Disney’s Burbank lot. Marvel Studios later followed suit, moving from Manhattan Beach to new offices in Glendale. [TheWrap]
Those dispirited by the end of the Brooklyn Comics and Graphics Festival now have another show to look forward to: Comic Arts Brooklyn, presented by Desert Island Books (which is owned by Brooklyn Comics and Graphics Festival co-founder Gabe Fowler).
Set for Nov. 9 at Mt. Caramel Church and the Knitting Factory in Williamsburg, Brooklyn, the inaugural event will feature such guests as Paul Auster, Michael DeForge, Lisa Hanawalt, David Mazzucchelli, Art Spiegelman and Adrian Tomine. Programming is being directed by cartoonist and editor Paul Karasik.
According to the press release, “CAB is a curated exhibition of some of the best local and international artists and publishers working in comics, graphic illustration and fine art: from the cutting-edge underground to the established, respected artists in the field.”
Read the announcement below:
Graphic novel sales | The top-selling graphic novel in bookstores last month was the 18th volume of The Walking Dead, according to BookScan, followed by Naruto, Vol. 61, Saga, Vol. 2, Sailor Moon, Vol. 11, and perennial bestseller The Walking Dead Compendium, Vol. 1. It was a good month for manga, which took 10 of the Top 20 slots; not so much for DC, which had just one book in the Top 20, and Marvel, which had none. [ICv2]
Comics sales | Comic and graphic novel sales were up in the second quarter of 2013 compared to the same period last year, but ICv2 termed it a “solid but unspectacular” quarter compared to a “torrid” Q1. Anemic sales in June were partly to blame — comics sales were up, graphic novel sales were down. [ICv2]
Creators | Stan Lee, characterized by CNN as “the Godfather of comic book heroes,” is modest about his own achievements in a new interview: “If my publisher hadn’t said ‘let’s do superhero stories’ I’d probably still be doing A Kid Called Outlaw, The Two Gun Kid or Millie the Model or whatever I was doing at the time.” He reflects on the increased female audience for comics and discusses some new projects, including a new superhero, The Annihilator, created specifically for a Chinese audience. [CNN]
Comics| Chris Huntington reflects on the importance of Miles Morales for children of color, like his son: “… To see Spider-Man pulling his mask over a tiny brown chin – to see a boy with short curly hair sticking to the ceiling of his bedroom— well, something happened. Dagim has been Spider-Man for two Halloweens in a row. He takes a bath with his Spider-Man and a toy killer whale. He has Spider-Man toothpaste and a Spider-Man toothbrush. If Spider-Man offered medical coverage, I think he would want that, too. My son somehow understands that there is a Peter Parker Spider-Man, who is vaguely grown-up and my age, and a younger Spider-Man, closer to his age. That’s just how Dagim likes it. He even understands that Peter Parker — like Superman, like Batman – wasn’t raised by his birth parents. The best superheroes were all adopted like him.” [The New York Times]
Manga | Shueisha’s Weekly Shonen Jump has announced that One Piece will go on hiatus for the magazine’s next two issues because creator Eiichiro Oda has been hospitalized for a peritonsillar abscess, a complication of tonsillitis. The popular series is expected to return June 10. One Piece, which has been serialized in Weekly Shonen Jump since 1997, has sold more than 280 million volumes in Japan alone. [Anime News Network]
Creators | Art Spiegelman and Francoise Mouly share their thoughts (and sometimes disagree) on their own world, the comics world in general, and digital media. [National Post]
I walked into MoCCA Arts Fest a few minutes after it opened, with my friend Erica Friedman, and we noticed the difference right away: The last two shows have had an improvised, “Let’s have a comics show! We can use my father’s barn!” kind of feeling. They weren’t disorganized, exactly, and the talent has always been top-notch, but the show floor felt crowded, cluttered, and confusing.
This was the first year that the Society of Illustrators was running the event. Organizers had a lot to prove, and they proved it. The show felt professional. The aisles were wider. A very simple addition — a bright red backdrop that ran behind the tables — made a huge difference, giving visitors more focus and eliminating the distraction of looking out across that cavernous space. The red curtains also set off a small gallery at the back of the armory that featured original comics art from the Society’s collection, a gentle reminder that they have been welcoming comics creators for more than 100 years. Visitors could buy a slick, nicely produced catalog for $5, and there was a modest cafe downstairs, a pleasant addition that allowed friends who met at the show to sit down and have a bite and a chat without disrupting the experience too much.
It seems like only last year that artist Lisa Hanawalt’s illustrated reviews/reactions to movies like War Horse and The Vow at online magazine The Hairpin were making me laugh and grab the closest person to the computer to cajole with “Dude, you have to read this!”
And now Drawn and Quarterly has released a beautifully designed collection of some 120 pages of Hanawalt’s work, including those illustrated humor pieces, comics and straight-up “fine art” artwork.
What’s that? It was only last year? Wow. D+Q sure didn’t waste any time on putting a Hanawalt collection together, but anything that brings the artist to the attention of more readers is fine with me — it will cut down on my cajoling friends, family and co-workers.
My Dirty Dumb Eyes assembles a great deal of Hanawalt’s previously published work from all over, meaning you can find much of it online for free, but the book format doesn’t bombard you with a low dose of electrical radiation, and is therefore much safer to read.
Conventions | Small Press Expo organizers apologized to exhibitors for the problems they experienced trying to register for the show. Despite several server upgrades ahead of time, the site went down when the “tsunami” of applications hit on Sunday morning. They then opened up PayPal to take the table orders, but they were unable to shut it down when all the tables were sold. They are sorting it out now, and if the tables were oversold, refunds will be issued. Roger Langridge depicted his registration experience on his blog. [SPX Tumblr]
Publishing | After 13 years of publishing and promoting yuri manga, Erica Friedman is stepping down as Yuricon events chair and giving up on publishing: “I can’t afford print, you don’t want digital, the JP companies won’t talk to me and all the many differences between JP publishers and US fans are so huge and insurmountable. I don’t have the energy or clout or money to bridge the gap.” [Okazu]
Digital comics | So, your $3.99 comic comes bundled with a download code for a free digital copy, but you’re strictly a paper person. What to do? Todd Allen has a fascinating article about the secondary market in unused download codes, not just the fact that they are being sold fairly openly but also what that market tells us about the true value of comics: “Outside of eBay it’s relatively easy to use Google to find somewhere to swap or purchase Ultraviolet codes. The Home Theater Forum’s classified ad section has codes sprinkled in, with a low $2-$3 looking like a common price. Codes are also easy to find on Reddit, including a dedicated subreddit, though codes on Reddit are swapped or given away, not sold.” [The Next Web]
Conventions| Small Press Expo announced its first round of guests for the Sept.14-15 convention: Seth, Gary Panter, Lisa Hanawalt, Gene Yang and Frank Santoro. [SPX]
Sales | Sales of comic books and graphic novels to comic books stores through Diamond Comic Distributors increased 27.5 percent in January compared to the same month in 2011. Comics were up 32 percent while graphic novels were up 18 percent compared to 2011. DC Comics dominated all 10 spots at the top of the chart, with Justice League #5 coming in at No. 1. Batman: Through the Looking Glass was the top graphic novel for the month. [ICv2]
Passings | British comics artist Mike White, who illustrated Alan Moore’s The Twisted Man and numerous other stories for 2000AD, Lion, Valiant, Action and Score ‘n’ Roar, has passed away after a long illness. [Blimey!]
Publishing | Because the world demanded it, apparently, Random House plans to publish e-books of all the collected editions of Garfield newspaper comics. [Down the Tubes]
Lisa Hanawalt’s illustrated review of Steven Spielberg’s Oscar-bait World War I drama War Horse has a lot in common with Pablo Picasso’s immortal masterpiece Guernica. They’re both an example of their artists at the peak of their powers. They’re both an artistic response to a traumatizing early 20th-century military conflict. They both prominently feature horses. And they both contain, like, subliminal messages of skulls and shit. Three of those four statements are true — to find out which, read the review.
You might be accustomed to seeing the comics of Matt Furie and Lisa Hanawalt in avant-garde anthologies like Kramers Ergot and Thickness, or in their solo humor series from Pigeon Press Boy’s Club and I Want You, or in the stylishly sleazy pages of Vice magazine. But now you can share your love of these modern masters of anthropomorphic mayhem with your little ones!
Sandy Bilus of I Love Rob Liefeld notes that McSweeney’s, the literary magazine-slash-publisher with a very comics-friendly track record historically, has officially launched a subscription plan for its new children’s imprint McMullens with books by Furie and Hanawalt. Furie’s The Night Riders chronicles the bike-based adventures of a frog and mouse on a nocturnal journey, while Hanwalt’s Benny’s Brigade follows “the world’s smallest, chattiest, and most gentlemanly walrus” as he attempts to find his way home with the help of two little girls and three brave slugs. Presumably these books will be as beautifully drawn as any of Furie and Hanawalt’s comics, but with far fewer dirty jokes.
The books retail for $17.95 each, but are the launch titles for a McMullens subscription package that will get you eight books for $80 total, including shipping. Not a bad deal at all.
The featured guests for the third annual Brooklyn Comics and Graphics Festival have been announced, and whoo boy, it’s quite a line-up. And it runs the gamut, too: MAD Magazine legend Jack Davis, book-design kingpin Chip Kidd, The Diary of a Teenage Girl author Phoebe Gloeckner, Asterios Polyp/Batman Year One artist David Mazzucchelli, Providence artcomix vets CF and Brian Ralph, grossout-humor queen Lisa Hanawalt, and minicomics patriarch John Porcellino. An opportunity to encounter Gloeckner live and in person is not to be squandered, folks, and that’s just for starters.
Organized by publisher PictureBox Inc., retailer Desert Island, and scholar Bill Kartalopoulos, this year’s BCGF will take place on Saturday, December 3 from noon to nine at Our Lady of Mt. Carmel Church in Williamsburg, Brooklyn, with programming hosted at the nearby Union Pool. If the last two years are any indication, it’s the alternative comics show to beat.