First Look at DC Rebirth Designs For Bizarro, Red Robin, Batman Beyond & More
Festivals | More than 40 French publishers, including all the major publishers of graphic novels, have signed on to a press release saying they won’t participate in next year’s Angouleme International Comics Festival without significant, fundamental changes in the way it’s run. The signatories include almost every publisher that was at this year’s festival. Guy Delcourt, head of Delcourt publishing and the president of the BD commission of the national publishers’ association, said there have been problems with the festival for a long time, and attendance has been dropping, but after this year’s omission of any female nominees for the Grand Prix and the unfunny fake awards ceremony, he is fed up with the whole thing. Delcourt stopped short of calling for executive director Franck Bondoux to resign, saying the problem is not with one individual but with the entire structure of the festival, which is overly complex and opaque. The publishers have asked the Minister of Culture to name a mediator to work with them to solve the problema and give the festival, in Delcourt’s words, “the governance it deserves.” [ActuaBD]
Conventions | San Diego’s Convention Center Corp. has adjusted its estimate of how much money Comic-Con International pumps into the local economy, down from last year’s $178 million to $136 million, because of possible double-counting and other flaws in methodology. [Voice of San Diego]
Passings | Leonard Starr, who wrote and drew the comic strip Mary Perkins On Stage, died Tuesday at age 89. Starr started his career in 1942, when he was a student at New York’s Pratt Institute, and he worked for most of the early comics publishers: Funnies, Incorporated, Timely (now Marvel), Fawcett, E.C. and DC. He also did work for the Simon and Kirby studio, and both Joe Simon and Jack Kirby were admirers. When comics publishing began to decline in the mid-1950s, Starr began working on newspaper comics and crafting his own strip, Mary Perkins On Stage, which ran from 1957 until 1979, winning a Reuben Award in 1965. After Mary Perkins ended, Starr took over as writer and artist of Little Orphan Annie, bringing new energy to that legacy property until his retirement in 2000. He also wrote a series of graphic novels, Kelly Green, and was the main showrunner for the ThunderCats animated series. [News from ME]
Passings | Jay Maeder, who was the last writer for the comic strip Annie (formerly Little Orphan Annie), passed away Tuesday at age 67. A former New York Daily News columnist and editor who authored Dick Tracy: The Official Biography and contributed to The Encyclopedia of American Comics, Maeder worked on Annie, together with artist Andrew Pepoy, from 2000 its cancellation 2010. He created Amelia Santiago, a pilot and CIA agent, and once said of the strip, “I tell people it’s Indiana Jones with chicks.” [The New York Times]
Manga | Deb Aoki rounds up the manga news from Comic-Con International, including UDON’s license of Kill la Kill and Drawn and Quarterly’s plans to publish Shigeru Mizuki’s biography of Hitler. [Publishers Weekly]
Although few seemed to realize it, Little Orphan Annie has been missing for nearly four years, a victim of both declining readership and a murderous war criminal. But in June, the comics page’s greatest detective will set out in pursuit of the plucky young heroine.
In a curious crossover by the Dick Tracy team of Mike Curtis and Joe Staton, Oliver “Daddy” Warbucks will hire the detective to find Annie, who was last seen June 13, 2010 in Guatemala, the captive of the Butcher of the Balkans. While the fugitive criminal boasted that he has slaughtered “many,” he refused to kill Annie and instead pledged to take her with him on his travels.
Since then, a distraught Warbucks has searched the globe for his adopted daughter without success, leaving him with only one option — Dick Tracy.
“Joe and I have planned Annie’s rescue for some time,” Curtis said in a statement, “and we’ll deliver action-packed, over-the-top thrills and chills as the two features combine their casts for what we hope will be the most historic tale in comic strip history.”
Manga | Shueisha’s Weekly Shonen Jump has announced that One Piece will go on hiatus for the magazine’s next two issues because creator Eiichiro Oda has been hospitalized for a peritonsillar abscess, a complication of tonsillitis. The popular series is expected to return June 10. One Piece, which has been serialized in Weekly Shonen Jump since 1997, has sold more than 280 million volumes in Japan alone. [Anime News Network]
Creators | Art Spiegelman and Francoise Mouly share their thoughts (and sometimes disagree) on their own world, the comics world in general, and digital media. [National Post]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
As we’re heading towards the middle of August, it’s no surprise that curiosity is getting me to pick up more than a few DC books just see how particular series “end;” I’d be getting Justice League of America #60 and Legion of Super-Heroes #16 (both DC, $2.99) anyway, because I’ve been following those series for awhile, but I’m likely to add Batman #713 (DC, $2.99) to the pile as well, if only to see the explanation as to why Dick quits being Batman before the big relaunch. But it’s not all endings for me with my $15 this week; I’d also make a point of grabbing Daredevil #2 (Marvel, $2.99), because the first issue was just breathtakingly good, and the series became a must-read before I’d even reached the last page.
If I had $30 this week, I’d add to my list of DC final issues with Supergirl #67 (DC, $2.99), which Kelly Sue DeConnick has talked up in interviews as being the highpoint of her short run to date and a great capper to the series as a whole. I’d also check in with the third issue of David Hahn’s All Nighter (Image, $2.99), as well as see if Nick Spencer’s Iron Man 2.0 is worth a look with the mini-collection of the first three issues, Iron Man 2.0: Modern Warfare (Marvel, $4.99).
Welcome to the first Food or Comics? for 2011. Every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on what we call our “Splurge” item.
Check out Diamond’s release list for this week if you’d like to play along in our comments section.
Hey, it’s the first week of 2011, and time to get some awesome comics, right? Right? So for my $15, I’ll pick up… Oh. Kind of a slow week, then, huh? Well, there’s always Steel #1 (DC, $2.99), the sure-to-be-controversial one-shot that launches the retro “Reign of Doomsday” crossover, and my love of James Robinson’s Justice League will ensure I pick up the Starman/Congorilla one-shot (DC, $2.99), if only to find out what all those interludes in the middle of the current “Omega” storyline are all about. Curiosity compels me to pick up Image’s Walking Dead Weekly #1 ($2.99), if only to see if it’s pretty much an exact reprint of the original first issue with a different cover, but that remaining $6 may just end up burning a hole in my pocket. Maybe I’ll put it toward my $30 haul…
The sun may be setting on her comic strip, but Little Orphan Annie will rise again in fall 2012 — on Broadway.
The Associated Press reports that producer Arielle Tepper Madover (Hair, Frost/Nixon) has acquired the rights to mount a revival of Annie, the award-winning musical that debuted in 1977 on Broadway.
The adaptation of Harold Gray’s comic strip was transformed into a feature film in 1982 and a TV movie in 1999. With music by Charles Strouse, lyrics by Martin Charnin, and book by Thomas Meehan, Annie features such well-known songs as “Tomorrow” and “It’s the Hard Knock Life.”
Tribune Media Services announced last month that Sunday will mark the final installment of Little Orphan Annie. The strip, which debuted on Aug. 5, 1924, once appeared in hundreds of newspapers. Now it runs in fewer than 20.
After more than 85 years, the sun will no longer come out for Little Orphan Annie, Harold Gray’s Depression Era comic about a red-haired waif and the kindly capitalist who gives her a home.
Although the strip, which debuted on Aug. 5, 1924 in the New York Daily News, once appeared in hundreds of newspapers, it now runs in fewer than 20. So Tribune Media Services has decided to cancel Annie with the June 13 installment — a cliffhanger, curiously enough.
The Chicago Tribune’s Phil Rosenthal reports that Sunday strip will end with Daddy Warbucks uncertain of Annie’s fate after her latest run-in with the Butcher of the Balkans.
“Annie is definitely not dying,” Steve Tippie, TMS’ vice president of licensing, tells Rosenthal. He says that while “the daily newspaper strip will go away […] that doesn’t mean that Annie won’t come back … whether it’s (in) comic books, graphic novels, in print, electronic. It’s just too rich a vein (not) to mine.”
Indeed, Little Orphan Annie inspired a long-running radio show, three motion pictures, a television movie, and a musical — the basis for one of those films — that ran for six years on Broadway and has since been staged countless times around the world.
IDW Publishing has released four volumes of The Complete Little Orphan Annie collection through its Library of American Comics imprint.