Why The Russos Are The Best Thing to Happen to the MCU Since Joss Whedon
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. There’s plenty to do this weekend on both coasts, as Boston and Washington, D.C., play host to Boston Comic Con and Awesome Con, while Fan Expo Vancouver explodes in British Columbia and the Los Angeles Times Festival of Books arrives at the University of Southern California.
Meanwhile, our contributors select their picks for the best comics going on sale Wednesday, including Danger Girl Trinity #1, Popeye Classics Vol. 1 and Marshal Law: The Deluxe Edition. Plus, a preview of Bandette #4!
Creators | iZombie writer Chris Roberson discusses his recent public announcement that he would no longer accept work from DC Comics and his subsequent dismissal from his last writing job for the publisher. “Well, this has been building over the last few months, and mostly had to do with what I saw DC and Time Warner doing in regards to creator relations. I think the first thing — you have to understand that when I first started working for DC in 2008, the Siegels had just recaptured half of the copyright for Action Comics #1 and I felt very good about that. That seemed like a very positive step. And then over the course of the last few months there has been the counter-suit against the Siegels’ lawyer, Marc Toberoff, and I was less sanguine about that, and starting to get a little itchy about it, and then there were just a few general things about the way that it seemed that DC regards creators now that are working for them — and I can talk about that more in detail — but the real kind of proverbial straw that broke the camel’s back was the announcement at the beginning of February of Before Watchmen, which I just thought was unconscionable. And so I had already signed a contract by that point to do six more issues of iZombie, of which three of them had been turned in, and so I just made the decision to go ahead and turn in the remaining three, not wanting to jeopardize the livelihood of my collaborators Mike and Laura Allred. But once I turned in the last one, even though I had other work lined up, I would have to at least — if only for my own peace of mind — let people know that I wasn’t happy with it.” [The Comics Journal]
Spurred by DC Comics’ upcoming Watchmen prequels and its prolonged legal battle with the heirs of Jerry Siegel and Joe Shuster, iZombie writer Chris Roberson announced last week he would end his relationship with the publisher following the release of his Fairest arc — only to have the company decide his “services were no longer required” for the Fables spinoff. The developments triggered substantial discussion, and debate, online, so it’s perhaps to be expected that Roberson would be brought up over the weekend to DC Comics Co-Publishers Dan DiDio and Jim Lee during the Before Watchmen panel at the Los Angeles Times Festival of Books.
Asked by moderator Geoff Boucher how, as a creator, Lee reconciles Roberson’s comments about DC’s position on creators’ rights, the Image Comic co-founder replied, “I don’t know the writer, Chris [Roberson], and so — you know, it certainly would have helped if I could have talked to him or if he would’ve reached out to me. It seemed odd to me — as a creator, I would not publicly state I have a problem with the company that’s paying me to do work for them and I’m going to quit after I finish this one project. It would seem wise to me to wait until you finish that project to voice that complaint.”
DiDio was more terse in his response, saying, “As far as I’m concerned, he made a very public statement about not wanting to work for DC, and we honored that statement.”
“See,” Lee joked, “now that’s the line that’s going to run.”
Finder: Voice, the latest volume of Carla Speed McNeil‘s celebrated science fiction series, has won the prestigious Los Angeles Times Book Prize, edging out such contenders in the graphic novel category as Jim Woodring’s Congress of the Animals and Dave McKean’s Celluloid.
The 32nd annual awards were presented Friday on the eve of the Los Angeles Times Festival of Books. This is only the third year for the graphic novel category; previous winners are David Mazzucchelli’s Asterios Polyp and Adam Hines’ Duncan the Wonder Dog: Show One.
Published in February 2011 by Dark Horse, Voice collects the Eisner Award-winning 2008 arc of Finder, McNeil’s long-running print comic turned webcomic, described by her as “aboriginal science fiction.”