Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
This week Marvel released a couple of tie-ins to its big Original Sin event, and DC Comics issued new printings of chapters from its Superman crossover “Doomed.” But the weirdest, most unexpected and, oddly enough, most traditionally formatted crossover going right now comes not from the Big Two publishers that invented and perfected the approach, but from IDW, whose Super Secret Crisis War #1 features the heroes and villains from a half-dozen old Cartoon Network series sharing story space.
IDW has done crossover stories before (Infestation, Infestation 2, Mars Attacks IDW), but in the past these have been rather indirect, with the same menaces (zombies, Lovecraftian monsters, the Mars Attacks martians) invading the different realities of its various licensed properties (G.I. Joe, Star Trek, Transformers, etc.). Here the participants all appear in the same book, and even rub elbows in the same panels.
What ties them together is that they all once had shows on Cartoon Network and, um, well, that’s about it really, but it’s enough to get them all in the same six-issue miniseries issues (plus five one-shot tie-ins that will bring yet more Cartoon Network stars into the fold).
This allows the series to capitalize on the pleasures of two different sorts of crossovers: There’s the shared-universe crossover, as when all the DC or Marvel heroes team up (even if these characters don’t technically share the same universe), and the inter-company crossover, when characters from various properties that were never meant to meet up do so (Think Batman/Judge Dredd, Archie Meets The Punisher).
“… I got back into comics because of stereotypes. I think there was some big controversy in some convention — I wasn’t in the industry because I was off doing other things — about how there were no women in comics, and then I got a call, ‘We need women in comics.’ So if I got back into the industry because I’m a token female, I say great! I’m all in! […] They put me on Green Arrow, and I have to admit, I just didn’t get Green Arrow. I struggled with him. He was a rich playboy in an armored suit who was young. I liked the old Green Arrow, the wise guy who was stealthy and a social crusader — Denny O’Neil’s Green Arrow. This was a different Green Arrow and I didn’t connect with him. Now, doing Katana and Catwoman, I have no idea if there was a meeting where someone said, ‘Let’s give the girl writer the girl books,’ but I instantly related to those characters! It’s fun to write girls.”
– veteran writer and editor Ann Nocenti, discussing her recent return to comics in a fascinating conversation with Louise Simonson at Comic Book Resources that touches up their careers at Marvel, creations like Longshot and Power Pack, attitudes toward female creators in the ’80s, and much more
Madelyne Pryor, the Jean Grey lookalike introduced in Uncanny X-Men #168, was put through the ringer by writers over the years, as she went from being Scott Summers’ wife and Cable’s mother to a clone of Jean Grey and eventually a supervillain. You’ve gotta love any Wikipedia entry that comes with the caveat, “Madelyne’s biography has been rendered particularly complicated because of the many retcons involved in the publication history of both her character and that of Jean Grey.”
But that wasn’t always the plan for the character, as legendary X-Men writer Chris Claremont notes in the video below. The footage is from an interview conducted for the upcoming documentary Comics in Focus: Chris Claremont’s X-Men. Filmmakers were able to reunite Claremont, writer Louise Simonson and editor Ann Nocenti for a discussion of their time working on the X-franchise.
Hello and welcome once again to What Are You Reading? This week our special guest is Von Allan, creator of the self-published graphic novel series Stargazer. The first volume is still available, while the second one is due in shops in October.
To see what Von and the Robot 6 crew have been reading, click below.
Following DC Comics’ announcement at WonderCon of its Retro-Active one-shots bringing together writers and artists from the ’70s, ’80s and ’90s, the publisher has unveiled the decade-specific logos for the three series.
Debuting in July, each issue of Retro-Active will feature 26 pages of new content plus 20 pages classic stories reprinted from that era, spotlighting such characters as Superman, Batman, Wonder Woman, Green Lantern, The Flash and the Justice League of America.
Although DC has yet to announce all of the artists involved, the writers include Dennis O’Neil, Cary Bates, Len Wein, Marv Wolfman, William Messner-Loebs, Mike W. Barr, Louise Simonson (with Jon Bogdanove on ’90s Superman), and Keith Giffen and J.M. DeMatteis (with Kevin Maguire on ’90s Justice League).
“The way [DC Comics] put it was, look at your run back when you were doing Justice League International, find a moment there and tell an untold story,” Giffen told Comic Book Resources. “It’s one last blow-out. It’s one last hoorah for the characters.”
Check out the other two Retro-Active logos below.