Alden Ehrenreich Cast as the Young Han Solo for the 2018 "Star Wars" Anthology Film
Awards | Nick Sousanis’ Unflattening is the winner of the 2016 Lynd Ward Prize for Graphic Novel of the Year. Two graphic novels were named honor books: Lucy Knisley’s memoir Displacement and Kathryn and Stuart Immonen’s Russian Olive to Red King. The award is named for Lynd Ward, who published six wordless graphic novels between 1929 and 1937, all based on woodcuts. Ward’s daughters donated a collection of his original art to Penn State, which sponsors the award. [Penn State News]
Graphic Novels | The one-volume Naruto sequel, Naruto: The Seventh Hokage and the Scarlet Spring, and the first four volumes of One-Punch Man dominate the BookScan top 20 graphic novels list for January, taking five of the top six slots and making room only for Alison Bechdel’s Fun Home. BookScan tracks sales in bookstores, and the presence of not only Fun Home but Watchmen and American Born Chinese suggests that graphic novels are popping up on lots of required-reading lists for the spring semester. Three collected editions of Star Wars comics, the first four volumes of Tokyo Ghoul, and the fifth volume of Saga also made the list. [ICv2]
Passings | Linus Maurer, a professional cartoonist whose name Charles Schulz borrowed for his Peanuts character, has died at the age of 90. Maurer was a co-worker of Schulz’s at the Art Instruction Schools in Minneapolis when Schulz was developing the characters for Peanuts. “Linus came from a drawing that I made one day of a face almost like the one he now has,” Schulz later wrote. “I experimented with some wild hair, and showed the sketch to a friend of mine who sat near me at art instruction, whose name was Linus Maurer. It seemed appropriate that I should name the character Linus.” Maurer started his career as an illustrator and was an art director for the McCann Erickson ad agency before becoming a full-time cartoonist, working on a number of nationally syndicated comics including Old Harrigan, Abracadabra, and In the Beginning. In his later years he was a cartoonist for the Sonoma Index-Tribune. “I feel very honored that Schulz used my name in his strip,” Maurer said in an interview in 2000. “I can’t imagine what my life would have been like if the cartoon Linus had never existed. I think we have a lot in common. We’re both philosophical and level-headed.” Maurer didn’t carry a security blanket, but, he said, “I do keep a lot of sweaters and jackets in the trunk of my car.” [The Press Democrat]
Creators | Political cartoonist Ted Rall talks to the local news about his firing by the Los Angeles Times, which concluded a post he wrote in May for its OpinionLA blog about being stopped by police in 2001 for jaywalking contained “inconsistencies.” Rall, who worked for the Times on a freelance basis, insists the audiotape of the incident provided to the newspaper by the Los Angeles Police Department doesn’t contradict his statements about being treated rudely and handcuffed. “I would do it all over the same way today,” Rall told CBS Los Angeles. “I’m disgusted that the Times took the LAPD’s word, based on nothing.” [CBS Los Angeles]
Passings | Manga creator Cocoa Fujiwara died March 31 at age 31. Fujiwara’s Inu x Boku SS, a story about humans with yokai blood who live together in a special apartment building, with some serving as bodyguards for others, is being published by Yen Press and has been made into an anime. Her first manga, a short story titled “Calling,” was published when she was just 15, and she chose not to go to high school in order to pursue a career as an artist. Her current series, Katsute Mahō Shōjo to Aku wa Tekitai Shiteita, runs in Square Enix’s Gangan Joker magazine, as did Inu x Boku SS. [Anime News Network]
At first glance, you might expect Lucy Knisley‘s latest travelogue Displacement to be filled with the same humor and insight as her previous books Relish: My Life in the Kitchen and An Age of License. After all, it recounts the 2012 cruise with her memory-impaired 91-year-old grandmother and physically challenged 93-year-old grandfather. Yet the quality that’s made Knisley a great storyteller — her ability to recall nuanced encounters with a blend of wit and compassion — allows her to craft a compelling and complicated account of this time spent with her grandparents.
Business | Indian digital comics and animation producer Graphic India has raised $2.8 million in seed financing, led by CA Media, the Asian investment arm of the Chernin Group (which previously acquired “a large minority stake” in the company). Founded in 2013 as a subsidiary of Liquid Comics, Graphic India is perhaps best known for the Stan Lee-created Chakra: The Invincible. The funding will be used to create content in English, Hindi, Tamil and other Indian languages for mobile devices. [Variety]
Creators | Geoff Johns says he returned to Superman because he was interested in giving the Man of Steel a new confidante: “When I was just thinking about the character and thinking about the story possibilities, every time my brain started to picture him talking to somebody with a problem he was having … or dealing with Clark and Superman, it always was just with another superhero. I quickly realized [Superman] didn’t really have anyone normal in his life that he could talk to again, because no one knew his secret.” The other reason: The opportunity to work with John Romita Jr. [Comic Riffs]
At the risk of sounding like a library poster encouraging youth literacy, reading can take you on a journey … whether you’re reading a comic book or one of those lame old books with no pictures.
Sometimes those journeys can be quite literal, as in the case of Lucy Knisley’s travelogue Displacement, chronicling the cartoonist’s 10-day Caribbean cruise with her grandparents.
“Caribbean cruise” probably sounds pretty nice, especially to those of us hiding from the snow and cold, but this is not the sort of live-it-up-while-you’re-young trip chronicled in Knisley’s previous book, Age of License. Knisley’s grands, as she calls them, are in their 90s, and her grandmother suffers from dementia, to the point where she often wouldn’t recognize her own granddaughter.
Each of Lucy Knisley’s memoirs has been stronger than the last, and Displacement continues that rising arc. While An Age of License, her story of a trip through Europe, was sort of a free-range travelogue, Displacement, her account of a cruise she took with her elderly grandparents, is more introspective and self-contained.
I can’t claim this is an original insight; Knisley lays it all out on one page of Displacement, where she recalls the trip that became An Age of License. “That trip was about independence, sex, youth, and adventure,” she muses. “This trip is about patience, care, mortality, respect, sympathy, and love.”
Indeed, where An Age of License is filled with drawings of interesting places and fabulous food, Displacement focuses tightly on Knisley and her grandparents. Traveling on a cruise ship is all about the journey, not the destination; Knisley only gets off the ship for two short excursions, and even then, she is less interested in local color than the people around her. While she started every chapter of An Age of License with a drawing of her journey to the next destination, she starts each chapter of Displacement with an image of the empty ocean, with the horizon getting higher with each day of the trip.
Manga | Japanese publisher East Press has released a manga adaptation of the Koran as part of its series devoted to classic or historical literature. “The Koran is the foundation of the daily life and ideology of people who believe in the teachings of Islam,” the publisher writes on its website. “The name Islam is often heard in the daily news, but because we Japanese aren’t usually familiar with it, a perverted image [of Islam] as abstemious or linked to terrorism is liable to persist. So what kind of teachings do [Muslims] actually believe in? What are they thinking about? To understand the modern international community and Islam, let’s try to experience the scriptures where all that is written down.” East Press has adapted 133 famous works, ranging from War and Peace to the Bible to Mein Kampf. [Anime News Network]
Legal | A 54-year-old man was sentenced this week in a Quebec court to 60 days in jail for watching pornographic anime featuring characters that appeared to be minors, a violation of Canadian law. A former private security guard, Regis Tremblay admitted he watched the cartoons several times in January 2012 out of “curiosity” while working at Canadian Force Base Valcartier, north of Quebec City. Investigators say they discovered 210 “hentai” files from a hard drive, and 501 “incriminating” web addresses from Tremblay’s browser history. Following his jail sentence, Tremblay will have to register as a sex offender. [Canoe]
Conventions | Richard Bruton notes that the Dublin International Comic Expo (DICE) has taken the unusual step of posting a link to its harassment policy at the top of its home page. “Having a quick look around it’s the only comic event/festival/expo/con site to feature it so prominently,” he writes. “Some make mention of their policies in FAQ or About sections, but as far as I know DICE is the first to do so this way.” He does take issue with one vaguely worded item in the policy, though: “In particular, exhibitors should not use sexualized images, activities, or other material.” [Forbidden Planet]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
It took me a while to figure out why I liked Lucy Knisley’s An Age of License so much better than her last book, Relish, but eventually it came to me: Relish is a memoir, An Age of License is a diary comic.
Knisley was in her mid- to late 20s when she made Relish, and that is a bit young to be doing a memoir, even one that focuses on childhood. There’s a certain fullness of perspective that comes with time and distance, and while Relish was technically a very accomplished book, it felt a bit thin.
An Age of License, on the other hand, has an immediacy to it that makes it much more compelling. It’s more diary than memoir, a travelogue comic about Knisley’s trip through Europe in 2011, when she was a guest at the Raptus Comic Fest in Norway. Her plan is to travel alone, but not entirely: A few weeks before she leaves, she meets a handsome Swedish guy, Henrik, and they hit it off. So she plans to head off to Stockholm after the comics fest, spend some time with Henrik, and then push on to Berlin and visit friends and family in France.
Legal | Japanese publisher Square Enix is voluntarily recalling all volumes Hi Score Girl and has suspended its digital distribution and sales following allegations the manga contains more than 100 unauthorized uses of characters owned by the game company SNK Playmore. However, the series will still continue to run in the monthly Big Gangan magazine, and a Square Enix spokesperson said the publisher isn’t admitting to the allegations. The publisher sent mixed signals on whether the anime adaptation in development will continue as planned. The manga also contains characters from games produced by CAPCOM, Sega and Bandai Namco, all of whom confirmed to IT Media that they had granted permission. [Anime News Network]
Although Saturday at Comic-Con International was dominated by movies and television — led by Warner Bros. Pictures, Marvel Studios and Legendary Pictures — there was still room for plenty of comics news. First and foremost, the announcement of Marvel’s Star Wars plans.
That line, telling canonical stories set between the events of Star Wars: A New Hope and Star Wars: The Empire Strikes Back, launches in January with Star Wars, by Jason Aaron and John Cassaday, followed in February by Star Wars: Darth Vader, by Kieron Gillen and Salvador Larroca with covers by Adi Granov, and in March by the miniseries Star Wars: Princess Leia, by Mark Waid and Terry Dodson.
“What’s great about this time period is that all the characters are kind of on the table,” Aaron told CBR News. “Of course this is still early on and these people have pretty much just met each and just come together. So they’re still finding their place within this group and sort of figuring out their relationships with each other. Then there’s the fact that when you look at the gap between Episode IV and Episode V there’s some pretty major beats that happen off screen. So this gives up the opportunity to grab those beats and lay them down as part of the same canon as the movies.”
Publishing | John Jackson Miller mines the circulation statements provided once a year to put together a 54-year sales history of Archie Comics’ flagship title Archie (the publisher is one of the few that still prints annual statements of ownership, allowing the numbers to be traced back, unbroken, to 1960). As he points out, Archie was a big newsstand title, selling almost 600,000 copies in the late 1960s, but it didn’t fare well when comics moved to the direct market — although Archie Comics has done well nonetheless with its digests, which far outsell its single-issue comics. [Comichron]
Publishing | Annie Koyama of Koyama Press talks with Dan Berry about how comics publishing works, and how she got into the field. [Make It Then Tell Everybody]
The Mary Sue landed the exclusive that First Second will publish Lucy Knisley’s Something New, a graphic novel about the cartoonist’s wedding. She’s a bit in front of things this time, as the wedding is still three months away, but it sounds like Knisley is going to make it interesting: