Lucy Knisley Archives - Robot 6 @ Comic Book Resources
Although Saturday at Comic-Con International was dominated by movies and television — led by Warner Bros. Pictures, Marvel Studios and Legendary Pictures — there was still room for plenty of comics news. First and foremost, the announcement of Marvel’s Star Wars plans.
That line, telling canonical stories set between the events of Star Wars: A New Hope and Star Wars: The Empire Strikes Back, launches in January with Star Wars, by Jason Aaron and John Cassaday, followed in February by Star Wars: Darth Vader, by Kieron Gillen and Salvador Larroca with covers by Adi Granov, and in March by the miniseries Star Wars: Princess Leia, by Mark Waid and Terry Dodson.
“What’s great about this time period is that all the characters are kind of on the table,” Aaron told CBR News. “Of course this is still early on and these people have pretty much just met each and just come together. So they’re still finding their place within this group and sort of figuring out their relationships with each other. Then there’s the fact that when you look at the gap between Episode IV and Episode V there’s some pretty major beats that happen off screen. So this gives up the opportunity to grab those beats and lay them down as part of the same canon as the movies.”
Publishing | John Jackson Miller mines the circulation statements provided once a year to put together a 54-year sales history of Archie Comics’ flagship title Archie (the publisher is one of the few that still prints annual statements of ownership, allowing the numbers to be traced back, unbroken, to 1960). As he points out, Archie was a big newsstand title, selling almost 600,000 copies in the late 1960s, but it didn’t fare well when comics moved to the direct market — although Archie Comics has done well nonetheless with its digests, which far outsell its single-issue comics. [Comichron]
Publishing | Annie Koyama of Koyama Press talks with Dan Berry about how comics publishing works, and how she got into the field. [Make It Then Tell Everybody]
The Mary Sue landed the exclusive that First Second will publish Lucy Knisley’s Something New, a graphic novel about the cartoonist’s wedding. She’s a bit in front of things this time, as the wedding is still three months away, but it sounds like Knisley is going to make it interesting:
Book Expo America is the annual trade show where publishers promote their upcoming books to retailers and librarians. BEA is all about books, but comics and graphic novels are a growing presence. Diamond had a dedicated area, as it has in previous years, several comics publishers had their own booths, and several of the big publishers featured graphic novels alongside their other titles, most notably Hachette, which gave quite a bit of space to Yen Press.
I spent Friday at the show looking at which books the publishers were drawing the most attention to. Here’s a very subjective account of what I saw.
Kid stuff! Children’s and YA graphic novels have been hot for a couple of years, and the news that Raina Telgemeier’s Sisters is getting a 200,000 copy initial print run got a lot of buzz. Of course, the BEA crowd has been on board with her work for a while, and they lined up in droves for her book signing. The same was true of Jeff Kinney, who was signing copies of The Wimpy Kid School Planner at the Abrams booth; the crowd just kept on coming. And the staff at the BOOM! Studios table were hustling as attendees grabbed copies of their Adventure Time and Bravest Warrior collections as well as their third original Peanuts graphic novel, Peanuts: The Beagle Has Landed, which takes Snoopy to the moon.
Awards | March: Book One, by John Lewis, Andrew Aydin and Nate Powell, was honored this morning at the American Library Association Midwinter Meeting in Philadelphia with the Coretta Scott King (Author) Book Award, recognizing an African American author and illustrator of outstanding books for children and young adults. Other youth media winners include: Lucy Knisley’s Relish, the Alex Award as one of the 10 best adult books that appeal to teens; Chip Kidd’s Go: A Kidd’s Guide to Graphic Design, a finalist for the YALSA Award for Excellence in Nonfiction for Young Adults; and Brian Selznick, recipient of the May Hill Arbuthnot Honor Lecture Award. [press release]
Passings | One of Fiji’s best-known cartoonists, Laisiasa Naulumatua, was remembered by his former editor as someone who relied on humor rather than venom to make his point. A number of former government officials, including a former prime minister, came to pay their respects to the cartoonist, who used the pen name Lai, at his funeral on Saturday. [The Fiji Times]
Both books are travel stories. The first, An Age of License, is the tale of Lucy’s trip through Europe, where she apparently has all sorts of adventures, meditates on the meaning of life and finds love. It’s due out this fall and will be about 200 pages, black and white with some color.
In the second book, Displacement, Lucy takes her grandparents on a cruise, meditates on the meaning of life and “tries to hold her family together,” which sounds intriguing. This graphic novel will also be black and white with some color.
There are a couple of things about this announcement that are worth noting. First is the move from First Second, which published Relish, to Fantagraphics. First Second gave Relish a strong marketing push — for a while it seemed there was a Lucy Knisley interview somewhere, often in a major publication, every single day, and she did a book tour as well. I think that’s helpful to a young creator, and I hope she’s able to stay on a roll with Fantagraphics.
The other thing is format. Relish had a lush feeling because it was in full color. To me, a black-and-white or black-and-white-with-color format signals a different type of book, maybe something a bit more serious, a bit more literary. It works well for many of Fantagraphics’ titles, as it did for Knisley’s first book, French Milk, and it will be interesting to see how it changes the feel of her work.
Fall is a long ways away, so while you wait, check out Knisley’s sporadically updated webcomic, Stop Paying Attention, which is funny and perceptive and really shows what she is capable of.
The full press release can be found below.
Conventions | The Taipei Comics Exhibition drew 582,000 people this year, up from 560,000 last year, with more than 450 booths and appearances by 49 creators, 25 of them from Taiwan. Roger Kao, one of the organizers, said that sales of Taiwanese comics were up, perhaps because of the personal appearances. [Taipei Times]
Conventions | Graeme McMillan notes some comments by First Second’s Gina Gagliano about the cost to publishers, in time and money, of attending comics conventions. [The Hollywood Reporter]
Creators | Unshelved co-creator Gene Ambaum talks with Lucy Knisley about her graphic novel Relish and food in general. [Unshelved]
Lucy Knisley’s Relish: My Life in the Kitchen has been one of the most talked about graphic novels of the year since its debut in April at the MoCCA Arts Festival. That’s not too surprising, as the emotional pull of food and the way it intermingles with family and other relationships often makes for compelling reading. In Relish, Knisley has put together a series of short stories about her foodie parents and her own experiences in and out of the kitchen and accompanied them with some favorite recipes, all illustrated in her loose, colorful style.
For a while it seemed like everyone in the world was interviewing Knisley, and as someone who enjoys a good food story, I didn’t want to be left out.
Brigid Alverson: Obviously food is very important to your family, but why did you think it was a good theme for a memoir?
Lucy Knisley: Sense memory is a great connection to our past! I grew up with a family that cares a lot about food, and learned from them how to care about food. I have so many wonderful memories associated with foods, it makes perfect sense to tell these stories centered around the food I love.
In the prose world, food writing has become its own genre. Do you have any favorite food writers?
Lately I love David Lebovitz‘s food writing — he has a great (and hilarious) voice, and writes quite a bit about Paris (which I love) and chocolate (ditto).
Editorial cartoons | The Cartoonists Rights International has given its 2013 Courage in Editorial Cartooning award to Syrian cartoonist Akram Raslan, who was arrested in his newspaper office in Hama, Syria, about six months ago and has been held incommunicado since then; reliable sources report that he has been tortured while in prison. Raslan will be tried on Monday in a special court on an array of charges, including insulting the president and incitement to sedition, stemming from his cartoons. [Cartoonist Rights Network International]
Creators | Meanwhile, Pittsburgh Post-Gazette cartoonist Rob Rogers is donating the prize money from the Thomas Nast Award he recently received to the CRNI. Rogers’ donation will go directly to a cartoonist who’s in hiding for fear of being deported to his home country of Syria. [Cartoonist Rights Network International]
I walked into MoCCA Arts Fest a few minutes after it opened, with my friend Erica Friedman, and we noticed the difference right away: The last two shows have had an improvised, “Let’s have a comics show! We can use my father’s barn!” kind of feeling. They weren’t disorganized, exactly, and the talent has always been top-notch, but the show floor felt crowded, cluttered, and confusing.
This was the first year that the Society of Illustrators was running the event. Organizers had a lot to prove, and they proved it. The show felt professional. The aisles were wider. A very simple addition — a bright red backdrop that ran behind the tables — made a huge difference, giving visitors more focus and eliminating the distraction of looking out across that cavernous space. The red curtains also set off a small gallery at the back of the armory that featured original comics art from the Society’s collection, a gentle reminder that they have been welcoming comics creators for more than 100 years. Visitors could buy a slick, nicely produced catalog for $5, and there was a modest cafe downstairs, a pleasant addition that allowed friends who met at the show to sit down and have a bite and a chat without disrupting the experience too much.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. After an almost-uninterrupted string of U.S. conventions, from Emerald City Comicon and Fabletown & Beyond to WonderCon and MoCCA Arts Fest, eyes turn to Europe this weekend for the Torino Comics festival.
Meanwhile, our contributors select their picks for the best comics going on sale Wednesday, including Batman: Li’l Gotham #1, Relish and The Flash Chronicles, Vol. 4.
Conventions | The Tokyo Big Sight convention center in May will lift the ban on events associated with the manga Kuroko’s Basketball. Creator Tadatoshi Fujimaki and numerous venues that were hosting manga and doujinshi (fan comics) shows have received threatening letters, some containing liquid or powder, and as a result, Kuroko’s Basketball fan events have been canceled and doujinshi tables have been banned from several comics events. (More background here.) [Kotaku]
Passings | French cartoonist Theodor Friedrich Otto Aristidès, aka Fred, passed away Tuesday in a Paris hospital at age 82. He was best known for Philémon, his surrealistic comic about a French farm boy who fell down a well into a fantasy world akin to Wonderland. Fred was awarded the Grand Prix de la ville d’Angoulême in 1980, and had been the oldest living recipient. [L'Observateu de Beauvais]
Creators | John Layman, who’s writing the 900th issue of Detective Comics (No. 19 in the New 52 continuity) talks about his plans for that and his creator-owned series Chew, and contrasts the two: “Well, the cases are weirder in Chew. There is an element that’s the same – you introduce a conflict, and then you have a detective with a certain skill set resolving it. … Batman’s just happen to be gadgets and fists. I guess if there’s a formula in the skeletal layer, it’s probably the same.” [Hero Complex]
Conventions | With just a day to go until WonderCon kicks off in Anaheim, California, Saturday and three-day passes have sold out. Although Friday and Sunday badges are still available, organizers recommend they be purchased in advance online, rather than at the door. Additional passes will likely become available as cancellations and refunds are processed. [Toucan]
Conventions | Renatt Kuenzi files a report on this month’s Fumetto International Comix Festival, which co-director Marta Nawrocka describes as “a festival for exhibitors and artists – not a fair with stands and people dressed in suits.” Part of the challenge for organizers of the festival, which featured work by Art Spiegelman, Joe Sacco, Swiss artist Bastien Gachet, and Arab artists Mohamed Shennawy and Lena Merhej, among others, was to combat the German-Swiss prejudice that comics are “juvenile.” [SwissInfo]
Have you ever wondered what goes through the mind of Nicholas Gurewitch as he is creating The Perry Bible Fellowship, or Andrew Hussie when he works on Homestuck? Check out the short (7:39) video The Rise of Webcomics, part of PBS’s “Off Book” series, that features interviews with Gurewitch, Hussie, Christina Xu (Breadpig), Sam Brown (Exploding Dog) and Lucy Knisley (Stop Paying Attention), along with snippets from lots of other webcomics.
It’s fast-paced and entertaining, and there are some interesting insights from the creators as well as some webcomics you may not have seen before.