Brevoort Talks "Captain America's" Shocking, Controversial Twist
Every so often, public opinion shifts and popular culture gets a craving. Remember when everything was all about pirates? Then we all got on this huge kick about vampires and the supernatural, and we had a variety of different television shows to slake our thirst? The remnants of those yearnings still linger (well, not so much the pirates), and now the masses have all lined up for zombies.
Zombies play into so many metaphors for the fears that plague us (death, communities turning against us, a loss of identity and so on), and they can even reflect economic shifts with consumerism and political-mob mentalities. That latter point is probably why Game of Thrones (a fantasy political drama) and The Walking Dead (a morality play on humanity versus its corrupted self) are TV-ratings gold.
Sadly, this cannot last. I’m not saying zombies are on their way out, just that the cultural craze is reached a peak and is moving toward something new — and Marvel comics has your back.
With robots! They’re fantastic and a personal favorite of my science fiction-loving heart, so the announcement of Avengers A.I. left me looking past our zombie-filled present with a hope for a new future-craze. We should be looking forward to what comes after our old rotten selves, pushing forward with our fiction to better understand the human condition. There is no better metaphor than that of the robot to help us grasp our own humanity and morality by looking through mechanical eyes; the future of our pop culture might not be full of artificial men, because who can really predict the public’s taste for fantasy or fiction? But Marvel seems primed and ready to try to take us into a new age of androids.
Hello and welcome to What Are You Reading? Today our special guest is Chris Wisnia, creator of the Doris Danger books.
To see what Chris and the Robot 6 crew have been reading, click below.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item. I’m filling in this week for Michael May, who is off in Florida spending his splurge money on mouse ears and giant turkey legs.
If I had $15, I’d start of the week with Brian K. Vaughn and Fiona Staples’ Saga #7 (Image, $2.99). Saga has become a real bright spot in comics for me being sci-fi without being “sci-fi,” being romance without being “romance,” and being great at being great. It gives me the same excitement the way Bone, Strangers In Paradise and A Distant Soil did back in the early 90s. Next up would be Punk Rock Jesus #5 (DC/Vertigo, $2.99) by Sean Murphy. Murphy’s really exceeded my expectations here, creating a nuanced and elaborate world that has great art as a bonus. You can really tell Murphy’s been thinking about this story for awhile now. After that I’d get Invincible #97 (Image, $2.99), to finally get the truth behind the new Invincible, Zandale. I’ve been enticed by what’s been teased so far, and I hope the inevitable return of Mark Grayson doesn’t prevent me from seeing more of Zandale in the future. Last up with my $15 budget would be my call for the best superhero book on the stands today, Wolverine & The X-Men #20 (Marvel, $3.99). I feel like the title isn’t getting the attention it deserves with Marvel NOW! upon us, but Jason Aaron and Nick Bradshaw are absolutely delivering it here.
If I had $30, I’d double back and double up on Brian Wood with Conan The Barbarian #10 (Dark Horse, $3.50) and The Massive #6 (Dark Horse, $3.50). The Massive has survived the monumental loss of artist Kristian Donaldson, forging on in Wood’s story of one ship trying to survive in an ecological destitute Earth. Over at Conan The Barbarian, Declan Shalvey looks to be bringing the goods and showing he’s more than a Marvel superhero artist. After that I’d get the second series debut of Where Is Jake Ellis? (Image, $3.50) by Nathan Edmondson and Tonci Zonjic. This is a mighty pairing, and seeing them peel back the layers on Jake Ellis has been fun.
Happy Labor Day, Americans, and welcome, everybody, to What Are You Reading? Today our special guest is Paul Allor, writer of IDW’s Teenage Mutant Ninja Turtles spinoff, Fugitoid, as well as his own anthology Clockwork.
To see what Paul and the Robot 6 crew have been reading, click below:
Machine Man has had a pretty good career in comics. One of those trendy sort of alternative careers where he’s filled in on guest spots, played with cyberpunk in the ’80s, a bad-ass mission to kill in the late ’90s (along with one of the most important philosophical roles in Earth X), a good dose of cynicism and humor with Nextwave. Heck, he even fought zombies, which is the trendiest of things to do in fiction right now!
Because he’s been sort of a unique cypher for the writer and reader, I think Jack Kirby would be proud of his creation. I say this as if I would know anything about Kirby personally, but in a way, thanks to some amazing moments in the original pages of Machine Man under his pen, I think I just might know something of the King. Machine Man had a lot of questions in his creation, a sort of philosophy on man and humanity. Within the pages of gorgeous, larger-than-life art, Kirby himself invited us to answer the questions he posed in the story.
I’m three days late, but what can you do? You can take a little time with me and look back at the weird and the wonderful idea that started as “The Machine — As the Dude Next Door.”
WARNING: We’ll be talking about the first volume of Machine Man, written by the King himself! So find a copy and read along …