MAD Magazine Archives - Page 2 of 3 - Robot 6 @ Comic Book Resources
Creators | Alan Moore will make a rare convention appearance in September — his first in 25 years, according to this article — at the inaugural Northants International Comics Expo in Northamptonshire, England. To attend Moore’s hour-long talk on writing comics or the hour-long question-and-answer session, convention-goers are required to donate graphic novels to the Northamptonshire Libraries, which will have a table at the event. [Stumptown Trade Review]
Creators | Mark Waid gets the NPR treatment, as Noah J. Nelson interviews him about his digital comics initiatives. “I got news for you: I’ve been doing this for 25 years, and this is the hardest writing I’ve ever had to do,” Waid says of creating digital comics. [NPR]
Publishing | Abrams ComicArts editorial director Charles Kochman discusses the publisher’s spring lineup, which will include William Stout’s Legends of the Blues, Darryl Cunningham’s What the Frack, a history of Bazooka Joe comics, and a Will Eisner artbook written by Paul Levitz. [ICv2]
Conventions | ReedPOP has officially announced it will fold the New York Anime Festival into New York Comic Con, rather than continue them as separate events held at the same location. “This move has nothing to do with our loyalty or commitment to the anime community and everything to do with the growth and identity of New York Comic Con as a leading pop culture event,” ReedPOP’s Lance Fensterman said in a statement. “NYCC embraces all elements of the pop culture world, including anime, and we have evolved to a point where the existence of NYAF outside our universe is almost a contradiction. We will be better able to serve the anime community from within the NYCC infra-structure rather than have a show which is separate and which will always be dwarfed by everything that New York Comic Con represents and is.” [press release]
Passings | Cartoonist Jim Unger, whose one-panel comic Herman served as an inspiration for Gary Larson’s The Far Side, passed away Monday at his home in British Columbia. He was 75. The comic appeared in about 600 newspapers worldwide from 1974 until Unger’s retirement in 1992. [The Daily Cartoonist]
This weekend’s Boston Comic Con has all the virtues of a small show and most of the virtues of a large one as well. The headliners of this year’s show, which takes place Saturday and Sunday at the Hynes Convention Center in Boston, are Mad Magazine artists Al Feldstein, Al Jaffee, and Paul Coker. That alone would get me onto the T, but there’s plenty of talent for all tastes: Peter Bagge, Simon Bisley, Becky Cloonan, Greg Horn, Jamal Igle, David Petersen, Jill Thompson, and Skottie Young are among the featured guests, while the Artists Alley will be graced by, among others Ming Doyle, Jarrett Krosoczka (creator of the all-ages Lunch Lady books), Adventure Time team Braden Lamb and Shelli Paroline, and local favorites the Boston Comics Roundtable. There’s a solid lineup of panels, and Marvel Comics will be doing portfolio reviews.
The nice thing about a small con like this is that it’s more relaxed than a big con. It’s easier to talk to artists at their tables and to browse the work of new creators if you don’t have the crowd at your back. If you’re in the area, it’s well worth checking out. I highly recommend taking public transit if you can–street parking is difficult and the garages are expensive–but I wouldn’t let that stop me from coming in if a car was my only option. The Pru garage offers significant discounts if you spend ten bucks in the restaurants or shops there. The upside is that unlike a lot of convention centers, the Hynes is located in an actual urban neighborhood with lots of interesting restaurants and shops, so you’re not stuck eating $9 turkey sandwiches for lunch.
See you at the con!
MAD Magazine will release an iPad app featuring exclusive content, interactive stories, MAD videos and access to MAD library on April 1, the birthday of their legendary mascot Alfred E. Neuman. The app will be free to download through the App Store and will include a mixture of free and paid content, including a free preview of the magazine.
“We’re delighted to bring MAD to the iPad,” said MAD editor John Ficarra in a press release. “We think the MAD app may be just the thing to turn the struggling iPad around and make it successful -though most experts think it may be just the thing that kills it altogether.”
The MAD app will include interactive versions of all current issues, access to a library of back issues and books, animated covers and “fold-in” pages and promo videos from the MAD Cartoon Network show. In addition to the regular issue interactive “fold-in,” digital issues will also include a second, classic interactive “fold-in” from a past issue. Fans of Sergio Aragones’ MAD Marginals will enjoy a feature that allows readers to “pop-up” the margin artwork for a larger, more detailed view.
Libraries | A committee recommended Monday that Stuck in the Middle: 17 Comics from an Unpleasant Age, an anthology of comics about middle school edited by Ariel Schrag, should remain in the Buckfield Junior-Senior High School library in Dixfield, Maine, after the mother of a student challenged its appropriateness because of “objectionable sexual and language references.” The local school board will make a final ruling in January. The Comic Book Legal Defense Fund and the American Library Association’s Office for Intellectual Freedom sent a letter of support for the book prior to the hearing. A school board in Sioux Falls, South Dakota, pulled the graphic novel from middle-school libraries in November 2009, but allowed teachers to continue to use it in class. [Sun Journal]
Digital | Charlie Sorrel looks at the iPad comic reader called, appropriately enough, Comic Reader. [Wired]
Season’s Greetings and welcome to another edition of What Are You Reading?, our weekly look at what we’ve been reading lately. Today our special guests are Geoffrey Golden and Amanda Meadows, editors of Devastator: The Quarterly Comedy Magazine for Humans. Their latest issue has a video game theme, with contributions from James Kochalka, Corey Lewis, Danny Hellman and many more. And if you head over to their website between now through Dec. 16, the code ROBOT6 gets you 20 percent off single issues.
To see what Amanda, Geoffrey and the Robot 6 crew have been reading lately, click below.
Creators | Watchmen writer Alan Moore responds to recent comments made by The Dark Knight Returns creator Frank Miller: “I think that the Occupy movement is, in one sense, the public saying that they should be the ones to decide who’s too big to fail. It’s a completely justified howl of moral outrage and it seems to be handled in a very intelligent, non-violent way, which is probably another reason why Frank Miller would be less than pleased with it. I’m sure if it had been a bunch of young, sociopathic vigilantes with Batman make-up on their faces, he’d be more in favour of it. We would definitely have to agree to differ on that one.” [Honest Publishing]
Creators | Longtime Uncanny X-Men writer Chris Claremont is donating his archives to Columbia University’s Rare Book and Manuscript Library. The collection includes materials for all of his major writing projects over the past 40 years, notebooks with story ideas, drafts of short stories, plays, novels and comic books, and materials from his early training in the theater and his career as an actor. “We hope this is the first of more comics papers to come to the University,” said Karen Green, Columbia University’s ancient/medieval studies librarian and graphic novel librarian. “We want it to be a magnet for these kinds of archives in New York City, where the comics medium was born.” [Publishers Weekly]
Creators | Michael Cavna talks to two comics creators with very different takes on Occupy Wall Street, sequential journalist Susie Cagle, who was arrested as part of the Occupy Oakland protests, and conservative editorial cartoonist Nate Beeler, who walks past the Occupy D.C. site every day and regards it as “quaint,” smelly, and out of step with the rest of the country.” [Comic Riffs]
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that I don’t have to come up with a new way to say, “ Mouse Guard is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Explorer: The Mystery Boxes - With the Flight anthologies done, the all-ages version, Flight Explorer has morphed into this. I expect it to be as lovely as its predecessors and especially like the Mystery Box theme.
Jinx – J Torres and Rick Burchett’s graphic novel aimed at tween girls.
Kevin Keller, Volume 1 and Kevin Keller #1 – Archie collects the first appearances and mini-series of their major, gay character and also launches his ongoing series.
Flash Gordon: Vengeance of Ming – The third volume in Ardden’s Flash Gordon series.
This year is the 50th anniversary of the Mad Magazine feature “Spy vs. Spy,” and to celebrate, the magazine created a blank “Spy vs. Spy” toy and asked various artists to customize it. They’ve been sharing them over on their blog since around the time of the San Diego Comic Con, and in New York this weekend they’re unveiling one by DC Comics co-publisher Jim Lee.
You can find more of them on the Mad blog The Idiotical, or in person at the New York Comic Con.
Comic-Con International in San Diego hasn’t officially started yet—tonight was Preview Night—but the news has been rolling in. So let’s take a look at today’s announcements
• Dark Horse announced three new projects earlier this evening. They will publish a comics adaptation of The Strain, the sci-fi/vampire trilogy by filmmaker Guillermo del Toro and Chuck Hogan. The comic will be written by David Lapham with art by Mike Huddleston.
• They also announced a series written by Rage Against the Machine guitarist Tom Morello with art by Scott Hepburn. Orchid is about a 16-year-old prostitute in a dystopian future “becoming the Spartacus of whores.” Each issue will come with a music track by Morello.
• And finally on the Dark Horse front, they will publish comics set in the young vampire world of P.C. Cast’s House of Night novel series. It will be co-written by Kent Dallan with art by Joëlle Jones. You can see a trailer promoting all three new books on YouTube.
It’s the 50th anniversary of the Mad Magazine feature “Spy vs. Spy,” and to celebrate, the magazine created a blank “Spy vs. Spy” toy and asked various artists to customize it. They’ve been sharing them over on their blog, with plans to display them in the DC Comics booth this week at the San Diego Comic-Con.
Peter Kuper designed the one shown above; check out the rest on the Mad blog, the Idiotical.
You might be familiar with Rick Parker from his work on the Pekar Project, the Beavis and Butthead comics he did for MTV, or his comic Deadboy, but if you don’t have kids around the house, you might not know his most recent work, the parodies Diary of a Stinky Dead Kid, Harry Potty and the Deathly Boring, and Breaking Down, all done for NBM’s children’s comics imprint Papercutz.
If those all sound like updated Mad Magazine parodies, well, all I can say is check out the art. Like seminal Mad artist Will Elder, Parker likes to fill the backgrounds of his panels with lots of small, often hilarious details. (Finding the word “Potrzebie” in one of them convinced me that the similarity was intentional.) Like Mad, the humor in his books is juvenile and sophisticated at the same time.
I have seen Rick at cons, usually sitting at the Papercutz table sketching away, and at MoCCA I decided to say hi. My suspicions were immediately confirmed. “I saw Mad Magazine in 1957 or 1958, and it rocked my world,” he said, reeling off the names of Mad artists—Elder, Harvey Kurtzman, Jack Davis, Wally Wood. “I modeled myself after Will Elder,” he said. “I wanted to do that in the present day. I was the artist for Beavis and Butthead, and I tried to put some funny stuff in there.”
He pointed out a panel in Harry Potty that featured a room full of crystal balls bearing assorted faces. One had the face of Mad publisher William Gaines, and another featured the face of his editor at Papercutz, Jim Salicrup. “I should give out little magnifying glasses with Harry Potty,” he said.
“One of the great things about comics is that people don’t move on until they are ready,” he said. “I want to be able to squeeze as much juice out of the lemon as possible. If people are going to spend time on something I have done, I want them to enjoy it.”
“I just want to make people laugh.”
Welcome to another round of What Are You Reading, where we all sit around the virtual coffeehouse and talk about the books we’re currently enjoying (or not as the case may be). Our guest this week is Wilfred Santiago, author of the soon to be released biography of Roberto Clemente, 21. Look for an interview with me and Santiago about his new book in the coming weeks. In the meantime, click on the link below to see what he and my fellow Robot 6ers are reading this week.
Conventions | Comiket 79, the winter installment of the self-published comic book fair held twice a year in Tokyo, set a turnstile attendance record last week with 520,000 people over three days. That’s just 20,000 less than the summer record — and the equivalent of about four Comic-Cons. [Anime News Network]
Legal | Archie Comics reportedly has threatened legal action against the in-production Indian film Boys Toh Boys Hain, which, according to this description, is “based on the lines of the celebrated [Archie] comic book but set in Delhi instead of Riverdale.” However, the director now claims that, “We never made any statement which suggested that the film is inspired from Archie comics. One of my actors may have said in an interview that the film has a feel similar to Archie, but never that the film is based on it.” The publisher was dealt a blow in an unrelated legal matter in September when India’s Delhi High Court refused to hear a complaint challenging the use of the name “Archies” by a Mumbai company. The court said it had no jurisdiction in the matter because Archie Comics doesn’t have an office in India. [Hindustan Times]