"Deadpool" Screenwriters Talk Political Correctness, PG-13 Petition and the Merc's Mouth
Comic Books, Film
Fans looking forward to Marvel’s relaunched Wolverine & the X-Men by Jason Latour and Mahmud Asrar may do well to follow Mutatis Mutandis, a blog for the Jean Grey School for Higher Learning that launched Saturday with a farewell message from outgoing writer Jason Aaron.
“Believe me, it wasn’t easy for me to step away from this book,” he wrote. “I’ve loved building that school and writing those characters, both the students and the teachers, as much as I’ve loved anything I’ve done in comics. But the school itself isn’t going anywhere. And I’ll still be writing a lot of those same characters over in Amazing. And I’ve got lots of other stuff coming up that demanded my time, like Thor and Southern Bastards and some new things I can’t tell you about just yet.”
Since then, the blog (which appears to be maintained by Latour) has showcased some terrific X-Men illustrations from the likes of Jake Wyatt (above and below), Chris Brunner and Rico Renzi, and Kris Anka, as well as some artifacts from the past. Latour teased on Twitter that the blog may be “a good place to look for WatXM things in the days to come.”
Wolverine & the X-Men #1, by Latour and Asrar, arrives in March.
Michael Green, Mike Johnson and Mahmud Asrar’s Supergirl is my favorite superhero comic right now. What they’re doing on that series is remarkable. Asrar’s gotten a lot of credit for the unique look he gives the comic, and that’s justifiable: He gives the characters a lot of emotion that enhances Green and Johnson’s script. He also knows how to draw convincing teenagers, and I especially like his younger-looking Superman, who appears to be around the same age as Supergirl. I wouldn’t want that in the Superman series or Action Comics, but it makes the two characters look more like peers in Supergirl, which is important for the story these guys are telling.
The series begins with Supergirl’s emergence from some kind of pod/spaceship with no memory of how she got there. From her perspective, she was just on Krypton, getting ready to go through some kind of coming-of-age ceremony. Her cousin Kal-El was just an infant a few moments ago, so when Superman shows up at the crash site, she’s distrustful of him. He’s not so sure what to make of her either.
The rest of the series so far is largely a fish-out-of-water story in which Supergirl tries to figure out her place on Earth. Green and Johnson plot this out in a believable, kind of heartbreaking way, with Supergirl’s trying to avoid making Earth her new home. Twelve issues in and she still hasn’t mastered an Earth language. She even returns to what’s left of Krypton to test Superman’s claim that it’s been destroyed.
And again, the #52splash hash tag on Twitter remains active, as more artists post more art from DC’s relaunched September titles (and beyond, in some cases). I’ll start with some that came in last night, and add more throughout the day when I get a chance.
When I first interviewed Jeff Lemire back in early 2008, I knew he was immensely talented. But in terms of his creative path, quite honestly, I always expected his career to follow along the lines of the Essex Country Trilogy and Sweet Tooth. So earlier this year, when announcements came along that he would be writing an Atom one-shot/followed by a co-feature ongoing in Adventure Comics (which have seen releases in the past two weeks), as well an ongoing Superboy series, while the news caught me by surprise–it was the pleasant kind. This interview took place in late June prior to the release of his Atom work, as well as the announcement of his DC exclusive commitment. My thanks to Lemire for the discussion, as well as sharing with me a photo of the one-of-a-kind Jeffords action figure he had made (see this entry at his blog for more photos of the figure).
Tim O’Shea: In an April CBR interview about your Atom work, you revealed a clear affinity for the Silver Age science fiction roots of the character. With that in mind, are you hoping to explore the white dwarf dynamics of the character’s powers–or are you hoping to explore the science potential of the Atom in other ways?
Jeff Lemire: The white dwarf matter will be a central part of my story. I don’t want to say too much more with out giving away spoilers though. As important to me is establishing the character of Ray Palmer. What kind of man is he? Where did he come from? What does he want moving forward in his life. And I have tried to develop an exciting superhero plot that reflects this examination of his character.