Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
The Devastator #8: “Crossovers”
By Various Writers and Artists
Edited by Geoffrey Golden and Amanda Meadows
People love crossovers. That’s not news, but I’ve never stopped and wondered why that is. What exactly is so cool about someone from Universe X running into someone from Universe Y? Or even people from different corners of the same universe meeting each other? And why do some crossovers work really well when others are so disappointing? The most recent issue of the humor anthology The Devastator explores crossovers in a way that’s of course funny, but also helps me understand what makes a great one, and why.
Devastator #8 features comics and pin-ups by a lot of great artists, as well as short stories, essays, infographics and epic poetry. On one level, it’s fun simply to read through and giggle at Box Brown’s Punisher/New Yorker mash-up or spot the references in Jim Rugg’s cover. But the more I read, the more I realized that The Devastator was scratching a crossover itch in a way that’s more satisfying than most of the actual crossovers it’s parodying.
AdHouse Books publisher Chris Pitzer announced on the company’s blog that he’s shutting down AdDistro, his distribution effort to make comics from small publishers and self-publishers available for purchase through AdHouse proper. Pitzer kicked off AdDistro two years ago.
“Basically, I started AdDistro with the thought that I was bringing hard-to-find bibliogoodness to the people,” Pitzer said in his post. “Times have a-changed, and now the once hard-to-find beautiful things are a little easier to obtain.”
Through AdDistro, Pitzer has distributed comics from Nobrow Press, Bernie Mireault, Thomas Herpich, Koyama Press, Revival House Press, Malachi Ward and Benjamin Marra.” While there was once a pond that kept Nobrow from us, now you can get their stuff from Consortium. While I was once the go-to place for Koyamaness, I am proud to point you Secret Acres way. Others have joined forces with others, and honestly, it was a lot of work, at least for lil’ ol’ AdCasa,” Pitzer said. “Adding Thomas Herpich and Bernie Mireault at the end was the proverbial icings on the cake.”
AdHouse still has several of the AdDistro books available on their site, so if you’d like to get your hands on them in one big swoop, head on over there and stock up.
Some cool comics just got a lot easier to get your hands on. Chris Pitzer of AdHouse Books — the stalwart and stunningly designed publishing imprint behind the likes of Jim Rugg & Brian Maruca’s Afrodisiac, Josh Cotter’s Skyscrapers of the Midwest and Driven by Lemons, James Jean’s Process Recess art books, and Pulphope: The Art of Paul Pope — today announced the creation of AdDistro, a new distribution effort that will make comics from small publishers and self-publishers available for purchase through AdHouse proper. The first three additions to the roster are London-based Nobrow Press, Canada’s Koyama Press, and creator Malachi Ward. Pitzer’s got quite an eye for quality, so if you’ve enjoyed AdHouse offerings in the past, I’m sure these newcomers are well worth a look. Might I suggest starting with Michael DeForge’s excellent, award-winning Lose series from Koyama?