Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Although frequently criticized for its bleak tone, director Zack Snyder’s 2013 film Man of Steel film serves as inspiration for one New Mexico high school football team, which has embraced the words of Jor-El.
When it was time for the Española Valley High School Sundevils to get new uniforms, they took a cue from Superman’s Kryptonian father, who explained “The symbol of the House of El means hope,” and adopted that crest as their own. It’s of course recognized the world over as the stylized “S” emblem of Superman, only in this case that letter stands for “Sundevils.” But also “hope.”
Long characterized as a bit of a Boy Scout, Superman saw that reputation tarnished with 2013’s Man of Steel, where his climactic battle with General Zod resulted in a death count estimated in the hundreds of thousands (with nearly a million more injuries). However, amid all of the criticism, fans may have forgotten about all those other big-screen deaths for which the Last Son of Krypton is responsible.
Luckily Mr. Sunday Movies, which last month tallied Batman’s kill count, offers a gentle reminder, starting with 1980’s Superman II, and working its way through the list of how many times he has killed or “allowed someone to die.” The YouTube channel concedes the number is subjective, but it’s certainly worth noting that before 2013, the count stood at “just” eight (including the first time Superman killed Zod).
After pitting Marvel against DC and the Empire against the heroes of both companies, Alex Luthor has turned his attention to another sci-fi franchise, using the Tesseract to draw in the Decepticons for a fan trailer that mashes together all of the mass destruction of Michael Bay’s Transformers series with all of the … mass destruction of superhero films.
When Megatron & Co. attack, it creates a threat so big that not even the combined powers of the Avengers, Superman, Batman, Spider-Man, the Guardians of the Galaxy, Green Lantern, Spider-Man, Arrow and The Flash aren’t enough to stop them. That’s when Nick Fury calls in some help …
Considering that DC/Marvel crossovers appear to be a thing of the past even in comic books, it seems unlikely we’ll see Thor face Superman on the big screen in our lifetimes. Undeterred by any corporate differences, a certain Alex Luthor (no relation, presumably) has assembled an epic trailer that gives us a taste of what such a live-action crossover might look like. And it’s pretty glorious.
Using footage from sources ranging from The Avengers and Iron Man to The Flash and the rejected Wonder Woman pilot — you’ll even see Injustice: Gods Among Us — Luthor crafts a teaser that pits Batman against Iron Man, Hawkeye against Green Arrow, Black Widow against Black Canary, Loki against The Joker … the list goes on.
The folks at How It Should Have Ended produce a lot of videos suggesting “fixes” for blockbusters ranging from Iron Man 3 to Frozen to Captain America: The Winter Soldier. But all of the scenes don’t necessarily make it into the final product, which brings us to this newly released “Bonus Bundle.”
“Often we write too many sketches when creating a HISHE and some scenes get left out,” they explain. “Sometimes they are cut because it didn’t fit the flow of the main video. Sometimes they are cut because they aren’t finished in time. Well rather than let them collect dust we bundled them all together in one collection so you can see those extra scenes that might have been.”
Zack Snyder’s Man of Steel was easily one of the most divisive films of 2013. Some loved it, some hated it — but either way, there were few that didn’t have a strong opinion about it. The film has since had its home video release, and one father took it upon himself to find out what his 16-month old son thought of the movie by filming his reaction to the scene were Superman finally takes flight and uploading it to YouTube.
The child’s reaction is, of course, completely adorable.
Time once again to revisit some thoughts about the year just ended, and offer some thoughts on the year to come.
First, let’s see how I did with 2013:
1. Man of Steel. Last year I asked “a) how well will it do with critics and moviegoers; and b) yes, of course, will it help set up Justice League?” It got a 55 percent (i.e., Rotten) ranking from Rotten Tomatoes (although 76 percent of RT visitors who cared to vote said they liked it). Financially, Box Office Mojo called it a “toss-up,” putting it in the same category as Star Trek Into Darkness, World War Z, The Wolverine, The Hangover Part III, Pacific Rim and, uh, The Smurfs 2. I liked it well enough — I seem to like a lot of things “well enough” — but perhaps Super-fan Jerry Seinfeld’s musings about missed opportunities speak best to the film’s reception. MOS itself didn’t help set up a Justice League movie, at least not as expressly as, say, Nick Fury talking about the Avengers; but I think it’s safe to say that the sequel will go a long way in that regard.
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“I was so happy that they made another Superman movie! I’m really reluctant to be critical of it in any way. But I thought the glossing over of the figuring out a secret identity and why he felt he needed one was a huge missed opportunity for that character, and one of the most interesting things about Superman is the whole secret identity. So to me it was too much action/violence and not enough character study.”
— comedian, and famously die-hard Superman fan, Jerry Seinfeld, addressing director Zack Snyder’s divisive Man of Steel in a Reddit AMA
(via Badass Digest)
Every year ROBOT 6 contributors Tom Bondurant and Carla Hoffman get together to talk about everything in Big Two superhero comics. Watch for Part 2 on Thursday.
Carla: Is it me or was 2013 crazy-busy? There were event comics, new titles, canceled titles, movies (plural for Marvel!), TV shows and video games. It seems like there’s no escape from comics, making it harder and harder to get a general idea of the industry. Some days I kind of envy the indie comic fans as it must be a lot easier to handle comics as they come, as opposed to our gestalt juggernaut that is the Big Two. How much DC business could you comfortably follow before overwhelm set in?
Tom: Well, for starters, I pretty much skipped all of the video game and Cartoon Network developments, because I don’t have time for either area.
Although the Superman-doesn’t-kill controversy surrounding Man of Steel has died down significantly since the film’s June premiere, it will probably flare up a little with the Blu-ray release next week. And so while Screen Junkies is definitely late for Round 1, it’s coming out swinging with its send-up “Man of Steel: The Animated Series.”
There’s no point in spoiling the brief video, so I’ll just say that, as the title suggests, it combines the morality and logic of the film with the tone and look of the beloved cartoon, with comical results.
Determined not to be upstaged by the god of mischief, the Man of Steel dropped by Sesame Street to teach a valuable lesson of his own. Appearing on today’s episode of the beloved children’s series, which kicked off its 44th season on Monday, Man of Steel star Henry Cavill explained the meaning of respect to Elmo, the Big Bad Wolf and the Three Little Pigs.
“Respect means treating someone in a way that makes them seem cared for and important,” Cavill tells Big Bad, who’s quick to pick up on the lesson. There’s even a “Piggies Rock!” cake involved (Loki only had cookies).
You can watch Cavill’s “Word on the Street” appearance below. Entertainment Weekly also has a behind-the-scenes details, and a photo of the actor posing with Super Grover during his visit to the studio (his segment was taped shortly before the June 14 release of Man of Steel).
Warner Bros.’ announcement of a “Batman vs. Superman” sequel to Man of Steel at Comic-Con International triggered a 161 percent surge in digital sales of Batman: The Dark Knight Returns in July, setting a record for a full-priced DC Entertainment digital title, Variety reports.
The publisher previously mentioned “a huge jump in month-over-month [digital] sales” of Frank Miller’s pioneering 1986 work, but didn’t offer more than that. Like most publishers, DC doesn’t reveal actual sales figures for either print or digital.
The influential four-issue miniseries brings an aging Batman out of retirement a decade after the death of Jason Todd to save Gotham from sinking deeper into decay and lawlessness. With the help of a new, female Robin, Carrie Kelly, the Dark Knight ends the threat of the mutant gangs that have overrun the city and confronts two of his greatest enemies. But then he must face his former ally Superman in a battle that only one will survive.
Although Man of Steel director Zack Snyder was quick to caution at Comic-Con that the sequel wouldn’t be an adaptation of The Dark Knight Returns, actor Harry Lennix read dialogue from the book — “I want you to remember, Clark, in all the years to come, in all your most private moments, I want you to remember my hand at your throat” — and Miller was reportedly set to meet with the filmmaker.
I know several aspects of the film have stirred passions of some devotees who know and like Superman better than your average movie-goer, and there are sharply divided views on some of the Man of Steel’s actions. (I thought it was a pretty-OK film, far better than the last couple of Superman films, and most of its major problems could have been corrected by an edit that left some of the less Supermanly activity on the cutting-room floor. And a Krypto cameo. And 100 percent more more Jimmy Olsen).
I don’t really pay much attention to box-office receipts, nor do I aggregate film reviews, but, as far as I can tell, the movie seems to have done all right and to have been generally well-received. It may not have been The Dark Knight but, at the very least, it didn’t go over like a radioactive lead balloon, like Jonah Hex or Green Lantern. I hope it did well enough to generate a sequel, mostly because I’d like to see Hollywood get a chance to dig deeper into Superman’s superlative rogues gallery than just using Luthor and/or the Phantom Zone criminals over and over.
And partly because I think it would be awful if the next Superman film wasn’t a Superman film, but a Superior film.
Like the recently did with Iron Man 3, the folks at How It Should Have Ended turn their attention to another big summer superhero movie — Man of Steel. Just like their alternate ending to IM3, this one ends with an appearance by a certain Caped Crusader … but he isn’t the only guest star this one features.
Check it out below.
Countless words have already been written about the carnage and wanton destruction depicted in Zack Snyder’s Man of Steel — the big Metropolis battle would’ve left an estimated 129,000 dead and another 250,000 missing — and many more will likely be devoted to the subject. But leave it veteran cartoonist Kyle Baker to come up with an imaginative and (dare I say it) fun critique of the blockbuster that’s more devastating than any long-winded review or essay.
Mass Murderer of Steel is a browser game that allows players to try their hand at recreating the citywide brawl between Superman and General Zod. With the click of a mouse, you can send the two Kryptonians hurling into a building, raining down bricks onto the streets of Metropolis and death onto its screaming citizens. Not even the city’s sole tree is safe …