Man of Steel Archives - Robot 6 @ Comic Book Resources
Zack Snyder’s Man of Steel was easily one of the most divisive films of 2013. Some loved it, some hated it — but either way, there were few that didn’t have a strong opinion about it. The film has since had its home video release, and one father took it upon himself to find out what his 16-month old son thought of the movie by filming his reaction to the scene were Superman finally takes flight and uploading it to YouTube.
The child’s reaction is, of course, completely adorable.
Time once again to revisit some thoughts about the year just ended, and offer some thoughts on the year to come.
First, let’s see how I did with 2013:
1. Man of Steel. Last year I asked “a) how well will it do with critics and moviegoers; and b) yes, of course, will it help set up Justice League?” It got a 55 percent (i.e., Rotten) ranking from Rotten Tomatoes (although 76 percent of RT visitors who cared to vote said they liked it). Financially, Box Office Mojo called it a “toss-up,” putting it in the same category as Star Trek Into Darkness, World War Z, The Wolverine, The Hangover Part III, Pacific Rim and, uh, The Smurfs 2. I liked it well enough — I seem to like a lot of things “well enough” — but perhaps Super-fan Jerry Seinfeld’s musings about missed opportunities speak best to the film’s reception. MOS itself didn’t help set up a Justice League movie, at least not as expressly as, say, Nick Fury talking about the Avengers; but I think it’s safe to say that the sequel will go a long way in that regard.
Continue Reading »
“I was so happy that they made another Superman movie! I’m really reluctant to be critical of it in any way. But I thought the glossing over of the figuring out a secret identity and why he felt he needed one was a huge missed opportunity for that character, and one of the most interesting things about Superman is the whole secret identity. So to me it was too much action/violence and not enough character study.”
— comedian, and famously die-hard Superman fan, Jerry Seinfeld, addressing director Zack Snyder’s divisive Man of Steel in a Reddit AMA
(via Badass Digest)
Every year ROBOT 6 contributors Tom Bondurant and Carla Hoffman get together to talk about everything in Big Two superhero comics. Watch for Part 2 on Thursday.
Carla: Is it me or was 2013 crazy-busy? There were event comics, new titles, canceled titles, movies (plural for Marvel!), TV shows and video games. It seems like there’s no escape from comics, making it harder and harder to get a general idea of the industry. Some days I kind of envy the indie comic fans as it must be a lot easier to handle comics as they come, as opposed to our gestalt juggernaut that is the Big Two. How much DC business could you comfortably follow before overwhelm set in?
Tom: Well, for starters, I pretty much skipped all of the video game and Cartoon Network developments, because I don’t have time for either area.
Although the Superman-doesn’t-kill controversy surrounding Man of Steel has died down significantly since the film’s June premiere, it will probably flare up a little with the Blu-ray release next week. And so while Screen Junkies is definitely late for Round 1, it’s coming out swinging with its send-up “Man of Steel: The Animated Series.”
There’s no point in spoiling the brief video, so I’ll just say that, as the title suggests, it combines the morality and logic of the film with the tone and look of the beloved cartoon, with comical results.
Determined not to be upstaged by the god of mischief, the Man of Steel dropped by Sesame Street to teach a valuable lesson of his own. Appearing on today’s episode of the beloved children’s series, which kicked off its 44th season on Monday, Man of Steel star Henry Cavill explained the meaning of respect to Elmo, the Big Bad Wolf and the Three Little Pigs.
“Respect means treating someone in a way that makes them seem cared for and important,” Cavill tells Big Bad, who’s quick to pick up on the lesson. There’s even a “Piggies Rock!” cake involved (Loki only had cookies).
You can watch Cavill’s “Word on the Street” appearance below. Entertainment Weekly also has a behind-the-scenes details, and a photo of the actor posing with Super Grover during his visit to the studio (his segment was taped shortly before the June 14 release of Man of Steel).
Warner Bros.’ announcement of a “Batman vs. Superman” sequel to Man of Steel at Comic-Con International triggered a 161 percent surge in digital sales of Batman: The Dark Knight Returns in July, setting a record for a full-priced DC Entertainment digital title, Variety reports.
The publisher previously mentioned “a huge jump in month-over-month [digital] sales” of Frank Miller’s pioneering 1986 work, but didn’t offer more than that. Like most publishers, DC doesn’t reveal actual sales figures for either print or digital.
The influential four-issue miniseries brings an aging Batman out of retirement a decade after the death of Jason Todd to save Gotham from sinking deeper into decay and lawlessness. With the help of a new, female Robin, Carrie Kelly, the Dark Knight ends the threat of the mutant gangs that have overrun the city and confronts two of his greatest enemies. But then he must face his former ally Superman in a battle that only one will survive.
Although Man of Steel director Zack Snyder was quick to caution at Comic-Con that the sequel wouldn’t be an adaptation of The Dark Knight Returns, actor Harry Lennix read dialogue from the book — “I want you to remember, Clark, in all the years to come, in all your most private moments, I want you to remember my hand at your throat” — and Miller was reportedly set to meet with the filmmaker.
I know several aspects of the film have stirred passions of some devotees who know and like Superman better than your average movie-goer, and there are sharply divided views on some of the Man of Steel’s actions. (I thought it was a pretty-OK film, far better than the last couple of Superman films, and most of its major problems could have been corrected by an edit that left some of the less Supermanly activity on the cutting-room floor. And a Krypto cameo. And 100 percent more more Jimmy Olsen).
I don’t really pay much attention to box-office receipts, nor do I aggregate film reviews, but, as far as I can tell, the movie seems to have done all right and to have been generally well-received. It may not have been The Dark Knight but, at the very least, it didn’t go over like a radioactive lead balloon, like Jonah Hex or Green Lantern. I hope it did well enough to generate a sequel, mostly because I’d like to see Hollywood get a chance to dig deeper into Superman’s superlative rogues gallery than just using Luthor and/or the Phantom Zone criminals over and over.
And partly because I think it would be awful if the next Superman film wasn’t a Superman film, but a Superior film.
Like the recently did with Iron Man 3, the folks at How It Should Have Ended turn their attention to another big summer superhero movie — Man of Steel. Just like their alternate ending to IM3, this one ends with an appearance by a certain Caped Crusader … but he isn’t the only guest star this one features.
Check it out below.
Countless words have already been written about the carnage and wanton destruction depicted in Zack Snyder’s Man of Steel — the big Metropolis battle would’ve left an estimated 129,000 dead and another 250,000 missing — and many more will likely be devoted to the subject. But leave it veteran cartoonist Kyle Baker to come up with an imaginative and (dare I say it) fun critique of the blockbuster that’s more devastating than any long-winded review or essay.
Mass Murderer of Steel is a browser game that allows players to try their hand at recreating the citywide brawl between Superman and General Zod. With the click of a mouse, you can send the two Kryptonians hurling into a building, raining down bricks onto the streets of Metropolis and death onto its screaming citizens. Not even the city’s sole tree is safe …
SPOILERS for Man of Steel, obviously
I’m not here to talk about whether or not Superman would’ve done that. As many have pointed out, that was already settled for mass audiences in Superman II. Instead, I’d like to offer six things that could have made Man of Steel a much better movie, regardless of whose Superman it represents.
“This old version of To Kill a Mockingbird where Atticus kills a rabid dog isn’t *my* Atticus”
– Max Robinson, commenting on fan complaints about Man of Steel
I’ll try to keep this as non-spoilery for Man of Steel as possible, but if you haven’t seen it yet and don’t want to know anything about it, you may want to skip this.
There’s been a lot of discussion the past week about certain choices Superman makes in Man of Steel and whether those are things that character would/should do. Mark Waid describes being so upset by Superman’s actions that he stood up and yelled in the theater. In that review, the writer talks about “the essential part of Superman that got lost in Man of Steel.” And while I agree with what Waid describes as essential, not everyone does. In fact, some folks – like Robinson – question whether readers have the right to make those kinds of statements about someone else’s characters.
So have you heard there’s a new Superman movie out? It’s mostly playing in small art-house theaters with a minimal marketing budget, so you might’ve totally missed it. You should check it out.
If you haven’t seen it, fair warning: Here there be spoilers.
This isn’t a review because, honestly, you’ve probably already made up your mind. However, it is a look at how the changes to the Superman mythos made in Man of Steel have altered the origin, and indeed the character, intrinsically.
A lot of these observations were inspired by a podcast discussion of the movie at Part-Time Fanboy, in which host Kristian Horn caught on to something that hadn’t really stood out to me on my first viewing (the episode was recorded earlier in the week and should be available today). Since the recording, I’ve been thinking about what he said, and the more I think about it, the more I see how it seriously alters Clark Kent, and may in fact be the root of my problems with the Man of Steel.
Most people just looking for an exciting movie or a badass Superman enjoyed Man of Steel, and there is plenty to like: There’s some excellent design, particularly of Krypton, the bar has been raised on super-person battles, and most of the acting is fine to actually quite good; Kevin Costner’s delivery of the line “You are my son,” despite being over-used in trailers, choked me up.
Warner Bros.’ Man of Steel has grossed $141.3 million domestically since its June 14 premiere, breaking the record for a June opening on its way to a $214.6 million worldwide box office. That’s not bad for four days’ work. Of course, the franchise reboot had an estimated $225 million production budget, plus another $150 million for marketing and distribution, so Zack Snyder & Co. still have a way to go.
Clearly the film has legs, which means plenty of more Superman stories online and in print. Here are just a handful of them (warning: potential spoilers!):
• BuzzFeed turned to Watson Technical Consulting to calculate the real-life toll Man of Steel’s sprawling battle between Superman and General Zod would take on Metropolis — or, in this case, New York City — both in terms of money and human life. The disaster experts paint a grim picture in the days following the fight: 129,000 known dead, more than 250,000 missing (most of whom would’ve also died) and nearly 1 million injured. The strictly physical damage is pegged at $700 million, compared to 9/11’s $55 billion (with a further economic impact of $123 billion). The overall damage would be about $2 trillion.
One big potential problem with any Superman incarnation is his relationship with the audience. Even if the story centers around a credible moral dilemma, it risks having him make a choice with which the audience disagrees. Put another way, you can start with a Superman with a definite code of ethics, who always tries to do the right thing, and who puts others’ welfare above his own, and you might still end up with the Injustice comic, the pure-Straczynski issues of “Grounded,” or Superman Returns. For a significant group of fans, these are cautionary examples of How Not To Do Superman (although apparently those Injustice comics sell reasonably well…).
Accordingly, it helps if the audience trusts the particular Superman writer, which is where Scott Snyder, David Goyer, and Christopher Nolan come in. Snyder is already a big deal at DC thanks to his Batman work. Likewise, last year Goyer (screenwriter) and Nolan (producer/director) wrapped up a wildly successful Batman film trilogy.
Still, it’s easy to do Batman. For one thing, Batman doesn’t need to be a nice guy. Like James Bond or Don Draper, his main focus is the work, and the style with which he gets the particular job done. If Bats gets to make a hard moral choice, as he did at the conclusion of The Dark Knight, that’s just gravy.
With that in mind, we turn to the week’s two newest Superman vehicles, one an ongoing comic book, and the other a new film incarnation, to see what choices they present to our hero.