manga Archives - Robot 6 @ Comic Book Resources
Digital comics | In today’s Amazon-acquires-comiXology article, Rachel Edidin deflates much of the hype, and the panic, surrounding the deal, pointing out that comics distribution is already a monopoly, large corporations already run the comics market, and comics have been available on Kindle all along: “Is the concern [...] a distribution monopoly? If so, the direct market is in no position to criticize: over the last 15 years, Diamond Comics Distributors has consumed almost all independent print distribution in comics, and dictates practices and policy to retailers and publishers alike. The idea that print comics are somehow more independent than their digital cousins — or a scrappy underdog fighting the good fight against evil corporate profiteers — is frankly ridiculous.” [Wired]
Awards | Michael Cavna talks with Kevin Siers of the Charlotte Observer about winning the Pulitzer Prize in cartooning. [Comic Riffs]
The Google Cultural Institute has compiled images, videos and documents for an exhibit on Osamu Tezuka, marking the first time a manga artist has been featured in the digital historical archive.
Launched in 2011, the initiative is “an effort to make important cultural material available and accessible to everyone and to digitally preserve it to educate and inspire future generations.” With the participation of 40 institutions in 14 countries, the Google Cultural Institute offers free access to photographs, footage and documents from historical events and figures of the 20th century.
According to Asahi Shimbun, the Tezuka exhibit was added to the “Cultural Figures” section on Monday, the fiction birthday of Astro Boy. The collection consists of 172 images, video and text pieces from Tezuka Productions and the Osamu Tezuka Manga Museum.
“Tezuka repeatedly expressed his opposition to war and discrimination and emphasized the preciousness of life through his works,” said Yoshihiro Shimizu, chief of the copyright business division of Tokyo-based Tezuka Productions. “I am happy that information concerning Tezuka is spread around the globe (through the site) and his ideas are shared.”
Comics | Tammy Oler considers the roles of Captain Marvel and Ms. Marvel within a growing movement to make superhero comics more diverse: “The devoted fans in the Carol Corps and Kamala Korps view themselves as part of a movement for a bigger and more diverse comic book universe, and it seems like publishers might finally be starting to pay attention. Both Ms. Marvel and the rebooted Captain Marvel are part of Marvel NOW!, an effort by the publisher to attract new readers by providing a lot of accessible places for new readers to jump on board with ongoing series. (DC Comics has done something similar with its New 52 initiative.) Marvel and DC have also taken some steps to address their lack of superhero diversity, in part by launching some new female solo titles, including Black Widow, She-Hulk, and Elektra. Of course, there’s a whole world of mainstream and indie publishers beyond Marvel and DC, but the big two still matter the most because they create the pantheon of superheroes that make it into movie theatres and onto the racks of Halloween costumes at Target.” [Slate.com]
Manga | Attack on Titan is as much of a manga juggernaut in its native Japan as it is the United States, and the 13th volume had a print run of 2.75 million copies, a new record not only for the series but for publisher Kodansha. [Crunchyroll]
Comics | Tom Risen has a thoughtful piece, which includes an interview with Axel Alonso, on how superhero comics have changed since the War on Terror began: “Superheroes since the 2000s have increasingly held up a mirror to controversies like mass surveillance, remote killings using drones and the ‘with us or against us’ mentality espoused by former President George W. Bush. Misuse of military technology also played a key role in recent movie adaptations featuring Batman, Spider-Man, Captain America and Iron Man, showing how fighting dirty to defeat evil can make America its own worst enemy.” [U.S. News & World Report]
Legal | Signe Wilkinson, Pulitzer Prize-winning cartoonist for The Philadelphia Inquirer and Philadelphia Daily News, has been named in a defamation lawsuit filed against the newspapers by Pennsylvania Supreme Court Justice Seamus McCaffery and his wife Lise Rapaport. The judge and his wife accuse the two papers of running a smear campaign against them, and the suit specifically mentions a Wilkinson cartoon satirizing their marital and work relationship (it’s complicated). Blogger Alan Gardner adds that he hasn’t been able to find a case in which a cartoonist was successfully sued for defamation, although in this case the newspapers’ reporting is part of the issue as well. [Philadelphia, The Daily Cartoonist]
Graphic novels | BookScan’s list of the bestselling graphic novels in bookstores in March divides neatly into eight Image Comics titles (six volumes of The Walking Dead and two of Saga), eight volumes of manga (four Attack on Titan, four Viz Media titles) and four volumes of media tie-ins. For the second month in a row, not a single DC Comics or Marvel title cracked the Top 20, although an older DK Publishing character guide to the Avengers (not actually a graphic novel) came in at No. 11. The top-selling title was the 20th volume of The Walking Dead, and the No. 2 was the third volume of Saga. It’s also interesting to note that the first three volumes of Attack on Titan charted higher than the most recent release, which suggests new readers are still coming into the franchise in substantial numbers — and sticking with it. [ICv2]
Graphic novels | An estimated 200 students, faculty and community members gathered Saturday at the College of Charleston in South Carolina to protest proposed budget cuts to that school and the University of South Carolina Upstate in retaliation for selecting gay-themed books — including Alison Bechdel’s Fun Home — for their summer reading programs. The South Carolina House of Representatives approved a proposal early this month that would slash $52,000 cut from the College of Charleston and $17,142 for USC Upstate, which represent what each school spent on the programs. The budget is now before the state Senate. [The Post and Courier]
When Osamu Tezuka passed away in February 1989 at age 60, he left behind countless fans, an influential body of work that includes Astro Boy, Black Jack and Buddha and, tantalizingly, a locked desk with a lost key.
Rocket News 24 reports that recently, some 25 years after the death of the “god of manga,” his daughter Rumiko to open the desk, where she discovered a half-eaten piece of chocolate, a handwritten essay about Akira creator Katsuhiro Otomo and a bag of sketches, including a stash of erotic drawings by Tezuka.
Note: I feel like I should place a warning in here, but I’m honestly at a loss as to whether these sketches aren’t safe for work. They’re not so much graphic as they are … odd?
Yen Press unveiled its digital distribution plans for Square Enix manga on Monday — and while the implementation is news, the basic concept isn’t; Yen announced at New York Comic Con 2012 that it would be the exclusive worldwide digital distributor for Square Enix. The digital manga model has shifted quite a bit since then, though, and what was announced yesterday was a bit different from what one would have expected a year and a half ago.
Here’s how it will work: Full volumes will be sold as e-books through Amazon, Apple, Barnes & Noble, Google and Kobo, while individual chapters (some being published simultaneously with their release in Japan) will be available through those platforms and via the Yen Press iOS app, which is limited to North America, according to Kurt Hassler, Yen Press’ vice president and publishing director. “The Yen Plus magazine, our previous ‘streaming’ service, was closed following the December issue of the magazine to pave the way for individual chapter availability by virtue of these various platforms,” he said in an email to ROBOT 6.
Conventions | Rob Salkowitz, who wrote a book about Comic-Con International, looks forward to this weekend’s sold-out Emerald City Comicon, and explains why it represents the convention of the future: “One reason ECCC is such an ideal place to talk about the future of comics is because the show itself looks like the future of comics–at least the one that I call ‘The Expanding Multiverse.’ Supportive of creators and celebrities alike, embracing the broadest conception of styles and subjects from indie work to mainstream superheroes, self-consciously diverse and inclusive in its conception of fandom, ECCC and shows like it represent a sustainable path forward for geek culture in an age of super-saturation and sensory overload.” Salkowitz will be a participant, not just a fan: He has developed a programming track on comics and digital culture that will feature a number of people (IDW’s Ted Adams, Monkeybrain’s Alison Baker) giving short presentations, similar to the format and spirit of TED Talks. [ICv2]
It’s not exactly Kaneda’s iconic ride, but Honda has drawn upon the likes of Akira for its new bike, the NM4 Vultus. The company acknowledges as much in its press release, describing the motorcycle as “a ground-breaking machine inspired by futuristic machines seen in the anime and manga television and film styles, known collectively as ‘Japanimation.’”
Let’s just ignore that “manga television” bit and marvel at not only the design — at least two websites make Batman references — but the wording of the press release, which uses phrases like “future-shock style,” “stealth bomber silhouette” and “brooding menace.” However, the word motorcycle never appears …
While the Vultus may indeed be mistaken for the Dark Knight’s new wheels (particularly if the rider is wearing this Bat-eared helmet), don’t think it’s a concept bike; Honda promises it’ll actually be in showrooms.
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out.
This week is pretty packed, as we have news, reviews, a con recap and a whole year’s worth of announcements from one publisher. So buckle your seat belts and hold on tight as we aim our DeLorean at the last seven days …
The New York Times this week ran an article (accompanied by a video) titled “Comic Books Zap to Life” that recommends three digital comics apps: comiXology’s Comics, the Dark Horse app, and Manga Rock. That last one is problematic, although writer Kit Eaton gives it a rave review:
Manga Rock, free on iOS and Android, beats the competition. It has a list of more than 50,000 comics available, and though its reading system isn’t as sophisticated as the one in Comics, it is still smooth to use. It’s free, but to get access to all the comics you have to pay $4 for the full edition through an in-app upgrade.
Here’s why Manga Rock is such a good deal: It’s a reader that uses files from pirate manga sites. When you open the app, it allows you to choose three sources for your manga; all three are bootleg sites that host scanlations (fan translations) and sometimes scans of licensed books. I checked a couple of series that are licensed in the United States on both the app and one of the websites it’s pulling from. The manga isn’t actually available on the website (there’s a note saying that’s because it’s licensed), but many of these series are available via the app, so the files are still sitting on the server somewhere.
Eaton recommends two other manga apps, apparently without trying them; both are also bootleg apps that work in exactly the same way.
For the second time in less than two years, a Japanese school board has removed Keiji Nakazawa’s Barefoot Gen from school libraries.
The manga is a semi-fictional account of Nakazawa’s experiences during and after the bombing of Hiroshima, and in recent years it has come under attack from some conservatives because of its portrayal of postwar Japan.
In this case, Mayor Hiroyasu Chiyomatsu of Izumisano in Osaka Prefecture told the local school board that the books were problematic not because of the story but because they use outdated and possibly pejorative terms for poor, homeless or mentally ill people.
“Rather than the overall content of the manga, I thought the problem was with certain discriminatory expressions,” Chiyomatsu said. “Because the city of Izumisano as a whole has emphasized human rights education, I told the board of education that there may be a need to provide individual guidance to those students who read the manga.”
The head of the school board, Tatsuhiro Nakafuji, issued a directive in November telling schools to “move the manga from the library to the principal’s office so children cannot lay eyes on it.” Not all schools immediately complied, so in January they were instructed to turn over their copies to the board of education. The initial plan called for the board to return the books on March 20, once schools had come up with some way to provide “guidance” regarding the language in question.
Conventions | Organizers anticipate as many as 70,000 people will attend MegaCon, held Friday through Sunday at the Orange County Convention Center in Orlando, Florida, up from about 60,000 last year; that could translate to $23 million impact on the local economy, according to the Orlando Business Journal. Guests include Amanda Conner, Darwyn Cooke, Chuck Dixon, Adam Kubert, Greg Land, Stan Lee, Jimmy Palmiotti, George Perez, Herb Trimpe, Mark Waid and Skottie Young. However, the names drawing the most attention may be The Walking Dead stars David Morrissey, Danai Gurira and Steve Yeun. “We are the first convention in the U.S. to have both David Morrissey and Danai Gurira at the same time,” Jason Smith, MegaCon’s director of operations, told Florida Today. “The show is definitely a fan favorite of our attendees.” [MegaCon]