Merc With A Movie: The 16-Year Odyssey of the "Deadpool" Film
When the first few pages of Wonder Woman ’77‘s inaugural installment finds the Amazon Princess squaring off against a trio of Soviet roller-derby assassins, clearly it’s setting a very specific tone. DC’s latest digital-first series borrows its core conceit from the successful Batman ’66, presenting new comics stories from the world of an old TV adaptation.
Indeed, so far it’s fairly faithful to the show’s then-present-day setting, with Diana Prince and Steve Trevor working for a fictional government intelligence agency (the IADC) and getting their exposition from IRA the computer. Accordingly, in terms of period pieces, it’s not exactly The Americans, but writer Marc Andreyko and artist Drew Johnson have done a great job capturing both the look of the show and the style of its leads. Their Lynda Carter is spot-on, and their Lyle Waggoner evokes TV-Steve’s sparkly toothed swagger perfectly. Johnson (with colorist Romulo Fajardo Jr.) draws an especially detailed 1977, from the subtleties of Wonder Woman’s costume to the crowds at Studio 52. (Of course it’s “Studio 52.”)
Publishing | The French satire magazine Charlie Hebdo will be published next week, to demonstrate that “stupidity will not win,” according to columnist Patrick Pelloux. Ten of the magazine’s staff members were among those killed Wednesday when three armed men attacked their Paris headquarters, apparently because Charlie Hebdo published cartoons mocking the Prophet Muhammad. [The Guardian]
Political cartoons | Adam Taylor looks at the history of controversies regarding depictions of the Prophet Muhammad. [The Washington Post]
Political cartoons | Cartoonist and syndicator Daryl Cagle pens a remembrance four of the slain Charlie Hebdo cartoonists, some of whom he knew personally, and also talks about the importance of editorial cartooning in France. [Darylcagle.com]
September marches on, Wednesday by Wednesday, which means so too does DC Comics’ theme month. This year the publisher has suspended publication of its New 52 titles, replaced them with Futures End one-shots, and slapped new and improved (i.e. smaller) lenticular 3D covers on them, each bearing a “#1.”
One could certainly question the logic in tying all of the New 52 books, even the extremely popular ones like Batman, to a middling weekly series set in a possible future that will never come to pass and that seems to be a fairly reliable mid-list seller. But this week’s crop of one-shots demonstrates that, despite the fact that each book has the words “Futures End” in the title, many of them have somewhere between nothing and very little to do with the actual plot of the event series.
In the previous two installments of our weekly look at these specials, I recapped the basic plot of Futures End. But this time, I see I need not even bother. DC shipped 11 of the books this week, but I only read five — and the only thing those issues shared in common is that they’re set five years in the future (not that they had much of anything at all to do with Futures End).
Comics | Writing for The Advocate, Jase Peeples takes note of the diversity of DC Comics’ extended Batman family — from Batwoman to Batwing to Barbara Gordon’s roommate Alysia Yeoh — and talks with writers Gail Simone, Grant Morrison, Marc Andreyko, Tom Taylor and Chip Kidd. “I would like to think that people can pick up books like Batman Incorporated or The Multiversity and see their own lives reflected,” Morrison says. “But I’d always caveat that with the need for us to see more diverse writers and artists, because that’s when I think the walls will really come down. As a straight [white guy from Scotland] I can only do so much, and I find even sometimes when you do this, you do get accused of tokenism or pandering. I don’t mind it. I can put up with that, but I’d rather see a genuine spread of writers and artists creating this material.” [Advocate.com]
“Batwoman” #24 hit stores this week, and it’s the final issue by J.H. Williams and W. Haden Blackman. After the duo stated they would leave “Batwoman” due to editorial interference, DC Comics announced that incoming series writer Marc Andreyko would take over with “Batwoman” #25, a full two issues before Williams and Blackman’s intended exit. (This was later confirmed with a revised December solicitation for “Batwoman” #26.) On Williams’ personal blog, the “Batwoman” writer/artist expressed his dismay that the creative team’s closing arc of the story was cut short.
“I’m depressed over this a bit. And frustratingly the issue will give no arc conclusion, or conclusion to our run,” Williams said via his blog. “We apologize to you readers for that. It wasn’t what we wanted to happen.”
“The circumstances could be more pleasant. You never want to take over a book when people leave on not the best terms, but the character is so rich and I’m such a huge fan of everything Greg [Rucka] and Haden and J.H. — especially J.H. — have done on that book, that I’m not going in to rearrange everything and say, ‘Everything that went on before is bad. I’m going to fix it.’ I want to do right by the character, and the character that they have done … I’ve got to say, the reaction on the Internet — I expected to be vilified, and drawn and quartered, and I’ve only been called ‘gay Uncle Tom’ by about three websites, so statistically, I’m ahead of the game. Statistically, the Internet’s been great to me.”
— writer Marc Andreyko, in an interview with CBR TV, discussing taking the reins on DC’s Batwoman following the sudden departure of J.H. Williams III and W. Haden Blackman
Black Lightning co-creator Tony Isabella, whose relationship with DC Comics can be kindly described as contentious, would like you to know that, yes, he’s seen the announcement about the character’s reintroduction in DC Universe Presents — and, no, he doesn’t want to comment on it.
“You don’t have to e-mail me, private message me, phone me, or post links on my Facebook page,” he wrote on his blog. “My only public comments to date have been ‘Words fail me’ and, to my friend Dan Mishkin, ‘Forget it, Dan. It’s DC Town.’ But, really, if you’ve ever read anything I’ve written about Black Lightning and DC’s continued refusal to honor its agreements with me, and if you have half a brain, you already know how I feel about the news.”
Mishkin is, of course, co-creator of Blue Devil, who’ll share the spotlight with Black Lighting, as well as co-creator of Amethyst, who will anchor the upcoming Sword of Sorcery anthology. He’s already spoken publicly about the relaunch of Amethyst, telling Comic Book Resources he thinks “what they’re setting out to do isn’t worth doing” because of central changes DC is making to the character. His former collaborator Gary Cohn was more blunt, saying, “I really don’t have anything to say about Amethyst that I haven’t said many times before, except maybe, R.I.P.”
Isabella has long contended he’s the sole creator of Black Lightning, a character who wasn’t introduced under a work-for-hire agreement but rather a partnership between he and DC. It was only after he sought to buy out the publisher’s interest in the character following the cancellation of the first series in 1978 that he says DC declared artist Trevor Von Eeden as Black Lightning’s co-creator.
The new Black Lightning will debut alongside the new Blue Devil in October’s DC Universe Presents #13. The five-part story by Marc Andreyko and Robson Rocha will team the two disparate heroes in a scenario the writer has likened to Lethal Weapon and Moonlighting.
Season’s Greetings and welcome to another edition of What Are You Reading?, our weekly look at what we’ve been reading lately. Today our special guests are Geoffrey Golden and Amanda Meadows, editors of Devastator: The Quarterly Comedy Magazine for Humans. Their latest issue has a video game theme, with contributions from James Kochalka, Corey Lewis, Danny Hellman and many more. And if you head over to their website between now through Dec. 16, the code ROBOT6 gets you 20 percent off single issues.
To see what Amanda, Geoffrey and the Robot 6 crew have been reading lately, click below.
Welcome to another edition of What Are You Reading?, your weekly look into our reading piles. Today we’re joined by special guest Jacquelene Cohen, director of publicity and promotions for Fantagraphics Books.
To see what Jacq and the Robot 6 crew have been reading lately, read on …
Hello and welcome once again to What Are You Reading? This week our special guest is Elisabeth Forsythe, marketing manager for online comic shop Things From Another World and frequent contributor to The Blog From Another World.
To see what Elisabeth and the Robot 6 crew have been reading lately, read on.
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
Awards | Denver Post editorial cartoonist Mike Keefe has won the 2011 Pulitzer Prize for editorial cartooning “for his widely ranging cartoons that employ a loose, expressive style to send strong, witty messages.” Keefe, who joined the Post in 1975, had previously served in the Marines and taught math in college. “I am gobsmacked,” the 64-year-old cartoonist says. “In recent years, the Pulitzer has gone to much younger folks who are newer in the business. I’ve always done pretty classical editorial cartooning. I thought my day had passed.” Comic Riffs has Keefe’s award-winning portfolio. [Denver Post]
Publishing | On the heels of successive announcements that Marvel will publish comics based on Disney’s Pixar and Muppets properties, licenses previously held by BOOM! Studios, comes word that BOOM! has stopped soliciting Classic Disney series like Donald Duck, Mickey Mouse, Uncle Scrooge and Walt Disney’s Comics and Stories. However, Diamond’s Previews catalog for July contains listings for the publisher’s titles based on such Disney Afternoon properties as Chip ‘n Dale Rescue Rangers, Darkwing Duck and DuckTales. [ICv2.com]
Fans of IDW’s recent True Blood series will be happy to know that a second series is on its way next year. The as-yet-untitled miniseries will be co-written by Michael McMillian, who plays the Fellowship of the Sun’s charismatic reverend Steve Newlin on the HBO show, and Marc Andreyko (Manhunter, Pantheon). The comic will feature several characters who didn’t appear in the first volume, including Newlin, Jessica Hamby, Hoyt Fortenberry, Terry Bellefleur, Arlene Fowler and Jesus Velasquez.
“The plot kicks off when bottles of Tru Blood are contaminated with this mysterious ingredient that makes vampires go, basically, insane,” McMillian told Entertainment Weekly’s Shelf Life blog. “They go crazy. They lose sense of all sort of moral center, and they pretty much go feral and attack anything and everything in sight. What happens is they reach Bon Temps and the lips of a very beloved vampire character. Sookie and the rest of the characters are trying to figure out: Who’s behind the contamination? How can they save their friend? That’s sort of where the whole arc starts off.”
He compared the contaminated beverage to the “BP oil spill or the contaminated Tylenol pills,” a PR nightmare where vampires who live among humans will see bottle of Tru Blood pulled from shelves. That can’t be good for human-vampire relations, can it?
No word on the art team. The new series starts Feb. 23. The collection of the first series, pictured above, comes out Feb. 8.