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Comic Books, Film
Publishing | Sales of IDW Publishing’s My Little Pony comics, in single-issue and graphic novel format but not counting digital, have topped 1 million copies. (It does really well in the iBookstore — there are multiple issues in the Top 10 every week — although it seldom registers on the other digital comics platforms.) IDW’s Ted Adams says this is because it’s such a great comic, but shrewd marketing such as offering a special Scholastic Book Fair edition with a bonus pony figure probably helped a lot. [ICv2]
Digital comics | The motion-comics platform Madefire has secured $5.2 million in funding. In July it announced agreements with four comics publishers — IDW, BOOM! Studios, Top Cow and iTV — and the first IDW comics came out in August. Madefire also has a partnership with DeviantArt. [Publishers Weekly]
Welcome to Collect This Now, a weekly (or, if I’m hungover, semi-weekly) column where we look at good comics that for whatever reason have never been translated, archived or just collected into trade paperback.
It’s a pretty good time to be an English-only Eurocomics fan. A number of great contemporary artists and cartoonists that have been reshaping the comic book landscape on the other side of the ocean are slowly but steadily having their work translated and released here. In the past few years we’ve seen great works by such folk as Lewis Trondheim, Dupuy and Berberian, Joann Sfar, David B. and many others available here thanks to the hard work of a number of small publishers.
There’s one author (well, probably more than one, but I have to limit myself for now), however, whose absence seems rather gaping to my mind and that’s Marc-Antoine Mathieu. More specifically, it’s the series that’ he’s best known for: Julius Corentin Acquefacques, prisonnier des reves.