SDCC: Marvel: Spider-Man and His Amazing Friends Panel
Political Cartoons | Cartoonist Rick Friday is enjoying his newfound fame—and considering a proposal from Farm News to bring him back as their editorial cartoonist. Farm News fired Friday, a freelancer, because of a cartoon that noted the large salaries of several CEOS of big agriculture companies. “Today I was instructed by (the publisher) that we will no longer take a cartoon from you. The last one, ‘Profit,’ has caused a (storm) here that I do not understand. In the eyes of some, big ag cannot be criticized or poked fun at. The cartoon resulted in one seed dealer canceling his advertising with Farm News,” Friday’s editor wrote in an e-mail. The story attracted national attention, and while he is considering returning to Farm News, Friday has also been motivated to move in a new direction, drawing cartoons that are not about farm life. [Des Moines Register]
Crime | A sheepish would-be robber walked away empty-handed Monday afternoon after attempting to hold up a Little Rock, Arkansas, comic store for Magic: The Gathering Cards. “I hate to do this, but I have a gun, and I want a box of Magic cards for my son’s birthday,” the man allegedly told a clerk at The Comic Book Shop. However, when the employee offered him a pack of the cards, he reportedly declined and left, saying, “Don’t call police.” The suspect remains at large, although police have distributed an image of him taken from a security camera. [Arkansas Democrat-Gazette]
Awards | Adding to a list of recent honors that includes a National Book Award and a MacArthur “genius grant,” author and journalist Ta-Nehisi Coates has been nominated for a National Book Critics Circle Award for criticism for his acclaimed memoir Between the World and Me. Coates is collaborating with artist Brian Stelfreeze on Marvel’s new Black Panther series, which debuts in April. [The New York Times]
Creators | Comics-industry pundit Rob Salkowitz looks at the resurgence of interest in Jack Kirby, who has posthumously received credit (and pay) for the work he created over the years for Marvel Comics: “For decades, the story of how everyone made a fortune off the work of this visionary creator except for Kirby himself – who until his final days toiled to eke out financial security for his family – stood as one of the most egregious injustices in an industry distinguished by its ill-treatment of creative talent. Now, as we approach his centenary in 2017, the man that Stan Lee nicknamed ‘King of the Comics’ is finally starting to get his due in the wider world of art, culture and commerce.” [Forbes]
Retailing | After nearly 30 years in business, Comic Kingdom — the oldest comic store in Sydney, Australia — will close its doors for good. Clayton Wildridge, who’s worked at the store for two decades and now manages it, points the finger at digital comics: “The culture has changed. It’s all internet and downloads now. The last thing I read said readership of comics was actually up, but purchases of hard copies were down. People download them instead and read them on the phone.” [The Daily Telegraph]
Publishing | Archaia founder Mark Smylie will leave the company he founded in 2002 to focus on his writing career. Creator of Artesia and author of the 2014 novel The Barrow, sold the company in 2008 to Kunoichi Inc., but remained as an acting principal. BOOM! Studios then purchased Archaia in 2013, transforming it into an imprint of the publisher. [press release]
Conventions | Filmmaker John Waters says the organizers of Shock Pop Comic Con, which took place in Fort Lauderdale, Florida, on the weekend of Feb. 14, owe him $6,250 — and they have told him they don’t intend to pay. Waters said the con seemed legit, if lightly attended, and they paid the first half of his fee up front. “I didn’t think that they were gonna – in a very short time – send a letter from a lawyer that basically was just like, ‘Don’t bother even trying,’” he said. But that’s what they did: The letter said the company that organized the event “had to close their doors and had no assets within which to satisfy its debts.” Freelance talent manager Shade Rupe said the con had “an incredible lineup,” but it was poorly organized; he got stuck with the limo bill for one of the people he represents, actor Danny Trejo. [Broward/Palm Beach New Times]
Retailing | The driver killed early Sunday when her car crashed into the Mile High Comics store in Denver, Colorado, has been identified as 17-year-old Karen Lopez. There were no passengers in the car, and no one was in the store at the time. Mile High Comics will hold an auction to benefit Lopez’s family; in an earlier news report, owner Chuck Rozanski described what happened and said, “When someone suffers a violent death like this within your space, I mean this is my building, I love this building and I love being here every day and now to know someone died here it’s going to alter my perception forever.” [KDVR]
In what Top Shelf Productions describes as possibly “the first — and the last — time Jon Stewart ever features a graphic novel,” Congressman John Lewis appeared last night on The Daily Show, where he discussed meeting Dr. Martin Luther King Jr., the 50th anniversary of “Bloody Sunday,” and his memoir of the civil rights movement March.
“People must understand,” Lewis said, “and that’s why we did [these] two books here, March Book One and Book Two, to tell the story, so our young people — our children and their children — will understand what happened and never forget it.”
Libraries | The Comic Book Legal Defense Fund has responded to the recent removal of a copy of Gilbert Herandez’s Palomar from a high school library in New Mexico following complaints from a parent, who called the acclaimed graphic novel “pornographic.” Taking a local television station to task for its “biased reporting,” the organization notes the removal of the book by Rio Rancho Public Schools officials appears to violate the district’s own challenge policy. [Comic Book Legal Defense Fund]
Manga | Here’s an interesting insight into the Japanese publishing industry: Deb Aoki, in Tokyo as a judge for the Manga Translation Battle, collects a series of her tweets and the responses of others (including a number of pros) to the symposium that followed the awards reception. The juxtaposition of two charts is startling: Manga sales are sharply down in Japan but rising in the United States, although of course the orders of magnitude are different. In keeping with the theme, she also discusses what makes a “good” translation, with actual manga translators weighing in with their opinions. [Storify]
The second volume of Rep. John Lewis’ autobiographical trilogy March is darker than the first one, both literally — artist Nate Powell fills many panels with almost unbroken blackness, as he depicts smoke, night and noxious fumes — and figuratively, as it shows human cruelty at its worst. Even in its lighter moments, Book Two shows the flaws as well as the triumphs of the Civil Rights movement. As this era recedes from living memory to history books, it’s in danger of dwindling to a series of inspirational images and iconic figures. Book Two of March is a bracing antidote to that.
March‘s first volume focused on Lewis’ youth and his involvement with the Nashville lunch counter sit-ins of 1959-1960, his first experience with nonviolent social action. In Nashville, the protestors were mostly students, their leaders were mostly religious, and they took the principle of nonviolence seriously. The refusal to answer violence with violence, whether verbal or physical, was integral to their actions. While there are violent moments in Book One, the story doesn’t dwell on them.
In Book Two, on the other hand, Lewis jumps right in with an attempted murder: The manager of a diner not only refuses to serve Lewis and a colleague, he sends his staff away, turns off the lights, turns on a fumigator spraying insecticide gas, and locks the door. The opposition has moved from harassment to deadly force, and while Lewis was rescued by firefighters (who must have been called by someone), it’s clear from the start that the stakes have been raised.
Legal | A 16-year-old in Nantes, France, was arrested last week for posting a cartoon on Facebook that mocks the Charlie Hebdo killings; the charge is “advocating terrorism.” The cartoon shows someone holding a copy of Charlie Hebdo and being struck by bullets. Electronic Intifada posts what is most likely the offending cartoon (it had been shared widely on social media), a takeoff on one of the more notorious Charlie Hebdo covers, accompanied by the text, “Charlie Hebdo is shit. It doesn’t stop bullets.” The original cover featured a cartoon of an Egyptian protestor holding the Koran, with text that read, “The Quran is shit, it doesn’t stop bullets.” [France 3]
Publishing | Sales were down in 2014 for Diamond Book Distributors, even though the industry overall had an up year. The reason: DBD lost a key client, Dark Horse, to Random House. Nonetheless, Vice President Kuo-Yu Liang sees good things in store for 2015, including strong sales of indie graphic novels, expanding international sales, and the much-anticipated March: Book Two, which was released this week. [Publishers Weekly]
Awards | Jillian Tamaki has won the prestigious Governor General’s Literary Prize for children’s literature illustration for her work on This One Summer, a graphic novel collaboration with cousin Mariko Tamaki (who was nominated in the text category). Their first book, 2008’s Skim, was previously nominated in the text division, further demonstrating a separation of illustration and story that Jillian Tamaki finds “strange.” ““I think we are both creators of the book,” she tells the Edmonton Journal. “You can’t read a comic without either component, it won’t make sense. It’s something I will always be addressing when talking about the award. But I am completely flattered by the honor and will be sharing the prize with my cousin.” [Edmonton Journal, via The Comics Reporter]
Conventions | Ahead of New York Comic Con, George Gene Gustines shares producer Michael Uslan’s program from a 1964 comics gathering in New York City; it actually was released after the show, and includes some thoughts on how things could be improved, mainly by shifting the focus from buying and selling comics to bringing in creators so the fans could meet them personally. Nonetheless, Steve Ditko was there, and the list of registered participants included George R.R. Martin. [The New York Times]
Creators | Roberto Aguirre-Sacasa talks about taking Sabrina the Teenage Witch to the dark side in her new series, a Riverdale horror story in the same vein as Afterlife With Archie. In this case, rather than zombies, Aguirre-Sacasa is drawing inspiration from the 1960s film Rosemary’s Baby. [Hero Complex]
Graphic novels | Although BookScan’s September list of the bestselling graphic novels in bookstores is populated largely by old stalwarts — The Walking Dead, Attack on Titan, Saga, Watchmen — Guardians of the Galaxy, Vol. 1, the only Marvel title on the chart, clung to the Top 20 in its second month of release (although it slipped from No. 4. to No. 20). Bryan Lee O’Malley’s Seconds, meanwhile, climbed in its third month to No. 6. One new manga debuted at No. 12: Noragami, about a homeless god who does odd jobs as he tries to build up his reputation; the anime is already out, which probably gave it a boost. [ICv2]
Publishing | A television reporter pays a visit to the Last Gasp offices to talk about the Kickstarter recently launched by the longtime publisher of underground comics (and other quirky books). It’s worth a look just to see the owner’s amazing collection of oddities. [NBC Bay Area]
Business | Marvel parent company Disney has reportedly laid off as many as 17 of the 60 full-time employees at DisneyToon Studio, the Glendale, California-based division that produces animated direct-to-video sequels and prequels, such as The Lion King 1 1/2 and Mulan II, the Disney Fairies releases and the occasional feature film, most recently Planes: Fire & Rescue. While Disney has been cutting positions throughout the company for the past few years — dating back to 2011 with the elimination of 200 jobs in its interactive division and about a dozen at Marvel — Variety chalks up these layoffs to the declining home-video market. [Variety, Deadline]
Passings | Dan Lynch, former editorial cartoonist for the Fort Wayne Journal Gazette, died Sunday at age 67. Lynch also worked for the Kansas City Times, and his cartoons were syndicated nationally and appeared in Time and Newsweek. However, his career was cut short by a debilitating stroke in 2001. “Dan had (what I thought was) a fabulous drawing style,” said Julie Inskeep, publisher and president of The Journal Gazette. “And, in the 20-plus years he worked at the JG, he provided a vast array of cartoon topics – always welcome, though not always in agreement with our editorial board. But he got people to think and react in his special and powerful way.” [Fort Wayne Journal Gazette]
Publishing | John Jackson Miller mines the circulation statements provided once a year to put together a 54-year sales history of Archie Comics’ flagship title Archie (the publisher is one of the few that still prints annual statements of ownership, allowing the numbers to be traced back, unbroken, to 1960). As he points out, Archie was a big newsstand title, selling almost 600,000 copies in the late 1960s, but it didn’t fare well when comics moved to the direct market — although Archie Comics has done well nonetheless with its digests, which far outsell its single-issue comics. [Comichron]
Publishing | Annie Koyama of Koyama Press talks with Dan Berry about how comics publishing works, and how she got into the field. [Make It Then Tell Everybody]