Between the chart-topping sales, rave reviews and widespread media coverage, it’s pretty easy to make a case for March: Book One as graphic novel of the year. To ensure that Rep. John Lewis’ congressional colleagues don’t miss out on the acclaimed civil-rights memoir, publisher Top Shelf is presenting all of the members of the U.S. Senate and House of Representatives with digital copies of the book, along with the groundbreaking comic that inspired it, Martin Luther King and the Montgomery Story.
In a letter accompanying the gift, Lewis explained that March “is not just my story, it’s the story of a movement, the story of a generation that stood up for justice in our country.”
The Georgia Congressman continued, “Just like the comic book I read more than 50 years ago, it is my hope that this graphic novel can inspire new generations to speak up and speak out, to make their voice heard, and, hopefully, to make our nation a more just and peaceful place for all.”
Co-written with Andrew Aydin and illustrated by Nate Powell, the graphic novel recounts Lewis’ you in rural Alabama, his life-changing meeting with Martin Luther King Jr., and the Selma to Montgomery marches. The second volume in the planned trilogy is set to arrive next year.
Last night, MSNBC’s The Rachel Maddow Show devoted a full 10-minute segment to March, its creators Rep. John Lewis, Andrew Aydin and Nate Powell, and to Martin Luther King and the Montgomery Story, the 1958 comic that helped to inspire the civil-rights movement.
While many authors, musicians and politicians have cited increased sales and profiles following their appearances on The Colbert Report — the frequently mentioned, by Stephen Colbert himself, “Colbert Bump” — March seems seems to be the beneficiary of the lesser-known “Maddow Bump”: Following last night’s episode, the book rocketed to No. 12 on the Amazon Best Seller list, its peak position.
Maddow, an avowed comics fan, recently conducted a one-hour interview with Lewis about March at the Kentucky Author Forum. CBR spoke with the March team in June, and in July at Comic-Con International in San Diego.
As we reported earlier this week, publisher Top Shelf Productions has partnered with Fellowship of Reconciliation to offer Martin Luther King and the Montgomery Story in a digital bundle with March. Watch the Maddow segment below.
Congressman John Lewis has been asked in numerous interviews why he chose the graphic novel format for March, his memoir of the civil-rights movement, and his answer is that he and many others involved with that movement had been inspired, in part, by a comic book. And now Top Shelf is publishing that original comic as part of a digital bundle with March — and also releasing a special print edition.
The 1957 comic Martin Luther King and the Montgomery Story, published by the interfaith peace organization Fellowship of Reconciliation, told the story of the Montgomery, Alabama, bus boycott, starting with the arrest of Rosa Parks for refusing to give up her seat to a white passenger, and concluding with a section on “The Montgomery Method,” advice for other civil-rights advocates. The comic showed the brutal treatment of black people in the South, but it also preached a message of nonviolent protest, drawing on Mahatma Gandhi as an example to be emulated. It was translated into a number of different languages and circulated around the world.
It was some 50 years later, when Lewis was a member of Congress, that he mentioned the comic to his aide Andrew Aydin, who researched the title (and ultimately wrote his master’s thesis about it); he also co-wrote March with Lewis.
Now Top Shelf and Fellowship of Reconciliation are offering Martin Luther King and the Montgomery Story as part of a bundle with the digital edition of March; it is available on comiXology for $9.99, which is the same price as March alone.
And for those who prefer their comics on paper, Top Shelf and the Fellowship of Reconciliation are also publishing a commemorative print edition of the 16-page comic, priced at $5. Top Shelf and comiXology will donate their share of the proceeds to Fellowship of Reconciliation, which continues its nonviolence work to this day.
Stage | Dancer Daniel Curry, who was seriously injured during an Aug. 15 performance of the Broadway musical Spider-Man: Turn Off the Dark, made his first appearance since the accident at a benefit concert held Monday that raised $10,000 for his medical bills. Curry was injured when his leg was pinned by an automated trap door — he blames malfunctioning equipment, producers say it was human error — resulting in fractured legs and a fractured foot; he has undergone surgeries and unspecified amputations. The Occupational Safety and Health Administration and Actors’ Equity have launched investigations into the accident, and Curry’s lawyers are exploring a possible lawsuit against the $75 million show and the equipment suppliers.
During previews of Spider-Man: Turn Off the Dark — before the March 2011 firing of director Julie Taymor and the sweeping overhaul that followed — no fewer than five performers were injured, the most serious previously being aerialist Christopher Tierney, who fell about 30 feet in December 2010, breaking four ribs and fracturing three vertebrae. He returned to rehearsals four months later. There have been no major accidents since the show opened in June 2011. [The New York Times]
History | Michael Dooley celebrates Banned Books Week with a look at the comics singled out by Dr. Fredric Wertham in Seduction of the Innocent as particularly corrupting of our youth; Dooley juxtaposes scans of the pages with Werthem’s commentary. [Print]
Creators | Lynda Barry is now an assistant professor of interdisciplinary creativity in the University of Wisconsin-Madison’s Wisconsin Institute for Discovery (WID) as well as the UW-Madison Department of Art; she was an artist in residence at the university last year. [University of Wisconsin-Madison News]
Creators | Congressman John Lewis, co-author Andrew Aydin and artist Nate Powell talk about their involvement in the graphic novel March. [Free Comic Book Day]
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is typically a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So find out what we thought about It Came!, Astro City, Wolfsmund and more.
March: Book One debuted Tuesday from Top Shelf Productions, earning high praise and a lot of attention for Congressman John Lewis, co-author Andrew Aydin and artist Nate Powell. But last night the graphic novel garnered arguably the highest accolade of all: the coveted Colbert Bump.
Lewis, the civil-rights pioneer who spoke at the 1963 March on Washington, appeared on The Colbert Report to discuss the book, which chronicles his early life in rural Alabama, his life-changing meeting with Martin Luther King Jr. and the Selma to Montgomery marches.
Editorial cartoons | Ahmad Akkari, one of the leaders of the protests in 2006 against the cartoons of the Prophet Muhammad published by the Danish newspaper Jyllands-Posten, now says he regrets his activities and has even apologized in person to one of the cartoonists, Kurt Westergaard. “I want to be clear today about the trip: It was totally wrong,” Akkari said in an interview with The Associated Press. “At that time, I was so fascinated with this logical force in the Islamic mindset that I could not see the greater picture. I was convinced it was a fight for my faith, Islam.” [The Guardian]
Passings | The body of Ramen Fighter Miki creator Jun Sadogawa (real name Mutsumi Kawato) was discovered early Tuesday hanging from a tree in a park in Ibaraki Prefecture’s Kitasōma District. According to police, evidence at the scene suggested suicide. The 34-year-old manga creator had been serializing Amane Atatameru in Weekly Shonen Champion magazine at the time of his death. [Anime News Network]
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. With the buzz of D23 Expo dying down, we now turn our attention to Wednesday’s comics, which include the much-anticipated debut of March: Book One, which contributor Corey Blake says “isn’t just the release of the week, it’s the release of the year.”
To see what our other contributors pick, keep reading …
Digital comics | Financial-services company The Motley Fool touches upon how digital has helped to boost the comics industry, rather than undermine print sales as some predicted it would. “Digital has not to anyone’s observation pirated the sales of comics. It looks like just the opposite,” writer and charts-watcher John Jackson Miller tells the website. And then, because it’s The Motley Fool, the story veers off into what investors can learn from digital comics — specifically, “three forces [that] conspired to transform digital from a threat into a catalyst”: quality, format and access. [The Motley Fool]
Creators | Brian K. Vaughan talks about producing the CBS sci-fi thriller Under the Dome and writing Saga as well as his digital comic The Private Eye. His take on Saga: “I definitely wanted to write about the experience of fatherhood and parenthood while also recognizing that’s extremely boring for most people. How do you talk about these mundane topics in an exciting way? Hopefully setting this story in a wacky sci-fi fantasy universe has given us room to tell this story with some visual spectacle and just Fiona Staples being awesome.” [USA Today]
Conventions | Retailers in the Boston area talk about the importance of Boston Comic Con to their bottom line. This year’s event will be held Saturday and Sunday. [The Boston Globe]
Creators | Nate Powell, who got his start distributing photocopied minicomics at punk-rock shows, talks to his hometown newspaper about working with Rep. John Lewis on March, drawing a Percy Jackson graphic novel, and life as a full-time comic artist: “There’s a whole lot of constant hustling as a cartoon artist, and really I credit DIY punk as far as shaping the way that I navigate the world to allow me to still tap into the constant hustling necessary to keep my head above water.” [Arkansas Times]
“I don’t see a vast difference [between Comic-Con and political conventions]. Here at Comic-Con, you see people dressed in different ways, but even in some political conventions, you see people with a lot of flags and colors, especially some of the young women, who will put all types of things in their hair, and some of the men. Politicians like to stand out, like people to pay attention to them. Here, I think it’s the real world. Comic-Con is the real world and to see people bringing their little children and seeing all the little children all dressed up enjoying themselves — that’s a great feeling, seeing them have fun.”
– Congressman John Lewis, talking with CBR TV about his first experience at Comic-Con International, where he promoted March, the upcoming graphic-novel trilogy from Top Shelf Productions recounting his involvement in the Civil Rights Movement
Legal | The Malaysian cartoonist Zunar has appealed a court decision upholding his 2010 arrest and detention, claiming police acted in bad faith when they arrested him under the Sedition Act because of his book Cartoon-O-Phobia, which had not yet been released at the time of his arrest. No charges were ever filed, as the police could not identify any actual seditious content in the books. A court ruled in July 2012 that Zunar’s arrest was lawful but ordered the police to return the books they had confiscated and pay him damages. An appellate court will hear the case next week. [The Comics Reporter]
Publishing | Heidi MacDonald takes a look at Marvel’s new graphic novel line, which will launch in October with Warren Ellis and Mike McKone’s Avengers: Endless Wartime. [Publishers Weekly]