LOOK: "Supergirl" Introduces Superman in First Family Photo
Awards | Noelle Stevenson’s Nimona has been nominated for a Nebula Award, presented presented by the Science Fiction & Fantasy Writers of America. As Gary Tyrrell points out, the Nebulas (unlike the Hugos) don’t have a specific graphic novel category; Nimona is nominated for the Andre Norton Award for Young Adult Science Fiction and Fantasy. [SFWA]
Brian K. Vaughan and Marcos Martin’s Panel Syndicate imprint has announced its second “pay what you’d like” digital series: Universe! by Spanish cartoonist Albert Monteys.
Monteys is the former director for and contributor to the satirical magazine El Jueves, from which he resigned this summer after the owners refused to use a cover featuring the King of Spain.
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
The release of a new issue of Brian K. Vaughan and Marcos Martin’s excellent and, given recent news, timely The Private Eye is always enough to warrant a “Best of 7″ post. But the icing on the cake is that Vaughan revealed some sales data last week for the series thus far — and business has been good for the talented team.
Conventions | An advocate for the homeless claims San Diego police are harassing homeless people to keep them away from downtown during Comic-Con International. The mayor and police chief deny the accusation and say officers are simply doing outreach, but at least one homeless man has been given a “stay away” order. Comic-Con begins Wednesday with Preview Night. [ABC 10 News]
Digital comics | Following the news that the comics market was estimated at $850 million in 2013, of which $90 million was digital, George Gene Gustines looks at a couple of different digital models, including Thrillbent’s new subscription service and Panel Syndicate, Brian K. Vaughan and Marcos Martin’s name-your-own-price approach. [The New York Times]
Marcos Martin grew up reading American superhero comics imported to his native Spain, and for the first 13 years of his career, he lived, breathed and drew those heroes in titles like Batgirl: Year One, Doctor Strange: The Oath, The Amazing Spider-Man and Daredevil. But now he’s moved on, devoting himself primarily to creator-owned comics with a reach beyond the direct market. The first sign of that is The Private Eye, the digital comic he created with celebrated writer Brian K. Vaughan about the price of privacy in a futuristic world.
Both Martin and Vaughan have talked with CBR about their project, so for this installment of “Conversing on Comics” I reached deeper into the artist’s work, looking for his influences and his choices. The interview, conducted in late April via Skype, pulls back the curtain on Martin, an ambitious but private professional who’s looking to entertain not just the ardent comic book fan but also more mainstream readers interested in fiction and fables.
Following Sunday’s big announcement that Peter Parker will return in April in a relaunched Amazing Spider-Man series — well, it was spoiled earlier in the week by a leak — Marvel unveiled a Marcos Martin variant cover for the first issue that’s simply breathtaking.
Of course, the Eisner Award-winning artist is no stranger to Peter Parker, having drawn about a dozen issues of The Amazing Spider-Man between 2008 and 2011. See the full cover below.
Dan Slott, who’s collaborating with Humberto Ramos on the new series, spoke with CBR News this morning about The Amazing Spider-Man.
If, like me, you’re a big fan of The Private Eye, the digital comic by Brian K. Vaughan and Marcos Martin, you may be pleased to learn Panel Syndicate has opened a store where you can buy prints from the acclaimed sci-fi mystery set in a world where privacy is at a premium.
So now you can get 17.7-inch by 12.6-inch prints of Martin and colorist Muntsa Vicente’s covers for issues 1 and 4, or pages from Issue 1; there’s also a limited-edition black-and-white print. They’re $20 each, plus $10 shipping (except for that last one, which will set you back $50).
Here’s a great early Christmas present — the fifth issue of Brian K. Vaughan, Marcos Martin and Muntsa Vicente’s The Private Eye is now available for purchase on the Panel Syndicate website. Like previous issues, you can name your own price.
The science fiction detective story is set in an Internet-less future where everyone wears a mask to protect their privacy and stars an unlicensed journalist, who is drawn into a mystery. The story is planned for “10 issues total; an old-school ‘maxiseries!'”
Check out a preview below.
Although it appears we’ll have to wait a while longer for the fourth issue of The Private Eye, the acclaimed digital comic by Brian K. Vaughan, Marcos Martin and Muntsa Vincente, Panel Syndicate is making the interim a little easier to endure with the release of The Making of The Private Eye, an 85-page “inside look at the creation of the digital comic.”
As with The Private Eye, readers are asked to name their own price for this special issue, which includes such behind-the-scenes content as Vaughan’s original pitch, Martin’s character designs and email exchanges between the creators. You can get a sneak peek below.
More than seven weeks after the second issue debuted, Brian K. Vaughan and Marcos Martin continue their name-your-own-price digital comic with the release of The Private Eye #3.
A detective story that centers on timely issues of privacy and surveillance, The Private Eye is set in a not-too-distant future, where everybody in the United States has a secret identity: “Our protagonist is a member of the paparazzi, outlaw private investigators who dig up the kind of personal dirt no longer readily available through search engines. It’s a mystery with lots of masks, but no superpowers.”
Creators | Stan Lee, characterized by CNN as “the Godfather of comic book heroes,” is modest about his own achievements in a new interview: “If my publisher hadn’t said ‘let’s do superhero stories’ I’d probably still be doing A Kid Called Outlaw, The Two Gun Kid or Millie the Model or whatever I was doing at the time.” He reflects on the increased female audience for comics and discusses some new projects, including a new superhero, The Annihilator, created specifically for a Chinese audience. [CNN]
Comics| Chris Huntington reflects on the importance of Miles Morales for children of color, like his son: “… To see Spider-Man pulling his mask over a tiny brown chin – to see a boy with short curly hair sticking to the ceiling of his bedroom— well, something happened. Dagim has been Spider-Man for two Halloweens in a row. He takes a bath with his Spider-Man and a toy killer whale. He has Spider-Man toothpaste and a Spider-Man toothbrush. If Spider-Man offered medical coverage, I think he would want that, too. My son somehow understands that there is a Peter Parker Spider-Man, who is vaguely grown-up and my age, and a younger Spider-Man, closer to his age. That’s just how Dagim likes it. He even understands that Peter Parker — like Superman, like Batman – wasn’t raised by his birth parents. The best superheroes were all adopted like him.” [The New York Times]
Retailing | Naruto topped the May BookScan chart of graphic novels sold in bookstores, followed by two volumes of The Walking Dead, the latest volume of Sailor Moon, and Yen Press’ latest Twilight adaptation New Moon. Just three volumes total of The Walking Dead made the Top 20 (down from eight last month), and as usual, DC and Marvel got clobbered: DC had three titles on the list (two volumes of Court of Owls and Watchmen) while Marvel had one (Hawkeye), and none was above No. 15. Or to put it another way: Vol. 14 of Dance in the Vampire Bund, a high-numbered volume in a fairly niche manga series, placed higher than every Big Two book on BookScan last month. [ICv2]
Creators | With the second issue of their digital-only comic The Private Eye recently released, writer Brian K. Vaughan and artist Marcos Martin talk about their story, why they decided to do it digitally, and what the response has been so far. [The Verge]
For those who might’ve missed this 2006-2007 miniseries, Doctor Strange: The Oath is a five-issue story written by Brian K. Vaughan and drawn by Marcos Martin — that pedigree alone should ensure it has a place in your long box or the handy trade paperback sits on your shelf. Vaughan’s clear, lyrical writing style is in full force, and Martin’s art is as fluid and dynamic as it’s been for Mark Waid’s Daredevil. The story delves into the occult to save Wong, who’s been stricken with a fatal disease. Not only does it have magic and mysticism, it also reminds you of Strange’s classical origin as an arrogant surgeon who had to learn humility in an area both street-level and far-flung dimensions. It also brought Night Nurse in as a strong supporting character to the good Doctor’s retinue and, as the back cover tells me, firmly establishes Doctor Strange in the Marvel Universe.
A nice idea, but it really did nothing of the sort.
Hello and welcome to What Are You Reading?, our weekly look at the comics, books and whatever else we’ve been checking out lately. Today our guest is Shaun Manning, a former staffer at CBR, occasional convention reporter and comics writer. His current project is a comic called Hell, Nebraska (with artist Anna Wieszczyk), and he’s currently running a Kickstarter to raise funds to publish it. So go check it out.
To see what Shaun and the Robot 6 crew have been reading, click below.
Superheroes | Writer Jim Zubkavich tackles the burning question of why there are so few Canadian superheroes: “We don’t have a long standing superhero tradition in this country. We don’t have a long-standing focal point character people recognize (I like Captain Canuck, but the average person on the street does not know who he is). We’re not a country galvanized by heavy-duty patriotic pride that lends itself to a Superman, Captain America or even a Batman. We don’t have the kind of rampant crime that ‘needs’ a heroic symbol to fight back against.” [Zub Tales]
Digital comics | The first issue of Mark Millar’s Jupiter’s Legacy sold more than 100,000 copies in stores, but was that because he refused to allow it to be sold in digital format the same day? Steve Bennett is doubtful, because so many people (including himself) didn’t realize until the last minute it would be print-only for now. [ICv2]