SDCC: Warner Bros. Film with "Suicide Squad," "Wonder Woman" and More
About a month and a half after the debut of The Private Eye, the name-your-own-price digital comic from Brian K. Vaughan and Marcos Martin, the duo is back with the second issue of the futuristic detective story.
In case you’re a little late to the game, The Private Eye is set in 2076, “when everyone in the United States has a secret identity. Our protagonist is a member of the paparazzi, outlaw private investigators who dig up the kind of personal dirt no longer readily available through search engines. It’s a mystery with lots of masks, but no superpowers.”
The 32-page second issue is now available on the Panel Syndicate website. As “name-your-own-price” suggests, you can pay whatever you choose, although the Vaughan and Marcos think 99 cents is fair (the writer says $3 seemed to be the most common payment for the first issue).
Hard to believe, but this month marks four years since I first interviewed artist Peter Krause about his return to comics. More immediately, today marks the return of Mark Waid and Peter Krause’s Insufferable at Thrillbent 2.0 with a new arc, “On the Road.” Through Thrillbent 2.0, Insuffereable: On The Road is free to view and download or embed — there are plenty of ways to enjoy the somewhat reconciled father-son team of Nocturnus and Galahad (seemingly led by the smarter than both of them, Meg). In addition, there are bundled editions of the first Insufferable arc (with extras) for sale at comiXology.com.
Tim O’Shea: How did Mark Waid convince you to try working in a then-relatively new medium like digital comics on Insufferable?
Peter Krause: The main attraction was that I’d get to keep working with Mark. I really valued the time we’d spent on Irredeemable for BOOM! I stepped away from that book because of time constraints — I was doing non-comics work that was making it harder to bring an “A” game to Irredeemable.
“I’m delighted to say that many more people paid us than didn’t. Those who opted to pay something paid at least 99 cents, and I don’t think too many people paid more than $5. Three bucks, the cost of most new paper comics, seemed to be a common payment.”
– writer Brian K. Vaughan, revealing to The New York Times the lowest and highest amounts paid for the first issue of The Private Eye, his digital collaboration with Marcos Martin and Muntsa Vicente. Readers were encouraged to name their own price, with 99 cents as the recommended amount.
In “By the Numbers,” ROBOT 6 takes a look back at the events of the past five days … in numbers.
With Thursday’s announcement that Neil Gaiman is returning to the Marvel Universe and bringing with him Angela, the character at the center of his eight-year legal battle with Todd McFarlane, we’re left to wonder about the whereabouts of Marvelman. We also look at the surprise departures at DC Comics, and what the right price is when you name your own.
No muss, no fuss and very little hype — this week Brian K. Vaughan and Marcos Martin re-teamed on a new digital-only comic titled The Private Eye. Featuring fantastic colors by Muntsa Vicente, the comic is available on the Panel Syndicate website “for any price you think is fair.”
With that kind of model, there’s not a lot of risk for the consumer, but there is the question of “How much should I pay?” The site’s FAQ suggest 99 cents as a fair price; I opted to pay $3 because that’s what I would pay for a copy of Saga. But if you’re unsure if it’s worth your time and money, here are a few reviews to help you along …
I was excited by the teasers for Brian K. Vaughan and Marcos Martin’s creator-owned project — Saga is one of my favorite current reads, and I love anything the artist draws — and now I’m pleased to see the actual announcement doesn’t disappoint.
Rather publish a traditional miniseries, which is what I was expecting, the Doctor Strange: The Oath collaborators have reteamed for Panel Syndicate, a website where they’ll release digital comics in a variety of formats, all DRM-free, which will undoubtedly please those who have been critical the the industry’s predominant digital-delivery methods. What’s more, the creators are allowing readers to name their price, although “we think 99 cents is a pretty fair asking price for our new issues” (hitting upon another hot-button subject in the digital debate, that $2.99 or $3.99 is too expensive for a standard-length comic).
Back in October, Brian K. Vaughan excited a lot of fans when he teased he was “cooking up something special” with his Doctor Strange: The Oath collaborator Marcos Martin — an artist whose work never ceases to impress — but cautioned, we’re not quite ready to announce what it is or even where we’re doing it. Stay tuned.”
Well, it appears they’re just about ready, as demonstrated by three teasers that have popped up at Comic Book Resources, The Beat and EntreComics that read “Like,” “Follow” and “Share.” We can guess from the images that it’s some sort of futuristic sci-fi adventure, but that’s all we have to go on at this point.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d be tempted to blow it all on the recolored Death of Superman collection for the ’90s nostalgia. But then I’d probably flip through it and come to my senses, and instead get something new like Fatale #12 ($3.50) by Ed Brubaker and Sean Phillips, which looks like it’s going to be a trip, flashing back to Medieval times but self-contained as a good entry point for new readers. That’s smart comics. Speaking of smarty-pants, I’d probably get The Manhattan Projects #9 ($3.50) by Jonathan Hickman and Nick Pitarra. It’s the first part of a two-part story about scientists trying to take over the world. There will probably be lots of words that leave me dizzy. I likely wouldn’t be able to resist Matt Wagner writing The Shadow: Year One #1 ($3.99) because, you know, The Shadow knows. I haven’t been following IDW’s G.I. Joe universe but G.I. Joe #1 ($3.99) by Fred Van Lente and Steve Kurth seems like a good opportunity to try it out. And I’d finish it off with Cyber Force #3 by Marc Silvestri and Koi Pham because it’s free.
With $30, I would add to the above. Darkhawk is on the cover of Avengers Arena #4 ($2.99) by Dennis Hopeless and Alessandro Vitti, so I’d be compelled to buy that. I’ve been meaning to check out Erik Burnham and Dan Schoening’s Ghostbusters since I hear it’s real fun, so the relaunched Ghostbusters #1 ($3.99) is a perfect opportunity. Morning Glories #24 ($2.99) by Nick Spencer and Joe Eisma seems too intriguing to pass up. I am so behind on the X-books, but I’d be real tempted to try Brian Michael Bendis and Chris Bachalo’s Uncanny X-Men #1 ($3.99).
My splurge item would be tough. I’d be real tempted to get either the Iron Man Omnibus collecting the entire run of David Michelinie, Bob Layton and John Romita Jr., including the famous alcoholism story, or Counter X: Generation X – Four Days by Brian Wood. But I’d probably end up instead getting the Daredevil By Mark Waid, Vol. 1 hardcover for $35. I don’t know, do I need to justify this purchase? It’s probably the most beloved superhero comic of last year, maybe for the last couple of years. It paved the way for similarly rejuvenating series at Marvel like Hawkeye, Captain Marvel, and Young Avengers. The art by Paolo Rivera and Marcos Martin is swoon-worthy. And it wants to be on my bookshelf, dagnabbit!
How much, exactly, is too much of a good thing? I imagine it depends on the thing in question, and the person you ask. Let’s say the thing is Marvel’s newish Hawkeye. And the person is me.
I really like this comic, which is something that came as a great surprise to me, as I don’t really have any feelings about Hawkeye beyond, perhaps, preferring the super-archer with the facial hair and the green costume. And I don’t really like reading Marvel comics serially any more, given how hard the publisher strives to make that experience an unpleasant one, with the ads and the variants and the cover prices and the AR phone applications and the random switching and the renumbering and title changing and the funny numbering schemes (“Superior Spider-Man #6AU“…?) and the irregular shipping schedules.
I bought the first issue on a whim, though (it was a light week), and despite a little confusion as to why artist David Aja was to aping ’80s-era David Mazzucchelli, it impressed the hell out of me. Writer Matt Fraction and Aja make a great team, and the idea of focusing on what Hawkeye does “when he’s not being an Avenger” — recasting the movie star/cartoon character/toy as a more-or-less everyman action hero — is interesting, as was the decision to make every issue a done-in-one complete story (for the first three issues, anyway).
Each story has had elaborately constructed plots that spring open, move fluidly and then snap satisfyingly shut, the script and art are paced to encourage a slower, more appreciative reading process that makes each issue seem twice as long as most other Marvel comics, and even Matt Hollingsworth’s old-school but understated color and generous use of purple (to compensate for the lack of costume) has been impressive.
I started to worry when Issue 4 shipped, though, and worry still more when I read Issue 5, and worry still more when I saw Issue 6 arrives next Wednesday.
“My hope is that this will be the longest, best series I’ve ever been a part of, so my new goal is to go exactly one issue longer than wherever The Walking Dead ends. I know Kirkman already has a hundred-issue head start, but I’m confident I can outlive the bastard, especially with his hard-partying Hollywood lifestyle.”
– Saga writer Brian K. Vaughan, discussing his acclaimed collaboration with Fiona Staples in an interview in which he also teases a planned re-teaming with Doctor Strange: The Oath artist Marcos Martin
Welcome to What Are You Reading?, our weekly look at what’s been on our nightstands lately. Our guest this week is Jay Faerber, writer of Dynamo 5, Near Death and Noble Causes. The second Near Death trade just came out this week, and his new comic, Point of Impact, comes out Oct. 10.
To see what Jay and the Robot 6 crew have been reading, click below.
Marvel celebrated Spider-Man’s 50th birthday with an extra-sized issue that week that included not only the debut of Alpha, Spider-Man’s new sidekick, in a story by Dan Slott and Humberto Ramos, but also new stories by Dean Haspiel, Joshua Hale Fialkov and Nuno Plati. Did Spidey celebrate his big day in style or was the party a bust? Here are a few reviews from around the web:
Doug Zawisza, Comic Book Resources: “Marvel’s gift to Spider-fans includes signing Spider-Man up for the ‘Sidekick Club.’ That comes in the form of Alpha, an until-this-issue normal high-schooler, not unlike Peter Parker back in the days of yore. Alpha’s civilian identity of Andy Maguire is an ordinary C student content with just existing. He’s not a loser, but he sure isn’t a winner. In short, he’s young Peter Parker without any motivation or interest.” (4/5 stars)
Andy Hunsaker, CraveOnline: “It’s a fun inversion, having Peter himself hosting a group of Midtown High School kids to show off his new ‘Parker Particles,’ and of course it goes awry – although this time, it’s thanks to a bit of skullduggery from a jealous aspiring Horizon Labs scientist named Tiberius. This little sabotage actually brings to mind the origin of Spider-Man 2099, when Miguel O’Hara was cursed with spider-powers he didn’t want after a spiteful co-worker tried to kill him with his own device. That probably wasn’t intentional at all, but I saw it, so I’m calling it cool. Anyway, the resulting disaster gives Maguire a crazy level of super power not unlike Ultra Boy from the Legion of Super-Heroes in that he’s got all the generic superhero basics but can only use them one at a time.”
Happy Mother’s Day and welcome to another edition of What Are You Reading? Today our special guest is Ryan Ferrier, who I spoke to a couple of weeks ago about his comic Tiger Lawyer and recently kicked off an Indie GoGo project to fund the second issue.
To see what Ryan and the Robot 6 crew have been reading, click below.
Let’s not mince words, the online presence of Tom Brevoort has provided hours of great reading for Robot 6 readers. Given his constant and unflagging willingness to interact with consumers via social media, Brevoort is a quote machine (His Twitter bio? “A man constantly on the verge of saying something stupid–for your entertainment!?”). There’s always a directness (some would say bluntness) to his manner online–making him the ideal subject for an interview. Last year saw Marvel promote Brevoort to senior vice president for publishing. 2011 was a year of some major successes for Marvel, as well as a year where some hard business decisions were made. In this interview, conducted in mid-December via email, I tried to cover a great deal of ground (we even briefly discuss DC’s New 52 success)–and Brevoort did not hold back on any of his answers. For that, I am extremely grateful. Like any high profile comics executive, Brevoort has his fans and his critics (and many in between), but I like to think this exchange offers some perspectives everyone can enjoy.
Tim O’Shea: Whether it’s in your job description or not, fan outreach via social media is definitely part of your job–clearly by your own choice. What benefit or enjoyment do you get from interacting with the fans/consumers?
Tom Brevoort: I’m not sure that I get a particular benefit, except maybe just being the center of attention for a few minutes—maybe everything I do is motivated by ego! I’m a whore for the spotlight! But I started doing this kind of outreach back in the formative days of internet fandom, largely because I like the idea of internet fandom. I know that, if the internet had existed when I was a young comic book reader, I’d have been on those message boards and in those chat rooms all the time, obsessively—just like a certain portion of the audience today. So I like the idea of giving back, of being accessible enough that anybody who has a question or a concern knows where to find me, or at least to find somebody with an insider’s track who might have the background and knowledge to speak to their point. In a very real way, it’s all an outgrowth of what Stan Lee did in his letters pages and Bullpen pages. Joe Q, I think, was really the first person to perfect that approach for the internet age. As EIC he was incredibly available to the audience in a myriad of ways. It’s a philosophy that’s very much woven into our DNA at Marvel. And for the most part, our fans are interesting, vibrant, cool people, especially when you meet them in person.
Hello and welcome to What Are You Reading? Our special guest today is Andy Burns, editor-in-chief of the pop culture site Biff Bam Pop!, which is doing a holiday gift guide with giveaways through Dec. 24. You can follow them on Twitter for more information.
To see what Andy and the Robot 6 crew have been reading, click below …