Axel-In-Charge: "Secret Wars" Jam Session Talking "A-Force," "Ultimate End" and More
Events | The driver who plowed through the crowd last month at the annual SDCC ZombieWalk: San Diego, injuring a 64-year-old passersby, has given an interview providing his version of the event, saying he had turned off the engine to wait for the parade to pass when participants began surrounding his car. The situation quickly escalated, he says, when a spectator sat on the hood and hit the windshield, shattering it, and another person opened the back door. “I got scared. That’s when I plowed my car through the crowd,” says the unidentified 48-year-old. “I had to do this to save my family because of the crowd. I couldn’t tell if the parade was done.” He adds, “I felt awful about it. I just couldn’t believe that I actually hit the old lady.” [iDeafNews, Times of San Diego]
If you asked me for a list of some of the best superhero comics of the past year or so, I’d be sure to mention one that comes not from DC Comics or Marvel, two companies synonymous with the genre, but from Archie Comics, a publisher popularly known for not making superhero comics.
That comic would be the one starring The Fox, a Golden Age superhero from MLJ Comics (which would eventually become Archie Comics) that was recently resurrected in a well-made, well-received miniseries, now available in the collection The Fox: Freak Magnet.
Archie’s approach to the book seems to have been somewhat Marvel-ous, in several respects.
First, the publisher appears to have allowed a talented creator, Dean Haspiel, to do pretty much whatever he liked with the relatively minor character, and he chose to stick with what came before, but to take it in his own, idiosyncratic direction, not unlike Marvel’s post-Hawkeye strategy for its secondary, non-franchise books.
In 2008-09, Grant Morrison wrote (and J.G. Jones and others drew) DC Comics’ big-event miniseries Final Crisis. While it wasn’t the last cosmic-minded crossover, in many ways it was the crest of a wave that had been building since 2004’s Identity Crisis. The fallout from Identity Crisis sparked a new “Crisis Cycle,” leading into 2005-06’s Infinite Crisis, 2006-07’s 52, 2007-08’s Countdown, and various smaller-scale tie-ins.
With Morrison at the helm, though, Final Crisis turned out to be pretty esoteric. Apparently this pleased almost no one, being a) too steeped in DC lore for the casual reader, and b) not sufficiently tied into the regular comics, and thereby not rewarding the every-Wednesday folks who’d been following all the buildup.
Nevertheless, two FC plot points had immediate effects on the superhero line that, for all intents and purposes, have carried over into the New 52: It brought back Barry Allen and “killed” Batman. I was reminded of the latter two weeks ago, when a one-panel flashback in Robin Rises: Omega indicated pretty strongly that Darkseid’s Omega Effect (coincidence?) sent the New 52’s Caped Crusader bouncing through the time stream, just like his continuity-complicated predecessor. Accordingly, like so many DC stories of yore, Final Crisis still seems to have happened, even if in a significantly altered form.
Before we get too much further, rest assured this post isn’t dedicated to figuring out how a Final Crisis-shaped peg fits into a one-panel Robin Rising hole. Instead, I want to talk about how another FC plot point is helping to alter my perceptions of continuity.
Comic-Con International has come and gone, and like every year, we’re left with a metric ton of announcements, hints, speculations, sneak previews, leaked footage and open questions.
There also seemed to be more pre-convention announcements than I can remember seeing in previous years. If the past week or so of frenzied news wasn’t enough, panel coverage and from is still rolling out. Based on the past several years, we should see those continue to be doled out for the next week or two.Comic-Con is truly a month-long event, maybe almost two months when all is said and done. So it’s understandable if it’s sometimes difficult to keep track of what was announced when or to even remember that awesome thing I was so excited about a week ago but can’t name now.
There are plenty that stuck with me, however; I’ve already written about comiXology’s DRM-free titles, and some of Image’s upcoming titles, and there were plenty of others. Of course, I can’t mention all of the cool things to emerge from Comic-Con — that would just be a near duplication of everything we’ve heard about for about a month now. So instead, here are six (more) things from Comic-Con I can remember thinking were extra-awesome:
In the final day of HeroesCon, I was fortunate enough to meet an equal mix of industry legends and new (to me) creators. Also, if you look over the previous photo posts (Day 1, More Day 1, Day 2), you see a trend of some folks giving me the thumbs up. Had I requested the pose, the trend would not be worth noting. But I didn’t; some people just opted to go for the whimsical look, and I love it. My thanks to every creator over the three days who took a moment to pose for a photo (in some cases more than a few times).
Coinciding with the release today of the second chapter of Mark Waid and Barry Kitson’s Empire Volume 2, Thrillbent is making the first chapter available for free.
Originally published in 2000 through Image Comics, and later with DC Comics, Empire is set in a world a where the evil armored despot Golgoth has won, defeating all of its heroes. Volume 2, which launched May 28 after a 10-year hiatus, continues the saga of Golgoth, whose grip on Earth is as strong as ever.
Despite there being an entire genre around the subject, science has a hard time fitting into mainstream comics fiction. A single mind conceiving of a single advancement or scientific theory in a singular world created to fit the topic? Great. A bunch of different scientists just making science all over the place to fill a variety of plots and necessities? It gets messy. Not only can too many minds spoil the plausibility of the Marvel Universe — Richards can build a portal to the Negative Zone in his house, but can’t cure cancer? — but shouldn’t all these geniuses have done better for the world they live in?
Let’s take a look at the science bros of the Marvel Universe, and see how they compare and contrast with one another. Who doesn’t love a good power ranking?
WARNING: Despite this Fifth Color being about scientists, please know that there is no scientific formula to the rankings you’re about to see. This is all conjecture, making me absolutely wrong on all counts. Feel free to make your own lists elsewhere, but for the humble opinions of Yours Truly, read on!
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to something great fans are doing to an awesome comic that came out. So let’s get to it…
Legal | The creator of the Islamic superhero comic The 99 says he hasn’t been officially notified of a reported ban of the animated adaptation of his comic in Saudi Arabia. “Nobody ever contacted me, nobody ever asked me any questions,” Naif Al Mutawa says. There have been numerous Twitter campaigns against me for a while now and so for me it’s not new. Maybe it is true this time, but I find it very difficult to believe that a group as influential and high profile as them [Saudi Arabia’s Permanent Committee for Scholarly Research and Ifta] wouldn’t recognize the good that The 99 has done for Muslims around the world.” He adds that the comic has been available in Saudi Arabia for seven years, while the cartoon has been airing for two and a half years, making the timing of a ban “a bit weird.” [Gulf Business]
Conventions | The Salt Lake Comic Con spinoff event FanXperience is shaping up for its April 17 debut with the addition of KidCon, a pavilion dedicated to younger attendees. “We don’t want the impression that we have KidCon there for everything else to become less kid-friendly,” says co-founder Dan Farr. “Although I would imagine 99 percent of the people that are coming are going to take their kids throughout the whole hall, it’s just to have an area where they can go and spend a little more time with their kids.” The inaugural Salt Lake Comic Con in September drew an estimated 80,000 attendees; organizers anticipate as many as 100,000 for FanX, which will have almost double the floor space. [Deseret News]
Legal | The judge was a no-show for what was supposed to be the announcement of the verdict in the trial of Algerian cartoonist Djamel Ghanem, who stands accused of “insulting the president of the republic” in a cartoon that was, bizarrely, never published. Ghanem’s lawyer says the verdict has been postponed; the cartoonist faces up to 18 months in prison and a fine of 30,000 dinars ($380 U.S>) if found guilty. [Global Post]
Conventions | As comics conventions continue to become an international phenomenon, ReedPOP bags a big one: The company behind New York Comic Con, C2E2, Star Wars Celebration and Penny Arcade Expo has announced a partnership with Oz Comic-Con, which runs several conventions in different locations in Australia. [press release]
Passings | Paul Burgarino reports on Sunday’s memorial service for Wee Pals cartoonist Morrie Turner, who died last month at the age of 90. Wee Pals was the first comic strip by a black creator to get a national syndication deal, and speakers remembered him as both a pioneer and an inspiration. “Through your unique artistry and personal kindness, you’ve helped show the world what we can be, should be and must be,” said David Shaffer, the son of one of Turner’s close friends. [Contra Costa Times]
Comics | Once the paperwork is complete, the John F. Kennedy Presidential Library will officially own the original artwork for the 1964 DC Comics story “Superman’s Mission For President Kennedy,” fulfilling one of artist Al Plastino’s final wishes. Plastino, who passed away Nov. 25 at age 91, was surprised to discover at New York Comic Con a month earlier that the pages hadn’t been donated to the library five decades earlier, as he’d been led to believe, but were instead set to be sold at auction on the 50th anniversary of the Kennedy assassination. The auction was put on hold until questions of ownership could be resolved, and Plastino spent the final weeks of his life campaigning for the return of the artwork, even petitioning a judge to force the auction house to reveal the name of the seller. DC Entertainment intervened in December to acquire the pages and give them to the library. “We are thrilled to receive this historic artwork and look forward to sharing it with the public when the legal transfer is completed,” library director Tom Putnam said in a statement. [Newsday]
Legal | Daniel Curry, the actor who was seriously injured in August during a performance of the Broadway musical Spider-Man: Turn Off the Dark, has filed a lawsuit seeking unspecified damages, claiming the producers and other defendants knew a mechanical lift could be dangerous. Curry was hurt when an automated door pinned his leg; he suffered fractured legs and a fractured foot, and had to undergo surgeries and unspecified amputations. The producers have insisted the accident was caused by human error and not malfunctioning equipment. [The New York Times]
Events | Japan’s ambassador to France has expressed his country’s displeasure with a South Korean exhibit at the Angouleme International Comics Festival devoted to “comfort women” who were forced into sex slavery during World War II by the Japanese military. Ambassador Yoichi Suzuki said the exhibit, which attracted about 17,000 visitors, promotes “a mistaken point of view that further complicates relations between South Korea and Japan.” [GMA News, Yonhap News Agency]
Dean Haspiel is one of the most visible creators working in comics today, and his style is equally recognizable, whether he is creating superhero comics or his own Billy Dogma stories at ACT-I-VATE, the webcomics site he co-founded in 2006.
Even when he’s working on someone else’s property, Haspiel has a way of making it his own, and this is particularly true of his revival of The Fox for Archie Comics’s Red Circle imprint. One of the earliest superheroes in comics, The Fox made his debut in 1940, back when the publisher was still called MLJ Comics, and has resurfaced several times since then; a new version of the character appeared in the 1980s in Blue Ribbon Comics and Mighty Crusaders.
In Haspiel’s hands, The Fox is a reluctant superhero, a “freak magnet” who can’t avoid getting into trouble but won’t run away from a fight. The third issue of the series, scripted by Mark Waid, arrives Jan. 8; Haspiel will be doing a signing that day at Forbidden Planet in New York City. We talked to Haspiel about his version of The Fox, and Archie sent along some art from Issue 3 to go with it.
Conventions | Although convention organizers rolled out an altered name — WonderCon Anaheim — and logo when they confirmed two weeks ago that the event will return to Anaheim, California, again next year, they insist they haven’t close the door on San Francisco. “We still want to get back to the Bay Area. […] We are in touch with [the Moscone Center organizers] fairly regularly and we have an open dialogue,” says David Glanzer, director of marketing and public relations. “They haven’t given up on us, either.” The convention was uprooted from the Moscone Center in 2012 first because of remodeling and now because of scheduling conflicts. WonderCon Anaheim will be held April 18-20. [Publishers Weekly]
Digital comics | I spoke with Archie Comics Co-CEO Jon Goldwater and iVerse Media CEO Michael Murphey about the new “all-you-can-eat” digital service, Archie Unlimited. [Good E-Reader]