Ayer Reveals Jared Leto's Tattooed "Suicide Squad" Joker
Publishing | First Second editorial director Mark Siegel sits down with Milton Greipp to talk about his company’s success, which comes in part by marketing books in a number of different channels — independent bookstores, libraries, even textbook adoptions. He also talks numbers, and it’s interesting to see that Feynman spent 11 weeks at the top of The New York Times graphic books best-seller list with a print run of 10,000; that’s an indication of the order of magnitude of book sales for the titles on that list. Siegel also gives a preview of the fall list. Updated (Aug. 13): Siegel notes to Robot 6 that Feynman has had multiple printings, exceeding 35,000 copies. It will soon be released in paperback. [ICv2]
Legal | The attorney for Tony Moore explains why the artist’s legal dispute with his former Walking Dead collaborator Robert Kirkman has moved into federal court. “Once Moore establishes fraud and rescinds the agreement [as laid out in the first filing], the issue is going to be whether he was a co-author of these works,” Devin McRae tells Newsarama. “And it’s the federal court that has the power to decide that. So we still have to first go in the state court and prove the fraud, which we think we’ll do. This is just something that is part and parcel of the whole thing. Nothing’s really changed.” [Newsarama]
A couple of years back I attended a panel at the Alternative Press Expo featuring Jason McNamara, writer of the Martian Confederacy, interviewing the books’ artist Paige Braddock for her spotlight panel at the show. It was an interesting discussion, so when Jason approached me about the possibility of doing an interview on the follow-up to the book, I asked him if maybe he’d be willing to interview Paige instead. And here it is. You can check out a preview of the book here.
by Jason McNamara
She’s an incredible talent, a generous collaborator and a very good friend. I’m talking, of course, about Paige Braddock.
Raised in the South, Paige graduated from the University of Tennessee and spent years working as a journalist before being recruited by Peanuts creator Charles Schulz to join his studio, where she’s now the Creative Director.
After hours, Paige is also the Eisner-nominated creator of Jane’s World, the saga of hapless journalist Jane Wyatt, cracking jokes and suffering one lesbian misadventure after another. Paige employs a classic Sunday-morning approach to modern relationships, creating a natural entry point for all readers. Created as an online strip in 1998, JW became a comic book in 2002 when Paige founded Girl Twirl publishing imprint. Jane’s World continues to be published twice a year as a series of graphic novels and is serialized at Comics.com.
A few years ago, Paige approached me about collaborating on a project. The result was 2008’s The Martian Confederacy, a futuristic Sci-Fi romp, equal parts Noam Chomsky and Dukes of Hazzard. With the upcoming release of our second volume, I thought this would be a great time to catch up.
Johnny Zito and Tony Trov, writers of Black Cherry Bombshells and Moon Girl, along with Christian Weiser and artist Paul Maybury (Aqua Leung, Party Bear), are teaming up with High Treason Pictures to tell the story of Zoe, “the swashbuckling captain of Earth’s first Martian colony. Isolated on the farthest frontier of civilization, order breaks down when unfamiliar hostiles invade. Zoe faces mutiny, death and dishonor; she must sacrifice her humanity if she hopes to survive.”
I spoke with Paul, Johnny and Tony about the new project, D.O.G.S. of Mars, due later this month. Like Zito and Trov’s Moon Girl, the comic will be released digitally via comiXology, with plans for a film down the line. Thanks to Paul for an exclusive look at some pages from the project; for more, check out this video he created.
JK: What is D.O.G.S. of Mars about?
Johnny: It’s about astronauts marooned on Mars and hunted by monsters. It’s like Lord of The Flies and Star Trek.
Paul: So far it’s about surviving as far as I know. This might sound stupid but I haven’t read the script past what I’ve drawn. This is less an action packed Monster book than a study of the character’s humanity in my opinion. I know roughly that characters die, but it’s more interesting to draw them scene to scene not knowing their fates. I feel like this creates an honesty and an interest in each character as I draw them that I might not have if I know they happen to be a throw away character that gets killed three pages later. Like I said, that probably sounds pretty stupid.
Tony: We like to describe the project as being in the genre of space-ploitation.
It’s the sequel to their 2008 graphic novel about a ragtag group of heroes on Mars in the year 3535. Here’s the description of the sequel: “Hearts will be broken, moons will be destroyed and hooch will flow in zero gravity in this sci-fi romantic action comedy set in the year 3535. When someone, or something, starts kidnapping the children of Mars, the planet’s most notorious outlaws band together to rescue them. Off world, out numbered and falling apart from within can the Martian Confederates discover the secret of Phobos before they destroy each other? And does what ‘happen in space, stay in space?'”
You can find it in Previews under order code 101040; the 150-page graphic novel costs $15. Check out a huge 25-page preview of it after the jump.