X-POSITION: Nicieza Body-Slides From "Age of Apocalypse" to "Deadpool & Cable"
Awards | The winners of the first Kirkus Prize were announced last night, and Roz Chast took top honors in the nonfiction category for her graphic memoir Can’t We Talk About Something More Pleasant? Chast is also a finalist for the National Book Award, marking the first time a graphic novel has been nominated in one of the adult categories. [The Washington Post]
Legal | A Turkish court acquitted cartoonist Musa Kart on charges of insulting President Recep Tayyip Erdoğan, stemming from a cartoon Kart drew last year portraying the then-prime minister as complicit in covering up government corruption. “Yes, I drew it [the cartoon] but I did not mean to insult,” Kart said. “I just wanted to show the facts. Indeed, I think that we are inside a cartoon right now. Because I am in the suspect’s seat while charges were dropped against all the suspects [involved in two major graft scandals]. I need to say that this is funny.” If convicted, Kart could have faced nearly a decade in prison. [Today’s Zaman]
The other day, Graeme McMillan asked why there are no news comics about the riots in the UK—he thinks that the immediacy of comics is exactly what is needed to fully convey a situation like this.
David Ziggy Greene’s comic What the F*** Just Happened? is a report from the scene, not a dispatch from the thick of the riots but a stroll through the aftermath. The comic includes a piercing insight into what the riots were all about, at least in one one shop in one neighborhood. On the other hand, Tom Humberstone accompanies his image of Londoners rebuilding with a blog post that argues that there are no simple answers to why the riots happened. Sally Jane Thompson also posts an illustration inspired by the riots, this one much more abstract in its concept than the other two.
Martin Rowson responds with an editorial cartoon.
(First two links via The Forbidden Planet blog.)