Marvel Archives - Robot 6 @ Comic Book Resources
If you’re one of those who takes a do-it-yourself approach to holiday gifts, this may be for you: a Baby Groot made using a laser printer and materials purchased from a Dollar Store. He has articulated arms, to boot!
I’m not at all crafty — as the lopsided wind chime and shapeless backpack from my shop and home ec. classes will attest — but even I could could make this, with little frustration or injury. I think. Maybe I’ll just buy a Dancing Baby Groot from KIDdesigns, or wait for the movie-accurate figure from Hot Toys … Anyway, watch the step-by-step video below.
Publishing | Alex Abad-Santos examines how Marvel has created a mystique around its writers’ retreats, using the necessary secrecy to transform the planning meetings “into something fans are genuinely interested in.” The piece goes beyond that, however, touching upon recent accusations of sexism, and the inclusion of newly Marvel-exclusive writer G. Willow Wilson in this month’s retreat. [Vox]
Comics | Matt Cavna interviews Matt Bors, editor of The Nib, the comics section of the website The Medium, which has become the go-to site for journalism and commentary in comics form. [Comic Riffs]
Best of the year | The Publishers Weekly critics vote for the best graphic novels of the year; Jillian and Mariko Tamaki’s This One Summer tops the list, and there are plenty of interesting suggestions as books that got even one or two votes are included. [Publishers Weekly]
Publishing | The British independent publisher Great Beast, which has released the work of Dan Berry, Marc Ellerby and Isabel Greenberg, among others, will close on Jan. 7. Founded in 2012 by Ellerby and Adam Cadwell, the publisher was something of a victim of its own success, as Cadwell explains: “As the group got bigger, as the books became more successful and as we widened the range of shops we sold to there became more of a need for the management and promotion to come from one or two people and Marc Ellerby and I (Adam Cadwell) happily took up that role. However, as time went on we found that the time spent working for the benefit of the group was getting in the way of us actually making our own comics, which is why we started the group in the first place… We looked at many ways of monetising the group so we could pay someone to run things whilst still giving the creators the bulk of the profits but we just couldn’t find a fair way to make it work.” [Great Beast Blog]
If you’re still searching for a gift for a Marvel fan on your shopping list, you might keep this in mind: The publisher is offering a two-month subscription to its massive digital archive for the price of one.
Through Jan. 4, new and returning subscribers can purchase two months of Marvel Unlimited for $9.99, gaining access to more than 15,000 classic and newer comics, dating from the Golden Age to about six months ago. In October, the publisher added some of its Season One graphic novels to the lineup.
Marvel Unlimited can be accessed on the web and through the Marvel Unlimited app on iPhone, iPad and select Android devices.
For full details, visit the Marvel Unlimited website; to take advantage of the limited offer, use the promo code “Unwrap.”
The now standard “What’s your next big storyline about?” approach to interviewing wasn’t created by the comics Internet. But before news sites existed, those conversations did take longer to reach the public. This weekend, one arrived after a 26-year delay.
Flying Color Comics retailer and Free Comic Book Day founder Joe Field wrote in with a curious discovery from his archives: a video interview conducted with Marvel writer and executive editor Mark Gruenwald at the 1988 Wonderful World of Comics Convention in Oakland, California, a precursor to today’s WonderCon.
The U.S. Supreme Court will decide whether Marvel owes royalty payments to the creator of a Spider-Man toy after the patent for the Web Blaster expired.
As first reported by Courthouse News Service, Stephen Kimble patented the toy in 1990 and then approached Marvel to license the rights. Marvel passed, and when another company began manufacturing a similar toy — it shoots foam string, simulating Spider-Man’s web-shooters — Kimble sued, claiming patent infringement and breach of implied contract.
Distractotron has released the appropriately titled “X-Men Epic Cosplay Video,” featuring a wide range of Marvel’s mutant — and mutant-adjacent characters — from Archangel and Scarlet Witch to Omega Red and Apocalypse. There are even anti-mutant protestors, and I’m pretty sure I spotted Doug Ramsey.
Shot at DragonCon by Blake Faucette, Justin Reich and Micah Moore, it includes animation by Reich, and a lot of slow-motion effects. Fair warning: The confrontation between the Beast and Toad is the stuff of nightmares. Don’t believe me? Just look below …
Anders Wotzke, who in 2012 introduced the Batman parody “The Batfan,” now takes aim at Iron Man in a pun-filled sendup called, yes, “Iron Can.”
Created with Michael Nixon, the video features Tony Starch, the billionaire philanthropist — and can of fabric softener — who reveals he’s Iron Can, thereby attracting the attention of Fabrice Crimp, “leader of a cult of creased cottons who believes that since the world isn’t flat, nothing should be.”
Publishing | John Jackson Miller reflects on the news that the first issue of Marvel’s Star Wars will sell 1 million copies, and notes the last comic to do so was a Pokemon title in 1999. The last direct market comic to reach that mark was Batman #500 in 1993. Miller also delves deeper into history, pointing out that Marvel’s original Star Wars #1, released in 1977, also sold more than 1 million copies, making it the first comic to reach that height since Dell’s Uncle Scrooge in 1960. [Comichron]
Passings | Maurice Tanti Burlo, editorial cartoonist for the Times of Malta, has died at the age of 78. Burlo, who used the pen name Nalizpelra, was working for Telemalta in 1977 when Prime Minister Dom Mintoff suspended a number of Telemalta staff, including Burlo, for supporting doctors, nurses, and bankers who went on strike. Burlo started cartooning to “get back at Mintoff,” and just kept on doing it; he published three books of his work and won the BPC Award in 1998 an 2002. [Times of Malta]
As difficult as it may be to believe, this tribute to Ron Lim’s cover for Silver Surfer #20 isn’t an illustration. It’s a photograph of a model wearing body paint, applied by makeup artist Cris Alex and shot using strong light to make it appear flat. It’s only upon closer inspection, when you can make out details like eyelashes, whiskers and nails that it becomes clear the Herald of Galactus is an actual person.
Years before his breakthrough works such as Why I Hate Saturn, Kyle Baker was an intern at Marvel. And although he was admittedly a poor fit for superhero comics, his editors saw something in the artist and gave him an outlet in It’s Genetic, a series of one-panel comics for the company’s promotional magazine Marvel Age.
Although Baker would go on to do different things, these early illustrations demonstrate how Baker — to say nothing of Marvel — wasn’t afraid to poke fun at one of the company’s biggest properties. Take this for instance:
With a metro population of 20 million, Cairo suffers from all the traffic, pollution and noise problems you’d expect from the wold’s 10th-largest urban area. Even lifelong residents can find daily life in the city’s crowded streets to be a struggle. But how would a superhero fare in Egypt’s capital?
That’s what 20-year-old Hossam Atef set out to discover in a series of photographs depicting Spider-Man — actually, 21-year-old chef Atef Saad — as he experiences a normal day in Cairo, running to catch an overcrowded bus, finding a place to sit on the Metro and driving a tuk-tuk, among other activities.
Although the narrator concedes, “We’re really reaching here, this was a fun movie,” Screen Junkies still finds a lot to lampoon in the “Honest Trailer” for Guardians of the Galaxy, much of it centering on the relative obscurity of the characters — and their similarities to other Marvel heroes.
However, there’s still plenty of room to take jabs at plot holes, the “space mumbo-jumbo” and the allegiances of the various multicolored aliens. “But if you get confused,” the narrator offers, “just remember, the hero is still the white guy.” It also serves as a pretty funny tribute to “the swagger” of Marvel Studios as it “trolls the world with balls-out middle fingers to the audience they know they have in the palm of their hands.”
Even if you’re not big on Christmas carols, you’ll likely find something to enjoy in this new video from James Covenant, who edits together movie clips to make the heroes and villains of the Marvel Cinematic Universe sing “Joy to the World,” “We Wish You a Merry Christmas” and, in Groot solo number, “Jingle Bells.”
Covenant is also the mastermind behind last year’s “Let It Snow!” video featuring Jean-Luc Picard.
Thanks to Guardians of the Galaxy director James Gunn, last month we saw an amazing one-of-a-kind Groot swing set, constructed for Super-Fan Builds. And now we can check out how the crew at the Hollywood prop company Tim Baker Creations built the piece as a surprise for father-and-son Guardians super-fans Michael and Patrick Coleman. Note that Groot’s hand even has LED lights to replicate the firefly effect from the Marvel film.
“It’s too cool, ” Patrick said. “I can’t even talk about it.”