Marvel Archives - Robot 6 @ Comic Book Resources
Gaurav Sharma wants the votes of residents of South Mumbai, India, and he’ll go to almost any lengths — or heights — to get them.
An Independent candidate for the lower house of the Parliament of India, Sharma is a martial-arts instructor better known as the Indian Spider-Man. Earlier this year he donned the familiar red-and-blue costume of the Marvel superhero to climb one of Mumbai’s tallest buildings in record time, but now he’s scaling apartment complexes and jumping from window to window and balcony to balcony to drum up support.
Before Spider-Man, before the Fantastic Four, before even Captain America, Marvel was creating superheroes. Sure, the publisher went by Timely rather than Marvel, but it had costumed heroes — in spades. Some, like Namor, Ka-Zar and the Human Torch, were dusted off years later as memorable guest stars in other books or for trivial flashback appearances, but these veterans of the publisher’s first experiments ith the superhero genre are largely forgotten anecdotes in the publisher’s path to greatness. For some, it’s unfortunate — but for others, it’s perhaps for the best.
In this installment of ROBOT 6′s Six by 6, we cherry-pick six heroes of the late 1930s and early 1940s that didn’t fare as well as Captain America or the Sub-Mariner, and talk about when they have popped up since and why some have never been seen again.
Feld Entertainment has released a new look behind the scenes of Marvel Universe Live!, complete with explosions, flipping S.H.I.E.L.D. vehicles, dirtbikes, a skateboarder, Captain America’s flying shield … and a cameo by Marvel Chief Creative Officer Joe Quesada.
Employing a combination of state-of-the-art special effects, pyrotechnics and aerial stunts, the multimillion-dollar arena tour show centers on the Cosmic Cube, which has been split into pieces by Thor to keep the device out of the wrong hands. But when Loki hatches a plan to clone the item’s powers, the Marvel superheroes must unite for a globe-spanning mission to secure all of the pieces before the villains can.
Marvel and Paris-based mobile game developer Gameloft have released the launch trailer for The Amazing Spider-Man 2, a tie-in to the Sony Pictures movie sequel that pits the wall-crawler against villains ranging from Electro and the Green Goblin to Kraven and Venom.
Available now on iOS and Google Play, the action-adventure follows Spider-Man as he swings through Manhattan in an effort to save New York City from the chaos of a costumed crime wave.
Despite a 50-year history, a record-breaking movie and several video games and animated television series, there apparently still are some in Japan who don’t know who the Avengers are. A little surprising, maybe, but that’s what Earth’s Mightiest Heroes discover when they travel to that country in the latest issue of CoroCoro Comic.
Kotaku spotlights the 12-page story from Shogakukan’s monthly manga magazine for elementary school-age boys, which finds Captain America, Iron Man, the Incredible Hulk, Thor, Spider-Man and the Wasp facing several obstacles on unfamiliar shores: Thor can’t get his armor and hammer through customs, the Hulk can’t stomach Japanese food and, worse still, no one is familiar with them.
With a $1.1 billion global box office and a certified-platinum soundtrack, Disney‘s Frozen is more that a blockbuster — it’s a pop-culture phenomenon. However, the folks at How It Should Have Ended found the animated film lacked a certain … something. Namely, an appearance by X-Men.
After all, where better than Xavier’s School for Gifted Youngsters for Elsa to learn more about her powers — and, of course, organize the joint faculty-student chorus?
Marvel Universe Live!, the upcoming multimillion-dollar arena tour show from Marvel and Feld Entertainment, is getting its own comic-book prequel. You have to buy tickets for the production to snag one, though.
The limited-edition one-shot, by Frank Tieri, Miguel Sepulveda and Jay David Ramos, with a cover by Mike McKone, is available for free to those in the continental United States who order tickets to the show between today and June 1.
Inspired by Skottie Young’s popular baby variant covers, artist Luigi Monaldi created the adorable “Indestructibles” — featuring pint-sized versions of the Invisible Woman, Incredible Hulk and Wolverine — for a “baby comics” contest on treddi.com. The details are pretty amazing (click on the image below to super-size it), from the Reed Richards doll in Lil’ Sue’s hand to the splintering floor beneath Hulk’s fist to the claw marks on the chalkboard.
“When I first got this role I just cried like a baby because I was like, ‘Wow, next Halloween, I’m gonna open the door and there’s gonna be a little kid dressed as the Falcon.’ That’s the thing that always gets me. I feel like everybody deserves that. I feel like there should be a Latino superhero. Scarlett does great representation for all the other girls, but there should be a Wonder Woman movie. I don’t care if they make 20 bucks, if there’s a movie you’re gonna lose money on, make it Wonder Woman. You know what I mean, ’cause little girls deserve that. There’s so many of these little people out here doing awful things for money in the world of being famous. And little girls see that. They should have the opposite spectrum of that to look up to.”
– Captain America: The Winter Soldier star Anthony Mackie, discussing playing the Falcon, and the need for more representation of women and minorities in superhero movies
A British author is accusing DC Comics and Marvel of “banning the use of the word superhero” after he received notice that the publishers are opposing his attempt to trademark the title of his advice book Business Zero to Superhero.
“I was very shocked,” Graham Jules told BBC Radio. “I’m a new author and small business, and I’m now in the position of fighting or scrapping the entire book.” The Mail on Sunday picked up on his story, running it with a headline that’s both cliche and misleading: “Zap! You can’t say ‘superhero’.”
As many comics fans know, and Jules quickly learned, DC and Marvel have since 1979 jointly owned the trademark for “super hero” and “super heroes,” covering a range of products, from comic books and playing cards to pencil sharpeners and glue. Their renewal of that mark in 2006 drew widespread attention, as well as scrutiny from those who question whether such a term should be allowed to be registered.
Passings | Eisner Hall of Fame nominee Fred Kida has died at the age of 93. Kida was an active comics artist for almost 50 years; he got his start drawing Airboy for Hillman Comics in about 1940 and went on to work for Lev Gleason and then Marvel. He assisted Will Eisner occasionally on The Spirit and also drew a number of newspaper strips, including Flash Gordon and The Amazing Spider-Man. “He was a good, dependable artist who drew beautiful women, handsome heroes and some of the ugliest villains in comics,” said Mark Evanier. [News from ME]
Publishing | ICv2 has a two-part interview with Dynamite Entertainment CEO Nick Barrucci, who has plenty to say about variant covers, the launch of Twilight Zone and Legenderry, their Gold Key properties, and what’s coming in the year ahead. [ICv2]
What did you do last weekend? Nothing much, probably; no real reason to get excited. After all, it was just another awesome Marvel movie opening. Granted, “awesome” isn’t an objective description, and surely some people had a pretty miserable time. But judging from reviews, user ratings and my own anecdotal observations, odds are a significant majority of the approximately 11 million people who watched Captain America: The Winter Soldier enjoyed it.
The film has been thoroughly reviewed — you can read CBR’s take here — so I won’t get into a big assessment. (Suffice it to say, I liked it.) Instead ,what I want to talk about is the larger Marvel Cinematic Universe, and how it hasn’t just successfully adapted stories and characters, but the very experience of the Marvel Comics Universe.
It is now well-documented that Marvel Studios President Kevin Feige is a big comics fan. The difference, however, is that he didn’t grow up with them, but schooled himself on Marvel’s stories while working under producer Lauren Shuler Donner on the first X-Men movie. That distinction might have given him the ability to view the characters and concepts without being hindered by nostalgia, and helped him to dissect how Marvel’s framework could be used for future movies. Hollywood is an even more collaborative business than comics, so it’s unlikely that credit rests solely with Feige. But he certainly was an advocate for leaning more faithfully into the source material.
Readers who have already stopped by their local comic store today may have noticed that the cover of Marvel’s Deadpool #27, the special wedding issue, includes a little something extra: a seal certifying it as a Guinness World Records record holder.
The wraparound cover by Scott Koblish and Val Staples, featuring 232 denizens of the Marvel Universe gathered for Wade Wilson’s wedding, has set the record for the most comic book characters on a single issue cover. Guinness found that 224 of those characters were publicly familiar enough to qualify for the recognition. Alas, there’s no mention of which eight didn’t make the cut.
Mouse Guard creator David Petersen is no stranger to Rocket Raccoon, having drawn him a couple of years ago for the online Official Handbook to the Marvel Universe REDUXE Edition; he’ll do so again for the variant cover of Marvel’s Rocket Raccoon #1, arriving in July. However, he also tackled the fan-favorite character in a pair of commissions for Emerald City Comicon, to predictably fantastic results.
He shares his process for both pieces on his blog, alongside Mouse Guard and Teenage Mutant Ninja Turtles illustrations.
For decades, Earth’s Mightiest Heroes called home a city block-sized mansion at 890 Fifth Ave. in New York City that was initially occupied by the Stark family. Of course, the sprawling building underwent a few minor changes before it could become Avengers Mansion, with the third floor gutted to make way for a hangar deck and the three-level basement complex renovated to accommodate a combat simulation room, a robotics lab, cryogenics storage and a submarine pen. Y’know, the usual stuff.
So if you were a billionaire interested in picking up your own stylish superhero headquarters, how much might Avengers Mansion set you back? A cool $113 million, according to the real estate blog Movoto. Butler not included.