Marvel Archives - Robot 6 @ Comic Book Resources
This fall has been particularly exceptional television adaptations: The Walking Dead season premiere pulled in more than 17 million viewers, while more than 8 million watched the first episode Gotham, making it Fox’s best fall drama debut in 14 years. More than 6 million raced to see The Flash pilot, giving The CW its highest ratings ever. About 5 million are regularly tuning in for Marvel’s Agents of S.H.I.E.L.D., and nearly 3 million for the third season of Arrow.
It’s not limited to live-action series, either: 2 million people watch Teen Titans Go!, and more than 1 million tune in to Teenage Mutant Ninja Turtles on Nickelodeon.
On the big screen, all four feature films starring Marvel characters — X-Men: Days of Future Past, Guardians of the Galaxy, Captain America: The Winter Soldier and The Amazing Spider-Man 2 — each grossed more than $700 million each worldwide. So far, comic book movies have generated more than $3.8 billion dollars this year. While it’s unknown how many of those dollars are from repeat viewings, that’s still a lot of people.
When word surfaced Tuesday that Stan Lee has put his Hollywood Hills West home on the market for $3.75 million, some commenters began to speculate about the legendary writer’s finances. Of course, they’re not the first.
Asked earlier this year by Playboy whether he at least received “a Tony Star-like helicopter” from Disney’s $4 billion purchase of Marvel, the 91-year-old creator was quick to point out that he’s not as wealthy as some may think.
“My daughter was looking at the internet the other day and read that Stan Lee has an estimated $250 million,” Lee said. “I mean, that’s ridiculous! I don’t have $200 million. I don’t have $150 million. I don’t have $100 million or anywhere near that.”
Legal | Former Turkish Prime Minister Recep Tayyip Erdoğan has filed a criminal complaint against cartoonist Musa Kart over a cartoon caricaturing Erdoğan’s attempts to cover up a graft investigation. The prosecutor initially decided that there were no grounds for legal action, but Erdoğan took his case to the Bakırköy 14th High Criminal Court, which ruled that the cartoon exceeded the bounds of normal criticism and allowed the indictment to proceed. Kart could face nearly 10 years in prison if convicted and given the maximum sentence.
Meanwhile, prosecutors have dropped charges against all 209 of the people suspected in participating in the actual corruption Erdoğan is accused of covering up; those charges would have included “the transfer of lands with a value of billions of dollars at very low prices, the seizure of mines from businessmen by force, tender-rigging, illegally giving state tenders worth billions of dollars to businessmen, changing the status of protected areas through bribery, opening these [areas] for construction and making large profits off of them.” [Today's Zaman]
Remember Blue Ear, the costumed character created in 2012 by Marvel to convince then 4-year-old Anthony Smith that superheroes do wear hearing aids? Well, now meet Sapheara, a pint-sized superheroine with cochlear implants.
She teams with Iron Man and Blue Ear in Sound Effects, a new comic by Marvel Custom Solutions and the Children’s Hearing Institute of New York that addresses cochlear implants, bullying, hearing-loss awareness and hearing-loss prevention. It will be distributed later this month to about 150,000 students in grades 3 through 7 in the New York City area.
Here’s the ultimate find for the truly devoted Marvel collector: Stan Lee’s house.
According to the Los Angeles Times, the legendary comics creator has listed his walled and gated home in Hollywood Hills West for $3.75 million.
Anyone with even a passing interest in comics art and storytelling should set aside some time to read this A.V. Club discussion with three Marvel art teams — Tradd Moore and Val Staples, Declan Shalvey and Jordie Bellaire, and Michael Walsh and Matthew Wilson — about their approach to staging specific action scenes in their respective books All-New Ghost Rider, Moon Knight and Secret Avengers.
“I used a lot of panels here of varied sizes because I feel it gives the scene an undulating flow,” Moore explains of an All-New Ghost Rider page. “I do that a lot with fight scenes. Speed up, slow down, rise, fall. It’s kind of mesmerizing to me. To make a comparison to metal: The small panels are like a frantic blast beat, while the bigger, clearer panels are like a heavy breakdown or head-banging riff. I imagine viewers’ eyes speeding up and slowing down, widening and narrowing, as they scan across the page. I think it’s the kind of page that warrants multiple, extended views.”
Marvel will launch a five-part miniseries next spring based on the Disney Parks roller coaster Big Thunder Mountain Railroad.
Teased Saturday with posters at the Disneyland and a Magic Kingdom attractions before an official announcement, the comic is the third series in the Disney Kingdoms line, following Seekers of the Weird and Figment.
Conventions | Following reports that New York Comic Con attracted 155,000 attendees this year, surpassing Comic-Con International’s 133,000, Kerry Dixon scrutinizes producer ReedPOP’s counting system and finds it leaves “a lot of room for guesswork and error in attendance size”: “So did New York Comic Con beat out San Diego to take over the title of the largest pop culture and comics convention this side of the globe? Well, not really.” [Unofficial SDCC Blog]
Publishing | Filip Sablik, BOOM! Studios’ president of publishing and marketing, talks about the company’s new offering: a $20 bundle of 50 kids’ comics that can be handed out to trick-or-treaters. The selection includes Adventure Time, Peanuts, Garfield and other comics from the kaBOOM! line. [Comicosity]
So, Wolverine’s dead. That’s a thing that happened.
It’s very easy to be blasé about comic superhero death, so I’m going to try and avoid the dismissive gestures to this event and quit side-eyeing the next one, as Secret Wars looks to be the right environment to revive a character that makes Marvel a ton of cash. Emphasis on “try.”
I can’t say this death came out of nowhere, as he’s been without his healing factor since Wolverine #7, a little more than a year ago. For the record, it was an intelligent virus from the Microverse, which is not only an awesome phrase to use in common conversation, but smart enough to suppress Logan’s mutant healing factor, and you think that would have been a bigger deal to mutantkind. If it could suppress Wolverine’s signature trait, who’s to say the virus couldn’t be used to eliminate all sorts of mutant powers (I’m probably thinking too far ahead on this)? This virus was simply a means to an end.
Wolverine’s initial weakening and eventual demise was set apart from the rest of continuity, just a piece in a larger story that strangely didn’t involve the rest of his friends and family. Sure, it was talked about in hushed tones in a few of the other books, but there was no race for the cure, no mutant apocalypse for him to sacrifice his life to prevent. This wasn’t the result of the grand machinations of some long-established villain. It was a small and humble story of one man and what he though his own life was worth. It was a good story, and well told for the most part, but it still felt as if something was missing.
Inspired by Marvel’s variant covers marking National Bullying Prevention Month, Carol and John’s Comic Book Shop in Cleveland enlisted the artists of the local Scribble Nerds collective to produce a series of stickers featuring Marvel heroes and the message “Be a Hero … Not a Bully.”
The seven stickers (one from each member of the collective) star Spider-Gwen, Kitty Pryde, Nightcrawler, Deadpool, She-Hulk, Wolverine and Storm, and Rocket Raccoon, Baby Groot and Drax. The entire set is free throughout October with the purchase of any graphic novel (even the discounted ones).
In a move that we can only presume is tied to Marvel’s upcoming television and movie plans, the publisher has announced the addition of some of its Season One graphic novels to the Marvel Unlimited digital library — specifically, Ant-Man, Daredevil and Doctor Strange.
Launching in 2012 with Fantastic Four: Season One, the line features current creators retelling, and expanding, the origins stories of some of Marvel’s most popular characters. Neither Fantastic Four nor Season One titles devoted to the X-Men, Spider-Man, Wolverine, Iron Man, the Hulk and Thor are mentioned in the announcement.
You may not exactly remember the 1969 song “Nobody Love the Hulk,” recorded by New Rochelle, New York, band the Traits, but if you have more than a passing interest in vintage Marvel comics, you’ve likely run across an ad for it in the back of the publisher’s books from 1969 and 1970. (It was also prominently referenced in 1992’s Hulk Annual #18.) That’s how songwriter/producer Rosalind Rogoff sold the emerald-green 45s, a few hundred in all.
But while “Nobody Loves the Hulk” has been covered a couple of times in recent years, the original — and the story behind it — remains at least relatively obscure, leading blogger Greg Williams to track down Rogoff (now a blogger herself) what compelled her to write the novelty song.
“I was a nerd then and still am,” she tells Adams. “I’m not as nerdy as the Big Bang Theory guys are, but I was very much into comics when I was in my twenties. My mother kept telling me to get rid of all the old comics I saved, so I sold them to some guys for $25. I knew they would be worth a lot more in a few years, but it made my mother happy.”
Rogoff, who seems a bit embarrassed about the song, goes into a little more detail on her own blog, confessing, “I didn’t know that my campy 1969 record had a life past 1969. I gave up reading Marvel comics when I started Graduate School at UCLA in 1972. I still have a box of Marvel Comics from the late ’60s that my father sent me when I moved from New Rochelle to Los Angeles to attend UCLA.”
It’s part of the company’s Hikari Japanese Vinyl line of limited-edition hand-crafted figures (in this case, it’s limited to 5,000 copies). No further details were revealed this morning, but you can likely expect it to cost somewhere between $50 and $80, depending upon whether the figure is 6 inches tall or 8 inches.
Marvel Toy News snapped some photos of the Groot figures last week at New York Comic Con, if you’re interested in a close-up look.
Cosplay | Visiting New York Comic Con, Andrea Romano takes a look at the world of cosplay, the issue of sexual harassment — one person notes it’s certainly not exclusive to cosplay, observing, “There’s harassment when a woman is just wearing a crop top on the street” — and efforts being made to stop it. Convention organizers placed their new anti-harassment policy front and center this year, and it seems to have helped: There were just eight reported incidents of sexual harassment during the four-day event. [Mashable]
Conventions | Fensterman talks at greater length about NYCC’s anti-harassment measures in this article, which contrasts the comics scene with what’s going on in the gaming world. [Time]
With the birth of the Marvel Universe more than five decades ago, Stan Lee helped create real heroes with real problems. However, now he’s beginning to think Marvel’s comic books aren’t realistic enough.
“I wonder why, in any story, we’ve never shown that a hero or heroine has to go to the bathroom?” the legendary writer says in the latest installment of “Stan’s Rants,” appropriately titled “Superhero Potty Talk.” “To be terribly realist, wouldn’t it be something: You have a fight scene, and the hero is fighting the villain, and suddenly he says, ‘Hey, hold it a minute, please. Can we finish this later? I just have to go!'”