Marvel Archives - Robot 6 @ Comic Book Resources
This week’s new releases include three more series launching as part of the “All-New Marvel Now” initiative — Magneto, Moon Knight and Wolverine & The X-Men — but of those, I only want to discuss the first two.
That’s because they’re actually new series, rather than an existing series simply relaunching with a new #1 issue and a new creative team. (The previous volume of Wolverine & The X-Men, the one written by Jason Aaron, seems like it just ended. When was that? Let’s see, it was … last week? Marvel’s not even waiting a whole entire month to relaunch titles now?)
Those two books are also solo series featuring lower-tier characters, making them the exact sort of comics Marvel has been allowing creators to pursue riskier, quirkier, more idiosyncratic and interesting approaches on since the success of Mark Waid and company’s Daredevil and Matt Fraction, David Aja and company’s Hawkeye.
And, of course, they also both start with the letter M.
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Considering that Marvel’s Original Sin begins with the discovery on the moon of the Watcher’s body, minus his eyes, it’s perhaps unsurprising the publisher opted for a somewhat ghoulish way to promote the upcoming event series in comic stores: Marvel-branded bouncy balls that resemble Uatu’s missing eyeballs.
And given that writer Jason Aaron teased last month, “Whoever holds one of the eyes is able to explode a bomb full of secrets and unleash all the various secrets of the Marvel Universe into the wild through that eye,” it seems only fitting that Marvel Senior Vice President Tom Brevoort, keeper of many of those secrets, has been spotted with one of the missing organs. There’s no telling what may come of this …
The eight-issue Original Sin debuts in May.
After suffering a broken nose, Miami Heat forward LeBron James returned to the court last week sporting a black protective mask some compared to those worn by Batman and Bane. However, it was hot and uncomfortable, leaving him in search for alternatives.
“I’ve been talking to Marvel Comics for the last couple of days, and DC Comics, to try to come up with one of the greatest masks of all time,” James told The Associated Press. “So we’ll see what happens.”
But on Friday, the NBA asked that he not wear the black mask — hey, even teammate Dwyane Wade conceded “it looks weird” — so James instead debuted a clear one in Saturday’s game against the Orlando Magic. Greg Land had other ideas, however, designing a star-spangled option that Marvel tweeted on Tuesday was “in honor of last night’s super heroics” (James scored 61 points against the Charlotte Bobcats as the heat won 124-107).
As Bleacher Report notes, “Land’s design pretty much sums up how James is playing lately.”
Marvel and Wizard World have revealed exclusive variant covers available to VIP attendees at Wizard World Louisville Comic Con and Wizard World St. Louis Comic Con: Michael Golden’s Daredevil #1 and David Mack’s Wolverine and The X-Men #1.
The covers are available as part of a variant program in which a limited-edition cover will be available at each of the 16 Wizard World Comic Con events scheduled this year. The Golden and Mack covers follow Miracleman #1 and Miracleman #2, by Neal Adams (available at Portland Comic Con and New Orleans Comic Con, respectively) and Wolverine #1, by Greg Horn (available at Sacramento Comic Con).
The publisher’s digital subscription service allows users to access more than 15,000 classic and newer comics on their desktop browser or through the Marvel Unlimited app. A monthly membership normally costs $9.99; a basic annual subscription costs $69.
With the arrival last week of the new volume of Fantastic Four came the departure of prolific colorist Paul Mounts, who worked on the Marvel series for 11 years.
“Tom Brevoort had been editing Fantastic Four even longer that I had been coloring it, and after a record-breaking run on the title decided that it was time to give someone else a shot at editing it,” Mounts explained in an email to ComicBook.com. “And, of course, when a new editor takes over a title, he/she is going to want to bring in his/her own team, make his/her own mark. [...] I tend to always look forward to the next project than to look back at the past, but I guess after 11 years and (I think) nearly 130 issues, it’s a change worth a mention. Someone who was nine years old when I started would be twenty now – yikes!”
I know the precise moment I stopped caring about the Ultimate universe: Ultimatum. If I’m not mistaken, a lot of readers lost interest there and then, for good reason. I remember reading through the event and somewhere, maybe after the Wasp’s cannibalized corpse, or during the big confrontation with Magneto, with the callous assassination of Cyclops, I just couldn’t find it in my heart to care any longer. My energy could be spent on better comics. I could go outside, maybe learn a language. I could do anything but care about this storyline and the characters Ultimatum left behind.
Event books aren’t supposed to do that. As much as we might grouse about their prevalence, they do serve a very important purpose within their universes and Big Two comics as a whole. “Events,” where a larger plot is spread across several titles, effectively act as a lure; for DC and Marvel, they’re a Whitman’s Sampler, offering a taste of what’s going on to new readers and longtime fans. They have to be something big, really big, so that readers don’t want to be left out of this major catastrophe. In fact, the idea of “saving the world” leans toward very easy reading for people coming into the event. The more characters they have working on this big world-shaking event, the more at least one of them will stand out for the reader.
Marvel has partnered with developer Glitchsoft to develop a mobile game based on the seminal 1981 X-Men storyline “Days of Future Past.”
Appearing in The Uncanny X-Men #141-142, the story by Chris Claremont and John Byrne depicts a timeline created by the X-Men’s failure to prevent the Brotherhood of Evil Mutants from assassinating a U.S. senator. In that alternate future, the giant robotic Sentinels have become the de facto rulers of the United States, where mutants are hunted down and placed in internment camps. To prevent that dystopian world from coming to pass, an adult Kate Pryde transfers her mind into her younger self in an effort to stop the event that triggers the anti-mutant hysteria.
Fresh from Sunday’s Disney Princess event, runDisney has announced the inaugural Avengers Super Heroes Half Marathon Weekend. It marks the first such collaboration since Disney acquired Marvel in 2009.
Planned for Nov. 14-16 at Disneyland in Anaheim, California, the event includes a kids race, a 5K and half marathon — it’s a new 13.1-mile route through the theme park – a pre-race pasta party featuring the Marvel characters and a merchandise expo. Registration opens March 25.
“RunDisney races are a natural fit because our comic book Super Heroes embody many of the same brand attributes as runDisney, such as heroism and intensity with a heavy dose of fun,” Dan Buckley, Marvel’s president of TV, publishing and brand management, said in a statement. “This race weekend will have a very distinct atmosphere that will appeal to comic book fans and runDisney fans.”
Conventions | Rob Salkowitz, author of Comic-Con and the Business of Pop Culture, looks at the uptick in comics conventions — he pegs ticket sales at $600 million, which is 80 percent of the dollar value of the whole comics market — and discusses some recent events and trends, including the new cons that are popping up all over and the increased international interest in connvetions outside the United States. [ICv2]
Publishing | Marvel CEO Isaac Perlmutter makes the list of “10 Inspirational Leaders Who Turned Around Their Companies.” [Entrepreneur]
Creators | Colleen Coover posts the full transcript of her recent interview with Paste magazine about sexism in the comics industry. [Colleen Coover]
Well, NOW season is over, and hopefully a lot of the new titles will settle into their new places within the Marvel Universe. Not that we won’t see anymore #1 issues until the fall, but at least the full crop of them will be harvested later as await The Ultimate NOW or what have you for 2015. Until then, what looms on the horizon? What awaits our summer season on the shelves? What did he see? WHAT DID HE SEE!?!
That’s our teaser tag line for this year’s summer event, Original Sin. The Watcher is found dead on the moon with his eyes removed — and whoever possesses those eyes holds the key to discovering everything he’s ever witness. The start of what we know is uncovered with CBR’s press conference call with the House of Ideas. Writer Jason Aaron is leading the pack of Avengers books on this one, along with a surprise tie-in title that might not be what it seems …
But what does it mean for your pull list? And your wallet? Let’s look at Marvel’s May solicitations and see what’s what.
To help promote its All-New Ghost Rider, which introduces a new Spirit of Vengeance with a new vehicle, Marvel is turning to some folks who know a little bit stylish rides: the editors of Lowrider Magazine.
As part of a new partnership, new Robbie Reyes Ghost Rider (and a scantily clad friend) will grace the cover of the magazine’s special April issue, “Marvelous Mayhem,” with an illustration by series writer Felipe Smith. Inside, readers will find an interview with Smith and Marvel Editor-in-Chief Axel Alonso, as well as artwork by Tradd Moore from All-New Ghost Rider #1.
After being pursued in court over the past seven years by Stan Lee Media, Marvel and its corporate parent Disney have had enough: On Valentine’s Day, the companies asked a federal judge to put a stop to the failed dot-com’s dogged claims of ownership of Spider-Man, the Avengers, the X-Men and other lucrative characters.
Filed Friday in federal court in Philadelphia, and first reported by Hollywood, Esq., the motion to dismiss comes as part of what began in September as a seemingly straightforward copyright- and trademark-infringement lawsuit involving the use of elements from Spider-Man, Mary Poppins and The Lion King in a musical revue staged by the Lancaster, Pennsylvania-based American Music Theatre.
However, as Disney states in its filing, that “simple case” was “transmogrified” with the surprising assertion in November from the theater that it had licensed Spider-Man … from Stan Lee Media, which was named in a third-party counterclaim (it should be noted the license was obtained after Disney filed suit). That conveniently opened the door for the company, which no longer has a connection to its co-founder and namesake, to sue Disney on Feb. 7, seeking a jury trial regarding ownership of Spider-Man, and, presumably, other characters co-created by Stan Lee.
Earlier this month we mentioned that Ashley Wood’s company 3A planned to follow its 12-inch Invincible Iron Man figures with more Marvel collectibles, and at Toy Fair in New York City they delivered with the debut of Doctor Doom. Or, rather, an incomplete version of the ruler of Latveria, courtesy of Action Figure Fury — enough to let you know the finished version is going to look pretty incredible.
There’s no word yet when Doom will go on sale. 3A is only now taking pre-orders for those Iron Man figures (to the tune of $220 each), so it’ll probably be a while yet. Start saving those pennies.
If you’ve long wondered what Wolverine and Cyclops might be like as cats, welcome to the Internet: Filmmaker Kaipo Jones has created a pair of videos in which he envisions s cat first with indestructible adamantium claws and then with optic blasts. The world — not to mention the house — will never be the same again.