Artwork by James Sturm

Creators | Market Day creator James Sturm explains he’ll be boycotting The Avengers movie because he believes Jack Kirby, co-creator of many of Marvel’s longest-lasting characters,  “got a raw deal”: “What makes this situation especially hard to stomach is that Marvel’s media empire was built on the backs of characters whose defining trait as superheroes is the willingness to fight for what is right. It takes a lot of corporate moxie to put Thor and Captain America on the big screen and have them battle for honor and justice when behind the scenes the parent company acts like a cold-blooded supervillain. As Stan Lee famously wrote, ‘With great power comes great responsibility.’” Tom Spurgeon notes the position seems to mark a shift for Sturm, who wrote the Eisner-winning 2003 miniseries Fantastic Four: Unstable Molecules for Marvel. [Slate, The Comics Reporter]

Michael Chabon

Creators | The Amazing Adventures of Kavalier & Clay author Michael Chabon discusses a recent short story he wrote for The New Yorker about a comic book writer and artist who had a falling out, noting who they may or may not be based on: “Well, the obvious answer is Stan Lee and Jack Kirby. Stan and Jack met in the forties, began collaborating during lean times in the fifties, jointly revived the fortunes of Marvel Comics in the sixties, and then underwent a creative divorce that seems to have resulted in a certain amount of acrimony on Kirby’s side. So the outlines of the story are similar. But Feather and Conn are not Stan and Jack; their fates, their experiences, their biographies, and their personalities are quite different. Jack Kirby died in 1994, still idolized by fans, surrounded by his loving family, as far from the embittered loneliness of Mort Feather as you can be. And Stan Lee is still going strong, a potent creative force who seems to bear up under the tribulations and triumphs of a long and interesting life with the élan for which he has always been famous.” [The New Yorker]

Comic strips | The Chicago Tribune has spoken: Editors pulled last Friday’s Doonesbury strip because it “broke from its satirical mission in order to deliver a direct fundraising appeal for a specific charity that the author favors. The Tribune’s editorial practices do not allow individuals to promote their self-interests.” [The Daily Cartoonist]

Amelia Rules!

Creators | Robot 6 contributor Brigid Alverson talks to Jimmy Gownley, creator of the all-ages Amelia Rules series, about his experiences from self-publishing to signing a multi-book deal with Simon & Schuster. During the interview, Gownley dropped a bombshell: His next Amelia book, the eighth in the series, will be his last—at least for a while: “Amelia was a huge learning experience for me. I came out the other side a very different person and artist. I want to take all those lessons and put them into one book that combines all of that.” [Publishers Weekly]

Editorial cartoons | Times are tough for editorial cartoonists, but The New York Times cattle call for artists to provide work on spec for their Sunday Review section — and the measly fee of $250 per cartoon for the winners — is raising a hackles in the cartooning community. [Comic Riffs]

Creators | Ao Meng chats with French artist Boulet a.k.a. Gilles Roussel, about his recent webcomic Darkness, among other topics. [NOVI Magazine]

The Hookah Girl

Creators | Erica Friedman interviews artist Marguerite Dabaie, creator of The Hookah Girl, a memoir of growing up in the Palestinian Christian community in the U.S. [The Hooded Utilitarian]

Commentary | Librarian Robin Brenner and the contributors to the Good Comics for Kids blog discuss whether the inclusion of dialogue in graphic novel biographies makes them fiction. [Good Comics for Kids]

Commentary | Joe “Jog” McCulloch pays a visit to Dredd Reckoning to discuss Vol. 17 of Judge Dredd: The Complete Case Files with host Douglas Wolk. [Dredd Reckoning]

Copyright | Mike Lynch calls out MSNBC’s Up with Chris Hayes show for displaying a cartoon by Lian Amaris without asking her permission, let alone compensating her. To his credit, Hayes responded on Twitter, saying “we absolutely should have credited it and will rectify.” [Mike Lynch Cartoons]

Academia | Columbia University librarian Karen Green lays out a possible typology of comics, discussing the different ways they can be broken up for teachers who want to use them in a variety of different academic settings. [comiXology]

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Thief of Thieves #1

Chris Arrant

If I had $15, I’d start with Thief of Thieves #1 (Image/Skybound, $2.99). The gang at Skybound gave me an advance PDF of this issue, and I like it so much I want to hold the physical thing in my hands. Shawn Martinbrough really nails this first issue, and Nick Spencer really puts his Marvel work to shame with this story. Next up I’d get my favorite DC Book – Batwoman #6 (DC, $2.99) – and favorite Marvel book – Wolverine and The X-Men #5 ($3.99). I’d finish it all up with Northlanders #48 ($2.99). I’m not the biggest fan of Danijel Zezelj’s work, but I can’t let up now to see my long-running commitment to Northlanders falter at this point.

If I had $30, I’d dig into Richard Corben’s Murky World one-shot (Dark Horse, $3.50). Corben’s one of those “will-buy-no-matter-what” artists for me that Tom Spurgeon recently focused on, and this looks right up my alley. Next up I’d get Secret Avengers #22 (Marvel, $3.99) because Remender’s idea of robot descendents intrigues me, and then Wolverine and The X-Men: Alpha and Omega (Marvel, $3.99). I didn’t know what to expect from the first issue, and after reading it I still don’t know where this series is heading – but I like it so far. Finally, I’d get Haunt #21 (Image, $2.99). The combination of Joe Casey & Nathan Fox is like a secret code to open my wallet.

If I could splurge, I’d take the graphic novel Jinchalo (D+Q, $17.95) by Matthew Forsythe. I loved his previous book Ojingogo, and this looks to continue in that hit parade.

Berlin #18

JK Parkin

There’s a brand new issue of Jason Lutes’ Berlin ($4.95) hitting comic shops this week, which seems like a good way to spend the first third of my $15. According to Drawn & Quarterly, there are only about four issues of this excellent series left, which will give me a great reason to go back and read all the issues again in one sitting. Next on my list would be Thief of Thieves #1 ($2.99), the new Nick Spencer/Shawn Martinbrough/Robert Kirkman joint from Skybound. I’d also grab the new Conan series ($3.50), featuring the work of two of my favs, Brian Wood and Becky Cloonan. How cool is it to see the Demo team reuniting on something like Conan? Their Northlanders story rocked, so I’m looking forward to this. And speaking of which, Northlanders is coming to a close soon, so this is one of the last times I’ll be able to put it on my list here … so I’d spend my last few dollars on issue #48 ($2.99).

Based on the review Brigid gave it a few weeks ago, I’d spend all of my next $15 on Dotter of her Father’s Eyes by Mary and Bryan Talbot ($14.99)

For my splurge item this week, I dunno … The Strange Case of Mr. Hyde ($14.99) looks interesting, and there’s also the Fantastic Four Season One graphic novel that looks nice, but do I really need to spend $25 to yet again see how the FF become the FF? Probably not. No, instead I’d probably go with One Model Nation, by Dandy Warhols lead singer Courtney Taylor and artist Jim Rugg. Although I’m really hesitant to spend $25 on a graphic novel by a singer–Gerard Way notwithstanding, singers trying to write comics doesn’t always end well–the fact that Jim Rugg did the art is a great selling point for me. I missed it the first time it was published by Image, but I’d be willing to check out the new edition by Titan if, indeed, I had some splurge money to spend.

Memorial #3

Graeme McMillan

If I had $15 this week, I’d start with a book I’ve been curious about since its announcement: Conan The Barbarian #1 (Dark Horse, $3.50). I’ve never really been the biggest fan of Robert E. Howard’s fantasy hero, but the idea of Brian Wood and Becky Cloonan handling the character gets me very interested indeed. I’d also grab the first issue of the Robert Kirkman/Nick Spencer collaboration Thief of Thieves #1 (Image, $2.99), about which I’ve heard a lot of good things, and Memorial #3 (IDW, $3.99), the latest of this apparently-underrated book that I am completely in love with currently.

If I had $30, I’d also grab Kevin Keller #1 (Archie, $2.99), Batman and Robin #6 (DC, $2.99 and the best of the Batbooks from my point of view; sorry, Scott Snyder and everyone else) and Wolverine and The X-Men #5 (Marvel, $3.99), easily the best X-Book that’s been around since the first Chris Claremont run. It’s all about the creature comforts, sometimes.

When it comes to splurging, though, it’s all about the new takes on old stories: I’d go for Fantastic Four: Season One Premiere HC (Marvel, $24.99), to see how Marvel’s new line pans out; I’m unconvinced by the core concept of “retelling the origins all over again,” but the creative line-ups and OGN format makes me want this to work out for the House of Ideas.

Dotter of Her Fathers Eyes

Brigid Alverson

If I had $15, I’d spend it all on floppies, and I’m skewing young this week. Kevin Keller #1 ($2.99) from Archie is a must, of course. Up till now Kevin has been a bit too good to be true, and I’m hoping Dan Parent will at least get him into some scrapes now that he has his own series. Then I’ll take Princeless #4 ($3.99); I caught up with this series on Graphicly over the weekend because it was getting good buzz, and I like it a lot. The feisty-princess thing isn’t exactly new these days, but the creators get in some clever digs. Adventure Time #1 ($3.99) is another must-have, with the creative combo of Ryan North and artists Braden Lamb and Shelli Paroline. It’s based on some Nick show–yeah, whatever. This team can do no wrong in my book. That leaves just enough for the first issue of Brian Wood and Becky Cloonan’s Conan the Barbarian ($3.50) from Dark Horse, with change left over for some penny candy to munch on while I read.

If I had $30, I would add in Mary and Bryan Talbot’s Dotter of Her Father’s Eyes, from Dark Horse. The price looks like a typo: $14.99 for the hardcover? It’s a great story (I have already read it), layering Mary Talbot’s childhood as the daughter of an eminent Joyce scholar with the story of Joyce’s daughters and her own struggles against her family and the mores of the time. Mary’s voice is pitch-perfect, and Talbot’s illustrations really capture the era. I know it’s only February, but I’m already putting this on my top ten list for 2012.

Splurge: There’s no huge $50 collection of vintage comics calling out to me this week, but the regular comics are so good I want more. I would like to see IDW’s Archie Treasury: The Best of Dan DeCarlo ($9.99), and the first volume of Vertical’s GTO: 14 Days in Shonan ($10.95) (the prequel to the classic manga series GTO) are both calling to me. And for some stylish girls’ comics, I’ll take issue 4 of PC Cast’s House of Night ($2.99) just for Joelle Jones’s illustrations, and vol. 6 of The Story of Saiunkoku ($9.99) because it’s an elegantly drawn, charmingly written shoujo manga, and I’m really enjoying reading it.

Jinchalo

Chris Mautner

If I had $15, the new volume of Bakuman is calling out to me. I just finished Vol. 8 and am eager for more breathless treatises on how the manga industry operates. On top of that I’d also grab the latest issue of Berlin, Jason Lutes’ ongoing historical saga. Part of me feels a bit foolish for not trade-waiting on these — I tend to think the story reads better in solid chunks than piecemeal — but I’m such an impatient soul.

If I had $30; I’ll read just about anything Bryan Talbot does, so I’m definitely interested in picking up Dotter of Her Father’s Eyes. I might put it all back, however, and pick up Jinchalo, the latest wordless comic from Matthew Forsythe, a sequel of sorts to his rather charming Ojingogo.

Splurge: Casual Robert Crumb fans might be interested in The Life and death of Fritz the Cat. Jack Kirby fans will definitely be interested in Young Romance, a collection of heartthrob tales from Simon and Kirby (see my review). Myself, I might well go for the fourth volume of Torpedo, Jordi Bernet’s grim and gritty (and blackly humorous) gangster series.

Batwoman #6

Michael May

If I had $15, I’d start with the two, female Bat-heroes, Batgirl #6 ($2.99) and Batwoman #6 ($3.99) and the tangential Bat-heroine, Huntress #5 ($2.99). Rounding out my must-reads is Frankenstein, Agent of SHADE #6 ($2.99), but I’d also pick up Demon Knights #6 ($2.99), a comic that stays good enough to keep me interested if not overwhelmingly excited. The pin’s awfully close to the bubble on that one for me, but I’m still on board for now.

If I had $30, I’d add some more expensive comics starting with Conan the Barbarian #1 ($3.50). I switched to trade-waiting Dark Horse’s Conan comics a long time ago, but I’m as curious as everyone else about the Wood/Cloonan team on this. I’m also fascinated enough by Richard Corben’s work to want to try out his fantasy one-shot, Murky World ($3.50). I also have it on good authority (Diamond shipping list be damned) that the delayed Atomic Robo and the Ghost of Station X #5 ($3.50) is also coming out this week, so that’s good news. And finally, I’ve enjoyed the few episodes of Adventure Time I’ve seen, so I’d also like to pick up Adventure Time #1 ($3.99) from Boom!.

My splurge this week is another item that hasn’t been verified by Diamond, but it’s shown up on my LCS’ invoice, so I expect Jason’s Athos in America ($24.99) to be on the shelf tomorrow. Jason’s stuff is always awesome and this sort-of prequel to The Last Musketeer should be no exception.

Amazon

Retailing | Rumors have begun to swirl that online retail giant Amazon plans to open a brick-and-mortar store in Seattle within the next few months to help gauge the profitability of a chain. The store reportedly won’t just sell e-readers and tablets, but also books from Amazon’s newly launched publishing division. [Good E-Reader, Gawker]

Publishing | Japanese publisher Shueisha Inc. released the 65th volume of Eiichiro Oda’s pirate manga One Piece last week with a first printing of 4 million copies, tying the record set in November by the previous volume. [The Mainichi Daily News]

Retailing | Howard Ackler writes about the final days of Dragon Lady Comics, the Toronto retailer that closed last week after 33 years in business. [National Post]

Garry Trudeau

Creators | Garry Trudeau reacts to The Chicago Tribune’s refusal to run last Friday’s Doonesbury strip because it included a QR code that led readers to the charity DonorsChoose. The Trib ran a note that said it does not allow comics creators to “promote their self-interests.” Trudeau said, “I’m not sure ‘self-interest’ quite applies, since (a) DonorsChoose is a charity, and (b) I have no formal connection to it,” and he pointed out that the paper ran Thursday’s comic, which included a QR code that directed readers to Trudeau’s own website — “which actually was in my self-interest.” [Comic Riffs]

Creators | J.H. Williams III and W. Haden Blackman discuss their approach to DC Comics’ Batwoman title: “We keep using this mantra of there’s no status quo in the book, and we want everything to continue moving forward and never have an issue where you read it and go, ‘Oh. Tomorrow everything can be back to normal.’ There is no normal,” Blackman said. [USA Today]

Creators | Jeff Parker has begun to post some of his comics scripts on his website, starting with several Marvel Adventures scripts. [Parkerspace]

Creators | J.M. DeMatteis shares an introduction he wrote for a Modern Masters edition focused on his Abadazad collaborator Mike Ploog. [J.M. DeMatteis's Creation Point]

Oyster War

Creators | Panel Bound talks to Ben Towle, illustrator of Amelia Earhart: This Broad Ocean and creator of the webcomic Oyster War: “I run into a lot of people who have ideas for this and ideas for that, but look: ideas are a dime a dozen. ‘A school for wizards.’ That’s a great idea. Lots of people have had that idea. Only one, though, had the perseverance to write Harry Potter while her mother died and her marriage collapsed—and then stick with it after seeing it rejected by twelve publishers.” [Panel Bound]

Commentary | Joy Kim ponders the difference between teams and team-ups. In a team story, such as the pirates of One Piece, the members work together and character development occurs in that context. “In contrast, in a team-up story, the individual characters always trump the idea of the team. While there’s a certain amount of entertainment value in watching the various members of the Justice League react to each other’s styles, that’s also often all there is to the story. The character-changing moments for the members happen, for the most part, within their own monthly titles, not in Justice League; even when they do happen outside the character’s main title (usually as part of some big crossover event), they are more about the character as an individual than about the team as a unit.” [Joy Kim]

Digital comics | Ryan Penagos, editorial director for Marvel Digital Media Group and Marvel.com, discusses Marvel’s digital strategy with host Peter Biddle in a recent episode of MashUp Radio. [MashUp Radio]

Digital comics | Sean Kleefeld sets out to review digital-first comics and finds the pickings are slim; almost all digital comics have a print version as well. So he takes a broader look at the state of digital comics and sees a market that is still in flux. [The Comic Book Bin]

Reviews | Paul Gravett posts a generously illustrated review of James Chapman’s British Comics: A Cultural History. [Paul Gravett]

Diamond Comic Distributors

Publishing | John Jackson Miller profiles Diamond Comic Distributors to mark its 30th anniversary, offering a timeline of major events in the company’s history. [Comichron]

Conventions | Usagi Yojimbo creator Stan Sakai and AdHouse Publisher Chris Pitzer both report on their experiences at the Angoulême International Comics Festival. [Angoulême]

Retailing | Dark Horse Publisher Mike Richardson will give the keynote address at this week’s ComicsPRO Annual Membership Meeting. [NewsOK]

Retailing | Hypno Comics will open Saturday in Ventura, California. [Ventura County Star]

Wolverine: The Best There Is #3

Comics | David Brothers explains why Wolverine: The Best There Is is indeed the best Wolverine story of 2011: “Rather than being a story where Wolverine is the absolute best there is at what he does, and what he does is tear through anyone and everyone with ease, we get a story where Wolverine is forced to slow down, change his tactics, and think things through before really getting loose (because we have expectations for Wolverine stories, of course).” [4thletter!]

Commentary | Kristy Valenti looks at Habibi and Paying for It, two brown-covered graphic novels about male sexual obsession, a genre she dubs “dick lit.” [comiXology]

Creators | Zippy creator Bill Griffith is the guest on the video interview show Mr. Media Radio. [Mr. Media Radio Interviews]

Suicide Squad #6

Creators | Writer Adam Glass talks about the new story arc in DC Comics’ Suicide Squad that focuses on Harley Quinn. [USA Today]

Analysis | Nicolas Labarre looks at a particularly interesting six-panel sequence from Garth Ennis and Steve Dillon’s Preacher. [Comics and the U.S. South]

Digital | The Vietnamese Communist Party may think they can censor provocative comics like Killer With a Festering Head, but tech-savvy teens know better. [The Washington Post]

Comics | John Parker looks at Spawn through the lens of history: “For those read the comic during its initial publication, the Spawn Compendium is a virtual time machine, whooshing us back to the joy and confusion of our teens. For entirely new readers it must be like studying artifacts. Spawn is the quintessential ’90s comic, inseparable from the trends and events that lead to its creation, and its subsequent impact on the industry.” [ComicsAlliance]

Comics | William Cardini discusses his work on Rub the Blood, the ’90s Image tribute project edited by Ian Harker and Pat Aulisio. [The Daily Texan]

Comics | KC Carlson talks about the long-in-development The Judas Coin by Walt Simonson, which he got a sneak preview of when trapped at the Simonson house during an ice storm. [Comics Worth Reading]

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

John Romita's The Amazing Spider-man: Artist's Edition

Graeme McMillan

Congratulations, Dark Horse: You pretty much own my first $15 for the week, with Dark Horse Presents #8 ($7.99) and Star Wars: Dawn of The Jedi #0 ($3.50) both being my go-to new releases for the week. DHP has the new Brian Wood/Kristian Donaldson series The Massive launching, as well as more Beasts of Burden by Evan Dorkin and Jill Thompson and new Skeleton Key by Andi Watson, which is a pretty spectacular line-up, and the new Star Wars book coincides with the latest flare up of my irregular longing to check up on that whole universe’s goings-on. Apparently, I’m keeping it local this week, who knew?

If I had $30, I’d add Action Comics #6 (DC Comics, $3.99) and OMAC #6 (DC Comics, $2.99) to that pile — I’m particularly treasuring the latter before it goes away, although I have to admit that the time-jumping nature of these Action fill-ins has gotten me more excited than I should ‘fess up to — as well as a couple of Ed Brubaker books, Winter Soldier #1 (Marvel, $2.99) and Fatale #2 (Image Comics, $3.50). I wasn’t bowled over by Fatale‘s debut, but it intrigued me enough to want to give it another go, while the noir + super spy sales pitch for the new Marvel series pretty much guarantees my checking the first issue out at the very least.

When it comes to splurging, there is nothing I would buy – were I rich enough — more quickly than IDW’s John Romita Sr. Amazing Spider-Man Artist Edition HC ($100), because … well, it’s classic Romita as the pages originally looked on his drawing board. How anyone can resist that (other than the price point), I don’t know.

Action! Mystery! Thrills!

Chris Mautner

There’s not much I’m interested in at the $15 level this week, so I’ll likely keep it to the issue #63 of The Boys.

If I had $30, I’d put that issue of The Boys back on the shelf and pick up Action! Mystery! Thrills!, a colorful collection of comic book covers from the Golden Age edited by Greg Sadowski. It’s not as insightful as some of Sadowski’s other books like Supermen!, but it’s still a clever pop-candy tour through comics’ yesteryear.

Almost defining the term splurge this week is the Madman 20th Anniversary Monster, a $100 tribute to Mike Allred’s creation featuring new work by folks like Kyle Baker, Peter Milligan, Peter Bagge, Dave Cooper, Dean Haspiel, Paul Pope, Craig Thompson and many more. And a new Madman story from Allred. I doubt in reality I have the cash to justify this sort of purchase, but hey, I’m splurging, right?

Cross Game, Volume 6

Brigid Alverson

If I had $15, all but a penny of it would go to one book, vol. 6 of Cross Game ($14.99). Viz is releasing this baseball/drama series in delicious, double-sized volumes and the sweet story and easy-to-digest artwork make it one of my favorites.

If I had $30, I’d mix it up a bit with a stack of floppies: Ice Age: Iced In ($3.99), a lighthearted, all-ages comic from KaBoom; Sergio Aragones Funnies #7 ($3.50), because someone was just commenting on how funny Aragones is; Terry Moore’s Rachel Rising #5 ($3.99); and with what I have left, I’ll try out Dynamite’s Lone Ranger #2 ($3.99), which looks kind of cool. That’s a little over budget, but maybe I’ll get a deal on one of these.

Usually the splurge category is where I go for thick, colorful books of classic comics, and while that fourth volume of Dark Horse’s Archie Archives is calling out to me, this looks like a Fantagraphics week, with two compilations that span opposite ends of the love spectrum: Young Romance: The Best of Simon & Kirby’s Romance Comics ($29.99), and The Life and Death of Fritz the Cat ($19.99). That’s a whole lotta reading for $50.

Magic: The Gathering #1

Michael May

If I had $15, I’d start with a series I’m following that has a new issue this week, Fear Itself: The Fearless #8 ($2.99) and then I’d add some new things I want to try. I’ve said before that Winter Soldier #1 ($2.99) is the closest thing we’re going to get to a Black Widow series for a while, so — while that’s sad — I’ll take it. I’m also cautiously curious about Image’s nasty-sounding Alpha Girl #1 ($2.99) and Zenescope’s Jurassic Strike Force 5 #1 ($2.99). I don’t have a lot of confidence in Zenescope’s brand, but dino-soldiers from space need looking into.

If I had $30, I’d add some more expensive comics to that pile, starting with Betrayal of the Planet of the Apes #4 ($3.99). I’m also looking forward to seeing if IDW can do the same thing with Magic: The Gathering #1 ($3.99) that they did with their Dungeons & Dragons comics (ie make it really good). Then I’d circle back to the Boom rack for Ice Age: Iced In ($3.99) – because my son loves those movies and will love that comic – and check out Dynamite’s John Carter/Gullivar Jones mash-up, Warriors of Mars #1 ($3.99).

If I’m able to splurge, I’m always interested in the new Dark Horse Presents ($7.99), but especially when it has new BPRD and Beasts of Burden stories. And since that’s not a huge splurge, I’d also grab the Xombi collection ($14.99), which coincidentally comes out the same day as Static Shock #6.

what did five fingers say to the face?

Marvel started using bullet points. When you scroll through the list of comics debuting in April, there’s not a comic that has a paragraph-style description, it’s all just bullet points. Now, don’t get me wrong, sometimes those paragraphs all started to blur together after awhile and the slew of outrageous questions continues (“Who is this guy/gal? What’s going on? How will they survive?” etc.), everything has been distilled down to three or so talking points. Some of these talking points include story information like who’s appearing in these books, some just point out that this book will tie into another event like AvX, others just shout at you that this is the book where EVERYTHING CHANGES. Something tells me this says a lot about comic book marketing, but that’s for another time.

Right now, we’re looking at the April 2012 solicitations for Marvel Comics and hey kids, do you like… the Avengers? Marvel sure hopes you do, so let’s take a look at what the month before the Avengers movie debuts and EVERYTHING- well, you know.

Right off the bat, does any one think the X-Men are going to get a fair shake in this Versus event? Like, somehow, they might win this one or be seen less as the villains in the greater storyline? That’s the trick; in ‘sports entertainment’, when two face wrestlers go at it, there either has to be a sense of villainy from afar that’s making them fight or one of them has to slip into the Heel’s role and cheat or start showing a little too much pride. My guess is that the X-Men are going to be the boasting, ‘you people’ bad guys in this event because six out of the thirteen or so Avengers books published this month are AvX tie-ins and the X-Men are only getting two. We’ll be seeing more of a Avengers-centric point of view on this one, which makes sense. I mean, who’s got a movie coming out next month?

I don't think Cyclops will win this one...

The Avengers! We’ll be mere weeks away form the May 4 release of Earth’s Mightiest Heroes on the silver screen and I’m sure you all know that this means the usual spasm of Avengers and Avengers accessories will be on display at your local comic shop. There’s a lot of books to side-step current goings-on if the idea of checking in on the Avengers in the midst of an ongoing event seems too distasteful or daunting, like Bendis’s Avengers Assemble and the delightful return of Avengers: Earth’s Mightiest Heroes Adventures. We’ll have reprints of the first Avengers #1 and a handbook detailing the Avengers’s salient points (like Charlie-27?) and what I’d like to think is a guide to all the varied titles in the Avengers line-up: “Plus: Avengers Academy, Secret Avengers, An Update On The Team Itself And A Full Feature Profile On Hawkeye (Clint Barton)!” I like the idea of a little road map to the different titles on display and why you might read one over another, but $4.99 seems a bit steep for new readers to pick up profiles on Avengers people might never see in the current books and some backmatter promotion. An Avengers dossier on current events at a cheaper price might have been the better way to go.

Speaking of price, 12 issues of AvX is going to cost you around 50 bucks (plus tax, minus LCS discounts, etc.). There are 40 copies of Marvel vs. Capcom 3 sold New on Amazon for $20.00 and up. Discuss.

On the flip side, the “Omega Effect” runs through Avenging Spider-Man #6, The Punisher #10 and Daredevil #11. A three-issue event with a clever idea that won’t end all life everywhere as we know it and will add character changing events that will last through their respective titles. I know these smaller events don’t get as much press as they should, but maybe if we vote more with our wallets and start keeping an eye out for the tiny tie-in, maybe we’ll see more of them.

It’s not that I don’t like heart-stopping adventure and the idea that this issue is where EVERYTHING CHANGES, but if you see the threat of death and destruction enough, you start to lose your appetite. Case in point:

Incredible Hulk #7 – “We Dare Not Reveal More! We Wouldn’t Want To Spoil What Is Sure To Be One Of The Most Exciting Comics Of The Year!”

The Twelve #12 (Of 12) – “All Your Questions Are Answered And Nothing Can Prepare You For What’s Next…!”

Thunderbolts #172 & #173 – “Now, The ‘Bolts Of The Modern Day Come Crashing Into Their Earliest Days – And Will Make A Decision That May Destroy The Marvel U – Or Save It!”

New Mutants #40 & #41 – “Can They Stop The Virulent Mutation Of The Animator Before It Engulfs The Whole World?”

It’s like the bullet point solicitations; yes, it’s an eye-catching news note, but it seems a little empty.

LOOK AT IT!

Speaking of eye-catching news notes, from Winter Solider #4: “Bucky Vs A Gorilla! You Heard Me, Look At That Cover.” See? Not everything has to shout or yell. Sometimes a guy fighting a gorilla with a machine gun is enough.

Also? Defenders #5: “How Does Namor’s History Intertwine With… Captain Nemo?”

from Giffen's Defenders mini-series

Hee, that’s gets me every time…

Meanwhile, there are two milestones that we’ll pass by in April: the changing of the writerly guard on Wolverine and the fiftieth issue of the (red) Hulk. Yeah, that last one surprises me; it doesn’t seem so long ago that Jeph Loeb and Ed McGuinness were punching out the Watcher and punking out Thor in space, but here we are. Jeff Parker has sort of turned that book around from the World War Hulks days and brought it towards the adventure smashing book Marvel has wanted for awhile. There’s not a lot of the Bill Bixby-esque drama, the man versus his inner nature pathos that comes from Bruce Banner so effortlessly. There is however fights and explosions, villains and heroes, robots and Nazis and it all really works. Sadly, I wish there was a better name for it and a different man behind the monster, but the Red Hulk is a pretty solid book now so I’ll certainly salute a 50th issue.

Wolverine #305

The other big change is that Jason Aaron is leaving Wolverine at #304 and Cullen Bunn is taking over in the same month at #305. Thanks to the bullet point style solicitation, I honestly don’t know a lot about Mr. Bunn; he’s a rising star and his previous titles include Fear Itself: The Fearless, The Damned and The Sixth Gun. That’s all they bother to say, which sells the guy incredibly short, especially when he’s taking over the solo title of one of Marvel’s most popular characters. How about telling us he was nominated for the Harvey Awards for his series The Sixth Gun as Best New Series and Bunn himself was nominated for Best Writer. Yes, this is the start of a new storyline, but can we give readers and retailers any more information?   Why is there no love for Paul Pelletier and his past work on War of Kings, Fantastic Four or Fall of the Hulks?  How about another picture idea that’s not Wolverine standing in/nearby fire? Jason Aaron’s Wolverine, in my small opinion, wavered between amazing to pretty standard stock stuff, so there’s no way to judge based on previous storylines how this is going to go. We know Aaron is going to finish out a fight with Sabretooth and then… I guess, Bunn’s Wolverine will stand knee deep in lava. Jason Aaron won’t close the door on this title without slamming it, so expect big things from Wolverine #304. As for the next issue, I guess we can all keep a tight watch over the comic news sites (like us!) for more on what’s ahead.

And speaking of promotion, the solicitation for Mark Millar’s new title the Secret Service reads as follows:

“Secret Service Is The Ramifications Of [How] America Is Struggling On The World Stage, Funding Is Being Seriously Undercut To Balance The Books And Some People Are Trying Their Best To Take Advantage Of The Fragile Global Situation. The Hero And Sidekick Guys Who Lead The Book Are, I Think, The Best Characters I’ve Written.”

I like the idea that there is nothing Marvel could say in praise that Millar couldn’t say himself.

Can you believe that there are something like 40-some trades coming out this month? Are you excited that Bendis’ early work Goldfish is getting a new printing? Who was asking about the Dazzler and Beast epic from 1984? And have we lost count on how many printings X-Men: Dark Phoenix Saga has gone through? Take a look at the entire solicitation for Marvel Comics coming up in April and sound off below. Excelsior!

While it’s no shock that bestselling author Neil Gaiman would be an answer on Jeopardy!, that one of his lesser-known comics works would appear may come as a little more of a surprise. Matt Lobo tweeted a snapshot from Thursday’s episode referencing Marvel 1602, the 2003-2004 miniseries by Gaiman and Andy Kubert that placed key Marvel Universe characters in an alternate version of the Elizabethan era.

Although the comic spawned three sequels, it was met with decidedly mixed reaction from readers and critics. In short, it was no Sandman — which probably makes it perfect for a Double Jeopardy question. (And, yes, the correct question is, “Who is Queen Elizabeth I?” She was killed by a poisonous-gas device created by Count Otto Von Doom.)

Eric Stephenson

“I think everyone has noticed that Marvel has started publishing a number of their books more than once a month. They’ve been ramping up on this for a while, and it’s something I’ve kind of shook my head at, because it’s a desperate ploy to gain marketshare that doesn’t promote sustainability on any level. It’s a cash grab, pure and simple, and when you couple that with the fact so many of their books are creeping up on $3.99, I shudder to think of the long-term effects.

“And I can hear you shaking your own head now. Okay, maybe I can’t hear you doing that, but I can imagine the chuckling: ‘Desperate? Marvel is the number one publisher in comics!’ – but I’ll stand by my words. When DC launched their new 52 last September, Marvel didn’t fight back with awesome. They fought back with the only real tool in their shed: more. They’re not increasing the frequency of their books out of generosity, they’re doing it to dominate the market. And in the absence of anything even resembling new, all we get is more.”

-Image Comics Publisher Eric Stephenson, discussing an email he received from a “prominent comic book retailer” about comic content, pricing and frequency. He goes on to talk about many of Marvel’s recent and upcoming event books, from Fear Itself to X-Men vs. Avengers, saying they are akin to a “bored child reaching into the toy box trying to find new ways to wring some meager enjoyment out of faded old playthings. The fun lasts for a little while, but you can only tell yourself something’s all-new and all-different so many times before those words ring hollow. Avengers vs. X-Men wasn’t a new idea when Marvel did it in 1987, and it’s not a new idea now.”

San Diego Convention Center

Conventions | San Diego City Council on Tuesday approved the basic funding plan for the proposed $500 million expansion of the San Diego Convention Center, home to Comic-Con International. At the center of the financing scheme is an assessment district that adds between between 1 cents and 3 cents per dollar to room taxes of 224 hotels with more than 30 rooms. Those hotels closest to the convention center would be assessed an extra 3 cents per dollar, and those farthest away could be charged an extra penny per dollar.

The expansion plan has a ticking clock, as Comic-Con has signed a deal to remain in San Diego through 2015, but larger venues in Las Vegas and Anaheim have been lobbying organizers to look elsewhere. [NBC San Diego]

The Last of the Greats #1

Piracy | I Vampire and The Last of the Greats writer Joshua Hale Fialkov wades into the ongoing digital piracy discussion, declaring, “You can’t be an asshole anymore”: “Up until a few years ago, there was still enough of an audience to make up for the percentage of you who are stealing. But, not anymore. Now, everybody steals, or, at least a higher percentage of the total audience than those that pay. The comic market consists of about 200,000 people, on the high end. Now, certainly, you’ll have your Justice Leagues and Batmans and Flash’s that do amazing sales and are generating profits. But almost every other book that isn’t up there in the top 25 or so titles is almost certainly losing money. So, if I’m Warner Bros or Disney, or, in the case of Last of the Greats, ME, and I see that we’re busting our asses monthly on something that’s not only not profitable but is actually losing money, what other choice do I have but to shut it down?”

David Brothers takes issue with virtually all of Fialkov’s comments, particularly his assertion that pirates are “singly responsible for ruining the comic book industry”: “To put forth the idea that piracy on the part of consumers is ‘singly responsible’ for anything, especially when piracy by its very nature is impossible to nail down in terms of concrete numbers and cause & effect is dishonest. Bootlegs have always existed, whether in barbershops or art galleries. They’ve been here, and they aren’t going away. Do they cause harm? Any idiot knows the answer to that question is ‘yes.’ But for my money, the thing that killed comic books is ‘everything else.’ We’re living in an all-new status quo, and I keep seeing people, especially comics people, acting like piracy is the sole cause of all their ills. When no, that isn’t true, and a half glance at the world will tell you so.” [Joshua Hale Fialkov, 4thLetter!]

Stan Lee

Creators | Stan Lee reflects on his 70-year career and discusses the way comics have changed in his lifetime, breaking with the Comics Code, and how to create strong characters: “One of the keys is, and it may sound funny, talking about characters with super powers, but one of the keys is to make your characters as realistic and believable as possible. Even if they have super powers, you say to yourself, ‘Well, if somebody had a super power like this, what would his life be like? Wouldn’t he still maybe have to go to the dentist or wouldn’t he have to worry about making a living? What about his love life?’ You’ve got to make characters that your reader can believe exists or might exist.” [IGN]

Creators | Brian Wood continues to make the rounds about his newest projects, The Massive and Conan, as well as the two ending at Vertigo, Northlanders and DMZ. [The Weekly Crisis]

Comics | Stumptown Trade Review lists seven things “independent comics did first,” including the graphic novel, the omnibus and Web-direct distribution to consumers. [Stumptown Trade Review]

Comics | Cyriaque Lamar looks back at the half-man, half-woman villain He-She, “the most cunning, the most vicious, the most fiendish killer of all time.” [io9]

Digital comics | Johanna Draper Carlson looks at Marvel’s digital offerings (via its app and comiXology) and isn’t impressed with the price or the presentation. [Comics Worth Reading]

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Fantastic Life

Chris Arrant

If I had $15, I’d try something new first with the Xeric-winning Fantastic Life GN (Big If, $9.95) by Kevin Mutch. I’ll always give Xeric winners a second look, and this looks built for me: slackers, punk rock, zombies. Next up I’d get the ongoing adventures of Butcher Baker – the Image one – with Butcher Baker Righteous Maker #8 ($2.99). I’ll admit that the series went off a little bit around #5, but I’m still holding on for hopes it’ll right itself or I’ll figure out what I’d been missing. Lastly, I’d get Secret Avengers #21.1 (Marvel, $2.99). Seriously, is Rick Remender becoming the writer of all-things secret in the Marvel U? I’m not complaining though, as he’s bringing his Uncanny X-Force mojo and, from what it looks like, a lot of new cast members.

If I had $30, I’d get my usual pull of The Walking Dead #93 (Image, $2.99) and a Hickman two-fer, Fantastic Four #602 (Marvel, $2.99) and FF #14 (Marvel, $2.99). If you would have told me two years ago I’d be seeing two Fantastic Four titles (and two I’d be reading, no less) I would have been gobsmacked. Hickman does it again. And that’s it.

What, you say I didn’t spend my full $30? It’s a light week for me, so I’d spending the remaining on bags and boards or, *gasp*, food as it says in the title. Tijuana Flats, Taco Tuesday, be there.

Coming back if I could splurge, and I’d put down my tacos and pick up the ADD HC (Vertigo, $24.99) by Douglas Rushkoff, Goran Sudzuka and Jose Marzan Jr. From the outside it looks like The Hunger Games meets Ender’s Game, and Rushkoff looks to be just the one to make that mash-up more than, well, a mash-up.

The Silence of Our Friends

Brigid Alverson

If I had $15, I’d get Avatar: The Last Airbender: Vol. 1: The Promise, Part 1 ($10.99), despite the staggering title, because it is written by Gene Luen Yang (American Born Chinese) and I’m a fan. The art looks nice and clean, and this looks like a book I could enjoy, at least until my nieces and nephews snatch it away from me. And then I’d pick up the latest issue of The Sixth Gun ($3.99), because how could I miss out on that?

If I had $30, I’d have to put The Sixth Gun back on the shelf for a little while, or borrow two dollars from someone, because The Silence of Our Friends ($16.99) is the must-have book this week. Writer Mark Long based it in part on his father’s experiences as a white reporter covering the civil rights struggles of the 1960s, and Nate Powell’s atmospheric art really brings the era to life. It’s deep without being preachy, with characters that are good but flawed, and while politics shape the plot, the true story is about the interior reality, the clumsiness and missteps that occur even among people of good will. It’s a truly stunning graphic novel and the standout choice for this week.

The splurge choices are pretty good this week, but this former reporter is not going to even try to resist the first volume of Hermes Press’s collection of Brenda Starr, Reporter, even at a stiff $60. On the off chance that a bit of extra dough comes my way, though, my next choice would be the trade of Spontaneous, a smart and beautifully illustrated comic about the mystery of spontaneous human combustion. Since it features a more modern woman reporter, I’m sure Brenda would approve.

Manara, Volume 2

Chris Mautner

If I had $15: I haven’t read The Bulletproof Coffin yet, but I know a number of folks who thought it was pretty nifty, and I do like what little of Shaky Kane and David Hine’s work I’ve read before. So I’d probably be willing to flip through the first issue of The Bulletproof Coffin: Disinterred, the first issue of the six-part sequel.

If I had $30, I’d grab Wally Wood’s Strange Worlds of Science Fiction, a hardcover collection of sci-fi stories Wood did for publishers during the 1950s that were not EC. Wood’s one of those classic comic artists I’d really like to learn more about and this seems like as good a place to go as any.

Splurge: More Milo Manara goodness awaits with the release of The Manara Library Vol. 2, which contains El Gaucho, the second of his collaborations with Hugo Pratt, and Trial By Jury, a collection of shorts never released in the U.S. before now.

The Bulletproof Coffin: Disinterred

Graeme McMillan

If I had $15 this week, I’d apparently be most interested in some sequels; like Chris M, I’d go for Hine and Kane’s Bulletproof Coffin: Disinterred #1 (Image, $3.99) – because I like my comics meta and slightly disturbing, apparently – and I’d follow that up with the debut of IDW’s new cross-continuity crossover Infestation 2 #1 ($3.99), which replaces zombies with Lovecraftian monsters as the threat du jour, something else that feels more than a little meta for some reason. As far as I know, Rick Remender and Patrick Zircher are staying entirely un-meta for Secret Avengers #21.1 (Marvel, $2.99), but as I’ve been reading a lot of Captain Britain and Excalibur lately, I’m picking this up to get a jump on the Brian Braddock era for the title.

If I had $30, I’d continue a recent Warren Ellis run and pick up the reissue of Atmospherics (Avatar, $7.99), to see what his Avatar crime work is like. Sticking with big name creators and indie companies, Kirby Genesis #5 (Dynamite, $3.99) is finally out this week, so I’d grab that as well, and then finish everything off with the latest issue of Peter Milligan’s Justice League Dark (#5, DC, $2.99).

When it comes to slurging, there’s a lot to choose from this week. I’m tempted by the Spontaneous HC (Oni, $24.99), Daredevil by Mark Waid Vol. 1 HC (Marvel, $19.99) and Catwoman Vol. 1 (DC, $29.99), but I’ve already read those books in their original serialized format, so I think I’d probably go for the Strikeforce Morituri collection from Marvel ($34.99); I vaguely remember the series past its early issues way back when, and I’d be interested to see if it holds up to my memories…

Polly and the Pirates, Volume 2: The Mystery of the Dragonfish

Michael May

I usually spend my $15 allowance on single issues, but this week I’m making a beeline for Polly and the Pirates, Volume 2: The Mystery of the Dragonfish ($11.99), a comic I’ve been waiting five years for. I’m so excited I don’t even care that Ted Naifeh didn’t draw it, especially since Robbi Rodriguez’ art looks so great. My remaining three bucks would of course go to Alpha Flight #8 ($2.99), an issue I’m both looking forward to (because it resolves the excellent story that Van Lente, Pak, and Eaglesham have been telling) and dreading (because there’s no more after it).

If I had $30, I’d circle back for my monthly series: Aquaman #5 ($2.99), Superman #5 ($2.99), X-Men Legacy #261 ($2.99), and All-Star Western #5 ($3.99).

My splurge item this week is the Daredevil By Mark Waid, Volume 1 hardcover ($$19.99). I’ve been looking forward to reading it anyway, but it made so many year-end lists that now my mouth is watering about it.

The Art of Daniel Clowes: Modern Cartoonist

It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that we don’t have to come up with a new way to say, “Batwoman is still awesome!” every month. And we’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.

One cool change this month and for the foreseeable future: I’m joined by Graeme McMillan who’ll also be pointing out his favorites.

Finally, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.

Abrams Comicarts

The Art of Daniel Clowes: Modern Cartoonist – I admit, I tend to run hot and cold on Clowes’ output, but I’m a sucker for coffee-table career retrospectives, so the idea of taking 224 pages to look back at his career to date (with, of course, the traditional little-seen artwork and commentary) seems like a must-look at the very least. [Graeme]

Abstract Studios

Rachel Rising, Volume 1: The Shadow of Death – Terry Moore’s latest series gets its first collection and I love the premise of a woman’s waking up in a shallow grave with no memory of how she got there and needing to figure out who tried to kill to her. [Michael]

Howard Lovecraft and the Undersea Kingdom

Arcana

Howard Lovecraft and the Undersea Kingdom – I don’t know enough about Lovecraft, but man I love me some undersea kingdoms. [Michael]

Archaia

Cow Boy – As much as I don’t want to stick writer Nate Cosby in an all-ages box, I’m eager to read his and Chris Eliopoulos’ story of a kid bounty hunter trying to bring in his family of outlaws. [Michael]

If nothing else, Nate Cosby’s Twitter feed made me curious about checking out his western collaboration with Eliopoulos, but finding out that Roger Langridge and Colleen Coover were also contributing pushed me over the edge. [Graeme]

I’m Not A Plastic Bag – Color me skeptical but hopeful about Rachel Hope Allison’s ecological debut, even if that title makes me a little nervous. [Graeme]

Archie

Archie #631 – Picks up on that story where Archie and Valerie from Josie and the Pussycats hook up. Look, Archie’s going nowhere with either Betty or Veronica, so I’m rooting for the furry. [Michael]

Stan Lee’s Mighty 7 #1 – At first, finding out that this comic was actually by Tony Blake and Alex Saviuk without Lee was a letdown; until I found out that the comic is actually about Stan Lee, which pushes it into the “This will either be horrendous or bizarrely enjoyable” category. [Graeme]

I’m not sure that I’ve ever unreservedly enjoyed a comic that Stan Lee wrote, much less just came up with the idea for, but I love his persona and putting him in the comic with some superheroes is so crazy it just might work. [Michael]

Crossed: Badlands #1

Avatar Press

Crossed: Badlands #1 and 2 – I’m definitely not a horror fan, but the idea of Garth Ennis’ writing an ongoing biweekly series feels like it’s as good a lure to get me to pick this up as anything else. (I think the plan is to have creators alternate on arcs, with Si Spurrier and David Lapham as part of the alternate writers on the book. That’s a pretty impressive line-up.) [Graeme]

Boom!

Exile on the Planet of the Apes #1 – I’m all for another Planet of the Apes comic from Boom!. [Michael]

More Apes by Corinna Bechko and Gabriel Hardman (art by Marc Laming)? This can only be a good thing. [Graeme]

Supurbia #1 – I feel like we’ve seen a few of these “what if superheroes and reality shows were mashed together?” series, but here’s the first of four issues of another one written by former Marvel staffer Grace Randolph. [Graeme]

Kitchen Sink Press: The First 25 Years – Remember what I said about being a sucker for coffee table retrospectives above? That goes double for this one, which has the added benefits of being both cheap (only $15!) and having contributions from Alan Moore and other creators from Denis Kitchen’s vast address book. [Graeme]

Dark Horse

BPRD: Hell on Earth – The Pickens County Horror #1 – I’m all for new BPRD comics, but it’s getting more and more difficult to keep track of everything. Still, I’ll buy a Scott Allie Mignolaverse story any day. [Michael]

Abe Sapien, Volume 2: The Devil Does Not Jest and Other Stories

Abe Sapien, Volume 2: The Devil Does Not Jest and Other Stories - Abe’s my favorite BPRD character, so I feel like this the way I do the previous item: grateful, but also a little saturated. [Michael]

Buffy the Vampire Slayer: Season 8, Volume 1 – The first ten issues – or two trades, if that’s how your brain works – of the Joss Whedon-led series get an oversized hardcover edition. [Graeme]

Channel Zero – Brian Wood’s breakthrough book comes back into print with this collection of the original series, the Becky Cloonan-illustrated follow-up and material from the awesome Public Domain design book. Jonathan Hickman fans, you should really pick this up. [Graeme]

Manara Erotica, Vol. 1: Click! and Other Stories – Yes, it’s comic porn. But unlike Lost Girls, this is actually sexy comic porn. [Graeme]

Ragemoor #1 – If they hadn’t got me with Richard Corben, they certainly would have with “living castle nurtured on pagan blood.” [Michael]

Avatar: The Last Airbender, Volume 2 – The Promise, Part 2 – Yikes, what a title. I’m still missing Avatar: The Last Airbender though, so this is welcome. [Michael]

Empowered, Volume 7 – Why haven’t I started reading this critical darling yet? I do not know. [Michael]

DC

Batman: Death by Design - Chip Kidd’s writing a Batman book and it’s a real-live, honest-to-goodness superhero adventure. What’s more awesome is that the concept of design plays a large role in the story in the form of a massive reconstruction project in Gotham City. [Michael]

Saucer Country #1

Saucer Country #1 – Paul Cornell + Ryan Kelly + saucer aliens = SOLD. [Michael]

Fairest #1 – Bill Willingham launches a new series about the women of Fables and makes me even less interested in everyone else’s modern updates of fairy tales. [Michael]

New Deadwardians #1 – The solicit opens, “Another vampire/zombie comic? Really, Vertigo?” My sentiments exactly and yet, this one’s illustrated by INJ Culbard whose work I’ve loved on the Sherlock Holmes adaptations he’s done with Ian Edginton. [Michael]

Dominique Laveau: Voodoo Child #1 – It would be redundant to mention that the cover to this is both “striking” and “by Rafael Grampá,” so I’ll just mention the concept, which is also eye-catching. It’s the story of a grad student who also happens to be heir to the Voodoo Queenship of the most haunted city in America, and someone is killing off the royal family. Vertigo was created for stuff like this. [Michael]

Dynamite

Bionic Woman #1 – I had the deepest crush on Jaime Sommers as an 11-year-old. My current crush on Paul Tobin’s writing is slightly less deep, but still significant enough to make me want to read this. [Michael]

I’ve been following Dynamite’s Bionic Man series and surprising myself by digging the hell out’ve it; seeing that this spin-off is being written by the insanely-underrated Paul Tobin was all I needed to convince me to read this. [Graeme]

George RR Martin’s A Game of Thrones: The Graphic Novel, Vol. 1 – For the fantasy fan (or HBO subscriber) in your life, here’s the first quarter of Dynamite’s adaptation of the not-so-cult-anymore novel. [Graeme]

Vampirella: The Red Room #1

Vampirella: The Red Room #1: On the one hand, it’s “monster vs. human cage matches.” On the other, it’s written by Dan Brereton, so it’s probably going to be good fun… [Graeme]

Fantagraphics

Angelman – I’ve not read much by Austrian cartoonist Nicolas Mahler, but I think I’m won over just by the idea of his new book, which satirizes not just superheroes, but the business behind them. [Graeme]

Interiorae – Lovely, lovely art by Gabriella Giandelli in this collection of his Ignatz series. (It’s also in full-color, unlike the original serialization, which is another win.) [Graeme]

I don’t know why it’s taken this long for Fantagraphics to collect the comics that got their cool Ignatz format a few years ago, but I’ll shut up and be grateful. I greatly enjoyed Giandelli’s creepy tale of an apartment building, its residents, the large rabbit who roams its halls, and the creature the rabbit seems to serve. What’s also exciting though is that this means Richard Sala’s Delphine will get a collection too. [Michael]

Humanoids

Monsieur Jean: The Singles Theory – So, so excited for this new book by Philippe Dupuy and Charles Berberian, making its English language debut in this edition. [Graeme]

IDW

Berkeley Breathed’s Outland: The Complete Collection Sunday Comics, 1989-1995 – The star of this collection of Breathed’s Bloom County follow-up isn’t the title strip, but the reprints of his early, college-era work that’ll accompany them. [Graeme]

Funny Stuff

Funny Stuff By Frank Frazetta – It makes me a bad nerd to admit that I don’t think I’ve ever seen Frazetta’s legendary early comics work, so I’m pretty excited for this oversized hardcover collection, especially to see just how much he… homaged other, more famous strips. [Graeme]

Rocketeer Adventures 2 #1 – Featuring work by Stan Sakai, Bill Sienkiewicz, Marc Guggenheim, Peter David, and Sandy Plunkett. Plus covers and pin-ups by Dave Stevens, Darwyn Cooke, and Art Adams. [Michael]

The first series of anthology tributes to Dave Stevens and his retro creation worked so much more than I’d expected, so I’m definitely up for a second go-’round. [Graeme]

Smoke And Mirrors #1: Mike Costa’s been winning me over every month with his Cobra series, so I’m looking forward to this creator-owned book he’s co-writing about a stage magician who gets trapped in a world where magic has taken the place of science. [Graeme]

Star Trek, Volume 1 – Dear all fellow Trekkies/Trekkers/whatever you want to call yourselves: If you liked the original TV show and also the JJ Abrams movie reboot, you owe it to yourself to check out this monthly series, so grab this collection of the first issues and dig in. [Graeme]

Will Eisner’s The Spirit: Artist’s Edition – Of all the IDW “Artists Edition” books to date, this is the one that just feels like a must-have. Eisner’s Spirit pages as they appeared on his drafting table? I cannot wait to see these. [Graeme]

IDW probably explained the “Artist’s Edition” concept before and I just wasn’t paying attention, but I am now and I finally get why it’s cool to have COLOR scans of original-size black-and-white art so you can see blue pencils, art corrections, editorial notes, and stuff like that. Especially for someone as legendary as Will Eisner.  [Michael]

Saga

Image

Saga #1 – New Brian K. Vaughan. Does anything else need to be said? Oh, alright: FIona Staples on art. Seriously, you guys. [Graeme]

I’d buy a Fiona Staple fantasy epic anyway. That Brian K Vaughan is writing it makes me sigh like a Belieber. [Michael]

Hell Yeah #1: There’s something weirdly fitting about reading a series about the generation who’s grown up with super-heroes that’s created by someone like Joe Keatinge, who’s been around in comics for a long time, and Andre Szymanowicz’ art looks good as well… [Graeme]

The Manhattan Projects #1 – Jonathan Hickman returns to indie roots with the true story behind the atomic bomb. Turns out, Oppenheimer created this rocket ship, but forgot to shield it against cosmic rays… [Graeme]

Mad scientists! By Jonathan Hickman! [Michael]

’68, Volume 1: Better Run Through the Jungle – Mark Kidwell, Nat Jones, and Jay Fotos’ Vietnam War/zombie series is collected. [Michael]

The Walking Dead: Cutting Room Floor – I’m very, very curious about this collection of Robert Kirkman’s handwritten notes about the creation of his hit series. It sounds like a joke, doesn’t it? But it could very well be awesome… [Graeme]

Marvel

Avengers Academy #27 – Guest-starring the Runaways, ya’ll! And Bruiser’s totally punching Mettle cross-eyed on the cover. [Michael]

Savage Beauty

Moonstone

Savage Beauty Limited Edition Hardcover – I’m really curious to see how Mike Bullock’s contemporary, political jungle-girl story turns out. [Michael]

Oni

The Coldest City - If Tinker Tailor Soldier Spy taught me anything, it’s that I’m really not done with Cold War spy stories just yet. This one’s set in Berlin, which is even cooler. [Michael]

I’ve already read this one in galley format, and it is really, really good for those who like the spy stuff (Queen and Country fans, it’s written by Antony Johnston, so you know that it’s great; the art by Sam Hart follows Steve Yeowell’s lead from his early Zenith days, and for those who know my love for that series, there are few higher compliments I can offer). [Graeme]

The Secret History of DB Cooper #1 – Beyond “colorful weirdness and conspiracy-laden Americana,” I have no idea what to expect from Brian Churilla’s new series, and that just makes me look forward to it all the more. [Graeme]

I can’t wait to find out once and for all if Mr James is Doobie Keebler. [Michael]

Atomic Robo: Real Science Adventures

Red 5

Atomic Robo: Real Science Adventures #1 – Eep! An Atomic Robo anthology! Great news for a series whose back-up stories have always been just as entertaining as its lead feature. [Michael]

Atomic Robo returns with an all-new ongoing series?!? Surely this means that Christmas is either not over, or coming early or… well, you know what I mean. Good stuff. [Graeme]

Top Shelf

Blue – I’ve never heard of Pat Grant, the creator of this OGN, but Craig Thompson calls him “the Australian Mark Twain,” which is good enough for me. [Graeme]

Zenescope

The Jungle Book #1: Zenescope get around to “updating” the classic and well-loved story, which is more than likely going to mean adding more cleavage than you would’ve thought appropriate. Welcome to the year 20BOOB, everyone. [Graeme]

While the initiative was unveiled just this morning, this is not the first time comics publishers have used superheroes to help benefit charities seeking to end hunger and famine in Africa. Although organizations have been collecting donations for famine and disease relief in Africa for decades, one of the worst famines in recent memory occurred in Ethiopia in 1983-1985, which inspired the charity singles “Do They Know It’s Christmas?” and “We Are the World” from the music supergroups Band Aid and USA for Africa, respectively.

Jim Starlin and Bernie Wrightson picked up on the “jam piece” idea for comics: a book featuring numerous creators to raise money for East African famine relief. In 1985, Starlin pitched Marvel’s then-Editor-in-Chief Jim Shooter, who recruited Uncanny X-Men editor Ann Nocenti and writer Chris Claremont, and from there, the project continued to expand. Titled Heroes for Hope, the comic featured the X-Men in an adventure that eventually brought them to Africa, where they faced a god-like entity who feeds on human despair. In fact, Starlin details the entire process in a September 2011 blog post that includes a full list of the creative team, which included Stan Lee, John Romita Jr., Harlan Ellison, Frank Miller, Stephen King and Alan Moore.

According to Shooter, the initiative raised more than $500,000. The money was originally intended to go to Oxfam, but because of a disagreement with an Oxfam America representative, the money instead went to the American Friends Service Committee.

In 1986, DC Comics released a similar book, Heroes Against Hunger. The story, called “A Song of Pain and Sorrow,” featured Batman and Superman teaming with Lex Luthor to fight a new villain named The Master, who, much like Marvel’s villain, drew his power from human misery. Starlin and Wrightson were once again instrumental in the organization of the book, with Starlin contributing the overall plot. Heroes Against Hunger also boasted an all-star creative team, including Neal Adams, John Byrne, Howard Chaykin, Jerry Ordway, Andy Kubert and Barry Winsor-Smith. In the 48-page comic, every two pages were handled by a different creative team.

While there are no details on a tie-in book for DC’s current “We Can Be Heroes” initiative, the press release indicates there will be merchandise for sale through WeCanBeHeroes.org, with 50 percent of the purchase price going to famine relief.

As the licensing machine revs up for the May 4 premiere of The Avengers, fragrance company JADS International — the company behind such brands as Sulu Pour Homme, Slave Leia Perfume and Shirtless Kirk Cologne — has rolled out scents inspired by Captain America, Iron Man, the Incredible Hulk, Thor, Nick Fury and even Loki. Sorry, Hawkeye, you’re out of luck.

The Avengers Cologne Set boasts “four unique fragrances”: PATRIOT, Mark VII, SMASH! and Worthy; you can probably piece together which name goes with which hero. Loki, meanwhile, gets Mischief Cologne (“Made to Rule”), and Fury has Initiative Cologne (“Activate the Initiative”).

Check out the details below, or on the JADS website.

PATRIOT Cologne
A cologne that pays homage to the confident, stand-up-to-bullies, hard working average Joe in every man. PATRIOT Cologne is both reserved and sexy; like a symbol on a shield or a moniker on a motorcycle helmet. Fresh notes of green lime and white pepper are the first to hit with dry oak wood, sandalwood and tequila accords finishing the adventure. Perfect for any time or place, PATRIOT Cologne puts the Novus Mundus in your strong, sensuous hands for you to embrace and discover.

PATRIOT Cologne
Your Attack Plan.

Mark VII Cologne
A resolutely sophisticated cologne forged from the sea, the sun, the earth, and a touch of devil-may-care whimsy. Transparent, aromatic, and modern in nature, Mark VII combines mandarin, neroli, nasturtium and jasmine layered with light patchouli to create a contemporary expression of “I don’t play well with others” confidence; leaving you always ready for whatever a genius, billionaire, playboy-philanthropist might encounter along the way.

Mark VII Cologne
Armor Up.

SMASH! Cologne
Very unusual and rare materials have been brought together to create a woody aquatic cologne evoking both a serene sense of timeless freedom and a single-minded, unbridled passion for life. Yuzu, bergamot and tarragon create clean, clear top notes along with unexpected accords of water lily and nutmeg. SMASH! then carries an intense woody drydown enriched with Indian sandalwood, vetiver, musk and sharp cedar. Complimentary to a full range of emotions, it wears well no matter where—at work, the lab or an evening out on the town.

SMASH!
Be Angry.

Worthy Cologne
This woody citrus cologne is a unique, meaningful combination of bergamot, frozen ginger and wheatgrass blended with a hint of fresh natural grapefruit and layered deeply with aromatic cypress. Basenotes are possessed with sensual, seductive tones of dark amber and cedarwood, protecting and enhancing a deep, dry masculine (dare we say almost God-like?) musk.

Worthy Cologne
Possess the Power.

Infinity Formula Cologne
Colonel Nicholas “Nick” Fury. Paratrooper, Ranger, Weapons and Demolitions Expert, Aircraft Specialist and Pilot, Green Beret. Veteran of every US War and Military Conflict since WWII. Director of S.H.I.E.L.D. “The single most powerful, most important organization on the planet Earth.” And the only human strong enough to bring together a group of remarkable people who would fight the battles no one else could.

Infinity Formula Cologne.
Face danger with something dangerous. Activate the Initiative.

Mischief Cologne
Possessed of Superhuman strength, Genius-level intelligence, Mystical powers, Telepathy, Flight, Clairvoyance, Therianthropy, and Teleportation … who could blame you for becoming the greatest trickster of them all? So wear your crown of baleful maleficence with pride; let mirth and mayhem stand ready at your side, anticipating your every command. Test their mettle knowing you have nothing to fear; you are Mischief and you were made to rule.

(via ComicBookMovie)

Avengers Vs. X-Men

“… After several years of super-serious Marvel events, all of which have had some kind of ‘torn from today’s headlines’ subtext to them, I’m actually kind of in the mood for an old-fashioned super-team slugfest. However as a retailer it’s more than a little disappointing. It’s a business as usual kind of move that shows the shallowness of short-term thinking at work that might help Marvel win the summer and us sell some comics. But in the long-term the survival of the entire industry hinges on a publisher’s willingness to appeal to more than its dwindling base.”

– retailer Steve Bennett, of Super-Fly Comics and Games, on Marvel citing its upcoming Avengers Vs. X-Men miniseries as the kind of creativity that will drive the company this year

Spider-Man: Turn Off the Dark

The producers of Spider-Man: Turn Off the Dark struck back Tuesday against a lawsuit by Julie Taymor, claiming the former director violated her own contract before she was fired in March, and shouldn’t receive any royalties from the $75 million Broadway musical.

Taymor, who also co-wrote the long-troubled show, sued producers in November, arguing that the overhauled musical violates her copyrights. She also said she deserves full credit and pay, despite her public ouster. Taymor seeks at least $1 million, as well as future royalties.

But according to The New York Times, the producers’ countersuit insists Taymor “could not and would not do the jobs that she was contracted to do,” forcing others to undertake those responsibilities, resulting in a new show over which she has no claim.

In the court filing they say Taymor refused to create an original, family-friendly musical based on Marvel’s Spider-Man and instead “insisted on developing a dark, disjointed and hallucinogenic musical involving suicide, sex and death.”

Following Taymor’s firing, Spider-Man shut down for three weeks to undergo an overhaul at the hands of new director Philip William McKinley and writers Roberto Aguirre-Sacasa and Glen Berger. When the musical returned in mid-May for previews, it was described as “virtually unrecognizable” from the show savaged by critics in February.

“As a result of all of the changes that Taymor could not and would not make, the Spider-Man musical is now a hit,” the producers say in their suit. “The show is a success despite Taymor, not because of her.”

Spider-Man: Turn Off the Dark, which costs $1.2 million a week to produce, grossed about $1.4 million last week, behind Wicked and The Lion King. It has brought in about $81 million since performances began in November 2010.

Prophet #21

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Graeme McMillan

If I had $15 this week, I’d avoid Marvel and DC altogether and go for some more independent offerings. Top of the pile would definitely be Prophet #21 (Image, $2.99), Brandon Graham’s much-anticipated revamp of the Rob Liefeld book from the mid-90s, recreated (with artist Simon Roy) as some kind of Heavy Metal fever dream; I’m a massive fan of Graham’s, and excited to see what he can come up with when he tries to play it (relatively) straight. I’d also grab Dynamite’s Kirby Genesis: Dragonbane #1 ($3.99), another spin-off from the Busiek/Ross/Herbert series this time focusing on the almost Thor-analog warrior, and IDW’s Memorial #2 ($3.99), continuing the urban fantasy series that I enjoyed so much last month. Lastly, I’d grab the cheap relaunch for Antony Johnston’s Wasteland (#33, Oni, $1.00); I’ve really enjoyed this post-apocalyptic world building book for awhile, but this relaunch – which will return the book to a monthly schedule as well as debut new artist Justin Greenwood – looks set to be a good jumping-on point for those who’ve never sampled its charms before.

If I had $30, I’d be likely to put Dragonbane back on the shelf and try out Marvel’s Fear Itself: Journey Into Mystery Premiere HC collection ($19.99) instead. Not having been a fan of Matt Fraction’s Thor, I skipped the first few issues of this and then, by the time I kept hearing great things and realized I actually really enjoy Kieron Gillen’s writing, it was far enough into the run that I knew I’d end up waiting for the collection. Color me cautiously optimistic.

When it comes to splurging, my love of comics from around when I was born rears its ugly head again, and I find myself drawn to Marvel Firsts: 1970s Vol. 1 TP (Marvel, $29.99). This is possibly my favorite era from the House of Ideas, so the idea of an anthology of some of its weirdest hits sounds right up my alley.

Kramers Ergot 8

Chris Mautner

If I had $15, I’d join the crowd and put $3 for that new, Brandon-Graham version of Prophet. I’ve yet to read King City (I know, I know) and I know nothing about the Prophet character, but I like the little bit of Graham’s work I’ve been exposed to so far and I’m curious to see how he handles this type of sci-fi/superhero tale.

If I had $30, I’d put back Prophet, snatch an extra $3 and change from my wife’s piggy bank (shhh, don’t tell her) and nab the eighth volume of Kramers Ergot, the latest edition of the mind- and genre-bending, cutting edge anthology from editor Sammy Harkham (this time published by Picturebox). This one runs a bit counter to past Kramers. It mainly features longer, more direct stories in a smaller, more standard book-size format. Contributors include CF, Gabrielle Bell, Dash Shaw, Frank Santoro, Gary Panter, Chris Cilla and others. Oh and there’s a generous helping of “Oh Wicked Wanda,” Penthouse’s answer to Little Annie Fanny for those who care to remember it.

My splurge this week would probably be Bill Griffith: Lost and Found, an “odds and sodds” collection of work by the Zippy creator, mostly done prior to that strip’s creation. I’m not actually certain what’s included in this book, but a good deal of Griffith’s non-Zippy material is pretty great, even better than the strip in some cases.

Batman #5

Chris Arrant

If I had $15, I’d lead off this week’s haul with my most anticipated book in some time: Prophet #21 (Image, $2.99). I am an immense fan of Brandon Graham’s work, so seeing him segue into writing is interesting… but I also admit to being a fan of Prophet. I remember trying to draw like Dan Panosian did in an early issue of this title. Next up would be Uncanny X-Force #20 (Marvel, $3.99), for Remender, for incoming artist Greg Tocchini, for X-Force, and for the entrance of Captain Britain. Rounding my Marvel haul would be Daredevil #8 (Marvel, $2.99); excited to see guest artist Kano on this. Last up for my $15 haul would be Batman #5 (DC, $2.99); on paper I like Wonder Woman more, but when it comes down to it I’m more enjoying Snyder and Capullo’s story in this. Oh wait, I have some money laying around… Wasteland #33 (Oni, $1) is it for a dollar.

For $30, I’d double back and get Wonder Woman #5 (DC, $2.99); for me, Azzarello’s story seems like a slow burn and I’m hooked in. I’m interested to see how Tony Akins handles filling in given Cliff’s one-of-a-kind art. Next up I’d get a Marvel 3-pack: Avengers #21 (Marvel, $3.99), Avenging Spider-Man #3 (Marvel, $3.99) and Uncanny X-Men #5 ($3.99). Then finally, I’d get my second $1 book of the week, Lord of the Jungle #1 (Dynamite, $1.00). More books should consider going their first issues at $1, especially ones that are lesser known and less likely to be tried.

For my splurge, I’d happy fork over the bills for Steve Canyon HC Vol. 1: 1947-1948 (IDW, $49.99). Milton Caniff is a titan, and being able to read the previous Terry & The Pirates collections and then lead into this, in the original order they were published, is amazing; it’s like being there to see how Caniff developed.

Planet of the Apes #10

Michael May

If I had $15, I’d make it unanimous by also grabbing Prophet #21 ($2.99). Brandon Graham is always interesting, but I’m in it as much for Simon Roy’s art as Graham’s story. I had the pleasure of working with Roy on an extremely short story for Panels for Primates and he’s an awesome artist. Then I’d grab a bunch of superheroine comics that I’m enjoying: Wonder Woman #5 ($2.99), Supergirl #5 ($2.99), Birds of Prey #5 (2.99), and Fear Itself: The Fearless #7 ($2.99) featuring Valkyrie.

If I had $30, I’d quickly add Planet of the Apes #10 ($3.99) to that pile and try to think of new adjectives to convince more people to read it. Speaking of primates, I’d also check out Dynamite’s Tarzan of the Apes adaptation, Lord of the Jungle #1 ($1.00). After that, I want to see what’s up with Danger Girl: Revolver #1 ($3.99). I’ve never read a Danger Girl comic, but it sounds like the kind of thing I’d enjoy. Jumping into IDW’s new mini-series is a cheaper way to try it out than getting one of the collections and catching up. Finally, I’m curious about the reprint of Grant Morrison’s Steed and Mrs. Peel #1 ($3.99) from Boom!. I don’t know much about the TV Avengers, but I dig groovy, ’60s spy adventures.

If I only had a little to splurge with I’d check out Danger Girl: Danger-Sized Treasury Edition ($9.99), but I’m hoping for a nice windfall so I can join Chris A in Steve Canyon, Volume 1: 1947-1948 ($49.99). I’ve read some of those stories from when Checker reprinted them and they’re cool enough that I want them in the nice hardcover.

Jennifer de Guzman

Publishing | Jennifer de Guzman announced that, after 10 years, she has left her position as editor-in-chief of SLG Publishing: “My decade SLG was, I suspect, like no other decade anyone has spent working anywhere. I had great co-workers and got to work with fantastic creators, all of whom I will miss very much. (Though because this is comics and a community like no other, we will always stay in contact.)” [Possible Impossibilities]

Retailing | Chris Powell, current general manager and chief relationship officer for Texas-based comic chain Lone Star Comics, has accepted the newly created position of executive director of business development for Diamond Comic Distributors. The Comic Book Legal Defense Fund board member will start his new position in March. [ICv2]

Miles Morales

Publishing | Marvel Editor-in-Chief Axel Alonso answers questions about Miles Morales, the new Spider-Man of the Ultimate Universe: “When a little boy or girl looks at Spiderman, they do not see race. They do not see anything but the bright colors and the human shape. I think it is very easy for them to project themselves into that suit and to imagine themselves in that suit. Part of the thrill for me is knowing that there are little boys who will now pick up a Spiderman comic and see that after the adventure and the mask is peeled back he will look like them. As a Hispanic, it is nice to see Spiderman’s [...]  last name resemble the last name of my son.” [Fox News Latino]

Publishing | SanJose.com profiles SLG Publisher Dan Vado, who talks about why he started working in comics: “I think comics decided for me; I don’t think I really had any choice. There was never any point where I said, ‘This is what I’m gonna do.’ Comics was always something I was going to do while I’d figure out what it I was gonna do, and I guess I never really figured it out.” [SanJose.com]

Kate Beaton

Publishing | The Beat names its comics industry People of the Year. [The Beat]

Creators | Brian Wood chats about his upcoming Dark Horse series The Massive: “The world it inhabits is sort of a minefield of current events, of divisive politics (global warming, regime change, corporate bad-behavior, etc) but all that has sort of come to pass by the time the story opens. The damage has been done, and so its less about why/how things got so bad and more about, okay, what do we do now? Powerful social themes, but not political in the same way DMZ is.” [Suvudu]

Creators | Comics writer and filmmaker Kevin Smith answers questions about women and comic shops as he touts his new TV reality series Comic Book Men: “This is a show about these four dudes who work in this store. There are no women [in the store] yet…There should be a Comic Book Women, and good willing, there’ll be a spinoff Comic Book Women, and I’ll make shit ton of money.” [ThinkProgress]

Super Pro K.O., Vol. 1

Creators | Jarrett Williams discusses his work on the Oni Press graphic novel series Super Pro K.O. [Spandexless]

Creators | Writer Kyle Higgins looks at what’s ahead for DC’s Nightwing. [USA Today]

Comic art | The collaborative art blog Relaunched puts out the call for contributors to “Watchmen Too,” a Watchmen 2 theme month. [Calamity Jon, Save Us]

Commentary | Don MacPherson looks back at some of his favorites of the previous year. [Eye on Comics]

Fandom | When asked during a 60 Minutes interview whether his company was thin-skinned, Groupon CEO Andrew Mason popped his claws: “We’re like Wolverine and our skin has been melted off, and we’ve had Adamantium fused onto our bones.” [Nerd Reactor]

“It’s huge — social media and the way we speak to each other. The opportunities are just fantastic out there. Let’s stop talking about how this is going to end because I’ve watched this try to end three or four times already, and it doesn’t end.”

– Dan Buckley, Marvel’s president and publisher, insisting the comics market will continue to grow again as long as compelling stories are being produced

Welcome to another edition of What Are You Reading. Today our guest is cartoonist, musician and publisher Zak Sally. Sally is known outside comics circles as the former bassist for the band Low, but inside comic circles, he’s known for great books like Like A Dog and the Ignatz series Sammy the Mouse, the collected version of which Sally will be releasing any day now from his own La Mano 21 press.

To see what Sally and the rest of the Robot 6 crew have been reading this week, click on the link below.

Dead Man's Run

Tim O’Shea: Dean Man’s Run 1. The nice thing about being a fan of Greg Pak’s writing? Every once and awhile, you luck out and get a sneak peek of his upcoming work. This Wednesday, January 18, marks the first issue of his collaboration with artist Tony Parker for publisher Aspen Comics, in collaboration with Gale Anne Hurd’s Valhalla on Dead Man’s Run. I’m interested at the set-up Pak has built with this series — hell as a prison with folks looking to break out. Rather than being Con Air Metaphysical or something, the writer casts a guy who happens to be a cartographer the lead of the series. It’s a quirky choice for hero casting (a variation on Amadeus Cho, admittedly) and Pak also constructs a great many monstrous hellmates in the cast that allow Parker to draw some interesting folks. If Pak plans to explore the warden character (as seems to have been teased in this issue) he might the right formula for an engaging series.

Wolverine and the X-Men 4. When has anyone ever described an X-title as fun? It’s an apt term for this Jason Aaron-written series. That’s not to say the read is a goof romp by any measure. While there’s comedic elements, Aaron uses Deathlok as a guest lecturer to great effect in this issue. I’ve not noticed artist Nick Bradshaw prior to this issue, but I like his style.

Batman: The Brave and the Bold 15. The core appeal of this series? Rudimentary tales that are done in one (but that I could see stretched out for four issues in the non-DC Kids/regular DC line). Not to spoil anything but where else could I get a Batman versus Darkseid battle in one regular sized comic book? Thank you writer Sholly Fisch. Side note, the way that Stewart McKenny draws eyes on his heroes reminds me of Fred Hembeck (that’s a compliment in my book).

Secret Avengers 21. This issue has Warren Ellis and Stuart Immonen together again. And everybody wins. If Marvel editorial does not get Ellis to write a Steve Rogers miniseries at some point (unless he has no interest, of course) they are idiots. Ellis’ Rogers is not like Brubaker’s (or like anyone else for that matter). Two bits of Rogers dialogue gave me pause: “I don’t believe in torture. It’s ugly, dishonorable and unreliable… So I’m going to let my colleagues do it.” (A line that could also be interpreted as bluffing on Rogers’ part admittedly, until you see the next scene) Or when a battle starts going south for the Secret Avengers and Rogers suggest blowing up the building where the heroes (other than Rogers) are, Hank McCoy says: “Steve, I have the greatest respect for you. But I will not kill again for you. And especially not my own team.” Which prompts Rogers to respond: “Then give me options.” I was reminded of Ellis’ Global Frequency with this set of issues.

The Shade #4

The Shade 4. This is the writer James Robinson I remember from Starman — writing stories that hooked me from the first panel, lacing teasers of other tales in between bits of dialogue. It would be insane if poor sales kill this miniseries. This particular issue is a Times Past flashback to 1944 drawn by none other than Darwyn Cooke (inked by the equally great J. Bone). Longtime Robinson fans will be pleased to see which masked man he works in this issue. The cinematic visuals of this story are made even more juicy by Dave Stweart’s colors and the exquisite lettering of living legend Todd Klein. Seriously, if I am editor Wil Moss I would just be giddy with the talent I get to wrangle on this project. If you are a fan of Cooke’s art, you need to read this issue, for the love of God the man makes shadows fascinating.

Black Panther 528. What’s more fun than watching Spider-Man or Daredevil beat Kingpin? The methodically thorough way in which Black Panther is torturing Wilson Fisk. Writer David Liss infoms readers that T’challa is one of the smartest heroes in the Marvel universe by actions, not by having characters say: “Wow, is he smart.” Am absolutely bewildered as to how industry veteran Michael Avon Oeming was garnered for an arc that almost everyone (I assume) knew was the series’ swan song. Not an insult of Oeming, I love his work on this story, but surprised to see him involved. I hope this arc is not the last we see of Liss in the Marvel U.

Batman & Robin 5. I think it will be a tight race for the first Robot 6 reader who gets to tell me I am mistaken for liking Peter Tomasi’s Batman in this series more than I like Scott Snyder’s Batman. But it’s true. Tomasi effectively juggles the Alfred (as surrogate grandfather), Batdad and Damian dynamics. Also, I am pleasantly surprised at how strong artist Patrick Gleason is with angst-ridden Bats. Looking forward to seeing how things play out with Damian in issue 6.

Captain America 7. Fairly certain that Brubaker could have all the characters singing “Mah Nà Mah Nà” on a continuous loop and as long as Alan Davis was the artist, I would still say: “outstanding read”. Fortunately Brubaker writes more than that. But honestly, Alan Davis inked by Mark Farmer and colored by Laura Martin (with Larry Molinar) is eye candy of the highest caliber. Excuse me while I redrool over some of the pages. Added bonus, Cap rides shotgun while Sharon drives the flying car. Cannot get enough of the SHIELD flying cars (I am a child of 1960s/1970s Marvel, what can I say).

Scarlet Spider 1. Yeah, it’s a spider clone. But by setting the book in Houston — and with the tagline of “All of the power. None of the responsibility.” writer Christopher Yost and artist Ryan Stegman hope to give readers a book unlike any other Spidey title. And after interviewing Stegman, I think they might have what it takes to succeed. This is striving to be a quirky book — the hero rescues an elderly lady and then cusses her out for putting herself in a dangerous situation. I like what I saw in this first issue (an unlikeable character begrudgingly playing hero [granted not a unique concept]) and while not eager to part with $3.99 on a monthly basis quite yet, I will likely be back next month. In the long run, Yost might be too busy working on the Avengers show for Disney XD, but I really want to see Yost’s approach to Marvel characters grow in popularity.

Chris Mautner: I’ve spent most of this week reading Grant Morrison: Combining the Worlds of Contemporary Comics, a new, analytical look at the work of the famed Invisibles author by Marc Singer. Singer might be best known for his blog, I Am Not the Beastmaster, where he regularly writes about comics (when he’s not busy teaching that is). Singer has always been one of the smarter comics bloggers out there, so it should be no surprise that Morrison is a highly insightful, erudite examination of one of the more popular writers in comics today. Singer hurtles himself chronologically through just about the entirety of Morrison’s bibliography, making the larger point that Morrison’s great feat might be in the manner he takes abstract and challenging modes of expression and applies them to mainstream comics. And though Singer throughs out the occasional bit of jargon, his book remains an engaging read. Anyone interested in Morrison’s work should read this book.

Zak Sally: Strangely, i’ve been reading books without pictures; I know for a lot of cartoonists, they say “comics; I don’t read comics in my spare time, I read REAL BOOKS.” Whereas for me, I read comics constantly. So I actually got to the point recently where I thought I’d better back off a little, since I hadn’t read a straight prose/no pictures book in some time.

Clans of the Alphane Moon

So, right now I’m almost finished with this Little, Big book by John Crowley and … the whole way through, I wasn’t sure if I liked it or not. and now I’m almost at the end and thinking that maybe it’s the latter.

Also, dipping (well, diving, really) into some heavy Philip K. Dick research. Not so much his novels (although I just cracked Clans of The Alphane Moon, which I’d somehow missed in the past 26 years) but re-reading a lot of biographical material about him — Lawrence Sutin’s excellent Divine Invasions bio, and I Am Alive and You Are Dead by this French guy Emmanuel Carrere (which is pretty good as well). Also the 4 volumes of Selected Letters of Philip K. Dick that Underwood-Miller did in the 80s (anyone out there looking to get rid of their copy of 1938-71?), and a couple other things as well. Why? Because i’m going to make a BOOK WITH PICTURES out of it, of course. It’s a huge undertaking and you got to dive deep, with that stuff.

I also just got a bunch of whacked-out Hollow Earth theory books– you know, where there’s another world inside the earth, accessible via deep tunnels at the earth’s poles. It’s well documented, and apparently quite nice in there, real temperate and lush, and I plan to visit at my earliest convenience.

It strikes me as I write this that the theme is: “crackpots” taking unpopular and/or bizarre notions and creating real, living valid worlds for themselves out of it.

Yup. makes sense.

Joe Stone's X-Men Family Tree

I’ve always been a lost cause when it comes to math and science, so usually my eyes glaze over when there’s any talk of “formula” or “coefficient.” But I perked up when at Wired.com scientist and author Samuel Arbesman took on the question of inbreeding in Marvel’s X-Men universe. (It was the X-Men part, not the inbreeding, that piqued my interest, thankyouverymuch.)

Using as a guide Joe Stone’s X-Men Family Tree, with its lines designating clones, offspring nemeses and so on, Arbesman has determined that — surprise, surprise! — “there is no inbreeding whatsoever among the X-Men.” He does, however, raise an eyebrow at Ultimate Quicksilver and Ultimate Scarlet Witch.

“Despite the clones, immortality, and occasional mind control of comic books, the X-Men lack inbreeding,” he writes, “at least according to this chart. If we delve a bit deeper though, it turns out that the twin children of Magneto do have a sexual relationship. While no children have resulted from the union of the Scarlet Witch and Quicksilver, this would have resulted in an astonishingly high inbreeding coefficient of 25 percent, similar to a Pharaoh.”