Marvel Archives - Page 2 of 128 - Robot 6 @ Comic Book Resources
Only days after the debut of Hasbro’s Guardians of the Galaxy action figures, as part of its Marvel Legends series, the Funko POP! Vinyl line has emerged in the wild — at Toy Fair in New York City, naturally.
Planned for summer release, ahead of director James Gunn’s film, the POP! Vinyls feature Drax the Destroyer, Gamora, Rocket Raccoon, Groot and Star-Lord (sorry once again, Yondu fans). Marvel Toy News has more photos and many more details.
Valentine’s Day, with its reflection on love, is inescapable. That could be romantic love filled with cherubs and soft-focus lighting, or it could be friendly love, like those little paper Valentines you get in grade school or around the office. It could be family love, like roses for your grandmother to let her know you care. Heck, it could just be the love of chocolate and the knowledge that all those heart-shaped boxes will be on sale tomorrow.
Who we love is based on what we love about them: It could be their rockin’ abs, their sense of humor, their empathy or their discount sale price at the drug store. Maybe it’s elusive. Often times, what others love about us are qualities we can’t see in ourselves. Those are the aspects we have to recognize to better understand our loved ones and, most of all, who we are — because, as RuPaul says, “If you can’t love yourself, how in the hell you gonna love somebody else?”
No one in the Marvel Universe needed to hear a drag queen’s words of wisdom more than X-Men Legacy‘s Legion.
WARNING: Talking about Simon Spurrier’s X-Men Legacy series as a whole in vague terms and X-Men Legacy #24‘s huge spoiler, so go grab all the issues you can and read along!
Legal | The Hiroshima, Japan, police arrested a 36-year-old man on Monday for illegally uploading the manga series Gin Tama to the Internet; he was charged with copyright infringement. This comes just a few days after the arrest of another unemployed man for uploading a volume of Berserk. In both cases, the publisher and the creator of the manga involved have sued the suspects. [Crunchyroll]
Creators | Batman writer Scott Snyder talks about the women of Gotham City. [Comicosity]
Creators | In the first part of a two-part interview conducted at WonderCon, writer Kelly Sue DeConnick discusses how she grew up reading comics in the 1970s, her work for Tokyopop and Marvel, and what Carol Danvers means to her fans. [Toucan]
ROBOT 6 favorite Francesco Francavilla is well known for his series of themed art posts, ranging from Breaking Bad episode posters to Justified character images to his “Batploitation” renditions of the Batman cast. In keeping with current events, the Eisner Award-winning artist has turned his attention to the Sochi Olympics, posting daily illustrations that insert Marvel and DC characters into the winter games.
And so we’re treated to a bobsledding Fantastic Four
(well, three), a snowboarding Silver Surfer and, above, a cross-country skiing Black Racer. See more on Francavilla’s blog.
“Oh, always press. Just understand the difference between useless whining and actual pressing. What corporations understand is money. They don’t give a toss about blog posts or combative questioners at conventions. Clearly.
You vote and make change by the strategic application or withdrawal of money. Buy the products you want and withhold money from those companies that don’t produce said product. And say why you’ve done so in both cases.
But this isn’t politics. It’s business. At least, we’re all pretending it’s only business.”
– actor, screenwriter, novelist and comics writer Geoffrey Thorne, when asked whether consumers should give up hope that Marvel and DC will hire “a respectable amount” of writers of color
Continuing its long, and so far wholly unsuccessful, fight for ownership of many of Marvel’s best-known characters, the tenacious Stan Lee Media has sued a Walt Disney Co. subsidiary, seeking to join a dispute about licensing Spider-Man for the stage.
In September, Disney Enterprises, Marvel and Cameron Mackintosh Ltd. sued Lancaster, Pennsylvania-based American Music Theatre, saying it violated copyrights and trademarks by using elements of Spider-Man, Mary Poppins and The Lion King in its musical revue Broadway: Now and Forever (Disney and Mackintosh jointly hold the copyright to the Mary Poppins stage production). The theater responded in November with the surprising claim that Disney doesn’t own Spider-Man. Instead, the counterclaim stated, the character belongs to Stan Lee Media, which licensed the rights to the American Music Theatre.
The “Guy Card” doesn’t exist. No one can take away your masculinity however you choose to define that. So get out there and take dancing lessons or moisturize your face (note: I have no idea what would constitute the removal of a Guy Card because it doesn’t exist). In fact, there’s no such thing as a “Girl Card” either, so fail at wearing heels and makeup with impunity because no one other than yourself should have the power to call you on it. Be you, because that’s all we can be; pleasing everyone else is just way too hard.
What we do or don’t do shouldn’t be an indicator of gender, or race or sexual identity. I mean, we can make guesses, but that doesn’t tell you who you are inside, and it’s the inside that really counts, or so years of cartoon morality lessons have taught me. There’s no such thing as “not black enough” or “you act too gay to be straight,” because that says more about the person making those statements than the person they’re defining. The United States started out as just some humble little colonies trying to forge their own identity, coming to America to be themselves.
And some people want to be Carol Danvers.
WARNING: A spoiler-free review of Ms. Marvel #1 lies ahead, and I promise this is about as preachy as I’m going to get.
It’s been a good week for Ryan Stegman, one marked by the premiere of the highest-profile series of his entire career: Wolverine. The Michigan artist, who’s been working steadily for Marvel since 2011, has been primed to become one of comics’ breakout stars, only waiting for the right project, the right writer and the right positioning. Wolverine just may be it.
Stegman’s squat and square-jawed Wolverine shows an artist who pays attention to characters beyond just their most recent depictions. He wears his fan credentials with pride, citing influences as far-ranging as Katsuhiro Otomo, Bill Sienkiewicz and Joe Madureira, but chief among them is Todd McFarlane. Stegman has done much to establish his own trademark style, but his ability to comprehend and be inspired by McFarlane’s fluid linework has added new facets to a nuanced style.
For this edition of “Conversing on Comics,” I spoke with Stegman about Wolverine, his artistic influences both for Logan and in general, and the long road that brought him here. In the interview, conducted just after Christmas, Stegman was open about his enthusiasm for Wolverine as well as his long-term goals for himself and his career.
In less than a week, New Warriors #1 by Christopher Yost and Marcus To will be in my grubby little hands. While everyone else will still be basking in the glow of this week’s new Wolverine and Punisher series, I’ll be resurrecting my dormant Marvel zombie for some much-neglected superhero nostalgia.
Most of my comic book-loving friends cite Spider-Man or Superman as their favorite characters, and the ones they read religiously as kids; they’re undeniably iconic. However, the superheroes that resonated most with me were those off the beaten path; the obscure characters have always led to the more satisfying reading experiences, even if it often meant tolerating missteps and frustrating gaps in time.
Maybe it’s a matter of rooting for the underdog, but I think generally there are more opportunities for exciting and entertaining stories when your main cast isn’t the star of several feature films and a merchandising empire.
I first encountered the New Warriors in 1990, not long after their debut. I was new to the Marvel Universe, and only Firestar was somewhat familiar to me from her role on Spider-Man and His Amazing Friends, but she didn’t act the same as she did in the cartoon. She didn’t even have the same pet: Where was Ms. Lion? (Actually, that’s fine, leave Ms. Lion out of it. In fact, never mention Ms. Lion again.) Instead, Firestar had a pet cat named Pum’kin, which suited me fine — I was always more of a cat person anyway.
Ever since Disney announced the purchase of Lucasfilm in 2012, virtually everyone in the comics industry knew there was a ticking clock on Dark Horse’s Star Wars comics; it’s only natural, after all, that the entertainment giant would move the profitable Star Wars license in-house, similar to how it shuffled the Disney and Pixar titles from BOOM! Studios to Marvel in 2011. Following the announcement last month that Dark Horse’s Star Wars comics line will end its 20-plus year run at the end of the year, the next obvious question concerns what will take its place.
It’s difficult to overstate how big of an impact the Star Wars comics have had on Dark Horse. In the early days 0f 2014, the publisher has two ongoing series and two miniseries — one of which, The Star Wars, was the highest-selling Dark Horse and licensed title in 2013. The company has already announced plans for a broader Aliens/Predator/Prometheus line that could fill some of the holes left by Star Wars come January 2015, but recent news in the video game world gives me another idea …
“While we don’t have any market research, the eyes don’t lie. If you go to conventions and comic book stores, more and more female readers are emerging. They are starved for content and looking for content they can relate to.”
– Marvel Editor-in-Chief Axel Alonso, discussing comics’ shifting demographics
Last year news bubbled up that Popbot artist Ashley Wood was working on a highly detailed line of toys/statuettes based on Marvel’s Iron Man. Fast-forward one year, and they’re almost here.
On Feb. 13, Wood’s company 3a Toys will release four Iron Man figures as the opening salvo in a larger line of Marvel toys. These first figures (highlighted below) are dubbed “Classic,” “Silver Centurion,” Stealth” and “Stark Industries Prototype,” with the latter exclusive to 3A’s online webstore, Bambaland.
Although Wood is best known for creator-owned work, the artist states on the 3A forum that he had a childhood dream of drawing Marvel characters and the opportunity to do his own version of Iron Man with this toy line is “incredible.”
“Now if only I could make the comics based on the toys,” Wood writes. “These designs are linked in my mind, a 3A secret war if you will!”
While a Ashley Wood-drawn Marvel comic is something only Marvel can decide, the artist has more Marvel figures planned after these, including Captain America, Thor, Spider-Man, Doctor Doom and Ultron.
On the heels of the proposed “Assault on Wayne Manor” LEGO playset there arrives on LEGO Cuusoo another massive comics-themed project for consideration (from the same designers, no less): the X-Men’s X-Mansion.
As with their previous proposal, DarthKy and Glenbricker don’t skimp on the details, delivering elements of 1407 Graymalkin Lane that will be familiar to longtime readers of Marvel’s mutant saga. Everything from Cerebro and the Danger Room to the headmaster’s office and Storm’s attic garden are included.
Marvel and Paris-based mobile game developer Gameloft have announced Captain America: The Winter Soldier — The Official Game, in development for smartphones and tablets.
Inspired by the upcoming Marvel Studios movie adaptation, the game will allow players to assume the role of Captain America as he leads an elite team of S.H.I.E.L.D. agents in a fight to stop a sinister global plot. A multiplayer mode offers the ability to join clans and to compete for a higher position in leagues.Gameloft and Marvel previously partnered for the mobile games Spider-Man: Toxic City, Spider-Man: Total Mayhem, Iron Man 2 and Iron Man 3.
Captain America: The Winter Soldier — The Official Game will be released in late March on iPhone, iPad, iPod touch and Android, ahead of the April 4 U.S. premiere of the film. Watch the game teaser trailer below.
“Ed [Brubaker] got too busy, so Ed had to leave. Sales were what they were — it was Iron Fist. It was critically acclaimed, and not losing money was enough. But David Aja was going to stop because of the schedule and other work, and Ed was going to stop because of his schedule, and I basically didn’t want to be the Mike Love of Iron Fist, the only original member left ruining what you remember about the band. So I said alright, we’ll stop at #16. I knew what my twist was, what my end was, I thought I’d do that sort of West Wing thing where you end with a “holy fuck!” moment for the next guys, and let them have fun building everything up and finding out what the new status quo is. So it felt more important to go out on a high note with everybody happy, than to be the guy who ruined the book.”
– writer Matt Fraction, on why he left Marvel’s The Immortal Iron Fist with Issue 16, in an interesting discussion of his career from Rex Mantooth through The Order