Marvel Archives - Page 2 of 137 - Robot 6 @ Comic Book Resources
A project of The Tampa Bay Times and the Poynter Institute, PunditFact is dedicated to verifying the accuracy of claims made by political pundits, columnists, analysts and television hosts — your Rush Limbaughs, your Rachel Maddows, your Ann Coulters. Perhaps there’s something in the air, with Comic-Con International upon us, but for whatever reason, the Truth-O-Meter has turned its attention to the announcement of the new Thor last week on The View — specifically, a statement made by co-host Whoopi Goldberg.
Comic-Con International attendees who are lucky — or devoted — enough to make it into Hall H on Saturday for the Marvel Studios presentation will walk out with a limited-edition Guardians of the Galaxy mini-poster created by Matt Needle of Poster Posse fame. (The British graphic designer also produced two nice-looking prints for Poster Posse’s 75th-anniversary tribute to Batman.)
A week after Marvel announced a woman will take up the mantle of Thor after the current hero is deemed unworthy to wield Mjolnir, artist Russell Dauterman has posted his character models for both versions of the god of thunder.
“Did these as I was starting work on the book,” the incoming Thor artist wrote on his blog. “The costumes were designed before I came on board (by the great Esad Ribic, I believe), but here’s my take on them.”
As writer Jason Aaron told Comic Book Resources last week, the former Thor — Thor Odinson, prince of Asgard — will “still have a role to play” in the new series, which debuts in October.
The Guardians of the Galaxy may be able to stand toe to toe with Ronan the Accuser, Nebula and Korath, but they were easily vanquished by 5-year-old Mia Grace Montross. The pint-sized Marvel expert, who made her Jimmy Kimmel Live! debut in December, returned to the show last night to face off against the stars of Guardians of the Galaxy in a trivia challenge. The result was … well, about what you might expect.
Start saving your money now, collectors. Hot Toys has unveiled its Rocket Raccoon and Groot action-figure set for Marvel’s Guardians of the Galaxy. It’s undeniably awesome (and I say that as someone who hasn’t collected action figures since childhood), but it’s also $360. I should point out, however, that you can set up a payment plan, which seems absolutely crazy for a toy, but what do I know.
The “movie-accurate” figures come with a weapon (for Rocket), an interchangeable angry expression face (for Groot) and interchangeable hands (for both). See more details and photos on the Sideshow Collectibles website. You can preorder now for shipping in March. Did I mention it’s $360?
Conventions | An advocate for the homeless claims San Diego police are harassing homeless people to keep them away from downtown during Comic-Con International. The mayor and police chief deny the accusation and say officers are simply doing outreach, but at least one homeless man has been given a “stay away” order. Comic-Con begins Wednesday with Preview Night. [ABC 10 News]
Digital comics | Following the news that the comics market was estimated at $850 million in 2013, of which $90 million was digital, George Gene Gustines looks at a couple of different digital models, including Thrillbent’s new subscription service and Panel Syndicate, Brian K. Vaughan and Marcos Martin’s name-your-own-price approach. [The New York Times]
We’re less than a week away from Comic-Con International, and that means announcements from major publishers are coming in early to jockey for position before the masses gather in sunny San Diego. Marvel struck hard with big changes debuting on major media outlets, leading to your grandma knowing what’s coming up in the pages of Thor.
It’s a weird world we live in these days.
On The View, Whoopi Goldberg announced there will be a woman taking over the mantle of Thor. Marvel’s Ryan Penagos (a far better source for Marvel news, no offense to Goldberg) clarified that this wouldn’t be a more traditional female counterpart, but the actual god of thunder title would pass to a female character. On The Colbert Report, actually a decent and known source for Captain America news, Marvel Chief Creative Officer Joe Quesada informed Stephen Colbert that she shield will be passed to the Falcon, Cap’s longtime partner Sam Wilson. In fact, Colbert specifically said that the event was tied to the events of Captain America #21 and the rather complicated story line within, which I believe is the first time a recent back issue was ever advertised on a cable TV show.
Superior Iron Man was also announced, indicating a darker outlook and a lighter “Genius Bar”-looking set of armor for Tony Stark, which led everyone from the New York Daily News to MTV to carry stories about what it means.
Publishing | Archie Comics Co-CEO Jon Goldwater responds to Singapore’s ban of the third volume of Life With Archie, which features the wedding of Kevin Keller and Clay Walker: “Riverdale will always be about acceptance, equality and safety. I’m sad readers in Singapore will miss out on the chance to read such a pivotal moment in comics.” [The Hollywood Reporter]
Business | Devin Leonard looks at the possible effects of a Fox/Time-Warner merger on superhero movies; Time-Warner owns DC Entertainment, and Fox has the movie rights to some Marvel characters. The New York Times offers a broader overview. [Business Week]
As most readers likely have seen by now, Marvel confirmed last night on The Colbert Report that Sam Wilson is the new Captain America, but you may not caught a heartbroken Stephen Colbert learning from Marvel Chief Creative Officer Joe Quesada that, alas, he won’t be the one taking up the shield. Watch the video below.
Colbert made a pretty good case for himself, saying, “Obviously, you have to be truly patriotic, you have to look decades younger than your actual age. … It should be someone who actually owns Captain America’s shield. That’s right, that’s right — the shield has been up there since 2007. I needed it for my battle against Nickelback.” (It was actually given to Colbert by Quesada during the “Death of Captain America” storyline.)
Superhero comics deal in extremes: Characters overreact, the world is in constant jeopardy, and the solution almost always involves physical combat. So maybe I shouldn’t have been surprised when the #FireRickRemender fiasco erupted. There was no conversation. Instead, people hurled accusations and argued over whether a writer should keep his job, while others mocked the whole thing. The rest of us silently watched from the sidelines, and that was pretty much it: That was how comics professionals, fans and industry observers handled a three-page scene from Captain America #22.
I guess I should be happy that people are so passionate about these stories and the creators behind them. If we were all so blasé and detached, sales would probably not just be flat so far this year, they’d be in the gutters. Yet I can’t help but feel disappointed, because I know we can do better than this.
Marvel has urged the U.S. Supreme Court not to review a petition from the heirs of Jack Kirby in a copyright-termination dispute that could have implications beyond comics, extending into film, music and publishing.
In papers filed Monday with the high court, and first reported by Deadline, Marvel insists the case doesn’t “remotely merit” review, as, “It implicates no circuit split, no judicial taking, no due process violation, and no grave matter of separation of powers.”
Kirby’s heirs have argued, so far unsuccessfully, that the legendary artist’s contributions to the publisher between 1958 to 1963 — among them, the X-Men, the Avengers, the Fantastic Four and the Incredible Hulk — weren’t produced as “work for hire” and, therefore, are subject to a clause in the U.S. Copyright Act that permits authors and their heirs to reclaim rights transferred before 1978. Marvel and Disney dispute that claim, saying Kirby’s output was indeed work for hire, a position supported in 2011 by a federal judge and last year by the Second Circuit Court of Appeals.
Legal | At the request of a state-owned distributor, the Russian media watchdog Roskomnadzor is investigating charges that Marvel comics are “propaganda of a cult of violence,” specifically, violence against Russian targets. The agency will review Avengers #1, due out in Russia in August, “regarding the use of Soviet symbols, the presentation of the characters as Russian service personnel, and the incitement of violence and cruelty,” according to the the Russian Legal Information Agency. This seems to be about the Winter Guard and specifically about Vanguard, who wears a hammer-and-sickle logo; the European publisher, Egmont, plans to remove the logo for the Russian release. Roskomnadzor has the option of issuing an official warning; a publisher who gets two of these in a year may have its license revoked. [CNET]
“On the Internet, sometimes what appears to be an explosion is really just a fart. The accusations are totally without merit. A handful of people who have it in for Rick started a witch hunt against him, claiming he had written a scene in Captain America #22 that portrayed the Falcon engaging in what amounted to statutory rape. They used social media to spread the word, and we got some angry emails — about 90 percent which came from people who stated right out the gate that hadn’t even read the issue, but were incensed by what they’d heard Rick had written.
Let me be clear: An attack on Rick’s integrity is an attack on Marvel’s integrity. We would never publish a scene that had one of our super heroes engage in such an act. Jet Black is a 23-year-old woman. She was a pre-teen at the start of Rick’s run, but since that time, the book has jumped forward 13 years in the future, and Jet — along with Steve and Ian — has aged 13 years. In Captain America #22, it is explicitly stated that Jet is 23, and she is rendered [by artist Carlos Pacheco] as a fully adult woman. Jet Black is a 23-year-old woman. End of story.”
– Marvel Editor-in-Chief Axel Alonso, talking with Comic Book Resources about the social-media firestorm that followed the release of Captain America #22
Bad news for fans of the BrooklyKnight: Grantland reports the Brooklyn Nets mascot won’t return next season, and is likely headed for mascot limbo. “We put a lot of effort into the BrooklyKnight,” the team said in a statement, “but we’ve decided to go in a different direction.”
The current mascot is the result of a 2012 consulting deal with Marvel, which designed a basketball-themed superhero in a metal mask and shield. As the BrooklyKnight’s Instagram shows, the Marvel connection continued to play a role in his appearances. In addition to photos of the mascot with Nets fans, there are shots of the “official superhero of the Brooklyn Nets” at New York Comic Con 2013, posing with cosplayers and the Agents of S.H.I.E.L.D. convertible.
“Everyone who’s ever written Captain America has wanted to bring Bucky back, and I was the first person who arrived at a time where they were willing to … The whole thing when Bucky died was a ret-con that Stan Lee did because he didn’t like sidekicks, and Jack Kirby went along with it because he thought it was this great way to add tragedy to Captain America [...] But honestly, when I got the book, I was asked, ‘What would you want to do?’ and I said, ‘Well, I have this idea about how to bring back Bucky, where he is like a really cool bad guy who’s actually an adult.’ And Joe Quesada said, ‘Oh, that’s really interesting, because we just this big summit where we were arguing over whether we could bring back Bucky or not, because Captain America is not selling.’
I was working on a thing with Gene Colan years later — his last comic that he ever did; he drew Captain America, he co-created the Falcon — and I asked him, ‘How come you guys never brought Bucky back?’ And he said, ‘Oh, y’know, we were doing this story where Bucky came back and he turned out to be a robot, and I asked Stan, “Why don’t we have it be the real Bucky?” and he said, “Aw, sales aren’t low enough yet.”‘ Stan was always OK with [resurrecting Bucky], because he always left the door open — like when Bucky died, they always put the word ‘supposedly’ in there, so I felt like the door was left open. I got a lot of flak for it at the time, because it was a ret-con, but I also tried really hard to make sure the ret-con worked with the actual con, if that makes sense.”
– Ed Brubaker, in a wide-ranging discussion that touches upon his Captain America run, his collaborations with Sean Phillips and Steve Epting, and the five-year deal he and Phillips signed with Image Comics