Marvel Archives - Page 2 of 131 - Robot 6 @ Comic Book Resources
Art dealer Sal Abbinanti has revealed a new Captain America cover by Alex Ross, part of a series of 12 variants to celebrate Marvel’s 75th anniversary.
As you can see below, the cover depicts the Sentinel of Liberty as a hero of two eras, serving with the Invaders in World War II and with the Avengers in modern times. In the middle is a pre-Super-Soldier serum Steve Rogers.
No information was given about a release date for the cover.
Let’s get this out of the way first: so many spoilers ahead, you guys. So very many spoilers.
I saw Captain America: The Winter Soldier last night, and I haven’t stopped thinking about it since. So please bear with the incredible amount of spoilers ahead in this week’s Fifth Color, not to mention the rampant speculation about what’s ahead of us yet. This one is big, perhaps the biggest Marvel movie since the first Iron Man.
The short and spoiler-free version is this: Go see the movie. It’s brilliant, very well thought out, and if you’re a fan of the Ed Brubaker years on Captain America, you’ll not only enjoy the tone of the film, but you’ll be pleasantly surprised by the twists they throw in. #itsallconnected is the simplest way to put it.
This isn’t traditional cinema any more, not with Marvel Studios. Each of its films have been both sequential and separate, with a slowly rising degree of success. By all rights, you should be able to watch The Avengers without watching all of the solo movies that came before it, but you get a grander enjoyment if you’ve seen more. Iron Man was a fun movie, but now it’s even more fun in the context of the Marvel Cinematic Universe. Trilogies come close to this kind of storytelling, but even then there’s a commitment to seeing at least the first one to get the idea of what’s ahead. With Marvel, audiences already knows the theory behind superheroes to enable them to jump in when one catches their eye. The Marvel Cinematic Universe, at its best, should be able to be viewed as separate movies and as parts of a whole. However, after Captain America: The Winter Solider, there’s not much of that whole left.
WARNING: Not joking on the spoiler thing. If you are spoiler-fearless, already saw Captain America: The Winter Soldier or just want to jump into the speculation pit with me and float around in a very well constructed cinematic universe, read on!
Coinciding with the opening of Marvel Studios’ Captain America: The Winter Soldier, Mondo has unveiled a new limited-edition print by Rich Kelly that will go on sale today. Naturally, the poster casts the spotlight on the film’s two title characters, but it also makes room for Black Widow and Falcon.
As usual, these Mondo prints are very limited — 435 copies of the $45 regular edition and 225 of the $75 variant — so they’ll disappear quickly You have to follow MondoNews on Twitter to find out what time today they go on sale.
Separate from Bloomberg Businessweek‘s Marvel Studios cover story, Bloomberg Television chats with Stan Lee about the current popularity of superhero movies, concerns about “superhero fatigue,” and the differences between the box-office performances of the Marvel and DC Comics properties.
“I wish my friend Bob Kane were still with us — he’s the fellow who created Batman,” Lee says. “Bob always used to tease me about the fact that Batman was a big deal on television and in movies, and we at Marvel had done nothing. I wish he was here now so I could return that teasing. A character should be somebody that the reader, or viewer, really cares about, and maybe at Marvel we put a little more effort into refining the characteristics and the nature of our heroes, maybe a little more effort than they have on the other side of the aisle.”
Bloomberg Businessweek‘s profile of Marvel Studios President Kevin Feige, timed to coincide with the release this week of Captain America: The Winter Soldier, naturally focuses on the film division, but it also drops some fascinating nuggets about the company’s corporate culture and the 2009 purchase by Disney.
• “In March, Feige gave me a tour of Marvel Studios at Disney headquarters in Burbank, Calif.,” writes Devin Leonard. “The offices are furnished like a college dormitory, with threadbare couches. The hallways are decorated with cardboard superheroes hawking Pizza Hut and Burger King. There’s barely enough room in Feige’s office for a replica of Thor’s hammer.” While that description may come as a surprise to some, Marvel CEO Isaac Perlmutter has a well-established reputation as a penny-pincher, reusing paper, limiting the number of coffee pots and even fishing paperclips out of trashcans.
Claiming an appeals court “unconstitutionally appropriated” Jack Kirby’s copyrights and gave them to Marvel, the late artist’s heirs have taken their fight with the comics publisher to the U.S. Supreme Court.
In a petition filed March 21, and first reported by Law 360, Kirby’s children argue “it is beyond dispute” that the artist’s Marvel work between 1959 and 1963 was not produced as “work for hire” and, therefore, is subject to a clause in the U.S. Copyright Act that permits authors and their heirs to reclaim copyrights transferred before 1978.
The appeal follows an August decision by the Second Circuit upholding a 2011 ruling that Kirby’s Marvel works were indeed made at the “instance and expense” — that term plays a significant role in the heirs’ petition — with the publisher assigning and approving projects and paying a page rate; in short, they were “work for hire.” As such, the courts found, the 45 copyright-termination notices the artist’s heirs filed in 2009 for such characters as the Avengers, the X-Men, the Fantastic Four and the Hulk were invalid.
Crime | Police in St. Charles, Missouri, have arrested 24-year-old Adam Radigan and charged him in the Monday-morning robbery of a comic store employee. The robbery occurred in the parking lot as the employee walked out of the Fantasy Shop with a bank bag that contained $26 in coins. The suspect allegedly indicated he had a gun and demanded the bag; after the employee handed it over, fled on foot. Nearby schools were briefly locked down after the incident. [The St. Louis Post-Dispatch, KDSK]
Comics | “Seattle and the Northwest have carved a lasting niche in the comics world by applying the same traits to cartoons that we apply to music — lo-fi, provocative and introspective. Our comics are often funny as in peculiar, not necessarily funny as in laugh-out-loud, our heroes bumbling rather than swashbuckling”: Tyrone Beason looks at Seattle’s thriving alt-comics scene, and talks with Peter Bagge, Ellen Forney, Tom Van Deusen and the organizers of the Short Run Comix and Arts Festival. [The Seattle Times]
Captain America: The Winter Soldier stars Chris Evans and Sebastian Stan appeared this morning at the New York Stock Exchange, where they joined Marvel Entertainment executives to ring the opening bell, and to promote the Friday premiere of their film.
The actors also posed for photos with a costumed Sentinel of Liberty whom we can only presume is that Captain America from the 1950s — or else a trader who lost a bet.
Marvel has released the launch trailer for Captain America: The Winter Soldier — The Official Game, a film tie-in that allows players to control Steve Rogers as he commands an elite team of S.H.I.E.L.D. agents tasked with stopping a sinister global plot.
Developed by Gameloft for Adroid and iOS, the mobile game features an original story by comics writer Christos Gage. Players can call in Falcon and Black Widow for help as the go up against such adversaries as King Cobra, Taskmaster, Puff Adder and the Winter Soldier. A multiplayer mode offers the ability to join clans and to compete for a higher position in leagues.
The game is available for download now. Captain America: The Winter Soldier opens Friday.
On a day rife with fake announcements and Photoshoppery, this April Fool’s Day prank is real (or, rather, “real”): Wolverhampton Station, in England’s West Midlands, has been renamed Wolverine Station, if only for today. It’s a stunt orchestrated by Virgin Trains and Fox to promote X-Men: Days of Future Past.
London24 explains that the station’s 65 signs underwent the change, which was even reflected in the departure board at London’s Euston Station. Other signs (below) warned travelers about the potential threat posed by mutants. (Local radio station BBC WM even got in on the action, tweeting its opposition with a poster that reads “Mutant And Proud.”)
Gameloft this morning released its Captain America: The Winter Soldier — The Official Game on Android, allowing players to assume the role of the Sentinel of Liberty as he leads an elite team of S.H.I.E.L.D. agents to stop a sinister global plot. An iOS version is promised soon.
Announced last month, the mobile game is, of course, a tie-in to the new Marvel Studios sequel, which opens April 4 in the United States. The Paris developer previously partnered with Marvel for Spider-Man: Toxic City, Spider-Man: Total Mayhem, Iron Man 2 and Iron Man 3.
It’s another week, which means a new batch of Marvel series launched as part of the publisher’s “All-New Marvel NOW!” initiative showed up at my local comics shop: Felipe Smith and Tradd Moore’s All-New Ghost Rider, Ales Kott and Garry Brown’s Iron Patriot, and Dan Slott and Mike Allred’s Silver Surfer.
I read two out of the three, as those were the most visually interesting, and seemed to be part of the initiative’s guiding principals: matching striking talents with lower-tier characters for idiosyncratic takes that veer away from the “typical” Marvel comic. Also, those were the two that featured characters who haven’t had a shot at their own book for a longer while. (Sorry, Iron Patriot, it’s not you, it’s me. I’m sure there are plenty of other critics willing to review you).
Academia | The Center for Cartoon Studies in White River Junction, Vermont, is adding a masters of fine arts degree in applied cartooning that will allow students to focus on using the comics medium for journalism, medicine, business and other fields. [Valley News, press release]
Creators | With the arrival of the second issue of The Sandman: Overture, Neil Gaiman talks about the joy of writing the first series and returning for this one, why he chooses to pen a story as a comic rather than a novel, and how his process differs as well: “When I’m outlining a comic, I write down the numbers 1 to 24, and I jot down what’s happening on each page, because I have to think of things in terms of pages, and double-page spreads. In a novel, if I want to move a scene, I just cut and paste. In a novel, it’s a completely different conversation.” [CNN]
With midterm elections approaching faster than most of us would like, we’ll soon be inundated by political commercials peppered with bold claims, blatant lies, ominous voiceovers and bizarre graphics. Looking to beat the rush, Jason Inman has released an attack ad targeting the most patriotic of public figures: Captain America.
Wading deep into the mud, Inman questions Steve Rogers’ Army records, his faithfulness, his dancing abilities — he even accuses him of … palling around with terrorists!
Swift-boating was introduced in the 2004 Presidential campaign; does this ad mark the debut of shield-throwing? (Wing-heading? Winter-Soldiering? Super-Soldier truthers?) And who’s this mysterious group paying for Inman’s ad?
Registration opened this morning for runDisney’s inaugural Avengers Super Heroes Half Marathon Weekend, and it’s nearly sold out already. You’d almost think this was Comic-Con International.
Announced last month, the Nov. 14-16 event brings runners to Disneyland in Anaheim, California, for kids races, a 5K, a half marathon, a pre-race pasta party featuring the Marvel characters and a merchandise expo. It marks the first such collaboration since Disney acquired Marvel in 2009.
At the time of this post, the kids races and Avengers 5K were sold out, with the Avengers Half Marathon at 98 percent; there’s still a little room at the pasta party, however.
Update (11:25 a.m.): And just like that, the Avengers Half Marathon is sold out.