Marvel Archives - Page 2 of 141 - Robot 6 @ Comic Book Resources
Marvel has partnered with Disney Consumer Products to kick off “Marvel Super Hero September,” an ambitious national marketing campaign showcasing the company’s characters — and its brand. Marvelkids.com is being relaunched as part of the effort.
Timed to coincide with Marvel’s 75th anniversary celebration, the initiative encourages the public to “Power Up Like a Marvel Super Hero,” while spotlighting some of the properties that aren’t heating up the box office at the moment. It’s the first of what’s envisioned as an annual event.
Outside of Dazzler, Lila Cheney and Zenith, we don’t often see musicians as superheroes — or is it superheroes as musicians? — in comic books. But that didn’t stop illustrator Andrés Moncayo from exploring the concept in “Super Rockers,” in which he assembles a lineup of DC Comics and Marvel superheroes for a rock-star makeover.
“I made this project because nothing inspire more as a child than superheros and music when I was a teenager,” Moncayo writes. “So here it is, music and superheroes together.”
As far as I can tell, the Quentin Quire-inspired “Cullen Was Right” image was a gag in response to reader comments on writer Cullen Bunn’s blog about the bald Magneto in his Marvel comic series. But now it’s become an honest-to-goodness T-shirt design, as you can see below.
“I admit, it started as a joke,” Bunn writes on his website. “But the response to the CULLEN WAS RIGHT t-shirt idea has been overwhelming … so I’m making them available for a limited time. I’m opening up pre-orders for the shirt for the next week or so, just to make sure I order appropriately. Show your allegiance as a Bunnhead … or just wear this shirt ironically. The choice is yours!”
Just when it seemed Milo Manara’s controversial variant cover for Spider-Woman #1 had been thoroughly scrutinized, criticized, defended and lampooned, two more critiques emerged that will likely lead you to rethink the image, and then wash your eyes out with industrial cleaner.
Note: Perhaps needless to say, neither of these is particularly safe for work.
As Comic Book Resources reported Monday, longtime Marvel colorist and Archie Comics artist Stan Goldberg passed away Sunday at age 82 following a recent stroke. The obituary recounts much of his lengthy and prolific career — it spanned six decades, from the Golden Age of comics to the birth of the Marvel Age to the wedding of Archie Andrews — so we won’t recount the details here.
Instead, we’ve rounded up statements about Goldberg, his impact and his influence, from Marvel, Archie Comics, the National Cartoonists Society and more:
“No less than Stan Lee, Jack Kirby or Steve Ditko, Stan Goldberg was one of the pioneers of the Marvel Age of Comics. As Marvel’s one-man coloring department, it was Stan G who determined that Iron Man would be red and gold, that the Thing would be orange, and that Spider-Man would be red and blue-black. He was also a talented cartoonist specializing in teen humor strips such as Millie the Model and Kathy the Teen-Age Tornado, which led him to become one of the mainstays of the Archie Comics line for decades. Stan was a gregarious and upbeat individual who was always a pleasure to work with.”
– Tom Brevoort, Marvel’s executive editor and senior vice president of publishing, in a statement to ROBOT 6
As a child of the ’80s, I’m well aware of the PSA comic. There was a lot of media at the time intended to teach kids about the dangers of everything from drugs to molestation to crossing the street. It was difficult to avoid that “very special episode” of your favorite television series, or that equally special Spider-Man comic in which the wall-crawler confronts drug abuse in Canada.
They were often heavy handed, with strong narration reminding you to tell an adult, or scary scenes depicting the the horrible death of a minor or previously unknown character. Pop culture tried to use its powers for good, and often these PSAs were skipped over, at best, or mocked tremendously in our older years.
But then there are those times when a comic can actually teach you something, or provide a little solace in its handling of a tough issue. I’ve talked here about the X-Men comic I received in a burn ward to help kids cope with the trauma, and there’s also a line of called Medikidz to explain other medical issues like cancer, Crohn’s disease and multiple sclerosis. These are pretty weighty topics, but a comic can make the information easier to digest. For the “PSA” comic, it seems like the more specific the information given is, the better the story comes out, and the more helpful it can be to a younger reader.
Does the same hold true for older readers? Recently, Daredevil #7, by Mark Waid and Javier Rodriguez, dealt with a mature topic that wouldn’t really fly with a younger audience. Did it hit its marks, or was this just another “very special episode” with Matt Murdock? Read on and find out.
WARNING: Spoilers for Daredevil #7, so please do yourself a favor and grab a copy and read along!
No stranger to teasers, Marvel has posted a neat little video that recounts the story so far in the Marvel Universe that sets the stage for the publisher’s AXIS mega-event. The three-and-a-half-minute clip narrates all the relevant story points from Avengers Vs. X-Men and Rick Remender’s Uncanny Avengers, including the death of Charles Xavier, the establishment of the Avengers/X-Men Unity Squad, and the recent events of the “Avenge the Earth” story arc.
“We always listen to fans’ concerns so we can do better by them. We want everyone — the widest breadth of fans — to feel welcome to read Spider-Woman. We apologize — I apologize — for the mixed messaging that this variant caused.
And that’s what this cover is. It’s a limited edition variant that is aimed at collectors. While we would not have published this as the main cover to the book, we were comfortable publishing this as a variant that represented one artist’s vision of the character — a world-renowned artist whose oeuvre is well-known to us, and to collectors. It is not the official cover for the issue. It is a collector’s item that is set aside or special ordered by completists — and it doesn’t reflect the sensibility or tone of the series any more than the Skottie Young variant or Rocket and Groot Spider-Woman variants. If you open up the book, you’ll see that this series has everything in common with recent launches we’ve done, like Black Widow and Ms. Marvel and She-Hulk and Captain Marvel. It’s about the adventures of two women that have complete agency over their lives, and that are defined by what they do, not how they look.
We’re far from perfect, but we’re trying. It’s been a priority for me as EIC to make our line and our publishing team more inclusive. We’re at an industry high of around 30 percent female in editorial group, about 20 percent of our line is comics starring women, and our Senior Manager of Talent, Jeanine Schaefer, actively looks to bring more female writers and artists into the fold each month. In fact, very soon we’ll be announcing new series and creators that I’m very excited about.”
– Marvel Editor-in-Chief Axel Alonso, addressing criticism of the Milo Manara variant cover for Spider-Woman #1, in this week’s “Axel-in-Charge” on CBR
Hawkeye #19 featured the Marvel hero during his period of hearing loss, which writer Matt Fraction and artist David Aja used as an opportunity to tell a story through American Sign Language. The issue’s title page included the dedication “For Leah,” and as it turns out, “Leah” is 17-year-old Utah resident Leah Coleman, KSL.com reports.
Her mother Rachel Coleman worked with Fraction on the issue. The two met through a concert held by Rachel Coleman’s Signing Time television series in 2012, when Fraction related how much he loved ASL due to its visual nature. He later contacted her for assistance in bringing ASL to Hawkeye #19.
Fans may not be getting any new Big Hero 6 comics from Marvel to go with Disney’s upcoming animated film, but they can get their hands on some pretty adorable Pop! Vinyl figures from Funko.
Available now for preorder, 3.75-inch figures of Hiro Hamada, GoGo Tomago, Honey Lemon, Wasabi No-Ginger and Fred, plus a and a 6-inch Baymax (mech variety) will be released in October, in plenty of time for the film’s Nov. 7 premiere. A “pearlescent” version of Baymax will arrive in late November or early December.
Conventions | Although the planned $500 million expansion of the San Diego Convention Center is, by all appearances, dead, Comic-Con International isn’t ready to say what it will do when its contract expires in 2016. “With regard to the convention center expansion, I can say that any decision to remain in San Diego has always been dependent upon a number of factors, and no one issue could really trump the others,” says David Glanzer, Comic-Con’s director of marketing and public relations. He notes that organizers previously worked with the city, convention center and hotels to expand programming venues, and they continue to discuss such issues as “space, hotel rates and other logistical factors that need to be addressed if we are to remain in San Diego.”
The proposed expansion would have added 740,000 square feet of exhibit space, a five-acre rooftop park, a waterfront promenade with retail shops and restaurants, and a second, 500-room tower to the adjacent Hilton San Diego Bayfront Hotel. However, a California appeals court ruled Aug. 1 that a planned hotel tax intended to pay for the bulk of the costs was unconstitutional, as it was never put to a citywide vote. Anaheim and Los Angeles attempted to woo Comic-Con away from San Diego in 2010. [ICv2.com]
The 40-second scene from Marvel’s Guardians of the Galaxy depicting a Baby Groot dancing to Jackson 5′s “I Want You Back” is so adorable that it’s taken root in our hearts, leading to countless works of fan art, and the creation of little potted replicas, both official and … not.
But it also has introduced the world to a new word: grooting.
Although U.S. publishers occasionally experiment with weekly series — DC Comics, for examples, will soon have three on its plate, with Batman Eternal, New 52: Futures End and Earth 2: Worlds End — comic books in North America traditionally have been released on a monthly schedule. It’s been that way for decades.
However, today sees the conclusion of weekly miniseries that not only make you reconsider that tradition, but also leads you to wonder whether the story’s impact would have been lessened by monthly release.
Created by writers Marc Bernardin and Adam Freeman and artist Afua Richardson, the five-issue Genius was published weekly throughout August by Top Cow Productions (the final two installments went on sale this morning). This break from the tradition allowed the story to build a momentum that would have been missed had it unfolded over the course of five months.
Kris Anka stays pretty busy as one of the regular rotating artists of Uncanny X-Men, but you want to see him take a spin on another of Marvel’s marquee franchises, look no further than his depiction of the Sentinel of Liberty and his supporting cast from Captain America: The Winter Soldier.
Although Anka debuted the artwork only last week on his blog, it was produced a few years ago and never released. He explained it was intended to accompany Sideshow Collectibles’ Captain America Premium Format statue, but it wasn’t approved in time to be included in the packaging.
In the wake of Funko’s adorable “Dancing Groot” POP! vinyl bobblehead toy, inspired by Guardians of the Galaxy, another somewhat obscure Marvel character is about to get a POP! treatment of his own. As revealed this afternoon on Twitter by Marvel’s Ryan Penagos, Howard the Duck will make his POP! vinyl debut later this year. While the release date isn’t available, it’s likely Funko will reveals details later this week, along with more information on Dancing Groot.