Marvel Archives - Page 3 of 144 - Robot 6 @ Comic Book Resources
The Weather Channel has been widely mocked since deciding in 2012 to name winter storms much in the way the National Hurricane Center names tropical storms, and this year is little different, with sites like Mashable and Philly.com lining up to take their shots. Whether the 2014-15 names are as terrible as Mashable contends is certainly debatable, we will say this: They may be the nerdiest to date.
While the 2012 list included Gandalf, Rocky, Yogi and Orko (the thunder god of Basque mythology, we’re told, not He-Man’s sidekick), this year’s list offers some pretty stiff competition from the likes of Astro, Linus, Quantum and Thor.
James Farr, who previously mashed up video-game characters with Star Wars, Teenage Mutant Ninja Turtles and Ghostbusters (and that’s only for starters), now turns his attention to the Marvel Universe with the animated parody “The Wiivengers,” in which “Nintendo’s mightiest heroes must assemble to defeat the galaxy’s puniest god, and recapture the legendary power of … the NESeract!”
My favorite is easily the Mighty Thorkachu, but Farr’s list is a bit longer: “Nick Kirby (was almost So-Nic Fury), The In-A-vinc-a-ble Iron Mario, Orange Widow, Captain Kakariko, The Mighty Thorkachu, The In-A-cred-a-ble Luigi, Waloki, Kid Hawkarus and … Agent Phil Toadson. Other characters have been saved for later. Maybe.”
OK, Phil Toadson is pretty good, too …
Forsaking the sunshine of Florida for the cooler climate of New York, Captain Citrus is making the trip north this week for New York Comic Con.
You remember Captain Citrus, the weird, anthropomorphized orange that served put in three years as the mascot of the Florida Department of Citrus, which turned to Marvel Custom Solutions over the summer to give the character a $1 million makeover. Now he’s John Polk, a Florida orange grower who draws his power from … mysterious solar pods. It’s a little odd, sure, but nowhere near as weird as a giant orange that drinks orange juice.
When it came time for chainsaw artist Griffon Ramsey to decide what she would sculpt next, she turned to Twitter for suggestions — and she quickly learned that Groot is very, very popular.
So, using Eastern Red Cedar and chainsaws, Ramsey went to work carving the breakout star of Marvel’s Guardians of the Galaxy, as she documents in the video below, which is as much a documentary about the artist’s approach and philosophy as it is about the sculpture.
This past Friday, Pat Quinn, SCAD Atlanta Associate Chair of Sequential Art, invited me to observe GENERATE, the school’s version of 24-hour comic day. (SCAD calls it GENERATE to allow any other of the school’s departments that wants to participate can do their own 24-hour challenge). The event kicked off at 10 AM on Friday. Students participating in GENERATE are challenged to create a 24 page black and white print ready comic in 24 hours from a blank slate. This year, they introduced an option for students to form a team to produce the book, those who chose that option had to also color the comic.
Confession time: I haven’t seen the Season 2 premiere of Marvel’s Agents of S.H.I.E.L.D. yet. Don’t get me wrong, I want to, but things have been busy here, and when I do tune in (thanks, Hulu Plus!) I want to give it my full attention. TV has become very serious in recent years, and the best stuff tends to require the viewer to invest some brain power into the shows.
It’s a good thing, but it can get a little exhausting. And if you’re a Marvel fan, there’s a lot to keep track of in Agents of S.H.I.E.L.D. Characters, locations, devices and plotlines might trigger some stored bit of trivia in your brain and lead to a different appreciation for the approach.
Here at The Fifth Color, I try to keep abreast of all the Marvel comics news I can, and it’s requiring me to track more and more movie rumors and casting decisions — which is weird because The Fifth Color began as a way to relate to comics and how we readers view the stories. But comics are becoming more than just you and the pages in your hand; there’s a now a strong media influence on how we see comics. Even something as simple as a mobile game can draw you into a comic shop and change how you see the books on the shelves. No joke, I had a customer show me a comic cover he had unlocked on a Marvel mobile game and ask me if we had that book in stock. He wanted to find out what it was about. That’s good marketing.
Mondo is going from Gotham City to the far reaches of space with a deluxe vinyl release of the hit movie soundtrack Guardians of the Galaxy: Awesome Mix Volume 1.
Featuring jacket artwork by Mondo mainstay Tyler Stout, this is the collectible-art boutique’s first screen-printed album packaging. In addition, each record comes with one of nine randomly inserted handbills featuring the film’s characters — from Rocket Raccoon and Groot to Gamora and Star-Lord.
Mondo is now accepting preorders ($50) on its website, but the albums won’t ship until early next year.
Graphic novels | Although BookScan’s September list of the bestselling graphic novels in bookstores is populated largely by old stalwarts — The Walking Dead, Attack on Titan, Saga, Watchmen — Guardians of the Galaxy, Vol. 1, the only Marvel title on the chart, clung to the Top 20 in its second month of release (although it slipped from No. 4. to No. 20). Bryan Lee O’Malley’s Seconds, meanwhile, climbed in its third month to No. 6. One new manga debuted at No. 12: Noragami, about a homeless god who does odd jobs as he tries to build up his reputation; the anime is already out, which probably gave it a boost. [ICv2]
Publishing | A television reporter pays a visit to the Last Gasp offices to talk about the Kickstarter recently launched by the longtime publisher of underground comics (and other quirky books). It’s worth a look just to see the owner’s amazing collection of oddities. [NBC Bay Area]
Nearly one month after what would’ve been Jack Kirby’s 97th birthday, the announcement was made: Concluding a five-year copyright battle, and decades of contention about credit and compensation, Marvel and the Kirby family revealed Friday that they had reached a settlement, just ahead of a conference to decide whether the U.S. Supreme Court would take up the case.
“Marvel and the family of Jack Kirby have amicably resolved their legal disputes,” they said in a joint statement, “and are looking forward to advancing their shared goal of honoring Mr. Kirby’s significant role in Marvel’s history.”
This is, without question, excellent news, and cause for celebration.
As is typical with settlements, the terms of their agreement aren’t made public, and the one-sentence statement gives no indication of how Kirby’s significant role in Marvel’s history will be honored.
Those close to Kirby’s family have been reserved with details. In some instances, they don’t appear to know any more than we do.
One of the most memorable Spider-Man storylines of the 1980s remains J.M. DeMatteis and Mike Zeck’s “Kraven’s Last Hunt,” which featured the ultimate battle between Kraven the Hunter and Spider-Man. Now, nearly three decades later, Marvel has enlisted Neil Kleid to author a prose adaptation, Spider-Man: Kraven’s Last Hunt.
To mark the novel’s release today in comic stores, Kleid talked with me about the nuances of the adaptation. He’ll appear today at 6 p.m. for a book signing at JHU Comic Books in New York City.
Law.com has an interesting follow-up to the surprise settlement last week in the five-year-old legal battle between Marvel and Jack Kirby’s heirs, noting that the larger copyright issue at its center remain unresolved.
The children of the legendary artist filed 45 copyright-termination notices in September 2009, seeking to reclaim what they saw as their father’s stake in such Marvel characters as the Avengers, the X-Men, the Fantastic Four and the Incredible Hulk. Marvel, joined by its then-new parent company Disney, responded with a lawsuit, setting the dispute down a path that ultimately saw the Second Circuit Court of Appeals affirm Kirby’s contributions to the publisher between 1959 and 1963 were “work for hire,” and therefore not subject to copyright termination.
Under a clause in the 1976 U.S. Copyright Act, which extended the duration of copyright, authors or their heirs can reclaim rights transferred before 1978 after a period of 56 years. However, if a work is determined to be “for hire,” meaning it was created by an employee as part of his employment or specially commissioned as part of a larger work, then the publisher (or movie studio, record label, etc.) owns the copyright, and it is not subject to termination.
Manga | Eiichiro Oda’s One Piece, the bestselling manga in Japan, is getting a spinoff: Starting with the January issue, which ships in December, the manga magazine Saikyo Jump will carry a series focusing on Monkey D. Luffy and the Straw Hat Pirates. There doesn’t seem to be any information yet on who the creators will be. [Anime News Network]
Publishing | In a business-oriented interview, Mark Waid talks about the strategy behind his digital comics site Thrillbent, especially its appeal to diverse groups of readers. The key is flexibility, Waid said, in terms of platforms and content. His goal is to make the comics readable on any digital device, which he says is not difficult once the site is set up. In terms of content, he says, “Pay attention to the audience, let them tell you who you’re clearly not serving, and go after them.” [The Wall Street Journal]
Spider-Man had his own limited-edition cereal in the mid-’90s, complete with marshmallows shaped like the Spider-symbol, Peter Parker’s camera, Hobgoblin’s pumpkin bomb and, strangely, Kingpin. So why shouldn’t some of Marvel’s other popular characters get in on some of that sweet, sweet breakfast action?
Designers Crystal Fontan (aka Bamboota) and Elliott Fernandez seem to have wondered the same thing, as they’ve created (alas) imaginary cereal brands like Bifrosted Loki Charms, Tony’s Iron Bran, Cap’N Ameri-Crunch and, yes, Groot Loops (with limited-edition cocoa marshmallows of Groot and Rocket Raccoon).
If your parents ever complained that all of those Spider-Man and X-Men comics would interfere with your school work, show them this: This spring the University of Baltimore will offer a course examining modern culture through the lens of Marvel’s films, television series and comic books.
Thought to be the first class of its kind in the United States, “Media Genres: Media Marvels” will not only explore the intricate plotlines, characters and backstories that form the Marvel Cinematic Universe but also try to understand our fixation with superheroes and fictional global threats. Students will also study Joseph Campbell’s monomyth of the “hero’s journey.”
Available for preorder beginning Thursday, the Merc With a Mouth comes equipped with multiple guns, blades, grenades, hands — “jazz hands!” — heads, and speech balloons. Yes, like his comic-book counterpart, this figure breaks the fourth wall.
And if that weren’t enough, the Sideshow Exclusive version includes a flying zombie head. Check out the images below.