AMC Renews "Preacher" for Season 2
TV, Comic Books
As a prelude to this summer’s He-Man and the Masters of the Universe comic book revival, DC Comics and comiXology today kicked off a digital-first He-Man comic series. The first issue, written by Geoff Johns with art by Howard Porter and John Livesay, is available now for 99 cents.
The comic features Sir Laser Lot, a MOTU character that Johns first envisioned when he was eight years old. Sir Laser Lot will debut as an action figure this summer at the San Diego Comic-Con as a part of the line’s 30th anniversary.
“I’ve been a huge fan of He-Man and the Masters of the Universe since I was a kid, so it’s cool to write a story for this new series — not to mention teaming up with Howard Porter and John Livesay, my old Flash partners in crime,” stated Geoff Johns. “And to create an all-new character that will become an action figure – Sir Laser Lot — it’s beyond fun. I’m going to buy like 100 of them.”
The digital series will debut new chapters twice a month on Saturdays. The second chapter, due July 14, is written by Mike Costa with artwork by Jheremy Raapack, and it tells the story of Battle Cat. The third digital chapter, written by Kyle Higgins with artwork by Pop Mhan, is an adventure with the captain of the Eternia guard, Man-At-Arms.
Check out the cover as well as the Sir Laser Lot action figure after the jump.
Sunday was a great day. It started off awesomely with a marriage proposal. A young man named Matthew had hired my friend Grant to draw a picture of Buffy the Vampire Slayer for his girlfriend, Lisa, a Buffy fan. When they picked up the commission, Lisa read the word balloons, “Hi, Lisa. Matthew tells me he loves you very much and he has a very important question to ask…”
DC Comics will return to Eternia in July with a six-issue He-Man and the Masters of the Universe limited series by James Robinson, Phillip Tan and Ruy Jose, MTV Geek reports.
Although several companies, from Marvel to Image to CrossGen, have released comics based on the Mattel toyline, DC was the first, introducing Superman to He-Man, Battle Cat, Skeletor and other characters in July 1982’s DC Comics Presents #47, followed by Masters of the Universe inserts in more than a dozen titles and, later that year, a three-issue miniseries.
In the new series, Skeletor has discovered a way to reshape reality, making himself ruler of Castle Grayskull while leaving the heroes of Eternia as peasants with no memories of their former lives. As for Prince Adam, the alter-ego of He-Man? He’s a woodsman who thinks his visions of wielding a sword in battle are merely dreams.
“Adam is in a place where he really has to reconnect with what it means to be a Master of the Universe,” Robinson tells MTV Geek. “It’s his odyssey, much like the Greek myth in fact, that is the backbone of this series.”
It’s a painting The Goon artist did for a mini-comic inserted in selected toy action figure packages for He-Man recently. This gem popped up on my radar when it came up as an eBay auction by Powell’s account there, and although there’s little chance we’ll see Powell ditching his creator-owned digs for a trip to Eternia, the fact that Dark Horse is the one publishing this comic for He-Man is interesting … could they be acquiring the license for He-Man, side by side with Conan?
I love He-Man and I don’t care who knows it. To my mind, the Masters of the Universe is one of the great untapped influences/resources in nerddom, a breathless (some might even say senseless) amalgamation of fantasy, science fiction, space opera, superheroes, pulp barbarians, and toyetic skunk dudes named Stinkor that in many ways prefigures contemporary comics’ fast and loose genre riffs and mash-ups, from Orc Stain to Prison Pit. The toys and the cartoon were good fun, but for sheer imagination-firing power, it’s tough to beat the line’s concept art. Aeron Alfrey of the indispensable art blog Monster Brains has assembled two eye-popping galleries of MOTU madness, one dedicated to paintings (in particular the work of the great Earl Norem), the other to comic and cartoon art. They have the power.
My big question heading into the show this year was, “How much is it going to feel like a comics convention?” With Chris “Thor” Hemsworth and much of the cast of Chuck being around this weekend, would C2E2 start to feel like San Diego or – God forbid – Wizard World Chicago from a couple of years ago with movies and TV taking over the center of attention?
It’s only Friday, but so far so really damn good.
After last year’s C2E2, I had high expectations for the convention this year and everything got off to a great start. Press registration went smoothly again and some of the Artist Alley creators who hadn’t attended last year told me how impressed they were with the professionalism and just general niceness of the staff they’d worked with.
One major difference though is that the convention’s in a different part of McCormick Place this year. Instead of the impressive Lakeside Center with it’s unbelievable view of Lake Michigan and downtown Chicago, it’s in the West Building. Still a very nice space with lush carpeting and plenty of room, just not as jaw-droppingly grand as last year. I’m not sure why that is, but one artist brought it to my attention that the setting sun through the giant picture-windows last year could sometimes make it difficult to see and interact with fans. So whatever the rationale for moving, there are positive and negative things about both spaces.
I think we can all agree it’s a great day that sees not one but two ’80s sci-fi-fantasy icons fed through a Tom of Finland filter by talented cartoonists — and my friends, today is a great day. Both Johnny Ryan and Nick Mullins have taken inspiration from the uber-macho gay erotica artist for their drawings of characters from Tron and He-Man and the Masters of the Universe, respectively. Will anyone else follow suit with, say, Thundercats or The Last Starfighter or something? All I know is that Destro and Doctor Mindbender are already dressed for the occasion …