Matt Bors Archives - Robot 6 @ Comic Book Resources
Publishing | Alex Abad-Santos examines how Marvel has created a mystique around its writers’ retreats, using the necessary secrecy to transform the planning meetings “into something fans are genuinely interested in.” The piece goes beyond that, however, touching upon recent accusations of sexism, and the inclusion of newly Marvel-exclusive writer G. Willow Wilson in this month’s retreat. [Vox]
Comics | Matt Cavna interviews Matt Bors, editor of The Nib, the comics section of the website The Medium, which has become the go-to site for journalism and commentary in comics form. [Comic Riffs]
Best of the year | The Publishers Weekly critics vote for the best graphic novels of the year; Jillian and Mariko Tamaki’s This One Summer tops the list, and there are plenty of interesting suggestions as books that got even one or two votes are included. [Publishers Weekly]
Although the kind of comics Matt Bors is best known for are far removed from the superhero genre, the political cartoonist has an unabashed love for the characters — and that’s showing through in these great illustrations he’s releasing for Valentine’s Day. Bearing the subtitle “protecting a world that hugs and smooches them,” Bors’ X-Men Valentines really hit the mutant-loving hearts of X-Men fans, and show he really knows his characters.
Welcome to Best of 7, our new weekly wrap-up post here at Robot 6. Each Sunday we’ll talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. I should also note that we skipped last Sunday after being exhausted from all our anniversary content, so you may see an item or two slip in from last week.
So without further ado, let’s get to it …
Cartoonist Matt Bors has made significant inroads for himself, political cartooning and comics journalism since taking on the role as editor of Medium‘s comics hub The Nib in September. And now in 2014, he’s taking it one step further: Bors has announced an all-star weekday lineup that will see “over 15″ new comics debut on the site each week. His new roster of weekly comics contributors are:
Creators | Anime legend Hayao Miyazaki, who announced his retirement just two months ago, is reportedly drawing a samurai manga set during the Warring States Period. Asked on the Japanese television show Sekai-ichi Uketai Jugyō over the weekend how the 72-year-old filmmaker will spend his retirement, Studio Ghibli producer Toshio Suzuki replied, “I think he will serialize a manga. From the beginning, he likes drawing about his favorite things. That’s his stress relief.” He also confirmed the manga’s setting before cutting off the line of questioning with, “He’ll get angry if I talk too much. Let’s stop talking about this.” Miyazaki has illustrated several manga over the past four decades, most notably the seven-volume Nausicaä of the Valley of the Wind. [Anime News Network]
Libraries | Mitch Stacy takes a look at the new Billy Ireland Cartoon Library and Museum at Ohio State University, which is scheduled to open this weekend with a gala celebration. [ABC News]
Creators | Editorial cartoonist Matt Bors talks about his life in a tough field, comics journalism and people who want him to work for free: “No one would hold a ‘contest’ for chefs to all prepare food and then only offer pay to the ‘winner’ whose meal they like best … If you want to draw your friend’s wedding invitation for free, I say go for it. If someone is making money from your work, they can afford to pay you.” [Truthout]
Creators | Brian K. Vaughan is crowned “king of the creator-owned comics” by Alex Hern, who acknowledges that may be an “artificially constrained” compliment before laying out the writer’s claim to the title. [New Statesman]
Legal | Palestinian cartoonist Mohammed Saba’aneh, who was arrested in March by Israeli authorities and held for what many feared would be an indefinite period, is expected to be released today. [Palestine News Network]
Graphic novels | Aligning itself with the latest trend in education, Diamond Book Distributors has released a list of 98 graphic novels that can fit in with a Common Core curriculum. [Diamond Book Distributors]
Awards | The shortlist has been announced for the Scottish Comic Book Alliance Awards. [Forbidden Planet]
The U.S. government reportedly has seized an advance payment to artist Tim Hamilton for his work on nonfiction graphic novel detailing the activities of notorious Lord’s Resistance Army leader Joseph Kony in the Congo, claiming the money was being laundered for a terrorist organization.
The news comes from journalist David Axe, who collaborated with Hamilton on Army of God: Joseph Kony’s War in Central Africa, which was serialized online by the Dutch website Cartoon Movement. It will be published next year by Public Affairs.
According to a press release, the title Army of God, which is also the name of a terrorist organization, “threw up a red flag” with the Office of Foreign Assets Control, the division of the Department of the Treasury that administers and enforces economic and trade sanctions. The money was seized early this month, and neither Hamilton nor his agent have been able to secure its release; the Comic Book Legal Defense Fund has been contacted.
Cartoonist Matt Bors, who edited Army of God, offers: “OFAC hasn’t responded to my request for comment yet, but their answering machine urged me to visit the U.S. Treasury’s website. Comics wouldn’t be a great way to fund terrorism. They don’t pay very well. But now we know no one fighting terrorism knows how to use Google, which sure makes me feel safe.”
Hamilton, who’s worked on titles ranging from Green Lantern to Deadpool to MAD, illustrated the Eisner-nominated adaptation of Ray Bradbury’s Farenheit 451.
It seems every time Superman, Spider-Man or any comics character steps near a political issue it becomes front-page news, not just on Comic Book Resources but in mainstream publications like USA Today. But politics and comics aren’t that unfamiliar to each other — in fact, they cross paths every day in editorial cartoons and comic strips. And one of the strongest and most popular voices in modern editorial cartooning is Portland, Oregon-based cartoonist Matt Bors. A 2012 Pulitzer Prize finalist, Bors can be read regularly nationwide in independent papers, as well as on Daily Kos and, of course, his own website.
It’s a busy time of year for Bors, as he just launched a Kickstarter campaign to fund the first collection of his editorial cartoons and essays under the banner Life Begins At Incorporation: Cartoons & Essays By Matt Bors. He’s taking time away from his post as comics journalism editor at Cartoon Movement and moving forward with more projects of his own. I talked to him about his career, his thoughts on the industry, and the perceived divide between comic books and editorial cartoons.
Wired has the exclusive on David Lloyd’s cover for the second issue of Occupy Comics, which shows a figure in the Guy Fawkes mask that Lloyd and Alan Moore brought to the world in V for Vendetta taunting a bull.
The second issue of the Occupy Comics anthology was released Monday, the first anniversary of the movement; besides Lloyd, the contributors include cartoonist Matt Bors, activist Bill Ayer, and artist Molly Crabapple, who lives near the Occupy site and was arrested at the first-anniversary event. (And check out the Occupy illustrations that Crabapple did for The Nation — before becoming part of the story herself.)
Editor Matt Pizzolo says the emphasis of the anthology has shifted in this second issue:
Publishing | Heidi MacDonald catches word that Top Cow Publisher Filip Sablik is moving on to a new job, which will be announced next month at Comic-Con International (Rich Johnston contends that gig is at BOOM! Studios). Friday will be Sablik’s last day at Top Cow; Social Marketing Coordinator Jessi Reid will assume his marketing duties. [The Beat, Bleeding Cool]
Creators | Through its partnership with the Small Press Expo, the Library of Congress has acquired works by cartoonists Matt Bors, Keith Knight, Jim Rugg, Jen Sorensen, Raina Telgemeier, Matthew Thurber and Jim Woodring. Dean Haspiel’s minicomics collection was added to the holdings just last week. [Comic Riffs]
Crime | Michael Lewis, owner of Rocket Comics in Pensacola, Florida, is being held on a $11,000 bond after his store was raided by police for allegedly selling “Spice,” a synthetic form of cannabis. [WEAR ABC]
Publishing | The Economist’s Babbage blog takes a look at R. Stevens’ successful Kickstarter for his webcomic Diesel Sweeties, which raised $60,000, far overshooting his initial goal of $3,000. [The Economist]
Creators | Gary Groth previews his interview with renowned children’s author and illustrator Maurice Sendak, who passed away last week at age 83. The interview, conducted in October, is scheduled to appear in the next issue of The Comics Journal. [TCJ.com]
Comics | A near-mint copy of 1940’s Batman #1, which marks the first appearances of the Joker and Catwoman, sold this week for $850,000 — a record for that issue — in a private transaction arranged by Heritage Auctions. The seller purchased the comic just two years ago for $315,000. [CNN]
Publishing | Cory Casoni is leaving his position as director of marketing for Oni Press for a position with NAMCO BANDAI Games Inc. as the head of marketing for ShiftyLook comics. Thomas Shimmin and Amber LaPraim, who joined Oni earlier this year, are taking joint positions as marketing coordinators. [press release]
Creators | Alison Bechdel discusses her family, her psyche, and the challenges of drawing a memoir that’s set in therapy sessions: “I watched all the episodes of “In Treatment” at one point, to see how they managed to make two people sitting in a room so very dramatic. And it was basically just good writing and good acting. So that gave me the hope that I could pull this story off without adding a car chase or an explosion. Though there is a kind of a car chase, now that I think of it, when a Sunbeam bread truck almost runs me off the road. My story also goes in and out of other texts — movies, psychoanalytic papers, children’s books — which creates some more overt visual excitement. And I use a dream to begin each chapter. I know you’re not supposed to write about your dreams, but the dreams have a dramatic sweep that everyday life doesn’t.” [The New York Times]
Awards | Matt Bors is the 2012 winner of the Herblock Award, and the first alternative political cartoonist to do so, according to the Herb Block Foundation. The award includes a $15,000 prize — and that’s $15,000 after taxes, which is mighty thoughtful of them. “The prize money is extremely generous and important, as it is more than I’ve ever made in a year from my editorial cartoons,” said Bors, who plans to use it to upgrade his website. The finalist for the prize is Jen Sorensen, creator of Slowpoke and also an alternative cartoonist; she gets a $5,000 prize. [Comic Riffs]
Awards | The Small Press and Alternative Comics Expo, or SPACE, has announced the winners of its annual awards, which will be presented April 21 at the convention in Columbus, Ohio. Winners include Diabetes Funnies by Colin Upton, Sing, Sing by Paul Zdepski, and Spoilers by Kevin Czapiewski. [SPACE]
Occupy Wall Street and the related protests in other cities are proving fertile ground for comics journalists—by which I mean those who use sequential art to report about an issue rather than journalists who cover comics. The comics-journalism site Cartoon Movement posted an Occupy Sketchbook this week featuring work from Susie Cagle, Sharon Rosenzweig, and Shannon Wheeler, and they promise another installment next week. At Comic Riffs, cartoonist and Cartoon Movement editor Matt Bors explains why cartoonists and Occupiers get along so well:
“Corporate media is met with skepticism by protesters — and with good reason,” Bors tells ‘Riffs. “I’ve found that sitting and talking to people with a sketchbook is a far better way to gain insight than shoving a network camera in their face. That only yields sound bites.
“Susie Cagle’s approach of essentially being an embedded journalist with the movement,” Bors continues, “will no doubt result in great comics and the kind of insight you aren’t going to find on television.”
Many of the comics in the Occupy Sketchbook are sound bites too, but Shannon Wheeler’s drawing of Occupy Wall Street is a birds-eye view that a camera simply couldn’t capture as well.