Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
Passings | Underground comics writer Dennis Eichhorn passed away on Oct. 8 at age 70. He’s best known for his autobiographical comic series Real Stuff, which often involved tales of alcohol, sex and drugs. Published from 1990 to 1995 by Fantagraphics, the multiple Eisner-nominated Real Stuff was illustrated by the likes of Lynda Barry, Chester Brown, Peter Kuper, Joe Sacco, Roberta Gregory and Ed Brubaker. [The Stranger]
Legal | Iranian cartoonist Atena Farghadani, already serving a 12-year sentence for a cartoon depicting members of the Iranian parliament with animal heads, and under investigation for shaking hands with her male lawyer, had to endure yet another indignity in August: She was forced to undergo a “forced virginity and pregnancy test” as part of the investigation of the latter charge. “In doing so, the Iranian judicial authorities have truly reached an outrageous low, seeking to exploit the stigma attached to sexual and gender-based violence in order to intimidate, punish or harass her,” said Said Boumedouha of Amnesty International, which is calling for her release. [Amnesty International]
Creators | Naruto creator Masashi Kishimoto isn’t getting the break he was looking forward to, although he was finally able to take his honeymoon, more than 10 years after his wedding. At a preview of Boruto: The Naruto Movie, he talked about moving from the hit manga, which ended its 15-year run last fall, to working on the movie: “I had thought that I could finally rest when I finished the manga series, but I couldn’t rest …” His own son is the same age as Boruto, the protagonist of the new movie (and Naruto’s son). And when asked about a sequel, he said, “I can’t. Please let me rest now,” adding that he thought Boruto was “perfect.” The movie will open on Aug. 7 in Japan and Oct. 10 in the United States. [Anime News Network]
In less than two years, starting in September 2013, Matt Bors built up The Nib into one of the best comics sites on the internet, with a stellar roster of creators and a curated selection of short comics that offered profound insights into current issues. This was achieved with a combination of talent and money: Host site Medium paid Bors to edit the site and gave him a budget to pay contributors. This made it a significant player in the field of online and indy comics.
And then it all ended a few weeks ago with a vague post from Bors saying that The Nib would be changing, although it was not clear to what.
Well, now it has become clear: Bors has taken The Nib with him, and his first initiative is a Kickstarter campaign to produce a print volume, Eat More Comics! The Best of The Nib, with a lineup of creators that includes Josh Neufeld, Kate Leth, Sarah Glidden, and Erika Moen. The Kickstarter has a goal of $45,000, which covers not only production costs but also compensating the creators for the republication of their comics. The plan is to have the books out by Small Press Expo in September.
And then? Bors says in his post on Medium that he has reassembled his editorial team and has plans to do more online and print comics in the future.
Passings | Anastasia Moreno, co-creator of the webcomic Marine Corps Yumi and a manga translator for Seven Seas, has died. Moreno was the translator of Kisses Sighs and Cherry Blossom Pink, Girl Friends, and Strawberry Panic, as well as the Love Hina and Trinity Blood novels. [Crunchyroll]
Comics | Political cartoonist Matt Bors has left his post as editor of The Nib, the comics section of the website The Medium, which he had built into a highly regarded online comics site until Medium gutted it. Bors told Tom Spurgeon he would be launching a Kickstarter for a Nib book, but he did not reveal any future plans. [Comics Reporter]
Editorial Cartoons | Political cartoonist Adrian Raeside is being laid off from the Victoria Times Colonist after 30 years. [Vancouver Sun]
Comics | I rounded up the kids’ comics news at Comic-Con. [Publishers Weekly]
Creators | “I kind of understood inherently — and I wasn’t really conflicted about this — that comics were not for me or by people who looked like me,” says Noelle Stevenson. Discovering the “free for all” of webcomics, and seeing women making stories for women, changed her attitude, and at 23 she already has a solid career, as the creator of Nimona (which started as a webcomic) and one of the co-creators of Lumberjanes. [Hero Complex]
Creators | Kate Beaton talks about her new picture book, The Princess and the Pony, and the power and joy of making kids laugh with poop and fart jokes. [Jezebel]
Creators | Pearls Before Swine creator Stephan Pastis talks about comics and being mistaken for Robert Downey, Jr. [Huffington Post]
Graphic Novels | Leah Hayes talks about her graphic novel Not Funny Ha-Ha, which follows the experiences of two women as they have abortions; the book focuses on the procedure itself, not the decision to have an abortion or the discussion that surrounds it. [MTV]
Graphic Novels | Phil Morehart covers three creator panels on diversity in graphic novels at the American Library Association annual meeting. Trina Robbins, Brenden Fletcher, Noelle Stevenson, and Jeremy Whitley were among the participants. [American Libraries]
Manga | Deb Aoki rounds up the recommendations from the Best and Worst Manga panel at Comic-Con (in which I took part). [MangaComicsManga]
About a year and a half ago, the founders of Medium did something that was both totally old-school and daringly novel: They set up a dedicated cartoon site, The Nib, hired editorial cartoonist Matt Bors to run it, and gave him a budget to pay the contributors. At a time when even venerable institutions like The Atlantic expect writers to pitch in their articles for free, this was a welcome sight — a publication with enough respect for its contributors to offer them paying work.
It showed, too; some of the most remarkable comics of the past year and a half have appeared on The Nib, including work by Leela Corman, Mike Dawson, Eleanor Davis, Shannon Wheeler and Sarah Glidden. Those are just the creators who appear on the front page today.
And now, just like that, it’s gone, to be replaced by … well, it’s not clear. Bors posted an announcement Friday that things would be different going forward:
Late last year, I noticed that writer/artist Mike Dawson was contributing original content to The Nib, a collection of political cartoons, comics journalism, humor and nonfiction at Medium.com edited by Matt Bors.
Curious to learn what led him to participating at The Nib, and hoping to see if I could get Dawson to break down one of his recent pieces that ran there, I reached out to the cartoonist. It turns out he was more than happy to reveal the development process for his Oct. 6 strip, “The Underdog Myth.”
Publishing | Alex Abad-Santos examines how Marvel has created a mystique around its writers’ retreats, using the necessary secrecy to transform the planning meetings “into something fans are genuinely interested in.” The piece goes beyond that, however, touching upon recent accusations of sexism, and the inclusion of newly Marvel-exclusive writer G. Willow Wilson in this month’s retreat. [Vox]
Comics | Matt Cavna interviews Matt Bors, editor of The Nib, the comics section of the website The Medium, which has become the go-to site for journalism and commentary in comics form. [Comic Riffs]
Best of the year | The Publishers Weekly critics vote for the best graphic novels of the year; Jillian and Mariko Tamaki’s This One Summer tops the list, and there are plenty of interesting suggestions as books that got even one or two votes are included. [Publishers Weekly]
Although the kind of comics Matt Bors is best known for are far removed from the superhero genre, the political cartoonist has an unabashed love for the characters — and that’s showing through in these great illustrations he’s releasing for Valentine’s Day. Bearing the subtitle “protecting a world that hugs and smooches them,” Bors’ X-Men Valentines really hit the mutant-loving hearts of X-Men fans, and show he really knows his characters.
Welcome to Best of 7, our new weekly wrap-up post here at Robot 6. Each Sunday we’ll talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. I should also note that we skipped last Sunday after being exhausted from all our anniversary content, so you may see an item or two slip in from last week.
So without further ado, let’s get to it …
Cartoonist Matt Bors has made significant inroads for himself, political cartooning and comics journalism since taking on the role as editor of Medium‘s comics hub The Nib in September. And now in 2014, he’s taking it one step further: Bors has announced an all-star weekday lineup that will see “over 15″ new comics debut on the site each week. His new roster of weekly comics contributors are:
Creators | Anime legend Hayao Miyazaki, who announced his retirement just two months ago, is reportedly drawing a samurai manga set during the Warring States Period. Asked on the Japanese television show Sekai-ichi Uketai Jugyō over the weekend how the 72-year-old filmmaker will spend his retirement, Studio Ghibli producer Toshio Suzuki replied, “I think he will serialize a manga. From the beginning, he likes drawing about his favorite things. That’s his stress relief.” He also confirmed the manga’s setting before cutting off the line of questioning with, “He’ll get angry if I talk too much. Let’s stop talking about this.” Miyazaki has illustrated several manga over the past four decades, most notably the seven-volume Nausicaä of the Valley of the Wind. [Anime News Network]
Libraries | Mitch Stacy takes a look at the new Billy Ireland Cartoon Library and Museum at Ohio State University, which is scheduled to open this weekend with a gala celebration. [ABC News]
Creators | Editorial cartoonist Matt Bors talks about his life in a tough field, comics journalism and people who want him to work for free: “No one would hold a ‘contest’ for chefs to all prepare food and then only offer pay to the ‘winner’ whose meal they like best … If you want to draw your friend’s wedding invitation for free, I say go for it. If someone is making money from your work, they can afford to pay you.” [Truthout]
Creators | Brian K. Vaughan is crowned “king of the creator-owned comics” by Alex Hern, who acknowledges that may be an “artificially constrained” compliment before laying out the writer’s claim to the title. [New Statesman]
Legal | Palestinian cartoonist Mohammed Saba’aneh, who was arrested in March by Israeli authorities and held for what many feared would be an indefinite period, is expected to be released today. [Palestine News Network]
Graphic novels | Aligning itself with the latest trend in education, Diamond Book Distributors has released a list of 98 graphic novels that can fit in with a Common Core curriculum. [Diamond Book Distributors]
Awards | The shortlist has been announced for the Scottish Comic Book Alliance Awards. [Forbidden Planet]
The U.S. government reportedly has seized an advance payment to artist Tim Hamilton for his work on nonfiction graphic novel detailing the activities of notorious Lord’s Resistance Army leader Joseph Kony in the Congo, claiming the money was being laundered for a terrorist organization.
The news comes from journalist David Axe, who collaborated with Hamilton on Army of God: Joseph Kony’s War in Central Africa, which was serialized online by the Dutch website Cartoon Movement. It will be published next year by Public Affairs.
According to a press release, the title Army of God, which is also the name of a terrorist organization, “threw up a red flag” with the Office of Foreign Assets Control, the division of the Department of the Treasury that administers and enforces economic and trade sanctions. The money was seized early this month, and neither Hamilton nor his agent have been able to secure its release; the Comic Book Legal Defense Fund has been contacted.
Cartoonist Matt Bors, who edited Army of God, offers: “OFAC hasn’t responded to my request for comment yet, but their answering machine urged me to visit the U.S. Treasury’s website. Comics wouldn’t be a great way to fund terrorism. They don’t pay very well. But now we know no one fighting terrorism knows how to use Google, which sure makes me feel safe.”
Hamilton, who’s worked on titles ranging from Green Lantern to Deadpool to MAD, illustrated the Eisner-nominated adaptation of Ray Bradbury’s Farenheit 451.
It seems every time Superman, Spider-Man or any comics character steps near a political issue it becomes front-page news, not just on Comic Book Resources but in mainstream publications like USA Today. But politics and comics aren’t that unfamiliar to each other — in fact, they cross paths every day in editorial cartoons and comic strips. And one of the strongest and most popular voices in modern editorial cartooning is Portland, Oregon-based cartoonist Matt Bors. A 2012 Pulitzer Prize finalist, Bors can be read regularly nationwide in independent papers, as well as on Daily Kos and, of course, his own website.
It’s a busy time of year for Bors, as he just launched a Kickstarter campaign to fund the first collection of his editorial cartoons and essays under the banner Life Begins At Incorporation: Cartoons & Essays By Matt Bors. He’s taking time away from his post as comics journalism editor at Cartoon Movement and moving forward with more projects of his own. I talked to him about his career, his thoughts on the industry, and the perceived divide between comic books and editorial cartoons.