Hey, you know who’s a seriously underrated artist? Matt “D’Israeli” Brooker. Let’s take some time to embarrass this mild-mannered Englishman with the type of fulsome praise the British, as a nation, handle so badly. The folks at 2000AD have sent along a video profile of the man (below), revealing an artist of rare intelligence and dry wit. He’s also one of the few artists I’ve seen taking full advantage of the freelancer lifestyle — you’ll see what I mean after watching the clip.
Few artists emerge with a fully developed style of their own, but D’Israeli certainly did, and I think if you showed someone unfamiliar with his work a page of his earliest strips — a “Timulo” from Deadline in 1989 or a Lazarus Churchyard from 1991 — and then presented them with a more recent page, from 2000AD‘s “Lowlife” or “Leviathan,” or from the amazing “XTNCT,” they would recognize it all as being produced by the same hand. Brooker may have constantly evolved and refined his line to its current slickness, but there’s an easily spotted commonality, an essential D’Israeli-ness, to it all. It’s hard to think of many of Brooker’s peers that you could say the same for.