Matt Fraction Archives - Robot 6 @ Comic Book Resources
“The new design is entitled ‘H Signs,’ and it is inspired by the plot of the latest issue of Fraction and David Aja’s critically acclaimed Hawkeye series,” wrote WeLoveFine’s Nicole Campos. “Each shirt is $25. In keeping with the sign language theme of the issue, Matt will be donating his curation commission for this particular style to the Signing Time Foundation, a charity whose efforts are dedicated toward making sign language fun and accessible to deaf children around the world.”
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
I think by now we can all agree that diversity in comics is a great thing. Not only does it welcome in people who might feel ostracized by convention and provide a positive reflection of themselves in the pages of a comic, but it teaches readers and challenges us to go beyond comfort zones and understand the world around us.
Legal | Attorney Tom Goldstein, co-founder of the respected SCOTUSblog, has joined with Marc Toberoff to represent the heirs of Jack Kirby in their appeal to the U.S. Supreme Court of the Second Circuit’s affirmation that the artist’s contributions to Marvel between 1958 and 1963 were work for hire and therefore not subject to copyright termination. In a response filed this week to Marvel’s brief urging the high court to decline review, Goldstein and Toberoff again challenge the Second Circuit’s “instance and expense” test and its definition of “employer,” and argue, “Many of our most celebrated literary and musical works were created before 1978 and signed away to publishers in un-remunerative transactions. Termination rights were ‘needed because of the unequal bargaining position of authors.’ It would be hard to find a better example of this than the prolific Jack Kirby, who worked in his basement with no contract, no financial security and no employment benefits, but without whom Marvel might not even be in business today.” [Hollyqood, Esq.]
Retailing | Memo to politicians: You don’t win friends and influence people by taking up five spots in a comic store’s parking lot with your campaign bus on a Wednesday — especially when it’s Batman Day. [The Clarion-Ledger]
The biggest comics news Thursday out of Comic-Con International was undoubtedly that, after years of debate, comiXology has introduced DRM-free backups of titles purchased from its storefront, with Image Comics, Dynamite Entertainment, MonkeyBrain Comics, Thrillbent, Top Shelf Productions and Zenescope Entertainment signing on to the program.
An email went out last night notifying customers that books they’ve purchased can be downloaded and stored as PDF or CBZ files, and pointing them to an FAQ on the subject.
“This has been an oft-requested feature,” comiXology CEO David Steinberger said during the company’s Comic-Con panel. “It’s a real backup file — it’s a fairly plain PDF or CBZ. They are high resolution, not a lot of bells and whistles, and my feeling is that people will continue to use the cloud-based reader to do their reading.”
The other big announcement was that Marvel will publish Avengers: Age of Ultron, an in-continuity graphic novel by the Uncanny X-Force team of Rick Remender, Jerome Opeña and Dean White scheduled to arrive in April 2015, ahead of the premiere of Avengers: Age of Ultron.
Saturday, aka Day 2, of HeroesCon was much busier for creators, so I didn’t always get the opportunity to chat with them that I did on the first day of the Charlotte, North Carolina, convention. In those instances, in place of project updates I provide links to the creators and/or their related works.
Pop culture | Eighty years ago today, Donald Duck was introduced as a supporting character in the animated short “The Wise Little Hen,” part of Walt Disney Productions’ Silly Symphonies series. His comic strip debut came a few months later, in an adaptation of the short by Ted Osborne and Al Taliaferro that ran in Sunday newspapers between Sept. 16 and Dec. 16. To mark the milestone, the National Turk publishes “a love letter to the duck,” while The Telegraph offers 10 surprising facts about the character. [National Turk, The Telegraph]
Political cartoons | The South African cartoonist Zapiro, himself no stranger to controversy, said the Eyewitness News cartoon depicting the South African legislature and the people who voted for them as clowns (and calling the voters “poephols,” or idiots) was a mistake. “I think the EWN cartoonists made a big error in the way they depicted the voters, what they called them and the shadow in the bottom corner, which could be misconstrued as meaning black voters,” he said. “They should have – and the editors of EWN should have – picked it up. But, they have apologised and anything that goes beyond that now is just bandwagoning by politicians.” Meanwhile, a fake Zapiro cartoon made the rounds on social media over the weekend. It’s based on a real 2002 cartoon that showed doctors finding the brain of then-president George W. Bush while giving him a colonoscopy; the fake cartoon substitutes South African President Jacob Zuma, who went into the hospital over the weekend. [Times Live]
Manga | The 13th volume of Hajime Isayama’s hit dystopian fantasy Attack on Titan sold 1.4 million copies in Japan during its first week of release: 1.13 million copies of the regular edition, and 270,000 of a special edition that includes the original video animation. Kodansha ordered a 2.75 million-copy initial print run, a record not only for the series but for the publisher as well. The 66th volume of One Piece holds the record in Japan for highest sales in the first week with nearly 2.3 million copies. [Crunchyroll]
Publishing | Darren Davis of Bluewater Productions, talks about the evolution of his company and the origin story of its Female Force bio-comics line: “[W]e saw a comic book done of Barack Obama and John McCain during the 2008 elections, and my partner joked and said, ‘Why don’t we do Hillary?’ And I thought, oh my God, that’s a brilliant idea.So I thought, let’s do this, but let’s do it differently. Let’s not do it like everyone else, with a boring biography. We did it with a female empowerment angle. We released Hillary Clinton and Sarah Palin at the same time, and whether you like Sarah Palin or hate Hillary Clinton, you have to respect both of them for where they came from and who they are.” [The Beaverton Leader]
It’s the kind of thing you might expect from a Matt Fraction comic — although I would have guessed it would have been connected to Sex Criminals. Still, this one makes more sense, story-wise; retailers who order 10 or more copies of Satellite Sam #8, by Fraction and artist Howard Chaykin, will receive their very own Satellite Sam Tijuana Bible.
If you aren’t familiar with the term, Tijuana bibles were small pornographic comic books that were popular during the Great Depression era. Typically they parodied comic strips, such as Blondie, Popeye or Dick Tracy (that last one pretty much writes itself), or they played off a popular dirty joke. You can find many of them here (very much NSFW). The story in Satellite Sam #8 features a Tijuana starring the cast of the Satellite Sam TV serial.
Creators | Frannie Jackson talks with a handful of prominent creator couples — Mike Allred and Laura Allred, Kelly Sue DeConnick and Matt Fraction, Colleen Coover and Paul Tobin — about sexism within the comics industry. “I’m occasionally invited to participate in panel discussions about ‘women in comics,’” Coover says. “I’m usually emotionally torn by those invitations, because, yeah, I want women in comics to thrive and be seen as thriving, but I’d much rather be part of a discussion about ‘awesome creators in comics’ that’s stacked with awesome women and men.” [Paste]
Retailing | Andrew Wyrich visits several comics shops in the North Jersey area and finds they rely on a friendly atmosphere and incentive programs to keep customers coming back. “People who buy comics tend to have a $40 weekly budget,” said Len Katz, co-owner of The Joker’s Child in Fair Lawn, New Jersey. “We hear of people who love comics, but eventually just hit a wall with expenses. The key for us is to get customers coming back. The reality is we are not a necessary item; we aren’t milk, bread or cheese.” [The Record]
“Ed [Brubaker] got too busy, so Ed had to leave. Sales were what they were — it was Iron Fist. It was critically acclaimed, and not losing money was enough. But David Aja was going to stop because of the schedule and other work, and Ed was going to stop because of his schedule, and I basically didn’t want to be the Mike Love of Iron Fist, the only original member left ruining what you remember about the band. So I said alright, we’ll stop at #16. I knew what my twist was, what my end was, I thought I’d do that sort of West Wing thing where you end with a “holy fuck!” moment for the next guys, and let them have fun building everything up and finding out what the new status quo is. So it felt more important to go out on a high note with everybody happy, than to be the guy who ruined the book.”
– writer Matt Fraction, on why he left Marvel’s The Immortal Iron Fist with Issue 16, in an interesting discussion of his career from Rex Mantooth through The Order
Legal | Artists from around the world are drawing in support of Tunisian cartoonist Jabeur Mejri, who is serving a seven-and-a-half-year prison sentence for posting caricatures of the Prophet Muhammad online. Just two weeks after Tunisia adopted a new constitution that protects freedom of expression, Jabeur’s supporters have launched a “100 Cartoons for Jabeur” website and released a statement saying, “While freedom of expression and conscience are guaranteed in this founding text, the continued detention of Jabeur Mejri is contrary to the spirit and the text of the constitution.” [Yahoo News]
Publishing | Andrews McMeel’s AMP! division will publish Reading With Pictures: The Graphic Textbook, a collection of graphic stories on a number of topics, including math, history and social studies, that is designed to fit into the Common Core standards. The creators involved include Roger Langridge, Fred Van Lente and Ryan Dunlavey. While this is big news for Reading With Pictures, the organization behind the book, it’s also an interesting move for AMP!, which has been focusing on kid-friendly reprint collections of its parent company’s newspaper strips. [The Beat]
“The graphic novel ‘script’ for the Fight Club sequel has gone off to the writer Matt Fraction and to an unnamed publisher for review,” the author revealed to his official fan site. “Matt writes his own series, called Sex Criminals and does very well. He’s been my go-to advisor about format and other considerations of graphic scripts. I’ll be choosing an illustrator based on their response to the script. The sequel will consist of seven issues, totally more than 210 pages. Fingers crossed.”
Announced in July, the sequel picks up 10 years “after the seeming end of Tyler Durden,” with Jack (as he was dubbed in the film; Palahniuk is calling him Cornelius) trapped in a failing marriage. “The typical midlife bullshit,” Palahniuk said in November. “Likewise, Marla is unsatisfied and dreams of accessing the wild man she’d once fallen in love with. She tampers with the small pharmacy of drugs that her husband needs to suppress Tyler, and — go figure — Tyler reemerges to terrorize their lives.”
Sixteen months after Marvel NOW! began, bringing with it new creative teams, new directions, new reboots of recently rebooted titles and new titles, the publisher is launching a new initiative. Marvel NOW! has become Marvel then, and the new NOW! is the All-New Marvel NOW!, which brings with it new creative teams, new directions, new reboots of recently rebooted titles, new titles and so on.
Not all of the NOW! titles are making the transition into the All-New NOW!, of course, and many of those that aren’t are instead concluding (rather than being canceled), apparently having been designed from the start to only last a certain length of time, and these conclusions are taking big, pulpy chunks out of my pull-list.
This week Marvel shipped the last issue of my favorite NOW book: FF. Originally written by Matt Fraction, drawn by Mike Allred, colored by Laura Allred and, toward the end of its 15-issue run, scripted by Lee Allred from Fraction’s plotting, it might not have been the best title Marvel is publishing (that’s probably still Hawkeye), but it was certainly the most fun for the entire length of its short, bright life.
Fraction followed Jonathan Hickman on Fantastic Four, and thus inherited the new, Hickman-created two-book status quo: Fantastic Four, featuring the adventures of the original Marvel superhero team, and FF, devoted to the Future Foundation school for young geniuses that Reed Richards established. Under Fraction, Richards took his team and his two biological children on a trip through time and space, seeking a cure for what appeared to be a chronic condition that baffled even him, in the pages of Fantastic Four, drawn in a more modern Marvel style by Mark Bagley.
And in FF, the Four recruited their own replacements for a temporary, stand-in superhero team/faculty — Ant-Man Scott Lang, She-Hulk, Medusa and Johnny Storm’s pop -star girlfriend Darla Deering — to run the school and care for the kids in their stead. (And it was awesome.)
Digital comics | ComiXology CEO David Steinberger dicusses the growth of the digital-comics platform, which was the top-grossing non-game iPad app for the third year in a row. “We’re finding that a larger and larger percentage of our user base — our new user base — is people who are buying comics for the very first time with us,” he tells Wired. Steinberger also hints at a next step for comiXology: curation. [Wired.com]
Comics | Torsten Adair looks back at some comics trends in from 2013 and looks ahead to what we can expect in 2014. [The Beat]
Comics | Dark Horse Editor-in-Chief Scott Allie discusses the relaunch of the publisher’s Alien, Predator and Alien vs. Predator series and the debut of Prometheus. [io9]
Welcome to Best of 7, our new weekly wrap-up post here at Robot 6. Each Sunday we’ll talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out.
So without further ado, let’s get to it …