Matt Fraction Archives - Page 2 of 10 - Robot 6 @ Comic Book Resources
“It just felt right. There’s never been, that I can think of, like a sex comedy for comics the way that we go see sex comedies in the movies or on TV. It just seemed like a genre that was totally virgin — pardon the pun. And I love that stuff, whether it’s like Billy Wilder or Superbad or any of that stuff. It’s a genre I enjoy; it makes me laugh. And if you’re going to do a comic, it should be a comic. It shouldn’t be a screenplay that you just give up and convert to the page. So I wanted something that looked visually spectacular and kind of play with the form. Comics does time on the page very well. It’s a chance to make a piece of cartooning and a piece of comic bookery that ordinarily wouldn’t be possible.”
After Hawkeye #11, I fully expect to see a Pizza Dog miniseries, if not a monthly spinoff … and even a guest spot in an upcoming episode of Marvel’s Agents of S.H.I.E.L.D. Heck, maybe Marvel is just waiting until Comic-Con International to tell us one of those 2016 film-release dates already claimed is going to the dogs …
That’s just speculation, of course, but what I do know is that Pizza Dog has made his way to a T-shirt. WeLoveFine.com has a new design featuring David Aja and Matt Hollingworth’s art from that issue, in both men’s and women’s sizes. Pizza is his business, and business is good … check ‘em out below.
This is it! The (thrilling?) conclusion of our re-reading The Invincible Iron Man series, which has covered the entire Matt Fraction and Salvador Larroca series over the course of — let’s see … one, two, three, four — five posts. Today, we look at the last year and a half worth of issues, which are collected in a trio of trades that see our hero facing off against his ultimate villain in an attempt to save the world from destruction. (Spoiler warning: He succeeds.)
Ready for the penultimate installment of our re-reading of writer Matt Fraction and artist Salvador Larroca’s impressive five-year, 60-ish issue run on The Invincible Iron Man? Well, if not, you can always come back later when you are; it will be right here waiting.
Today we look at one official part of the run, and two more collections worth of Fraction-written Iron Man comics, which aren’t necessarily labeled as part of The Invincible Iron Man, because Marvel moves in mysterious ways.
Vol. 8 Unfixable (#501-503, Free Comic Book Day 2010 Iron Man/Thor, Rescue #1): With this volume, the drifting of the narrative glimpsed in the previous volume becomes more pronounced, with the bulk of the collection devoted to the next chapter of the Invincible Iron Man storyline and ending, mid-book, with a “Continued In FEAR ITSELF!” tag, and a pair of one-shots that sorta distract from the ongoing story (but certainly needed to be collected somewhere, if only for us wait-for-the-trade types) filling up the rest of the book.
In the title story, Stark is busily pitching his repulsor technology’s consumer applications, when he’s interrupted by “the post-life crisis ” of Spider-Man’s villain Otto “Doctor Octopus” Octavius, who, in the Spider-Man books of the time, had developed a terminal, degenerative disease and turned himself into a barely recognizable cyborg of sorts, his arms folded and legs tugged up like some sort of mummy awaiting burial, while a mass of mechanical arms did all his moving for him.
Today we continue our look at Matt Fraction and Salvador Larroca’s The Invincible Iron Man run with the next three volumes, which contain another new direction for the series, and the several instances of people other than Larroca drawing the series for the first time.
Vols. 4 and 5: Stark Resilient Books 1 and 2 (#25-33 ): Like the 12-issue story arc “World’s Most Wanted,” “Stark Resilient” is such a long story arc that it takes up two trade collections.
When we last left Stark, his friends and allies had just reinstalled a back-up of his brain into his body after he was left in a vegetative state by his heroic efforts to deny Norman Osborn access to his most dangerous secrets. While the first two years of the book were devoted to following the Iron Man through-line of the publisher’s massive Civil War-to-Siege storyline, with the 25th issue Matt Fraction and Salvador Larroca essentially get to start over.
Oh, good, you came back. Today we’re going to take a look at the first four collections worth of Matt Fraction, Salvador Larroca and company’s The Invincible Iron Man, which accounts for the first 24 issues of the series and two of the several completely different (but narratively and thematically connected) directions the series took.
The Invincible Iron Man, Vol. 1: The Five Nightmares (#1-7): As I mentioned Tuesday, this title launched the same summer that director Jon Favreau’s Iron Man, starring Robert Downey Jr. as Tony Stark, opened, and writing a new, second title with Iron Man as the hero must have seemed a rather daunting task, given that Downey and Favreau’s cool, charming war profiteer turned warrior for peace bore little resemblance to the Marvel Universe version of the character of the time, whom writer Mark Millar had turned into the publisher’s greatest villain during Civil War and its aftermath.
With regular old prose books, it’s easy: If you want to read the books that inspired big-budget summer movies like The Great Gatsby or World War Z, you need only pick up the novels with the same name.
Comic-book superhero movies, on the other hand, are a bit more tricky, as they rarely adapt a single, standalone story, but rather cherry-pick characters, plotlines, designs and images from several different comic books by various creators and published in various decades, all blended together in a rebooted, remixed mélange of an adaptation.
So if you walked out of a theater in the early ’00s wanting to read the comics that Blade or X-Men or Spider-Man or Daredevil were based on, well, you’d have to do some research first, and you’d end up with a whole stack of comics for each, none of which really replicated the same tone, world or experience of watching the films starring those heroes.
Cognizant of that, Marvel gradually got better at producing new comics to sell to fans of its movies. Some of these attempts to align comic books more closely with their cinematic versions have been better than others, of course.
The best of these was probably The Invincible Iron Man by writer Matt Fraction and artist Salvador Larroca, the 60-issue series that debuted in summer 2008, around the time the original Iron Man movie was in theaters, and concluded in fall 2012, just six months ahead of Iron Man 3, which, depending on contract negotiations, could end up being the final Iron Man film (it was certainly constructed as the end of a trilogy of films).
Happy Mother’s Day and welcome to What Are You Reading?, our weekly look at the comics, books and what have you we’ve been checking out lately. Joining us today is Allison Baker, co-publisher of Bandette, Edison Rex and all the other Monkeybrain Comics you can find on comiXology.
To see what Allison and the Robot 6 crew have been reading, click below.
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been checking out lately. Today our special guest is Chris Sims, senior writer for ComicsAlliance, blogger at Chris’s Invincible Super Blog and writer of comics like Dracula the Unconquered and Awesome Hospital.
To see what Chris and the Robot 6 crew have been reading, click below.
When Matt Fraction, Gabriel Bá and Fábio Moon reteam for the fourth volume of their acclaimed spy-fi series Casanova, they’ll bring with them a literary heavy-hitter: Pulitzer Prize-winning author Michael Chabon.
“When Casanova returns at the end of the year, the main story by Moon and me will be backed up by shorts created by Michael Chabon and Bá,” Fraction wrote on his blog. “He keeps saying ‘Like Tales of Asgard‘ and I’m not sure if he’s kidding or not.”
Chabon won the 2001 Pulitzer Prize for Fiction for The Amazing Adventures of Kavalier and Clay, which follows two Jewish cousins who partner to create the Escapist, one of the most popular heroes of the Golden Age of comic books. Many of the events of the novel, which is dedicated to Jack Kirby, are based on the lives of actual comic-book creators like Will Eisner, Jerry Siegel, Joe Shuster, Jim Steranko and Stan Lee.
Happy Easter and welcome once again to What Are You Reading?, where we review the stuff we’ve been checking out lately. Today we are joined by Miranda Mercury and Voltron writer Brandon Thomas, whose collection of original art and other stuff we featured in Shelf Porn yesterday.
To see what Brandon and the Robot 6 crew have been reading, click below.
Happy Sunday and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Today our special guest is Dave Dwonch, creative director at Action Lab Entertainment and the writer of such comics as Space-Time Condominium, the upcoming Ghost Town, Double-Jumpers and more.
To see what Dave and the Robot 6 crew have been reading, click below.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Below you’ll find a roundup for Marvel’s announcements from South by Southwest, our contributors’ picks of the comics of the week, and the top events to watch for in the next seven days.
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Our special guests today are Brendan Tobin and Pedro Delgado, who run the March MODOK Madness site. And with this being March, the madness is in full swing, so head over there to check out a lot of fun art featuring everyone’s favorite big-headed villain.
To see what Brendan, Pedro and the Robot 6 crew have been reading, click below.
Comics are more than just drawing pretty pictures and great muscled physiques. They’re about telling a story, through sequences of images but also through the image itself. And British artist Rian Hughes has spent years figuring out how to tell a story, in sequential art as well as in standalone images, package designs and even fonts.
After bursting onto the comics scene as an artist in Escape and 2000AD, Hughes expanded his skills to become a designer and illustrator for comics in England, Europe and the United States. He went on to design a number of logos and mastheads for DC Comics, Marvel and Valiant, and his work on Wildcats 3.0 and Invincible Iron Man proved to be high-water marks for comic book covers. Image and Knockabout Books recently began reprinting some of Hughes’ early comics work, and this summer will see the release of an artbook chronicling his portraits taken from London’s underworld burlesque scene.
For this week’s “Conversing on Comics,” I spoke with Hughes about his forthcoming art book and other upcoming projects, and received a look at his past work, including a never-before-seen set of designs he created for Invincible Iron Man.