Matt Fraction Archives - Page 3 of 10 - Robot 6 @ Comic Book Resources
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been checking out lately. Today our special guest is Chris Sims, senior writer for ComicsAlliance, blogger at Chris’s Invincible Super Blog and writer of comics like Dracula the Unconquered and Awesome Hospital.
To see what Chris and the Robot 6 crew have been reading, click below.
When Matt Fraction, Gabriel Bá and Fábio Moon reteam for the fourth volume of their acclaimed spy-fi series Casanova, they’ll bring with them a literary heavy-hitter: Pulitzer Prize-winning author Michael Chabon.
“When Casanova returns at the end of the year, the main story by Moon and me will be backed up by shorts created by Michael Chabon and Bá,” Fraction wrote on his blog. “He keeps saying ‘Like Tales of Asgard‘ and I’m not sure if he’s kidding or not.”
Chabon won the 2001 Pulitzer Prize for Fiction for The Amazing Adventures of Kavalier and Clay, which follows two Jewish cousins who partner to create the Escapist, one of the most popular heroes of the Golden Age of comic books. Many of the events of the novel, which is dedicated to Jack Kirby, are based on the lives of actual comic-book creators like Will Eisner, Jerry Siegel, Joe Shuster, Jim Steranko and Stan Lee.
Happy Easter and welcome once again to What Are You Reading?, where we review the stuff we’ve been checking out lately. Today we are joined by Miranda Mercury and Voltron writer Brandon Thomas, whose collection of original art and other stuff we featured in Shelf Porn yesterday.
To see what Brandon and the Robot 6 crew have been reading, click below.
Happy Sunday and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Today our special guest is Dave Dwonch, creative director at Action Lab Entertainment and the writer of such comics as Space-Time Condominium, the upcoming Ghost Town, Double-Jumpers and more.
To see what Dave and the Robot 6 crew have been reading, click below.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Below you’ll find a roundup for Marvel’s announcements from South by Southwest, our contributors’ picks of the comics of the week, and the top events to watch for in the next seven days.
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Our special guests today are Brendan Tobin and Pedro Delgado, who run the March MODOK Madness site. And with this being March, the madness is in full swing, so head over there to check out a lot of fun art featuring everyone’s favorite big-headed villain.
To see what Brendan, Pedro and the Robot 6 crew have been reading, click below.
Comics are more than just drawing pretty pictures and great muscled physiques. They’re about telling a story, through sequences of images but also through the image itself. And British artist Rian Hughes has spent years figuring out how to tell a story, in sequential art as well as in standalone images, package designs and even fonts.
After bursting onto the comics scene as an artist in Escape and 2000AD, Hughes expanded his skills to become a designer and illustrator for comics in England, Europe and the United States. He went on to design a number of logos and mastheads for DC Comics, Marvel and Valiant, and his work on Wildcats 3.0 and Invincible Iron Man proved to be high-water marks for comic book covers. Image and Knockabout Books recently began reprinting some of Hughes’ early comics work, and this summer will see the release of an artbook chronicling his portraits taken from London’s underworld burlesque scene.
For this week’s “Conversing on Comics,” I spoke with Hughes about his forthcoming art book and other upcoming projects, and received a look at his past work, including a never-before-seen set of designs he created for Invincible Iron Man.
It’s rare that a completely new character is my main reason for reading a comic, but here we are. I was hooked from the moment Matt Fraction and Mike Allred’s FF team was announced. I haven’t traditionally cared so much about Ant-Man, but She-Hulk has always been one of my favorite characters, and Medusa’s powers are so kooky I can’t help but dig her. What pushed the comic into my pre-order list, though, was the idea of a woman wearing a Thing costume and calling herself “Miss Thing.” And now that I know something about her, I love her even more.
Darla Deering is a pop superstar and Johnny Storm’s latest girlfriend. All you really have to know is the last half of that description, because that’s how she accidentally ends up a member of the Fantastic Four. In FF #1, the real team is headed out on a journey beyond time and space. and needs stand-ins to oversee the Future Foundation for the four minutes of Earth time they’ll be gone. Or longer, if something goes wrong. Reed picks Ant-Man, Sue picks Medusa, and Ben picks She-Hulk. Johnny, of course, completely forgets about the whole thing.
Hello and welcome to What Are You Reading?, where the Robot 6 crew talks about the death of … oh, wait, we already did that. In fact, nobody brought up [REDACTED] in their write-up this week. But they did talk about a bunch of other comics.
Our guest this week is cartoonist and teacher Ben Towle, creator of Oyster War, Midnight Sun, Amelia Earhart: This Broad Ocean and much more. Check out his website for all kinds of fun art and pin-ups (Alien Legion!).
To see what Ben and the Robot 6 crew have been reading, click below.
Matt Fraction said at the Emerald City Comicon this weekend that he’ll write an issue of Hawkeye about sign language when the character once again has his hearing damaged. That’s pretty cool.
Now it might seem wrong to wish hearing loss on anyone, even a fictional character, but it’s the latest in a series of cool moves by Marvel. If you’ve been following along, you know that last week Marvel and hearing aid makers Phonak kicked off a poster campaign aimed at hearing-impaired kids who feel awkward about wearing hearing aids. That poster campaign came about after a mom, Christina D’Allesandro, reached out to Marvel last May because her son refused to wear his hearing aid. He said superheroes don’t wear them, and his mom was hoping Marvel could point out one who did.
“Tom Brevoort brought up Hawkeye’s loss of hearing back in the ‘80s, which spurred me to send a shot of the West Coast Avengers #1 cover to Christina, suggesting that she tell Anthony that not only do superheroes definitely wear hearing aids, but that he could be an honorary Avenger if he wore his,” Marvel Editor Bill Rosemann told me last year.
Welcome to What Are You Reading?, where the Robot 6 crew shares their picks for who we think should play a young Han Solo. Of course, we unanimously chose Nathan Fillion, so instead we’ll talk about what comics we’ve been reading. Joining us today is special guest Tim Lattie, the creator of Night Stars. Tim is currently running a Kickstarter to raise funds to publish it, so head over there and check it out.
To see what Tim and the Robot 6 crew have been reading, click below.
“Comics can do a lot to be more accessible. A whole lot of that is — well, there’s this sort of weird arc over the last 20 years of thinking that these things would never be collected, and that we were writing exclusively for 36-year-old men who read comics every week. At this point, I think the price point is at such a place and the content is at such a place that we can’t afford to do that anymore. I think Issue 788 of whatever book wouldn’t be a problem at all if Issue No. 788 was written in a way that was satisfying to new and old readers alike. I think it’s really difficult to do, but I think it’s possible. I think we as an industry fell into this pattern of not caring about new readers anymore. There’s a way that you can do it that isn’t the clumsy, awkward way that it used to be done where characters refer to themselves in the third person, thinking back on who they are and how they came to be. You don’t have to write every comic as if it’s the first comic someone’s ever read, but you do have to write as though you would like new people to read your comic — which is kind of what Hawkeye is all about. How clean can I make this? How much like The Rockford Files can you go? It’s not a show like Lost where you have to see it every week, or a show like The Wire where you really have to watch and pay attention closely every week. Rockford had a setup, then a riff, and that is very much how superhero comics are nowadays. So there’s no reason that we should be exclusionary. People love it. I mean, Avengers is the third biggest movie of all time. It hits a cultural sweet spot. It’s just that comics need to get better at not being so … comic-y.”
Publishing | The X-Files is in the headline, but this interview with IDW Publishing Editor-in-Chief Chris Ryall covers a lot of ground, including the logistics of continuing a defunct TV franchise as a comic, the standouts among IDW’s young creators, and the challenges of being a comics writer. [Hero Complex]
Publishing | Alvin Lu has left his position as executive vice president of the manga publisher Viz Media. Lu had been at Viz for 13 years and was one of the top executives in the company, reporting directly to CEO Hidemi Fukuhara. [ICv2]
Comics | The graphic novel Metro, once banned in Egypt, is available in Cairo once more. [The Comics Reporter]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 this Wednesday, it’d be all Image for me – starting with Nowhere Men #3 (Image, $2.99). The Beatles as a scientific supergroup, through the lens of Dr. Strangelove? Let’s do this. I’ve been a big fan of Nate Bellegarde for a while, and this book finally seems to capture what’s unique about him – his comedy, his stark scientific acumen, and his humanism. After that I’d get Glory #32 (Image, $3.99). Beautiful cover by Ricken here, and reads like a great manga building up to some epic battle. After that I’d get Brian Wood and Ming Doyle’s Mara #2 (Image, $2.99). I tried to hold back my expectations before reading Issue 1, and I was blown away – so now Issue 2 has something to prove. Finally, I’d get Invincible #100 (Image, $3.99) (Cory Walker’s cover, if you want to know!). I’ve said it before, but I’ll say it again: I think Invincible is better than The Walking Dead. No need to compare the two really, though, because no matter how you cut it, this series is great … and what Kirkman and Ottley have planned for the 100th issue looks to be unique – both for the promised deaths and the promise of seeing what could have been had Mark Grayson chosen differently.
If I had $30, I’d make up for lost time and get Brian Ralph’s Cave-In (Drawn & Quarterly, $14.95) . I’m reticent to admit this, but I’ve never read this book. I loved Daybreak, but never found a copy or the motivation to seek out more … but this Wednesday that will change.
For splurging, I already have most of this in the single issues, but I can’t help but splurge on the new collection X-Men: Mutant Massacre (Marvel, $34.99). This was my first crossover in comics, buying back-issues before I discovered events like Crisis on Infinite Earths and Secret Wars. In my rose-colored glasses, it’s an ideal crossover for not being too overbearing and relating to a conflict or situation that isn’t superhero-specific. Love the Morlocks, love Uncanny X-Men and the associated books around this time, so I’m buying this and spending an evening enjoying it all over again.
Business | In a surprise announcement, Kevin Tsujihara was announced Monday to succeed Barry Meyer as CEO of Warner Bros. Entertainment, the parent company of DC Entertainment. The 48-year-old Tsujihara, who has been with Warner Bros. since 1994, was named in 2005 as president of the Home Entertainment Group, overseeing the company’s home video, digital distribution, video games, anti-piracy and emerging technology operations. He was chosen as CEO over Bruce Rosenbaum, president of Warner Bros. Television, and Jeff Robinov, president of Warner Bros. Pictures (under which DC Entertainment is placed in the corporate structure). [The Hollywood Reporter]