After Hawkeye #11, I fully expect to see a Pizza Dog miniseries, if not a monthly spinoff … and even a guest spot in an upcoming episode of Marvel’s Agents of S.H.I.E.L.D. Heck, maybe Marvel is just waiting until Comic-Con International to tell us one of those 2016 film-release dates already claimed is going to the dogs …
That’s just speculation, of course, but what I do know is that Pizza Dog has made his way to a T-shirt. WeLoveFine.com has a new design featuring David Aja and Matt Hollingworth’s art from that issue, in both men’s and women’s sizes. Pizza is his business, and business is good … check ‘em out below.
Writer Paul Cornell and artists Alan Davis, Mark Farmer and Matt Hollingsworth waste no time dropping Wolverine into the thick of it in the latest first issue for Marvel’s merry claw-popping mutant. All is not as it seems when a father shopping for sneakers for his kid goes on a lethal rampage at the mall with a strange gun, leaving us with a naked Wolverine waiting for his healing factor to kick in … and that’s where we start the book.
Carla talked about Wolverine at length on Friday, and here are a few reviews from around the web to help you decide if the latest take on the character is worth your money — or if you should save it for a new pair of sneakers:
To think there are people in the present-day comic book industry that fail to respect colorists is hard to believe. Yet, as we noted late last month, colorist Jordie Bellaire wrote about her work being minimalized when an unnamed convention refused to name colorists as guests. The post resulted in an impromptu #ColoristAppreciationDay on Twitter as well as a larger conversation about the important value of colorists.
In the wake of that discussion, I chatted with Bellaire about the post, as well as her work as a whole. The timing turned out well, as despite her busy schedule, she was able to do an interview. It seems as if every week there’s a new comic released that features her as colorist. This week it’s Captain Marvel #10, while next it’s the debut of The Rocketeer: Hollywood Horror miniseries written by Roger Langridge with Bellaire coloring artist J. Bone. Bellaire saves the best for last in our Q&A, revealing that she hopes to get back to illustrating — and that she has dabbled in writing.
Tim O’Shea: In all of the reactions from your initial Tumblr post in praise of colorists, what pleased or surprised you the most?
Jordie Bellaire: The response itself was extremely surprising! I didn’t expect anything to really come of my angry little blog post. I try to keep my “internet persona” pretty humorous and silly. I don’t really get “for realsies” worked up over anything online (unless it’s something Star Wars-related). When I posted this at 7 a.m. on hardly any sleep (I was in a tough deadline week, of course), I expected maybe three people to see it and those would have been just friends. Somehow, though, the letter spread fast. I was just thrilled. Given, keeping up with the response during the day totally killed my productivity, I was too busy watching the internet explode in the name of colorists.
How much, exactly, is too much of a good thing? I imagine it depends on the thing in question, and the person you ask. Let’s say the thing is Marvel’s newish Hawkeye. And the person is me.
I really like this comic, which is something that came as a great surprise to me, as I don’t really have any feelings about Hawkeye beyond, perhaps, preferring the super-archer with the facial hair and the green costume. And I don’t really like reading Marvel comics serially any more, given how hard the publisher strives to make that experience an unpleasant one, with the ads and the variants and the cover prices and the AR phone applications and the random switching and the renumbering and title changing and the funny numbering schemes (“Superior Spider-Man #6AU“…?) and the irregular shipping schedules.
I bought the first issue on a whim, though (it was a light week), and despite a little confusion as to why artist David Aja was to aping ’80s-era David Mazzucchelli, it impressed the hell out of me. Writer Matt Fraction and Aja make a great team, and the idea of focusing on what Hawkeye does “when he’s not being an Avenger” — recasting the movie star/cartoon character/toy as a more-or-less everyman action hero — is interesting, as was the decision to make every issue a done-in-one complete story (for the first three issues, anyway).
Each story has had elaborately constructed plots that spring open, move fluidly and then snap satisfyingly shut, the script and art are paced to encourage a slower, more appreciative reading process that makes each issue seem twice as long as most other Marvel comics, and even Matt Hollingsworth’s old-school but understated color and generous use of purple (to compensate for the lack of costume) has been impressive.
I started to worry when Issue 4 shipped, though, and worry still more when I read Issue 5, and worry still more when I saw Issue 6 arrives next Wednesday.
I’ve been a David Aja devotee since I first discovered his work in The Immortal Iron Fist #1. Much like Marcos Martin (another favorite), Aja has a clean, deceptively simple style, a keen sense of design, and a gift for pacing (you need look no further than this page for an example of, well, all of that). So naturally when Marvel announced he would be reuniting with his Iron Fist collaborator Matt Fraction for Hawkeye, I was thrilled. Only three issues in, the series has already proved to be a perfect showcase for the talents of both creators. Gun fights, archery, car chases, a sassy sidekick, sex — what more could a person ask for in a comic?
The timing couldn’t be better for Marvel’s new Hawkeye book, which came out this past weekend. For one thing, there’s that big blockbuster Avengers movie that came out earlier this year, where the character got some big-screen time thanks to actor Jeremy Renner. For another, Marvel was able to line up Matt Fraction, David Aja and Matt Hollingsworth, who worked together on a phenomenal Iron Fist run a few years back, to show us what Clint Barton does when he isn’t Avengin’, Secret Avengin’ or teaching at the Avengin’ Academy.
I was sold by the creative team alone, but if you’re still on the fence about the first issue, here are a few reviews from the web to help you along.
Alex Evans, Weekly Comic Book Review: “Hawkeye #1 is one of those rare first issues where you know that you’re seeing the start of something very special. Much like Daredevil #1, there’s a perfect unity between writer and artist and, more than that, a fresh, unique take on an old, well-worn character. I will go even so far as saying that much like Fraction’s Iron Man, Hawkeye #1 feels like the start of what will be the definitive take on the character for years to come.” (Grade: A)
Chris Sims, ComicsAlliance: The concept of ‘Hawkeye on his days off’ that’s laid out in the title page fits this book like a glove, and it’s a pretty interesting choice. After those first few pages where he gets knocked out of a building, Clint doesn’t wear his costume and nobody refers to him as ‘Hawkeye.’ Instead, he’s just Clint Barton in a suit — an actual suit with a shirt and tie, not the purple leather that makes him look like Prince’s racquetball partner — dealing with things on a relatively low-key level. Rather than, say, the Loki level that he has to deal with at his day job.
Today marks the release of the second issue in writer Jen Van Meter and artist Javier Pulido’s four-issue Amazing Spider-Man Presents: Black Cat miniseries. I recently had occasion to email interview Van Meter about the project, the overall collaboration experience and transitions, as well as near-term Hopeless Savages (Oni) plans (plus heist genre recommendations and covert gardening tips). After you read the interview, please be sure to check out the seven-page preview that CBR posted last week.
Tim O’Shea: In prepping for this miniseries, did you go back and read past Black Cat appearances for background? Are there any writers in particular whose approach to the character appealed to you more than others?
Jen Van Meter: I spent the most time with the early Marv Wolfman material, honestly. I like to go back to the beginning whenever I’m asked to take on a character I don’t feel I know well. The things I loved about her, particularly in Amazing Spider-Man 195, were her fierce determination and her strength — the Femme Fatale stuff is there, but it’s really overshadowed by her toughness in his treatment of her. I looked at or revisited many other appearances and caught up on the most recent stuff, but I think I really relied on Wolfman the most to tell me who she is.