Matt Kindt Archives - Page 2 of 4 - Robot 6 @ Comic Book Resources
Publishing | Sales of comics, graphic novels and digital comics totaled $750 million in 2012, making that year the best of the millennium so far for the comics business, according to the retail news and analysis site ICv2. Total print sales were estimated at $680 million and digital at $70 million, a hair over 10 percent of print and almost triple the 2011 total of $25 million. The website also breaks down the top properties in eight graphic novel categories (superheroes, genre, manga, etc.), based on interviews with retailers, distributors and manufacturers. Interestingly, Hawkeye is nestled at No. 7 on the list of Top 10 superhero properties, between Iron Man and Spider-Man. [ICv2]
Publishing | Torsten Adair takes a look at IDW Publishing’s financials, and they’re looking pretty good. [The Beat]
Retailing | Saying that video games, texting and digital comics have killed interest in collectibles, 80-year-old Joseph Liesner is closing his Sunnyside, Queens, store Comic Book Heaven after nearly three decades. “The store’s not making any money,” he says, “and, besides, I’m as old as Methuselah.” The store will remain open for another two months, with Liesner using the time to search for a much younger girlfriend via a sign in the window. [Sunnyside Post]
Design is integral to comics. In its basic form, it’s used by artists to tell story through panel composition and transitions, but in broader terms it’s the logos, trade dress and visual platform by which comics are shown to the public.
Last month at HeroesCon in Charlotte, North Carolina, cartoonist/designer Rich Barrett moderated a panel that looked at the approach and examples of graphic design in use in the medium. With a panel that included cartoonist/designers like Jim Rugg, Matt Kindt and Robert Wilson IV, publisher/designer Chris Pitzer of AdHouse Books and non-comics desginer Matt Stevens, Barrett shepherded the room through slideshow series of impressive design, from page layouts to book covers to book packaging.
The indie-centric design group talked about the use of design by mainstream creators like Jonathan Hickman, Chris Ware and Chester Brown, and its changing role of design as the methods by which comics being sold have changed over the past 20 years.
Although no recording of the panel exists (as of yet), Barrett has shared his slideshow presentation here:
Awards | Witch Hunts: A Graphic History of the Burning Times, written by Rocky Wood and Lisa Morton and illustrated by Greg Chapman, won the Bram Stoker Award for superior achievement in a graphic novel, presented over the weekend by the Horror Writers Association. Winners with a comic-book connection in other categories include Caitlin R. Kiernan (novel, The Drowning Girl), Jonathan Maberry (young-adult novel, Flesh & Bone), and Joss Whedon and Drew Goddard (screenplay, The Cabin in the Woods). [Horror Writers Association]
Graphic novels | Heidi MacDonald looks at Dark Horse’s plans to expand its Originals line of creator-owned graphic novels this year; upcoming releases include print editions of Paul Tobin and Colleen Coover’s Bandette and Cameron Stewart’s Sin Titulo, as well as a new graphic novel, Bad Houses, by Sara Ryan and Carla Speed McNeil. [Publishers Weekly]
DC Comics goes bad in September, turning all 52 slots of its superhero line over to its less-savory characters. That’s pretty much the story of the superhero solicitations, although there are some interesting collections coming this fall.
On its face, Forever Evil sounds like a pretty straightforward, traditional superhero story. I think the “heroes disappear, villains romp” plot was even an episode of Super Friends. Accordingly, all things being equal, I have no problems with using it for a line-wide crossover. No doubt the DC Comics of 2013-14 will season it with plenty of violence and depravity, sucking away my goodwill accordingly; but those details will have to wait until the comics themselves come out.
THE SHAPE OF EVIL
In fact, the part of “Villains Month” that interests me most is its structure. Yes, there are 52 single issues coming out of the superhero line in September, plus Forever Evil #1. However, those 52 issues ostensibly “represent” only 18 series: Action Comics, Aquaman, Batman, Batman and Robin, Batman/Superman, Batman: The Dark Knight, Detective Comics, Earth 2, The Flash, Green Arrow, Green Lantern, Justice League, JL Dark, JLA, Superman, Swamp Thing, Teen Titans and Wonder Woman. Furthermore, 16 of the 52 are Bat-books, more than the Justice League books’ 10 issues and twice as many as the Superman books’ eight issues. Add Batman/Superman #3.1, and 35 of the 52 will have “Batman,” “Superman” or “Justice League” on their covers. In fact, 16 of the 18 series are already on my pull list (sorry, Green Arrow and Teen Titans), so I’ll probably be putting back a fair amount of these, which won’t make my comic shop’s job any happier.
Conventions | Comic-Con International in San Diego is about six weeks away, so it’s time for Tom Spurgeon to post his massive list of tips for those planning to attend: “It helps to remember that the hassle of going to Comic-Con is mostly an accident of our recent cultural history — All those spectacle movies! All those fantasy franchise books! Marvel’s post-bankruptcy comeback! All those graphic novels! The toy explosion! The rise of manga and anime! — rather than something the convention itself enjoys or endorses or requires or was ever shooting for. I honestly don’t have any more fun going now than I did in ’96 or ’01, back when it was so much easier to attend the con that the worst-case scenario was registering on-site and staying in a $65 hotel ten blocks away. It wasn’t that long ago! But I also can’t stress this enough. I still have fun.” [The Comics Reporter]
Publishing | Calvin Reid looks at Archie Comics’ growing book-market presence, which has exploded since the publisher signed Random House as its distributor in 2010. [Publishers Weekly]
Creators | Matt Kindt, author of Red-Handed, writes about how becoming a comics creator has made it impossible for him to enjoy reading comics for their own sake. [The Huffington Post]
Awards | Animal Land, by Zatch Bell creator Makoto Raiku, took the Best Children’s Manga honors in Kodansha’s 37th annual manga awards. The sports manga Gurazeni won the overall award for best manga. [Anime News Network]
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Everyone still may be coming down from the excitement of Free Comic Book Day and the blockbuster opening of Marvel Iron Man 3, but we’re already looking ahead to Wednesday’s releases and Saturday’s two noteworthy events: Kids Comic Con and Long Beach Comic Expo.
But first, back to Wednesday, as ROBOT 6’s contributors single out some of the best titles going on sale this week, including a new edition of Hellblazer: Dangerous Habits, You’re All Just Jealous of My Jetpack and Red Handed.
Today is one of my favorite days of the year, as most Major League Baseball teams have their opening day. In late February, when writer/artist Matt Kindt tweeted that he was returning from a St. Louis Cardinals spring training trip to Florida, I got him to agree to an interview on the spot.
This exchange took place before Dark Horse’s WonderCon announcement that Kindt’s series, Mind MGMT, would have a finite 36-issue run.
In addition to discussing his Dark Horse series, and our shared appreciation of baseball (despite his Cardinals eliminating my hometown Atlanta Braves from playoff contention last season), we delve into the May 7 release of his First Second book, Red Handed: The Fine Art of Strange Crimes. There are few storytellers that set a narrative environment as uniquely as Kindt can. This go-around he establishes the city of Red Wheelbarrow to serve a larger homage to classic detective fiction.
For additional insight into Kindt’s work on Mind MGMT, be sure to read Jeffrey Renaud’s CBR interview with the writer/artist from early February.
As a longtime fan of Kindt’s narrative sensibilities, I hope he gets in contact with the right folks with the MLB in order to pursue that baseball project.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d buy the leading contender for best ongoing series this year, Saga #10 (Image, $2.99). I loved the last issue focusing on the Will, but I’m excited at the prospect this one teases of Izabel returning – although in a red-tinged, seemingly evil demeanor. After that I’d get another creator-owned gem with Francesco Francavilla’s The Black Beetle #2 (Dark Horse, $3.99). I love the latitude Dark Horse is giving Francavilla in the design packaging here – that cover is something special — and luckily, the insides have the promise of being even better given what happened last issue. Third and last in my $15 haul this week would be Dark Horse Presents #21 (Dark Horse, $7.99). Criminally underrated and consciously mind-blowing, this issue promises three new serials debuting plus a collaboration between Neil Gaiman and Paul Chadwick about alien saucers. Why isn’t this a top-selling book?
If I had $30, I’d make it a Dark Horse trifecta with Conan the Barbarian #13 (Dark Horse, $3.50). How does Brian Wood do it, finding such great artists that no one else knows about like Mirko Colak? This time, Conan tries to conquer the desert. Then I’d do a Marvel trifecta: Avengers #6 (Marvel, $3.99), Nova #1 (Marvel, $3.99) and Thor: God of Thunder #5 (Marvel, $3.99). Avengers has seemingly the origin of my formerly most favorite D-list hero in the Marvel Universe, Captain Universe – until she upgraded to the A-list as an Avenger. Then Nova has a spirited, seemingly kid-friendly romp by Jeph Loeb and Ed McGuinness. Then Thor … Thor. This thoroughly dark and mythic story has made Jason Aaron’s beard even more ominous than before.
If I could splurge, I’d get Alter-Ego #115 (TwoMorrows, $8.95). Normally a magazine about comics, in this issue they collect some lost gems – namely the stereoscopic comics (3-D!) – of the 1950s. 3-D glasses included, this issue contains work by Joe Simon, Jack Kirby, Joe Kubert, Curt Swan (!!), George Tuska and more. Truly a highlight of the week.
To see what Josh and the Robot 6 crew have been reading, click below.
In March, Dark Horse will reprint the first issues of Brian Wood’s The Massive and Matt Kindt’s MIND MGMT at a special $1 price. The Massive follows a group of environmentalists after the Earth undergoes a massive ecological disaster, while MIND MGMT is the story of a group of psychic super-spies and a journalist who’s pursuing their story. Both reprints will be listed in the new Previews catalog, out Jan. 30, but we have exclusive cover reveals here. And, to make it more fun, I started an interview with Wood and Kindt, and then let them take over.
Robot 6: Each of these comics is set in a universe in which one thing has changed significantly; in MIND MGMT it is not clear right away what has happened, while in The Massive it is obvious, at least in its outer manifestations. What was your inspiration for these, and why did you think they would make for interesting stories?
Matt Kindt: I’m not sure that there is one significant change in Mind MGMT so much as there is just a specific genre choice I made. I try to pick one thing, whether it’s spies or crime or science fiction (in the case of MIND MGMT) and sort of apply that to real characters/people and see how they’ll react. To me it’s more of a “what if” scenario. What if you grew three stories tall? (3 Story) What if you were a spy and hated being one? (Super Spy and 2 Sisters) What if the abilities of the mind were pushed past any known limit? (MIND MGMT) That’s usually where I start and then just create some personalities to populate and react to my “what if.”
Brian Wood: It’s sort of the same thing Matt said. I find a lot of pleasure in creating very flawed, very relatable characters and then putting them through the worst situation possible. So that’s a version of a “what if” story, but in the case of my big world-building books it’s a really exaggerated “what if,” usually involving war and the end of the world. The character dramas, though, those are universal in any setting.
DC Comics’ Justice League of America will expand with March’s Issue 2 with a Martian Manhunter co-feature written by Matt Kindt and Geoff Johns and penciled by Scott Clark.
“To me, Martian Manhunter, you can almost do anything with him because there hasn’t been a definitive take on him yet,” Kindt, who previously wrote DC’s Frankenstein: Agent of S.H.A.D.E., tells MTV Geek. “We’ll see what ultimately happens, but to me, he’s always been like Superman, except he wasn’t raised by human parents, so he doesn’t have the human element to him. He has all the crazy strength and powers, but he also has a disconnect from humanity. There’s that element, which I think is going to be interesting to play with, his true alien-ness. You forget Superman is an alien sometimes, but with Martian Manhunter you don’t because of the way he looks. He’s like a man out of place in a way.”
Adding to such recent revivals as Strange Adventures, Ghosts and Young Romance, Vertigo will publish the science-fiction anthology Time Warp #1 in March. Although the announcement at MTV Geek doesn’t specify that the title is a one-shot, all of the previous ones have been.
The issue will feature stories by the likes of Damon Lindelof, Jeff Lemire, Matt Kindt, Toby Litt, Mark Buckingham, Dan Abnett, Peter Milligan, Ray Fawkes, Simon Spurrier, Gail Simone, Rafael Albuquerque and Tom Fowler, with covers by Eduardo Risso (in full below) and Jae Lee.
Time Warp doesn’t have quite the august history that such titles as Young Romance and Strange Adventures have: Debuting in 1979 amid the renewed popularity of science fiction, and in the wake of the DC Implosion, the anthology lasted just five issues. However, it featured an impressive lineup of talent, including Steve Ditko, Curt Swan, Jim Aparo, Paul Levitz, Gil Kane, Arnold Drake and Denny O’Neil.
First Second sent out its latest catalog earlier this week, highlighting all the graphic novels it will release next spring. The bad news is, there’s still no Battling Boy on the schedule, nor do the Box Brown Andre the Giant or as-yet-unrevealed Becky Cloonan books appear. But the good news is there are projects featuring the likes of Faith Erin Hicks, Matt Kindt, Steven T. Seagle and Teddy Kristiansen, Dave Roman and many more.
Here’s the rundown:
Odd Duck, by Cecil Castellucci and Sara Varon. “A heartwarming tale of the perils and pleasures of friendship featuring two ducks who are both a bit odd.” Varon has done several graphic novels for First Second, including Bake Sale and Robot Dreams, while Castellucci wrote the Plain Janes books for DC’s Minx line, as well as several Young Adult novels.
Primates, by Jim Ottaviani and Maris Wicks. A new science book from Jim Ottaviani, the author of thwe well-received Feynman, “with Jane Goodall, Dian Fossey, Biruté Galdikas and all sorts of primates.” Wicks, meanwhile, has a fun blog where you can check out her work, which includes several kids titles like Spongebob and Adventure Time.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item. I’m filling in this week for Michael May, who is off in Florida spending his splurge money on mouse ears and giant turkey legs.
If I had $15, I’d start of the week with Brian K. Vaughn and Fiona Staples’ Saga #7 (Image, $2.99). Saga has become a real bright spot in comics for me being sci-fi without being “sci-fi,” being romance without being “romance,” and being great at being great. It gives me the same excitement the way Bone, Strangers In Paradise and A Distant Soil did back in the early 90s. Next up would be Punk Rock Jesus #5 (DC/Vertigo, $2.99) by Sean Murphy. Murphy’s really exceeded my expectations here, creating a nuanced and elaborate world that has great art as a bonus. You can really tell Murphy’s been thinking about this story for awhile now. After that I’d get Invincible #97 (Image, $2.99), to finally get the truth behind the new Invincible, Zandale. I’ve been enticed by what’s been teased so far, and I hope the inevitable return of Mark Grayson doesn’t prevent me from seeing more of Zandale in the future. Last up with my $15 budget would be my call for the best superhero book on the stands today, Wolverine & The X-Men #20 (Marvel, $3.99). I feel like the title isn’t getting the attention it deserves with Marvel NOW! upon us, but Jason Aaron and Nick Bradshaw are absolutely delivering it here.
If I had $30, I’d double back and double up on Brian Wood with Conan The Barbarian #10 (Dark Horse, $3.50) and The Massive #6 (Dark Horse, $3.50). The Massive has survived the monumental loss of artist Kristian Donaldson, forging on in Wood’s story of one ship trying to survive in an ecological destitute Earth. Over at Conan The Barbarian, Declan Shalvey looks to be bringing the goods and showing he’s more than a Marvel superhero artist. After that I’d get the second series debut of Where Is Jake Ellis? (Image, $3.50) by Nathan Edmondson and Tonci Zonjic. This is a mighty pairing, and seeing them peel back the layers on Jake Ellis has been fun.