Matteo Buffagni Archives - Robot 6 @ Comic Book Resources

Talking Comics with Tim | Matteo Buffagni on ‘Avengers Assemble’

Some color samples  that Matteo Buffagni provided while discussing his design of Toxie Doxie's costume

Some color samples that Matteo Buffagni provided while discussing his design of Toxie Doxie’s costume

Wednesday sees artist Matteo Buffagni teaming with co-writers Kelly Sue DeConnick and Warren Ellis on Avengers Assemble #22, a tie-in to Marvel’s “Inhumanity” event. In addition to chatting about that, Buffagni was kind enough to share a glimpse into his design process for June Covington/Toxie Doxie’s new costume, revealed at the end of Avengers Assemble #21.

Tim O’Shea: For those unfamiliar with your career, how long have been working in comics?

Matteo Buffagni: I’ve been working at Marvel since 2010, when I started on X-23 then jumped on Daken, Ultimate Iron Man: The Demon in the Armor, Astonishing X-Men and now Avengers Assemble.

Before those assignments I attended the International School of Comics in Florence and worked on a couple of French books called Vestiges.

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Marvel cancels Age of Apocalypse and X-Treme X-Men

Guiseppe Camuncoli's interlocking covers for "Age of Apocalypse" #14, "X-Treme X-Men" #13 and "Astonishing X-Men" #61

Even as Marvel further expands its mutant universe in April with the debut of X-Men by Brian Wood and Olivier Coipel, it will cancel two more X-titles as part of the finale of the “X-Termination” crossover event.

The publisher’s solicitations for April reveal that it will end David Lapham and Roberto De La Torre’s Age of Apocalypse with Issue 14 and Greg Pak and Andre Araujo’s X-Treme X-Men with Issue 13, with the latter teasing that “Kid Nightcrawler makes the ultimate sacrifice.” The two series will be sent off with interlocking covers by Guiseppe Camuncoli that connects to Astonishing X-Men #61, by Marjorie Liu and Matteo Buffagni, which was also part of “X-Termination” (see all three above). That title survives.

Both Age of Apocalypse and X-Treme X-Men recently had dropped below the 20,000-copy mark, traditionally viewed as Marvel’s “line of death,” with the former selling an estimated 19,337 copies to the direct market in December, and the latter just 16,682.

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