REVIEW: Violent, Profane "Deadpool" Shouldn't Work, But Really F---ing Does
As someone who’s fascinated with the process of making comics – and someone who occasionally writes them as well – I read a lot of process advice. A few years ago there was a post by cartoonist Matthew Bernier on the First Second blog that’s stuck with me. It was about the benefit to artists of working with a writer. As a writer, of course I loved that idea, but beyond my own ego, it also speaks to one of the greatest advantages of collaborating: forcing everyone involved to leave their comfort zones and stretch artistically.
I couldn’t have told you that Bernier was the author of that post, but it makes sense that he’s also the creator of the awesome new process blog, Comic Tools. In addition to teaching difficult anatomy like horse legs and canine feet, Bernier stresses the importance of visual details, proper storytelling, and other vital elements. It’s a blog that process junkies and aspiring creators will want to make a habit of checking in on.
(via The Beat)
Back on October 23-25, the Sequential Art Department at the Atlanta campus of Savannah College of Art and Design (SCAD Atlanta) hosted a comics art forum with Sean Murphy (2003 SCAD Savannah graduate and artist on the upcoming Grant Morrison-written Joe the Barbarian for Vertigo) and Matthew Bernier (School of Visual Arts in Manhattan graduate and currently at work on a book for First Second). Since I’m a Georgia-based member of the Robot 6 crew, Chris Schweizer, a SCAD Atlanta professor and creator of Crogan’s Vengeance, invited me to the forum.
According to Shawn Crystal, SCAD Professor (as well as one of the artists on last month’s Deadpool 900 [Marvel]), SCAD’s Comics Art Forum tradition started in Savannah years ago. Crystal selects the guests that are invited to the forum. “Every year, when I pick guests, I look to pick progressive/passionate artists. Artists who are doing new and exciting things, helping to move the medium forward,” he said. “Our Atlanta Faculty throw names around until we settle on the best choice for that year.”
Schweizer echoed Crystal’s thinking. “When we arrange these events, we try hard to pick guests whose work (and approaches to their work) varies from ours, because it opens our eyes to new ideas, and it does the same for our students,” he said.