Mountains seem to have been big theme among Eisner nominees this year. In High Crimes, the ever-looming presence of Mount Everest reminds the readers of the upcoming dangers posed by nature.
A similar thing happens in Melanie Gillman’s Eisner-nominated webcomic As the Crow Flies, although not to quite as perilous an extent. There’s no immediate danger here; the mountain is an expanse of wilderness that stretches as far as the eye can see. Long, wordless passages pause to explore the borders, which seem to stretch beyond the page to show that there is no visible end. No tiny towns dotting the landscape, no tiny outposts of civilization beyond a small camp. Just rocks and trees. While there might be a wild animal in that tangle of leaves and branches, that never poses an immediate threat.
No, the biggest danger in these woods is loneliness.