Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Political cartoons | Airdropping propaganda on the enemy is a time-honored tactic, and it just happened again: Michael Cavna has a copy of the cartoon, which depicts ISIS recruits lining up to be fed into a meat grinder, that the U.S. Military Information Support Operations Command dropped into the ISIS-held territory of Raqqa, Syria. According to the Pentagon, a U.S. Air Force F-15 warplane dropped about 60,000 of the leaflets on March 16. [Comic Riffs]
Creators | Writer Michael Frizell talks about working on his latest Bluewater comic Ozzy Osbourne: The Metal Madman. Research was a big part of the job: “The trick was trying to sort out the hyperbole from the facts,” he said. “Thus, anything I documented in the comic book had to have at least three sources confirming its validity.” [Fast Company]
This past week (ish), DC Entertainment was so pervasive in the television upfronts, it almost made me forget the company still publishes comics. Joining Arrow on the 2014/2015 TV schedule will be adaptations of The Flash, iZombie and Constantine, as well as the Bat-prequel Gotham. (And hey, that was Caity “Black Canary” Lotz reprising her role as Don’s pregnant-hippie “niece” on Sunday’s Mad Men!) Moreover, we’ve now seen a moody black-and-white photo of Ben Affleck as Batman, standing next to his new Batmobile and ready to dominate the next Superman movie; and The CW has shown us a nifty little clip of the Flash in action.
While I’m prepared to like all of these shows, and certainly willing to give them reasonable opportunities to succeed, once again they remind me that no comic — and certainly no superhero comic — can be adapted to live-action with complete fidelity. Indeed, by taking its cue directly from the comics of the ‘40s and ‘50s, the old Adam West/Burt Ward Batman show was one of the more faithful projects. Likewise, the pilot of the Lynda Carter Wonder Woman series didn’t go too far from Diana’s earliest adventures in All Star Comics #8 and Sensation Comics #1. However, I don’t think that approach would work these days.
When Matt Fraction, Gabriel Bá and Fábio Moon reteam for the fourth volume of their acclaimed spy-fi series Casanova, they’ll bring with them a literary heavy-hitter: Pulitzer Prize-winning author Michael Chabon.
“When Casanova returns at the end of the year, the main story by Moon and me will be backed up by shorts created by Michael Chabon and Bá,” Fraction wrote on his blog. “He keeps saying ‘Like Tales of Asgard‘ and I’m not sure if he’s kidding or not.”
Chabon won the 2001 Pulitzer Prize for Fiction for The Amazing Adventures of Kavalier and Clay, which follows two Jewish cousins who partner to create the Escapist, one of the most popular heroes of the Golden Age of comic books. Many of the events of the novel, which is dedicated to Jack Kirby, are based on the lives of actual comic-book creators like Will Eisner, Jerry Siegel, Joe Shuster, Jim Steranko and Stan Lee.
Hello and welcome to What Are You Reading? Today our guest is Salgood Sam, who has just relaunched his independent personal anthology series Revolver. He is also completing the last chapter of a graphic novel called Dream Life after a successful Indiegogo funding drive to finance it. He also publishes the Canadian-centric comics blog Sequential. As he told me, he “usually has too many projects going on and does not get enough sleep.”
To see what Salgood Sam and the Robot 6 crew have been reading, click below …
Creators | Market Day creator James Sturm explains he’ll be boycotting The Avengers movie because he believes Jack Kirby, co-creator of many of Marvel’s longest-lasting characters, “got a raw deal”: “What makes this situation especially hard to stomach is that Marvel’s media empire was built on the backs of characters whose defining trait as superheroes is the willingness to fight for what is right. It takes a lot of corporate moxie to put Thor and Captain America on the big screen and have them battle for honor and justice when behind the scenes the parent company acts like a cold-blooded supervillain. As Stan Lee famously wrote, ‘With great power comes great responsibility.’” Tom Spurgeon notes the position seems to mark a shift for Sturm, who wrote the Eisner-winning 2003 miniseries Fantastic Four: Unstable Molecules for Marvel. [Slate, The Comics Reporter]
Publishing | DC Comics will allocate the second printing of Justice League #1, with retailers receiving 32 percent of their orders, which now won’t ship until Sept. 21, the same day the third printing will be released. ICv2 reports some stores are concerned that potential new readers drawn in by the publisher’s promotional campaign for the New 52 won’t understand the two-week wait to pick up a copy of the comic. The website also runs down the list of cable television shows during which DC’s New 52 commercial is airing. [ICv2.com]
Passings | Comic Art Community reports that artist Dave Hoover passed away earlier this week. Hoover, who drew runs of Captain America and Starman in the 1990s, more recently worked on Zenescope’s Charmed comic. Before working in comics, Hoover was an animator, working on Flash Gordon, He-Man and the Masters of the Universe, She-Ra: Princess of Power, The Super Friends, The Smurfs and many more in the 1970s and 1980s. [Comic Art Community]
Although it wasn’t a comic, the novel The Amazing Adventures of Kavalier and Clay by Michael Chabon took the comics world — and the New York Times bestseller’s list — by storm when it was released. The novel made Chabon an unofficial luminary in comics circles, and even promoted a spin-off comic series years later through Dark Horse. With all the success, there’s been a lot of talk of a possible film adaptation, with names such as Tobey Maguire and Natalie Portman attached at times but so far nothing ever got beyond the planning stages.
Although we’ve got no finished film to see, artist Jamie Caliri has recently posted online a live action / animated sequence that producer Scott Rudin (No Country For Old Men, True Grit) commissioned from him in an effort to win funding for a full-length movie. Nothing came of it, but this well-done short film gives us a real taste of what could have been.
(Thanks to Katey Rich at CinemaBlend.com for the find!)