Michael Cho
Art Barrage | Comics in odd places
Jim Mahfood provides cover art for the comic-loving DJ Food et al’s Solid Steel Caught In The Middle of a 3-Way Mix, a rather great tribute to The Beastie Boy’s Paul’s Boutique. Below the break: Dan Panosian, Michael Cho, Charles Burns and more.
Food or Comics? | Creator Owned Hero Sammiches
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Graeme McMillan
Here’s the thing: I really can’t decide if I want to spend part of my $15 this week on Before Watchmen: Minutemen #1 (DC, $3.99). On the one hand, it’s a new Darwyn Cooke comic, and on almost every other occasion, I’d be all over that. But on the other … It’s Before Watchmen. And I don’t even mean that in the “I have moral qualms about DC’s ‘ownership’ and use of the characters” sense — although I do — but in the “I didn’t actually LIKE Watchmen that much, so why should I be interested in a prequel?” sense. Let’s table that one, then, and wait and see what happens in the store. Instead, I’ll grab Earth 2 #2 (DC, $2.99), the new Simon Spurrier book Extermination #1 (BOOM!, $1) and the weirdly-coming-out-a-month-before-the-movie Amazing Spider-Man Movie Adaptation #1 (Marvel, $2.99), if only because it’s been years since I’ve read a comic book adaptation of a movie and I want to support Marvel’s odd apparently-spoiling-itself plan.
If I had $30, I’d put Spidey back on the shelf and grab the final DMZ collection (Vol. 12: The Five Nations of New York, DC $14.99). I’ve been following the collections of Brian Wood’s series for awhile, and have been patiently awaiting this one since the series wrapped in single issues awhile back. Don’t spoil it for me, please.
Splurge-wise, I’d likely pick up the GI Joe, Vol. 2: Cobra Command, Part 1 TP (IDW, $17.99). The movie may have been put back, but I don’t care; IDW’s Joe comics are my brand of military machismo, and I dropped off the single issues in favor of collections as soon as this crossover started. Time to get caught back up and try not to think about poor Channing Tatum.
Comics A.M. | The state of the French comics tradition, post-Moebius
Creators | Daniel Kalder looks at the state of French comics tradition following the death last month of Jean Giraud, the influential artist widely known as Moebius, and finds it’s in the capable hands of David B (“one of the most sophisticated cartoonists in the world”) and Nicolas de Crecy (“the ‘mad genius’ of French comics”). [The Guardian]
Creators | Tom Spurgeon talks to Michael Cho about what sounds like a really interesting project, his book Back Alleys and Urban Landscapes: “Because I don’t have an affinity for drawing a pastoral landscape. [laughs] You know what I mean? I’ve never lived in that environment, so I can’t draw that thing with confidence. When I close my eyes I don’t visualize that with any confidence. But a city is something I’m surrounded with constantly. With alleyways and lane ways and how light poles connect up to transformer towers which have extra leads leading down to the basement apartment. I can see that when I close my eyes, you know?” [The Comics Reporter]
Your video of the day | Toronto Comic Arts Festival
Toronto Comic Arts Festival: Pencil it In from Toronto Comic Arts Festival on Vimeo.
The Toronto Comic Arts Festival, or TCAF, is coming up May 7-8, and to promote it some friends of the organizers have created this nifty video featuring many of Toronto’s talented comics folks — Chester Brown, Michael Comeau, Steve Charles Manale, Vicki Nerino, Michael Cho, Michael DeForge, Seth, Fiona Smyth and Britt Wilson.
Straight for the art | Michael Cho’s Best American Comics cover
On his blog, illustrator Michael Cho unveils his cover for the 2010 edition of Houghton Mifflin’s The Best American Comics, which is guest-edited by Neil Gaiman. “Like most of my favourite cover assignments, the concept for this one came together pretty intuitively and I had an idea of what kind of response the image should provoke,” Cho writes.
On Twitter the artist also offers a look at a beautiful Peter Parker/Spider-Man painting that he’ll be taking with him this weekend to the Toronto Comics Art Festival.



