Michael DeForge Archives - Robot 6 @ Comic Book Resources
Editorial cartoons | The New York Times has apologized to readers who were offended by an editorial cartoon about India’s space program that depicted the country as a man in traditional dress, leading a cow and knocking at the door of the “Elite Space Club.” “The intent of the cartoonist, Heng Kim Song, was to highlight how space exploration is no longer the exclusive domain of rich, Western countries,” reads the apology, signed by editorial page editor Andrew Rosenthal. “Mr. Heng, who is based in Singapore, uses images and text — often in a provocative way — to make observations about international affairs. We apologize to readers who were offended by the choice of images in this cartoon. Mr. Heng was in no way trying to impugn India, its government or its citizens.” [The New Indian Express]
The Ignatz Awards were handed out Saturday night at Small Press Expo in a ceremony that culminated with a mock wedding in which Simon Hanselmann married Comics (represented by a stack of graphic novels and real-life creator Michael DeForge).
Named in honor of the brick-wielding mouse in George Herriman’s Krazy Kat strip, the festival prize recognizes achievement in comics and cartooning. Nominees are selected by a panel of five cartoonists, and then voted on by SPX attendees.
Conventions | Marking San Francisco’s third year without WonderCon, pop-culture critic Peter Hartlaub relates the feelings of “confusion, withdrawal and anger” experienced by local fans, and explains why city leaders should care whether the convention ever returns from Anaheim. [SFGate]
Creators | Gary ODD Edmund combined two things he loved, comics and “marijuana culture,” to come up with the comic The Bud. While weed may be the news hook in this story, the numbers are interesting as well, as Edmund claims to have made $10,000 last year selling The Bud at comics conventions, where he typically moves 200 to 300 copies per event. He is now at the point where it’s worth his while to drop other projects to make more time for The Bud, and he figures his Bud-related income will at least triple this year. Can’t make it to a comic con? There’s a digital version as well, available via indie publisher CCP Comics. The digital release of The Bud (on 4/20, of course) drew so much traffic it crashed CCP’s website. [AOL Jobs]
Legal | Algerian cartoonist Djamel Ghanem is seeking asylum in France as the prosecution and plaintiff appeal his acquittal on charges that he insulted Algeria’s president in an unpublished cartoon drawn for the newspaper Voix d’Oranie. The newspaper brought the criminal charges against Ghanem; in possibly related news, Ghanem is suing his employer for seven years’ unpaid wages. Ghanem now claims Algeria wants to make an example of him. [Radio France International, Ennahar Online]
Conventions | Mark Rahner, who has been going to Emerald City Comicon since the first one in 2003, initially as a reporter and then as a creator, talks about why the event has grown so big (75,000 attendees are expected this weekend) and why it’s still awesome anyway. [Seattle Weekly]
Normally, when we talk about art – which, of course, is different from mere entertainment – we like to phrase it in rarefied terms. We tend to want our art to focus on the examination or discussion of high-minded ideals like truth, beauty, justice, wisdom, or the existence of a sentient spiritual being and subsequent afterlife. Stuff like that. We want our movies, music and books to be concerned with the ethereal world, and not so much with the physical one, especially unpleasant or embarrassing tasks like defecating or sexual congress. Being reminded that only a thin layer of skin holds in all those slimy organs, blood and other icky stuff keeps us from musing on what special snowflakes we all are (not to mention the horror of our own eventual death).
When we do acknowledge that stuff, it tends to be in the form of “low” comedy or horror films, where jokes about going to the bathroom, violence, lustful urges and other aspects of our daily physical lives that make us uncomfortable, can be digested more easily because we often exhibit it in as loud and gross a manner as possible.
But delving knee-deep into viscera and body fluids doesn’t ipso facto mean you have to forego subtlety, nuance or poetry. Take Johnny Ryan’s Prison Pit series for example.
Koyama Press’ latest announcement arrived in my in-box while I was on my way home from Angoulême, so I’m just now getting around to it, but it’s impressive enough to merit a bit of belated blogging.
As Koyama Press is a small publisher, the list is short: six titles all together, four for adults and two for kids. But there’s some interesting range to it, and the books are packaged attractively and displayed in a way that makes you want to read each one for different reasons, which isn’t necessarily the case if you’re just looking at a stack of random art-comix. One thing I really enjoyed, as I was reading through their catalog descriptions, was their use of high-concept blurbs. “Richard Scarry and Rube Goldberg collide in John Martz’s whimsical comic book world.” Bring it on!
While children’s comics may seem like a stretch, it’s one of the fastest growing sectors of the comics market, and one can see a niche for books that appeal to children and adults on different levels (such as Luke Pearson’s Hilda books, published by Nobrow Press) and for children’s books that are far off the commercial beaten track. The challenge will be to get them in front of parents and children who aren’t regular readers of The Comics Journal. It will be interesting to see if librarians climb on board; that could be a game-changer.
Anyway, here’s the list:
Controversy | Zainab Akhtar has a good roundup of the SodaStream controversy: A number of internationally known creators have protested SodaStream’s sponsorship of the Angoulême International Comics Festival because the soft-drink manufacturer has a factory in the Israeli-occupied West Bank. “All of Israel’s settlements in the Occupied West Bank are illegal under international law, and SodaStream’s factory in specific was build on land seized from several Palestinian villages in what is regarded as the largest single act of expropriation by the Israeli government in its 47-year long military occupation of the West Bank,” the organizers of the protest said in a statement. A number of artists, including Jacques Tardi (whose work was celebrated in a special exhibit at the show) have signed an open letter to festival organizer Frank Bondoux, asking him to end the relationship with SodaStream. Tardi also issued a statement saying he felt that he had been “taken hostage,” as he did not know about the sponsorship until the festival began. [Comics and Cola]
Wonder what Koyama Press has planned for the coming year? Well, wonder no more: The company has announced it will release four books in May and June, including titles by acclaimed cartoonists Michael DeForge (Lose, Very Casual) and Jesse Jacobs (By This You Shall Know Him).
DeForge’s A Body Beneath will collect material from issues 2-5 of his one-man anthology series Lose. Jacobs’ Safari Honeymoon follows a newly married couple as they venture into a mysterious forest filled with weird creatures.
Koyama Press will also publish Cat Person by Seo Kim, a collection of comics by the Adventure Time storyboard artist starring herself and her cat, and 100 Crushes, which compiles artist Elisha Lim‘s gay-themed comics.
Then, in November, the company will release Distance Mover by Patrick Kyle. about a man who owns a magical vehicle that can explore the world when not fending off the evil “Ooze.”
You can find more information about all of these books, including cost and ISBN number, as well as some preview pages, below.
Creators | Anime legend Hayao Miyazaki, who announced his retirement just two months ago, is reportedly drawing a samurai manga set during the Warring States Period. Asked on the Japanese television show Sekai-ichi Uketai Jugyō over the weekend how the 72-year-old filmmaker will spend his retirement, Studio Ghibli producer Toshio Suzuki replied, “I think he will serialize a manga. From the beginning, he likes drawing about his favorite things. That’s his stress relief.” He also confirmed the manga’s setting before cutting off the line of questioning with, “He’ll get angry if I talk too much. Let’s stop talking about this.” Miyazaki has illustrated several manga over the past four decades, most notably the seven-volume Nausicaä of the Valley of the Wind. [Anime News Network]
Libraries | Mitch Stacy takes a look at the new Billy Ireland Cartoon Library and Museum at Ohio State University, which is scheduled to open this weekend with a gala celebration. [ABC News]
Graphic novels | Graphic novel sales are up 6.59 percent in comics shops, and they are also up in bookstores, according to the latest issue of ICv2’s Internal Correspondence. Sales have been increasing in the direct market for a while, but this is the first uptick in bookstore sales since the economy crashed in 2008. There seem to be several factors, including the popularity of television and movie tie-ins — the success of DC’s graphic novel program linked to Man of Steel is singled out — and a turnaround in manga sales. The article winds up with lists of the top properties in a number of different categories. [ICv2]
Digital comics | Here’s today’s news article on Crunchyroll’s new digital manga service, which offers same-day releases of 12 Kodansha manga titles for free and an all-you-can-eat service for $4.99 a month. Tomohiro Osaki interviews Japanese publishing insiders, who are upfront about the fact that this is an attempt to compete with pirate sites, and translator Matt Thorn, who says that better translations on the official site may lure readers away from scanlations. [The Japan Times]
I missed out on Pat Grant‘s debut graphic novel Blue when it was initially released in 2012. But now that Top Shelf has the book back in print, I got in touch with the Australian writer/artist to learn more about the 96-page book, described as “a fascinating blend of autobiography and fiction with a sci-fi twist.” The story has an interesting mix of several elements, including teenagers surfing, aliens with tentacles, conflict, bigotry and a quest for a dead body — all of which just scratches the surface of this ambitious work.
Cat Person, by Seo Kim: Kim, a storyboard artist for the Cartoon Network show Adventure Time, started with a challenge to draw a cartoon a day and ended up with what looks like a winsome collection of cartoons about cats and everyday life.
A Body Beneath, by Michael DeForge: DeForge was nominated for an Eisner this year for his Lose #4; this is a collection of issues 2-5 of that anthology. I don’t think I can improve on this bit of catalog text: “He has crafted a phantasmagoria of stories that feature a spider-infested pet horse head, post-apocalyptic dogs dealing with existential angst, the romantic undertones of a hired hit, and more.”
Safari Honeymoon, by Jesse Jacobs: This seems to be the one graphic novel of the batch that has a single narrative arc; it’s the story of a newlywed couple who find love and horror on a honeymoon trip through the jungle.
100 Crushes, by Elisha Lim: A collection of new and previously published queer comics set in Toronto, Berlin, and Singapore, among other locales, and including “interviews, memoirs, and gossip from an international queer vanguard.”
In case you missed it in Comics A.M., there’s a great interview with Koyama Press publisher Annie Koyama at Sequential Highway.
(via Tom Spurgeon)
Those dispirited by the end of the Brooklyn Comics and Graphics Festival now have another show to look forward to: Comic Arts Brooklyn, presented by Desert Island Books (which is owned by Brooklyn Comics and Graphics Festival co-founder Gabe Fowler).
Set for Nov. 9 at Mt. Caramel Church and the Knitting Factory in Williamsburg, Brooklyn, the inaugural event will feature such guests as Paul Auster, Michael DeForge, Lisa Hanawalt, David Mazzucchelli, Art Spiegelman and Adrian Tomine. Programming is being directed by cartoonist and editor Paul Karasik.
According to the press release, “CAB is a curated exhibition of some of the best local and international artists and publishers working in comics, graphic illustration and fine art: from the cutting-edge underground to the established, respected artists in the field.”
Read the announcement below:
The nominees have been announced for the 2013 Joe Shuster Awards, and faithful readers of Robot 6 will notice many familiar names on the list, including Fiona Staples, Brandon Graham, Jim Zubkavich, Ryan North and Darwyn Cooke. As you can see from that sampling, the nominees are broad in terms of styles and genres.
Named in honor of Superman co-creator Joe Shuster, the awards recognize the best of the Canadian comics world; nominees must be either Canadian citizens or permanent residents in Canada. The nominees are chosen by a committee and the winners by a jury, so there is no public vote. The awards will be presented Aug. 25 at a location to be announced later.
And with no further ado, here are the nominees:
• Isabelle Arsenault – Jane, le renard & moi (La Pastèque)
• Patrick Boutin-Gagné – Brögunn (Soleil)
• Stuart Immonen – All-New X-Men #1-4, AvX: VS #1, #6, Avenging Spider-Man #7, Secret Avengers #21 (Marvel Comics)
• Yanick Paquette – Swamp Thing #5, 7-9, 13-14 (DC Comics)
• Ramón K. Pérez – John Carter and the Gods of Mars #1-5, AvX:VS #6 (Marvel Comics)
• Fiona Staples – Saga #1-8 (Image Comics)
• Marcus To – Batwing #9-15, 0, The Flash #10,15, Huntress #4-6 (DC Comics)
Superheroes | Writer Jim Zubkavich tackles the burning question of why there are so few Canadian superheroes: “We don’t have a long standing superhero tradition in this country. We don’t have a long-standing focal point character people recognize (I like Captain Canuck, but the average person on the street does not know who he is). We’re not a country galvanized by heavy-duty patriotic pride that lends itself to a Superman, Captain America or even a Batman. We don’t have the kind of rampant crime that ‘needs’ a heroic symbol to fight back against.” [Zub Tales]
Digital comics | The first issue of Mark Millar’s Jupiter’s Legacy sold more than 100,000 copies in stores, but was that because he refused to allow it to be sold in digital format the same day? Steve Bennett is doubtful, because so many people (including himself) didn’t realize until the last minute it would be print-only for now. [ICv2]